Flinthills A5 artist~Beautiful black-top Artist A5 from Mark with Adirondack red spruce top, flamed maple back and sides, tone bar bracing, triple bound top back and headstock, single bound Ebony radiussed fretboard, Cumberland Acoustic Ebony bridge, bone nut, Allen solid cast tailpiece, Grover tuners and a TKL hard case. That's a lot of upmarket features on a stunning mandolin. It has a fantastic clear and loud chop with bass and resonance enough to make it a great all rounder, some f hole mandolins are too dry for other styles than bluegrass but not this one.~Beautiful black-top Artist A5 from Mark with Adirondack red spruce top, flamed maple back and sides, tone bar bracing, triple bound top back and headstock, single bound Ebony radiussed fretboard, Cumberland Acoustic Ebony bridge, bone nut, Allen solid cast tailpiece, Grover tuners and a TKL hard case. That's a lot of upmarket features on a stunning mandolin. It has a fantastic clear and loud chop with bass and resonance enough to make it a great all rounder, some f hole mandolins are too dry for other styles than bluegrass but not this one.~Flinthills A5 artist|!712|~11445~12837~~
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Flinthills A4 artist~Spruce top, quilted maple back and sides, ebony headstock overlay and fretboard, Cumberland Acoustics ebony bridge, bleached bone nut, Allen sold/cast gold tailpiece, gold Grover tuners, abalone rosette with rope surround, mother of pearl logo and fleur-delis headstock inlay, flamed maple back, top fingerboard and headstock binding with coach lines, TKL prestige case... phew... that's a lora goodies. The sound is amazing, if I hadn't become so attached to my Flinthills I might be swapping. It has immense bass, warm and deep with good definition, rich and complex mids and clear, sweet trebles.~Spruce top, quilted maple back and sides, ebony headstock overlay and fretboard, Cumberland Acoustics ebony bridge, bleached bone nut, Allen sold/cast gold tailpiece, gold Grover tuners, abalone rosette with rope surround, mother of pearl logo and fleur-delis headstock inlay, flamed maple back, top fingerboard and headstock binding with coach lines, TKL prestige case... phew... that's a lora goodies. The sound is amazing, if I hadn't become so attached to my Flinthills I might be swapping. It has immense bass, warm and deep with good definition, rich and complex mids and clear, sweet trebles.~Flinthills A4 artist|!712|~11445~12416~~
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Flinthills F5 special~Our first F5 from Mark and it’s a beauty. Gorgeous Autumn brown gloss sunburst, single bound top and back, solid cast Allen tailpiece, tight tiger striped flamed maple back and sides and mother of pearl logo and headstok inlay. Its loud with powerfull mids giving a great 'woof' of air from a chop chord, solid and woody bases and clear, well defined sharp trebles. Great for bluegrass, as mentioned, but it also has a richness in tone to make it a very versatile mandolin. With TKL case.~Our first F5 from Mark and it’s a beauty. Gorgeous Autumn brown gloss sunburst, single bound top and back, solid cast Allen tailpiece, tight tiger striped flamed maple back and sides and mother of pearl logo and headstok inlay. Its loud with powerfull mids giving a great 'woof' of air from a chop chord, solid and woody bases and clear, well defined sharp trebles. Great for bluegrass, as mentioned, but it also has a richness in tone to make it a very versatile mandolin. With TKL case.~Flinthills F5 special|!712|~11445~12162~~