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Guitar Page Header~At The Acoustic Music Company we specialise in selling guitars from small workshops. With many of these companies we are dealing directly with the Luthier who designs the instruments and in many cases has a hand in making them. These are companies who care as much about the instruments as we do and you do. If you have a enquiry or special requirement will talk to the creator of your instrument. These guitars are generally workshop rather than factory made. ~~~4904~4906~~
Vintage/Used Guitars~Vintage/Used Guitars

PLEASE PHONE FOR THE LATEST ARRIVALS, MANY USED GUITARS SELL BEFORE WE CAN GET THEM ON THE WEBSITE.

01273 671841
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Takamine AN45 - SOLD~Solid cedar and solid rosewood small jumbo with abalone rosette, in very good condition with some minor play marks. With original case.~Solid cedar and solid rosewood small jumbo with abalone rosette, in very good condition with some minor play marks. With original case.~Takamine AN45 - SOLD|g_hus_0001|~4904~13146~huss_dalton_guitar~
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Takamine AN45 - Back~~~~4904~13144~~
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Takamine PSF35c~Takamine Sante Fe PSF35c with solid cedar top, rosewood back and sides and cutaway. North West USA style turquoise fretboard inlays and wood inlaid rosette with slotted headstock. Takamine accurAcoustic active pickup and EQ. In excellent condition with original case.~Takamine Sante Fe PSF35c with solid cedar top, rosewood back and sides and cutaway. North West USA style turquoise fretboard inlays and wood inlaid rosette with slotted headstock. Takamine accurAcoustic active pickup and EQ. In excellent condition with original case.~Takamine PSF35c|g_hus_0001|~4904~13142~huss_dalton_guitar~
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Takamine PSF35c - Back~~~~4904~13140~~
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Takamine EAN20CX jumbo~Seventeen inch lower bout Jumbo in solid cedar and solid mahogany with cutaway and Takamine Acoustic DSP AD1 active pickup and EQ. In good condition with some top wear. With original case.~Seventeen inch lower bout Jumbo in solid cedar and solid mahogany with cutaway and Takamine Acoustic DSP AD1 active pickup and EQ. In good condition with some top wear. With original case.~Takamine EAN20CX jumbo|g_hus_0001|~4904~13134~huss_dalton_guitar~
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Takamine EAN20CX jumbo - Back~~~~4904~13132~~
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Takamine EAN10X dreadnought~Solid cedar and solid mahogany dreadnought with Takamine GRAPH-EX Pe-Amp. In excellent condition except two back dings and a scratch. With original case.~Solid cedar and solid mahogany dreadnought with Takamine GRAPH-EX Pe-Amp. In excellent condition except two back dings and a scratch. With original case.~Takamine EAN10X dreadnought|g_hus_0001|~4904~13137~huss_dalton_guitar~
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Takamine EAN10X dreadnought - Back~~~~4904~13135~~
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Lakewood M1 - USED~Great condition M1 withoriginal gig-bag. Lakewood donlt make this range anymore so it’s a chance to get a great guitar at a great price. With a satin finish, solid sitka spruce top, solid mahogany back and sides, ebony bridge and fingerboard with Schaller tuners this is a great value hand made OM. It has great clarity and seperation with good projection and balance, ideal for fingerpicking but strums very well to.~Great condition M1 withoriginal gig-bag. Lakewood donlt make this range anymore so it’s a chance to get a great guitar at a great price. With a satin finish, solid sitka spruce top, solid mahogany back and sides, ebony bridge and fingerboard with Schaller tuners this is a great value hand made OM. It has great clarity and seperation with good projection and balance, ideal for fingerpicking but strums very well to.~Lakewood M1 USED - USED|g_hus_0001|~4904~12800~huss_dalton_guitar~
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Lakewood M1 USED - Back~~~~4904~12797~~
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Martin T18 Tiple 1945~A nice example of a war-time Martin Tipple, 17" scale to give an idea of the size, with (Viola) hard case. Tuned like a Uke (GCEA or ADF#B) with the middle strings from the middle two courses (outside two courses are pairs, middle two are threes) an octave below, and the lowest course tuned in octaves.. The sound is reminiscent of a harpsichord, as you'd except lots of overtones and a wonderful richness and complexity.~A nice example of a war-time Martin Tipple, 17" scale to give an idea of the size, with (Viola) hard case. Tuned like a Uke (GCEA or ADF#B) with the middle strings from the middle two courses (outside two courses are pairs, middle two are threes) an octave below, and the lowest course tuned in octaves.. The sound is reminiscent of a harpsichord, as you'd except lots of overtones and a wonderful richness and complexity.~Martin T18 Tiple 1945|102|~4904~13113~martin_mandolin~
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Martin T18 Tiple 1945 - Back~~~~4904~13111~~
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Larrivee D 03 - USED~A superb guitar from Canada at well under a grand! Fantastic deep warm bases, great balance, this one has more of the dreadnought sound than many a guitar at twice the price. Solid spruce top, solid mahogany back and sides with flamed maple bindings, a classic dreadnought with hard-shell case. As new with slight shop wear.~A superb guitar from Canada at well under a grand! Fantastic deep warm bases, great balance, this one has more of the dreadnought sound than many a guitar at twice the price. Solid spruce top, solid mahogany back and sides with flamed maple bindings, a classic dreadnought with hard-shell case. As new with slight shop wear.~G Larrivee D 03|69|~4904~12892~larrivee_guitar~
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Martin D-16GT~Solid Sitka spruce and solid mahogany Martin D-16GT dreadnought in excellent condition, with a few pick-marks on the bass side above the rosette. With original case.~Solid Sitka spruce and solid mahogany Martin D-16GT dreadnought in excellent condition, with a few pick-marks on the bass side above the rosette. With original case.~Martin D-16GT|69|~4904~13148~larrivee_guitar~
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Martin D-16GT - Back~~~~4904~13150~~
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Larrivee D-02 12 string USED~A twelve string with ba**s. Fantastic warm, deep bass AND all the complex trebles and rich mids, very nice indeed. In as new condition except its previous owner tells me it has had a small back crack professionaly repaired, I can't even see the repair, with original case.~A twelve string with ba**s. Fantastic warm, deep bass AND all the complex trebles and rich mids, very nice indeed. In as new condition except its previous owner tells me it has had a small back crack professionaly repaired, I can't even see the repair, with original case.~Larrivee D-02 12 string USED|107|~4904~11026~vintage_guitar~
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Tacoma DR28~Spruce and rosewood dreadnought from Tacoma in excellent condition. A great flatpicker, lots of solid, well defined bass, strong and vibrant mids and clear trebles.~Spruce and rosewood dreadnought from Tacoma in excellent condition. A great flatpicker, lots of solid, well defined bass, strong and vibrant mids and clear trebles.~Tacoma DR28|107|~4904~12489~vintage_guitar~
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Tacoma DR28 - Back~~~~4904~12492~~
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Lakewood M14 Custom - USED~This custom M-14 has a solid cedar top, solid mahogany back and sides with gloss finish, ebony bridge and fingerboard, Schaller tuners, solid maple bindings and abalone rosette with Hiscox case. This is a great fingerstylists OM, its got fantastic balance and definition with good projection, its also very versatile working well for many styles of playing. As new with slight shop wear.~This custom M-14 has a solid cedar top, solid mahogany back and sides with gloss finish, ebony bridge and fingerboard, Schaller tuners, solid maple bindings and abalone rosette with Hiscox case. This is a great fingerstylists OM, its got fantastic balance and definition with good projection, its also very versatile working well for many styles of playing. As new with slight shop wear.~Lakewood M14 Custom - USED|g_hus_0001|~4904~12896~huss_dalton_guitar~
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Lakewood M14 Custom - Back~~~~4904~12894~~
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Lakewood D32 custom - USED~Gorgeous custom Lakewood D32 in spruce and rosewood, double abalone rosette, cutaway, bird fretboard inlay, with original case.~Gorgeous custom Lakewood D32 in spruce and rosewood, double abalone rosette, cutaway, bird fretboard inlay, with original case.~Lakewood D32 custom USED|g_hus_0001|~4904~10888~huss_dalton_guitar~
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K. Yairi FY84SBE. OM electro/spruce/rosewood/sunburst - USED~Faithful orchestra style (OM) with 1 & 3/4" nut width and 25.5" scale. Solid Sitka spruce top with scalloped braces, rosewood back and sides, ebony fingerboard on mahogany neck (dovetail joint) finished in a gorgeous gloss sunburst. Abalone inlay around the soundhole, bound and bevelled fingerboard binding. Also equipped with the Bob Wier designed pick up system. A patented Yairi invention of the direct coupled bridge allows for increased rake angle over the saddle transmitting more energy to the soundboard. This makes for more volume, sustain and overtones. This design also eliminates problems like bridge pull or sink. Tone wise you get great balance, punchy projection and lots of headroom for those louder pieces. That bit of extra string tension on a smaller body is great for DADGAD and other open tunings as you still get a good snap on the bottom and clarity in the higher registers. Fans of the golden era Martin period may also like to know that the bridge plate (the internal reinforcement of the soundboard where the bridge sits) is made of Maple, as opposed to Spruce. The Martin historian Mike Longworth believed that the maple bridge plate was a more important tonal factor of the period than that of forward shifted scalloped bracing. As new with slight shop wear.~Faithful orchestra style (OM) with 1 & 3/4" nut width and 25.5" scale. Solid Sitka spruce top with scalloped braces, rosewood back and sides, ebony fingerboard on mahogany neck (dovetail joint) finished in a gorgeous gloss sunburst. Abalone inlay around the soundhole, bound and bevelled fingerboard binding. Also equipped with the Bob Wier designed pick up system. A patented Yairi invention of the direct coupled bridge allows for increased rake angle over the saddle transmitting more energy to the soundboard. This makes for more volume, sustain and overtones. This design also eliminates problems like bridge pull or sink. Tone wise you get great balance, punchy projection and lots of headroom for those louder pieces. That bit of extra string tension on a smaller body is great for DADGAD and other open tunings as you still get a good snap on the bottom and clarity in the higher registers. Fans of the golden era Martin period may also like to know that the bridge plate (the internal reinforcement of the soundboard where the bridge sits) is made of Maple, as opposed to Spruce. The Martin historian Mike Longworth believed that the maple bridge plate was a more important tonal factor of the period than that of forward shifted scalloped bracing. As new with slight shop wear.~K. Yairi FY84SBE. OM electro/spruce/rosewood/sunburst - USED|g_goo_0005|~4904~12906~goodall_guitar~
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K. Yairi FY84SBE. OM electro/spruce/rosewood/sunburst - Back~~~~4904~12904~~
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Taylor 420 R~Excellent condition dread from Taylor in spruce and rosewood. Very well balanced, deep and resonant. With original case.~Excellent condition dread from Taylor in spruce and rosewood. Very well balanced, deep and resonant. With original case.~Taylor 420 R|107|~4904~12199~vintage_guitar~
Gibson J40 - SOLD~A J40 from the mid seventies, its been around a bit but is sound and plays well, nice deep tone. With Martin Slimline active pickup and non original case.~A J40 from the mid seventies, its been around a bit but is sound and plays well, nice deep tone. With Martin Slimline active pickup and non original case.~Gibson J40 - SOLD|107|~4904~7407~vintage_guitar~
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Hodson 503SR oval~A very fine Gypsy Jazz guitar in excellent condition from the late David Hodson. A description from his website "Based on the model made famous by the great Django Reinhardt and giving the true Gypsy sound, the 503SR body is built in the same way as the Selmer built guitars. The back and sides are formed with a triple laminate, with an open grained Mahogany to the internal face and Indian Rosewood to the outer face. The total thickness is no more than 1.8mm but very strong. The solid spruce top is also extremely thin and has very light braces. If is these factors that give this guitar its unique sound. In keeping with the original style of these guitars finishing is kept to a minimum." With under-saddle pickup.~A very fine Gypsy Jazz guitar in excellent condition from the late David Hodson. A description from his website "Based on the model made famous by the great Django Reinhardt and giving the true Gypsy sound, the 503SR body is built in the same way as the Selmer built guitars. The back and sides are formed with a triple laminate, with an open grained Mahogany to the internal face and Indian Rosewood to the outer face. The total thickness is no more than 1.8mm but very strong. The solid spruce top is also extremely thin and has very light braces. If is these factors that give this guitar its unique sound. In keeping with the original style of these guitars finishing is kept to a minimum." With under-saddle pickup.~Hodson 503SR oval|g_hus_0001|~4904~12503~huss_dalton_guitar~
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Hodson 503SR oval - Back~~~~4904~12501~~
Taylor 355ce 12 string~Excellent condition twelve string from Taylor with original case.~Excellent condition twelve string from Taylor with original case.~Taylor 355ce 12 string|107|~4904~11616~vintage_guitar~
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Kevin Parsons 12 fret small jumbo~Great looking sunburst 12 frets to the body small jumbo from Newcastle's Kevin Parsons in spruce and maple. Kevin has made instruments for George Harrison and the Stones. The guitar has good playability, solid bass, strong midrange and trebles and its very well balanced. A nice fingerstyle or plectrum player's guitar. With Hiscox case.~Great looking sunburst 12 frets to the body small jumbo from Newcastle's Kevin Parsons in spruce and maple. Kevin has made instruments for George Harrison and the Stones. The guitar has good playability, solid bass, strong midrange and trebles and its very well balanced. A nice fingerstyle or plectrum player's guitar. With Hiscox case.~Kevin Parsons 12 fret small jumbo|107|~4904~12193~vintage_guitar~
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Kevin Parsons 12 fret small jumbo - Back~~~~4904~12191~~
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Gibson L48 1954~This L48 has survived form the mid 10950s in far better shape than myself. It’s a real beauty with original pickguard and case. With latter saddle pickup.~This L48 has survived form the mid 10950s in far better shape than myself. It’s a real beauty with original pickguard an d case.~Gibson L48 1954|107|~4904~13044~vintage_guitar~
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Gibson L48 1954 - Back~~~~4904~13042~~
Gibson L48 1954 - Back~~~~4904~13045~~
Gibson L48 1954 - Back~~~~4904~13046~~
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K. Yairi DY62C. Dreadnought electro/cutaway cedar/burled mahogany - USED~Dreadnought electro acoustic cutaway, 1 & 5/16th nut width & 25.5" scale length. DBC Bridge. Endorsed by Monte Montgomery in the USA. Solid Cedar top with a gorgeous burled mahogany back and sides (sometimes called lacewood in the states), mahogany neck (dovetail joint) with ebony fingerboard and abalone rosette. The satin finish and cedar combine for a balance and punch you don't find in most electro acoustics. Sharing the DCB bridge tonal virtues of volume sustain and overtones this guitar is as happy being picked or heavily flatpicked making for a fantastic all round performer. As new with slight shop wear.~Dreadnought electro acoustic cutaway, 1 & 5/16th nut width & 25.5" scale length. DBC Bridge. Endorsed by Monte Montgomery in the USA. Solid Cedar top with a gorgeous burled mahogany back and sides (sometimes called lacewood in the states), mahogany neck (dovetail joint) with ebony fingerboard and abalone rosette. The satin finish and cedar combine for a balance and punch you don't find in most electro acoustics. Sharing the DCB bridge tonal virtues of volume sustain and overtones this guitar is as happy being picked or heavily flatpicked making for a fantastic all round performer. As new with slight shop wear.~K. Yairi DY62C. Dreadnought electro/cutaway cedar/burled mahogany - USED|g_goo_0005|~4904~12901~goodall_guitar~
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K. Yairi DY62C. Dreadnought electro/cutaway cedar/burled mahogany - Back~~~~4904~12899~~
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Fylde Alexander with Baggs element pickup~Alexander in mahogany and cedar from Mr Bucknall with pickup by Mr baggs. Excellent condition with some light playing marks on the top. With original Hiscox case and warranty card.~Alexander in mahogany and cedar from Mr Bucknall with pickup by Mr baggs. Excellent condition with some light playing marks on the top. With original Hiscox case and warranty card.~Fylde Alexander with Baggs element pickup|g_goo_0005|~4904~13027~goodall_guitar~
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Fylde Alexander with Baggs element pickup - Back~~~~4904~13025~~
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Ovation 2006 Collector's Edition Koa USED~As new Ovation with case.~Excellent condition rosewood Taw with original case, see new for details.~Ovation 2006 Collector%27s Edition Koa USED|g_bro_0001|~4904~11815~brook_guitar~
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Martin D28 1975 with Fishman matrix pickup~Well used D28, sounds great, with case.~Well used D28, sounds great, with case.~Martin D28 1975 with Fishman matrix pickup|31|~4904~11435~everett_guitar~
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Martin D28 1975 with Fishman matrix pickup - Back~~~~4904~11433~~
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Vince Hockey parlour blues spruce /mahogany~Beautiful parlour blues guitar from Southampton's Vince Hockey in solid spruce and solid maple with Waverly tuners, gorgeous abalone fish fretboard inlays, rosewood body bindings and ebony fingerboard and bridge. Fantastic balance and separation, a brilliant punchy blues axe. With case.~Beautiful parlour blues guitar from Southampton's Vince Hockey in solid spruce and solid maple with Waverly tuners, gorgeous abalone fish fretboard inlays, rosewood body bindings and ebony fingerboard and bridge. Fantastic balance and separation, a brilliant punchy blues axe. With case.~Vince Hockey parlour blues spruce /mahogany|31|~4904~12709~everett_guitar~
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Vince Hockey parlour blues spruce /mahogany - Back~~~~4904~12707~~
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Martin HD28~Great condition HD28 with some minor playing marks. With original case.~Great condition HD28 with some minor playing marks. With original case.~Martin HD28|31|~4904~12875~everett_guitar~
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Martin HD28 - Back~~~~4904~12873~~
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Bown Tiple~All Koa Tiple from Ralph Bown with undersaddle pickup. Ralph is one of the UK's top solo guitar builders... he knows how to make a tiple too. Tuned like a Uke (GCEA or ADF#B) but sounding a million miles away this beautiful piece of work produces a rich tapestry of complex tones. The strings are grouped 2, 3, 3, 2, with the middle string in each set of three an octave below and the lower course also an octave apart.~All Koa Tiple from Ralph Bown with undersaddle pickup. Ralph is one of the UK's top solo guitar builders... he knows how to make a tiple too. Tuned like a Uke (GCEA or ADF#B) but sounding a million miles away this beautiful piece of work produces a rich tapestry of complex tones. The strings are grouped 2, 3, 3, 2, with the middle string in each set of three an octave below and the lower course also an octave apart.~Bown Tiple|59|~4904~13105~unknown_mandolin~
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Bown Tiple~~~~4904~13103~~
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Larrivee OM-09 with element dual source under saddle pickup~Larrivee OM-09 Custom all Koa with curly maple bindings and an abalone rosette. With element dual source pickup and new Hiscox case. An absolute stunner - some of the most spectacular Koa I have seen - from Mr Larrivee, it has the clarity, balance and projection typical of Koa and is in excellent condition.~Larrivee OM-09 Custom all Koa with curly maple bindings and an abalone rosette. With element dual source pickup and new Hiscox case. An absolute stunner - some of the most spectacular Koa I have seen - from Mr Larrivee, it has the clarity, balance and projection typical of Koa and is in excellent condition.~Larrivee OM-09 with element dual source under saddle pickup|g_hus_0001|~4904~12742~huss_dalton_guitar~
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Larrivee OM-09 with element dual source under saddle pickup~~~~4904~12740~~
Larrivee OM-09 with element dual source under saddle pickup~~~~4904~13131~~
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Huss and Dalton DM - USED~A great dreadnought in spruce and mahogany with cury maple body binding, marquetry back strip, gold Scaler tuners and ebony bound ebony fretboard. This is the loudest dreadnough we've had in, it has a very open sound with great attack and sustain, solid bass and good projection. Very slight shop wear only.~A great dreadnought in spruce and mahogany with cury maple body binding, marquetry back strip, gold Scaler tuners and ebony bound ebony fretboard. This is the loudest dreadnough we've had in, it has a very open sound with great attack and sustain, solid bass and good projection. Very slight shop wear only.~Huss and Dalton DM|g_hus_0001|~4904~13129~huss_dalton_guitar~
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Huss and Dalton DM - Back~~~~4904~13127~~
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Guild JF 30 12 - USED~Made in Westerly Rhode Island this is a very sought after Guild twelve string. In fantastic condition it has that immense sound the a good Jumbo twelve should. With original case.~Made in Westerly Rhode Island this is a very sought after Guild twelve string. In fantastic condition it has that immense sound the a good Jumbo twelve should. With original case.~Guild JF 30 12 - USED|g_hus_0001|~4904~12805~huss_dalton_guitar~
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Guild JF 30 12 - Back~~~~4904~12803~~
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Epiphone Texan 1967 - USED~This classic looks like it left the lone star state (via Kalamazoo, Michigan of course) when Ameyrika's president and life long Texan (!) Lyndon B Johnson lost Mr McNamara due to his recommendations about the Vietnam War and Loretta Lynn and Buck Owens were in the charts. It looks like its been on the road ever since. Structurally sound, with non original Kluson style tuners, non adjustable bridge, typical varnish crazing, the case is somewhere between here and there but definitely not here. If you know the sound of a Texan you'll know what to expect.~This classic looks like it left the lone star state (via Kalamazoo, Michigan of course) when Ameyrika's president and life long Texan (!) Lyndon B Johnson lost Mr McNamara due to his recommendations about the Vietnam War and Loretta Lynn and Buck Owens were in the charts. It looks like its been on the road ever since. Structurally sound, with non original Kluson style tuners, non adjustable bridge, typical varnish crazing, the case is somewhere between here and there but definitely not here. If you know the sound of a Texan you'll know what to expect.~Epiphone Texan 1967 - USED|g_hus_0001|~4904~12810~huss_dalton_guitar~
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Epiphone Texan 1967 - Back~~~~4904~12808~~
Epiphone Texan 1967 - Back~~~~4904~12812~~
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Bourgeois OM custom USED~Excellent condition Custom OM from Dana Bourgeois in sitka and mahogany with abalone rosette and tortoise bindings. Incredible balance, clarity and projection, perfect for fingerstyle and delicate playing but with plenty of ooomph when desired, it would be hard to find a more versatile guitar. With original case.~Excellent condition Custom OM from Dana Bourgeois in sitka and mahogany with abalone rosette and tortoise bindings. Incredible balance, clarity and projection, perfect for fingerstyle and delicate playing but with plenty of ooomph when desired, it would be hard to find a more versatile guitar. With original case.~Bourgeois OM custom USED|g_goo_0005|~4904~11623~goodall_guitar~
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Bourgeois OM custom USED - Back~~~Goodall Aloha Grand Concert koa/mahogany - Back|!728|~4904~11621~~
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Breedlove C22-R - USED~From 2000 spruce rosewood C22 in excellent condition. With original case.~From 2000 spruce rosewood C22 in excellent condition. With original case.~Breedlove C22-R - USED|g_goo_0005|~4904~12880~goodall_guitar~
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Breedlove C22-R - Back~~~Goodall Aloha Grand Concert koa/mahogany - Back|!728|~4904~12878~~
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Layout Table~~~~4904~12715~~
Martin D35 1975~75 D35 in average to good condition, with original case.~75 D35 in average to good condition, with original case.~Martin D35 1975|g_goo_0005|~4904~12714~goodall_guitar~
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Martin D35 1975 - Back~~~Goodall Aloha Grand Concert koa/mahogany - Back|!728|~4904~12712~~
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Taylor 910 spruce/rosewood~Some very tasty inlays on this 910, its about ten years old, in excellent condition and with original case.~Some very tasty inlays on this 910, its about ten years old, in excellent condition and with original case.~Taylor 910 spruce/rosewood|31|~4904~12207~everett_guitar~
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Taylor 910 spruce/rosewood - Back~~~~4904~12205~~
Taylor 910 spruce/rosewood - Close Up~~~~4904~12209~~
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Charles Hoffman Concert Enleman spruce/AAAA Koa - SOLD~Charlie Hoffman was one of the first wave of new American luthiers in the early 1970s. He was mentor to James Olson and is highly regarded for his responsive an beautiful guitars. This spruce/koa 2002 Concert model (fifteen and a quarter inch lower bout) has more bass and sustain than many Koa guitars but retains Koa's typical incredible clarity and separation. Great projection and balance with warm bass and rich mids and very precise trebles. With beautiful AAAA koa back and sides, tight, even grained Engleman top, herringbone purfling and rosette, if you like your guitars to look as amazing as they sound this might be the one... With original case.~Charlie Hoffman was one of the first wave of new American luthiers in the early 1970s. He was mentor to James Olson and is highly regarded for his responsive an beautiful guitars. This spruce/koa 2002 Concert model (fifteen and a quarter inch lower bout) has more bass and sustain than many Koa guitars but retains Koa's typical incredible clarity and separation. Great projection and balance with warm bass and rich mids and very precise trebles. With beautiful AAAA koa back and sides, tight, even grained Engleman top, herringbone purfling and rosette, if you like your guitars to look as amazing as they sound this might be the one... With original case.~Charles Hoffman Concert Enleman spruce/AAAA Koa - SOLD|31|~4904~12215~everett_guitar~
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Charles Hoffman Concert Enleman spruce/AAAA Koa - Back~~~~4904~12213~~
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Layout Table~~~~4904~12690~~
Bourgeois Vintage OM Adirondack/Walnut with Rare Earth pickup USED~One of my favourite guitars in my favourite wood. Dana's OM is a classic of modern guitar making, with the (beautiful) walnut it has an incredible rich and complex tone. Deduct Ł180 if you don't want the pickup, with original case.~One of my favourite guitars in my favourite wood. Dana's OM is a classic of modern guitar making, with the (beautiful) walnut it has an incredible rich and complex tone. Deduct Ł180 if you don't want the pickup, with original case.~Bourgeois Vintage OM Adirondack/Walnut with Rare Earth pickup USED|107|~4904~12689~vintage_guitar~
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~~4904~12688~~
Bourgeois Vintage OM Adirondack/Walnut with Rare Earth pickup USED - Back~~~~4904~12687~~
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Collings C10 Spruce/Mahogany - USED~A tad smaller than the OM (14 3/4" lower bout) the C10 in spruce and mahogany has scalloped (pre-war style) bracing, ebony fingerboard and bridge, and nickel Schaller mini tuners, a very tidy package. I am amazed (yet again) at the sound from a small bodied guitar, the team at Collings have ecxelled themselves again, it has a very full sound with great balance and presence, and sweet tone. Slight shop wear.~A tad smaller than the OM (14 3/4" lower bout) the C10 in spruce and mahogany has scalloped (pre-war style) bracing, ebony fingerboard and bridge, and nickel Schaller mini tuners, a very tidy package. I am amazed (yet again) at the sound from a small bodied guitar, the team at Collings have ecxelled themselves again, it has a very full sound with great balance and presence, and sweet tone. Slight shop wear.~Collings C10 Spruce/Mahogany - USED|g_col_0004|~4904~13065~vintage_guitar~
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~~4904~13064~~
Collings C10 Spruce/Mahogany - Back~~~~4904~13063~~
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Collings OM1 - USED~A classic OM in spruce and mahogany with tortoise binding and Waverly tuners from Bill and the master craftsfolk in Austin. That legendary build quality and tone to match. Fantastic balance and seperation, warm, well defined bass tones with rich mids and clear ringing trebles. Great playability, build quality and tone. With hardshel case. Slight shop wear and one ding on the side, upper bout treble side, from a dropped slide.~A classic OM in spruce and mahogany with tortoise binding and Waverly tuners from Bill and the master craftsfolk in Austin. That legendary build quality and tone to match. Fantastic balance and seperation, warm, well defined bass tones with rich mids and clear ringing trebles. Great playability, build quality and tone. With hardshel case. Slight shop wear and one ding on the side, upper bout treble side, from a dropped slide.~Collings OM1 - USED|g_col_0001|~4904~13070~vintage_guitar~
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~~4904~13069~~
Collings OM1 - BACK~~~~4904~13068~~
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Bourgeois OMC custom USED~Beautiful custom OMC from Dana with abalone rosette and maple body binding upgrades, with original case. Guitars don’t come much more versatile than this. Fantastic playability right up to the top with amazing definition and projection with the rich and complex tones of a bourgeois OM, in rosewood and Engleman spruce.~Beautiful custom OMC from Dana with abalone rosette and maple body binding upgrades, with original case. Guitars don’t come much more versatile than this. Fantastic playability right up to the top with amazing definition and projection with the rich and complex tones of a bourgeois OM, in rosewood and Engleman spruce.~Bourgeois OMC custom USED|107|~4904~12788~vintage_guitar~