Wow! The bass of a dreadnought but much, much more. A dread I could take home.. want to take home.

Someone who played it before it crossed the pond commented "Sounds like a dread with some sophistication.".. that's a great way to put it.

The neck is adjustable to change the action so you can go from powerhouse picking to gentle fingerstyle in a jiffy.

Kent says "One of the things I've worked hard on and am really happy with about this guitar is the blend of the traditional and contemporary. I grew up in North Carolina around a lot of Bluegrass and traditional Appalachian music but there are plenty of people building traditional dreads and doing a great job of it. I wanted to build something that gave a nod to that tradition but was decidedly my own."

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• Adirondack top
• Sapele back and sides
• 14 frets to the body
• 25.4” scale
• 1 11/16” nut width
• 2 1/8” string spacing at saddle
• 15.5” lower bout
• Kahya neck
• No cutaway
• Arrow purfled wood top border
• Walnut bindings
• Ebony headstock veneer
• MoP dot position markers (with side dots)
• Snakewood/bloodwood segmented rosette
• Wood back strip
• Mother of pearl logo
• Ebony elevated fretboard
• Ebony bridge
• Schaller mini tuners
• Ebony tuner buttons
• Bone nut and saddle
• Ebony bridge pins
• Clear pickguard
• Ameritage custom deluxe case