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  1. Wilborn OM - Adirondack & Figured Honduran Mahogany

    Wilborn OM - Adirondack & Figured Honduran Mahogany

    £2,799.00
     
    In stock
    Finance available (UK residents only) from £80.66 per month with 10% deposit


    This is my fifth guitar from Ben and its another stunner!

    Its loud, its rich, its full, its warm, it has great definition and projection, it has fantastic note separation from down low to the highest notes, its wonderful!

    Top - Adirondack Spruce
    Back & sides - Figured Honduran Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.1mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 15 1/8"
    Upper bout width - 22.22"
    Body depth at base -3.94"

    Sunburst finish - Oval soundport - MoP logo - Curly maple purfling - Leopardwood bindings Ebony headstock veneer - Leopardwood rear headstock veneer - Curly maple/leopardwood backstrip - MoP position markers (with side dots) - Curly maple/leopardwood rosette - Ebony bridge - Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
  2. Wilborn OM - Lutz Spruce & Figured Maple

    Wilborn OM - Lutz Spruce & Figured Maple

    Out of stock
    My fourth from Ben, the other three sold very quickly. This is another beautiful work of art with very a sweet and well balanced tone. Individual note clarity is excellent with great definition and full notes from bottom to top and it has remarkable playability.

    • Lutz top
    • Figured Myrtle back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Peruvian walnut neck
    • Bone logo
    • B/W/B purfling
    • Bloodwood bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Bloodwood backstrip
    • Corian position markers (with side dots)
    • Bloodwood rosette
    • Ebony fretboard
    • Ebonized black walnut bridge
    • Grover sta-tite tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Access case

    Wilborn OM - Lutz Spruce & Figured MapleWilborn OM - Lutz Spruce & Figured MapleWilborn OM - Lutz Spruce & Figured Maple


  3. Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Out of stock
    David Wren says.

    "Forget about how gorgeous this instrument is ... forget about the craftsmanship chops this veteran builder brings to the table ... I had the pleasure of playing this one and ... it has one of the most responsive, powerful and complex tonalities I've played in ages ... LOVE this guitar!"

    I can't really add much except to say its bloody marvellous.

    • Adirondack Spruce top
    • Tropical figured Mahogany back and sides
    • Bound oval soundport
    • 12 frets to the body
    • 25 ½” scale
    • 1/3/4” nut width
    • 2 3/8” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Black/white/black wood lines with figured Mahogany purfling
    • Tasmanian Tiger Myrtleb indings
    • Tasmanian Tiger Myrtle headstock veneer
    • Black backstrip
    • No position markers (with side dots)
    • Paua shell, figured Mahogany and b/w/b wood lines rosette
    • Bound ebony fretboard
    • Pyramid ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL tweed case

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
  4. de Jonge Standard - Redwood & Figured Bubinga (used)

    de Jonge Standard - Redwood & Figured Bubinga (used)

    Out of stock
    This is on consignment. The owner is looking for a quick sale so it has been reduced by 20% from £4960 to £3965.

    Made in 2011. In excellent condition.

    An incredibly beautiful guitar from Sergei, and incredible sound. Its warm and full with outstanding balance. As I keep saying only the very best luthiers can combine tonal qualities that to lesser mortals would be mutually exclusive. To get this level of warmth with great separation, clarity and attack is a remarkable achievement.

    • Figured redwood top
    • Figured bubinga back and sides
    • 14” frets to the body
    • 25.4” scale
    • 1 ¾”nut width
    • Round soundport
    • 2 3/16”string spacing at saddle
    • 15 ½” lower bout
    • Honduras mahogany neck
    • Padauk and maple purfling
    • Ebony bindings
    • Figured bubinga headstock veneer
    • Figured bubinga rear headstock veneer
    • backstrip
    • No position markers (with side dots)
    • Spalted box elder rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)


  5. Rein RJN-113 - Lutz Spruce & Figured Mahogany

    Rein RJN-113 - Lutz Spruce & Figured Mahogany

    £3,375.00
     
    In stock
    Finance available (UK residents only) from £97.26 per month with 10% deposit

    My first from Tom and what a beauty! Luscious mahogany richness with fantastic clarity and sweet tone. There is complexity and character in all tonal ranges from the strong and well defined bass notes through the full mids to the clear ringing trebles.

    With Tom's adjustable action it can be adjusted in a jiffy from low action for delicate fingerstyle to higher for a pick. Versatility doesn't get any more versatile than this.

    Top - Lutz Spruce
    Back & sides - Figured Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Superior tan leather

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C/D
    Nut width - 44.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.2mm
    Lower bout width - 14 7/16"
    Upper bout width - 10.63"
    Body depth at base - 4.33"

    Satinwood logo - Dyed green purfling - Rosewood bindings - Ziricote headstock veneer - Rope backstrip - No position markers (with side dots) - Rope rosette - Ebony bridge - Gotoh open back tuners - Nickel tuner buttons - Bone nut and saddle - • Bone bridge pins - No pickguard

    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
  6. Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Out of stock
    Very lightly used with two small dings on the top, too light to photograph and some varnish wear.

    This really is the bee's knees. Its the fifth Parlour Retreaux I've had from Mike. The figured Bubinga is the most spectacular I've seen. The tone is very warm with fantastic depth.

    • Italian Spruce top
    • Beeswing Figured Bubinga and sides
    • 12 3/8” lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with Koa purflings
    • 13th fret neck joint
    • Cream/Red striped Acrylic accents and rosette
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Cosmo Black mini Gotoh 510 Tuners with Black Buttons
    • Black Binding with Koa top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga


  7. Petros FS - Redwood & Figured Claro Walnut 2008 (used)

    Petros FS - Redwood & Figured Claro Walnut 2008 (used)

    Out of stock
    A wonderful Petros Ultralite. Beautiful sweet tone and as light as a feather! This is a very responsive guitar with great warmth and complexity, deep lush bass notes, very characterful mids and sweet and clear trebles. It plays like a dream with great balance and projection.

    Redwood top
    Figured Claro walnut back and sides
    Butternut neck
    25 1/2" scale
    1 25/32" nut width
    2 1/4" string spacing at saddle
    14 5/8" lower bout
    Figured Claro walnut headstock veneer
    Bolivian rosewood bindings
    Amboyna burl purflings
    Bolivian rosewood back strip
    Amboyna burl rosette
    Bone nut and saddle
    Ebony fretboard
    Ebony bridge
    Abalone inlaid logo
    Abalone dot position markers
    Gotoh tuners
    Bolivian rosewood tuner buttons
    Clear pickguard
    TKL American Vintage Series with moisture controll case


    Petros FS - Redwood & Figured Claro Walnut 2008 (used)Petros FS - Redwood & Figured Claro Walnut 2008 (used)Petros FS - Redwood & Figured Claro Walnut 2008 (used)


  8. Wilborn L - Engelmann & Cocobolo

    Wilborn L - Engelmann & Cocobolo

    Out of stock
    I saw this beauty at the Healdsburg Guitar Festival and couldn't resist it. One of the pleasures of Healdsburg is discovering new talent and meeting luthiers like Ben.

    Well, to coin the old cliché it sounds as good as it looks. It has rich warm tones and great clarity with the volume of a much bigger guitar, great balance from down low all the way to the top and fantastic playability. Another I want to take home.

    • Engelmann spruce top
    • Cocobolo back and sides
    • Sharp cutaway
    • Oval soundport
    • 14 frets to the body
    • 24.9” scale
    • 1 13/16” nut width
    • 2 3/16” string spacing at saddle
    • 14 ¼” lower bout
    • Peruvian walnut neck
    • MoP logo
    • Ebony/bloodwood purfling
    • Bloodwood bindings
    • Bound ebony headstock veneer
    • Ebony rear headstock veneer
    •Bloodwood backstrip
    • No position markers (with side dots)
    • Bloodwood rosette
    •Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo


  9. Wilborn OM - Red Cedar & Macassar Ebony

    Wilborn OM - Red Cedar & Macassar Ebony

    Out of stock

    I've never had a guitar in before at even twice this price in Macassar Ebony! Add Ben's fantastic skill and workmanship and you have a wonderful guitar at a very reasonable price.

    The combination of Macassar ebony and cedar gives the incredible depth and definition of ebony AND the warmth of cedar making it a very expressive guitar. Deep and well defined at the low end, warm and rich in the mid-range and with clear and precise trebles, fantastic!


    • Red cedar top
    • Macassar ebony back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾ nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • Bone logo
    • B/W purfling
    • Bloodwood bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Blood backstrip
    • Position markers (with side dots)
    • Bloodwood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schaller Grandtune tuners
    • Black chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Superior case


    Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony


  10. Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Out of stock
    I'm gobsmaked! This beauty from Nick is light and very responsive. It has that illusive combination of incredible clarity, definition and projection with warmth, depth and complexity. If you like to be very expressive in your playing this amazing guitar will convey every feeling from melancholia to joy and rage.

    • Adirondack top
    • Figured mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured Mahogany


  11. Matsuda M2 - Sitka & Figured Sapele (used)

    Matsuda M2 - Sitka & Figured Sapele (used)

    Out of stock
    I'm lost for words. The work of a genius.

    Michi used a titanium truss rod on this guitar, he says it is the lightest instrument he has made. It is incredibly responsive with deep, warm and clear tone and has great balance with strong and well defined bass notes, rich and complex mids and full, clear trebles and the resonance of a bigger guitar. As I've said before it takes a master to combine qualities that would be either/or in lesser instruments. Built in 2010.


    • Sitka spruce top
    • Quilted sapele back and sides
    • 24.75” scale
    • 1 23/32" nut width
    • 2 ¼" string spacing at saddle
    • 14 5/16" lower bout
    • Titanium truss rod
    • Sculpted heel
    • African blackwood/Cocobolo headstock veneer
    • Rosewood bindings
    • Rosewood backstrip
    • Abalone rosette
    • Bone nut and saddle
    • Wenge fretboard
    • Wenge bridge
    • Maple/Cocobolo/Maple purflings
    • MOP/Abalone position markers
    • Waverly tuners
    • Ebony tuner buttons
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Matsuda M2 - Sitka & Figured Sapele (used)Matsuda M2 - Sitka & Figured Sapele (used)Matsuda M2 - Sitka & Figured Sapele (used)


  12. LeGeyt CLM figured mahogany acoustic guitar - sold

    LeGeyt CLM figured mahogany acoustic guitar - sold

    Out of stock

    I liked the tone of the last CLM from Burton so much that I asked him to make this one as close as possible. This is another example of why mahogany is so popular, its been one of my favourite back and side woods for a long while now.

    Its another very light and responsive guitar with wonderful warm and sweet mahogany tones, full and rich bass notes, sweet and complex mids and clear, well defined trebles. And some stunning flamed mahogany with Burton's signature black neck, what a beauty.

    • Lutz spruce top
    • Curly Honduran mahogany back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 5/8” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Blackened Spanish cedar neck
    • Curly maple purfling
    • Mahogany and African blackwood bindings
    • Madagascar rosewood headstock veneer
    • Spanish cedar rear headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case


    LeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - sold


  13. Kraut modified dreadnought koa acoustic guitar

    Kraut modified dreadnought koa acoustic guitar

    Out of stock
    There is an Acoustic Magazine review of this guitar here.

    This is a truly incredible guitar! It responds equally well to the lightest caress or a heavy pick, it will do it all. The bass notes are big, fat and warm and have great definition. The mids are sweet, full and complex with clarity and depth. The trebles have the same volume as all the other notes and are very clear with a bell-like fullness.

    • Bearclaw sitka spruce top
    • Figured Koa back and sides
    • Sharp cutaway
    • 14 frets to the body
    • 25 ¼” scale
    • 1 25/32” nut width
    • 2 ¼”string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Black/white purfling
    • Ebony bindings
    • Figured koa headstock veneer
    • Figured koa rear headstock veneer
    • Ebony backstrip
    • No position markers (with side brass dots)
    • Custom rosette
    • Ebony fretboard
    • Ebony bridge
    • Alessi tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hoffee case

    Kraut modified dreadnought koa acoustic guitarKraut modified dreadnought koa acoustic guitarKraut modified dreadnought koa acoustic guitar


  14. Wren Remuda Madagascar rosewood acoustic guitar - sold

    Wren Remuda Madagascar rosewood acoustic guitar - sold

    Out of stock
    £4495. SOLD

    Another truly awesome guitar from David. The last three from him sold within days of arriving...

    This guitar has everything, volume, definition, separation, balance, deep and warm tone, excellent projection and fantastic playability. From the lightest fingerstyle to a heavy pick it responds perfectly.

    • Master grade Lutz top
    • Madagascar rosewood back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1.77”/45mm nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Highly figured sapele purfling
    • Highly figured sapele bindings
    • Madagascar rosewood headstock veneer
    • Madagascar rosewood rear headstock veneer
    • Figured sapele backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - sold


  15. de Jonge OM - Sitka & Rosewood (used)

    de Jonge OM - Sitka & Rosewood (used)

    Out of stock


    Fantastic rosewood OM from Sergei. It sounds very rich and full with great balance and clarity, its very responsive and a joy to play.

    In very good condition with some clouding in the finish, hard to see and not possible to photograph. Good action but not much left on the saddle. The new price was £5395.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 5/16” lower bout
    • Mahogany neck
    • Maple/padauk purfling
    • Figured sapele bindings
    • Rosewood headstock veneer
    • No position markers (with side dots)
    • Figured sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Ebonoid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    de Jonge OM - Sitka & Rosewood (used)de Jonge OM - Sitka & Rosewood (used)de Jonge OM - Sitka & Rosewood (used)


  16. Collings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard

    Collings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard

    £5,175.00
     
    In stock
    Finance available (UK residents only) from £149.14 per month with 10% deposit
    Customised for TAMCO to my specifications, with incredible quilted maple back and sides, this is a very special mandola.

    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package. Mandolas don't get any better than this.

    Select Adirondack spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid binding
    Satin nitrocellulose lacquer finish
    Bound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 11/16" Bone nut
    15.9" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Collings deluxe hardshell case

    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
  17. Collings MT mandolin amber gloss top

    Collings MT mandolin amber gloss top

    Out of stock
    Wow! This is a real stunner. And it sounds even better that it looks. Great for all styles, plenty of power, punch and chop for bluegrass and lots of depth and warmth, making it very versatile, it responds beautifully to a heavy pick or a light touch.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin amber gloss topCollings MT mandolin amber gloss topCollings MT mandolin amber gloss top


  18. Collings MT mandolin

    Collings MT mandolin

    Out of stock
    This is Collings' entry level mandolin but it has everything you would expect from Collings. It has great volume with a fantastic and powerful bluegrass chop, strong bass notes, warm and complex mids and clear trebles. Its much more than a bluegrass cannon with a very full tone that is great for all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolinCollings MT mandolinCollings MT mandolin


  19. Collings MT Mandolin - Gloss Top

    Collings MT Mandolin - Gloss Top

    £3,215.00
     
    In stock
    Finance available (UK residents only) from £92.65 per month with 10% deposit
    This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant sound, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
  20. Collings MT mandolin black gloss top & ivoroid binding

    Collings MT mandolin black gloss top & ivoroid binding

    Out of stock
    Gorgeous blacktop from the team in Texas! This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant tone, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid binding


  21. Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    £3,195.00
     
    In stock
    Finance available (UK residents only) from £92.08 per month with 10% deposit
    I like Collings cream top finish so much that I have ordered it for my custom mandola (and being greedy on a Girouard mandola as well). To use one of my favourite Clichés it sounds as good as it looks. Fantastic in all departments, rich, full and well defined in the bass department, sweet and warm in the mids and clear and rich trebles. A mandolin for all occasions and all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
  22. Collings MTO mandolin with gloss top

    Collings MTO mandolin with gloss top

    Out of stock
    'Modern' oval hole sound with all the depth and richness you would want from an oval holed mandolin but with great volume, clarity and projection. It even has a good bluegrass chop, rare in oval holed mandolin and It also has the gloss top upgrade.

    Collings usual impeccable workmanship and beautiful woods, this is a stunning mandolin.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    X-bracing
    Tortoise-style top binding
    Tortoise rosette and bound soundhole
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22 frets, neck joins the body at the 13th fret
    V shaped neck profile with 1 9/16" string spacing
    7"-11 5/8" Compound fingerboard radius
    1 3/16" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MTO mandolin with gloss topCollings MTO mandolin with gloss topCollings MTO mandolin with gloss top


  23. Collings MTO Mandolin - Sheraton Brown Gloss Top

    Collings MTO Mandolin - Sheraton Brown Gloss Top

    £3,375.00
     
    In stock
    Finance available (UK residents only) from £97.26 per month with 10% deposit
    This is unbelievably loud. If you are looking for the richness and depth of a great oval hole mandolin and volume and power to match any f holed mandolin, look no further. This beauty has all the resonance and warmth you would expect from an oval holed mandolin but with great volume and projection.

    Add Collings' usual impeccable workmanship and beautiful woods and you have an amazing mandolin.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    X-bracing
    Tortoise-style top binding
    Tortoise rosette and bound soundhole
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22 frets, neck joins the body at the 13th fret
    V shaped neck profile with 1 9/16" string spacing
    7"-11 5/8" Compound fingerboard radius
    1 3/16" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
  24. Collings MT2 Mandolin

    Collings MT2 Mandolin

    Out of stock
    Collings' top of the range A model, stunning woods, immaculate workmanship and oh that Collings tone. It has a very clear sound with great depth, balance and one of the loudest chops I've heard. It has that amazing combination of warmth/resonance and projection, great for bluegrass and almost anything else.

    Select Adirondack spruce top
    Premium figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Grained ivoroid top/back/neck & peghead binding
    Black/white purflings
    Full high-gloss nitrocellulose lacquer finish
    Bound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay w/Collings logo and flourish inlay
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel or gold tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT2 MandolinCollings MT2 MandolinCollings MT2 Mandolin


  25. Poling Sierra walnut/cedar - sold

    Poling Sierra walnut/cedar - sold

    Out of stock
    A wonderful fingerstyle instrument from Ohio luthier Brock Poling. Light, warm and responsive with a beautifully carved neck that fades from a matt finish to a gloss when it meets the headstock.


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    * Highly figured black walnut back and sides
    * AAAA western red cedar top
    * 25 ½” scale
    * 1 3/4” nut
    * 2 5/16” string spacing at saddle
    * 15” lower bout
    * Soundhole bound with rosewood
    * Rosewood/red abalone rosette
    * Rosewood bindings
    * Rosewood end graft
    * Maple purfling
    * Bone bridge pins
    * Bone saddle
    * Bone nut
    * Neck; mahogany/rosewood veneer/mahogany w dual carbon fibre rods
    * MoP headstock inlay
    * Rosewood backstrip
    * Fingerboard Madagascar rosewood, bound in matching rosewood
    * Fingerboard radius 14"
    * No fingerboard markers
    * No pickguard
    * Waverly tuners
    * Custom Ameritage climate controlled case

    Poling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - sold
    Poling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - sold
    Poling Sierra walnut/cedar - sold
  26. Hatcher Greta acoustic guitar - sold

    Hatcher Greta acoustic guitar - sold

    Out of stock
    Wow! Another absolutely stunning guitar from Mark. It is a very light and responsive guitar, what I think of as eager. The definition and projection are truly remarkable right across the range, with full and precise bass notes, beautiful warm and complex mids and full and clear trebles. It plays like a dream and sounds wonderful.

    • Master Grade Sitka top
    • Figured Honduran Mahoganyback and sides
    • 13 frets to the body
    • 24.9” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • 5 line wood w/Cocobolo purfling
    • Cocobolo bindings
    • Cocobolo headstock veneer
    • Cocobolo rear headstock veneer
    • No position markers (with side dots)
    • Cocobolo, spalted Tamarind, mahogany tiles rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Greta acoustic guitar - soldHatcher Greta acoustic guitar - soldHatcher Greta acoustic guitar - sold


  27. Collings MF5 (used)

    Collings MF5 (used)

    Out of stock
    Wow! This is what Collings are about, lots of full and fat tone with fantastic pop and chop and depth, breadth and subtlety and complexity, and, and, and...

    Playability is 100% and responsiveness to the lightest touch or the heaviest pick and attack is awesome. You could play anything on this beauty.


    Select Adirondack spruce top
    Premium figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Grained ivoroid top/back/neck & peghead binding
    Black/white purflings
    Full high-gloss nitrocellulose lacquer finish
    Bound Florentine-style headstock
    13 Degree headstock angle
    Ebony peghead overlay w/Collings logo and flourish inlay
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel or gold tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MF5 (used)Collings MF5 (used)Collings MF5 (used)


  28. Kinnaird OM - Engelmann & Curly Claro Walnut

    Kinnaird OM - Engelmann & Curly Claro Walnut

    £2,695.00
     
    In stock
    Finance available (UK residents only) from £77.67 per month with 10% deposit
    My first two guitars from Steve sold quickly and I like this one even more. Walnut is a wood that is not popular in some quarters but I've liked every Walnut guitar I've had built.

    It has a very full and luscious tone with warm and rounded basses with great definition. The mids are rich and complex and the trebles fat but clear all the way up. The overall balance is fantastic with great projection and volume. It has plenty of headroom for those with a heavy pick style and the sweetest clear and resonant tone from a light touch with fingers with or without nails.

    Stunning in all departments.

    Top - Engelmann Spruce
    Back & sides - Curly Claro Walnut
    Neck - Walnut with American Sycamore stripe
    Fretboard - Macassar Ebony
    Case - Cedar Creek hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.35mm
    Lower bout width - 15.25"
    Upper bout width - 11.22"
    Body depth at base - 4.53"

    America sycamore logo - Black/White/Black purfling - American sycamore bindings - Burled walnut headstock veneer - Figured walnut rear headstock veneer - American sycamore backstrip No position markers (with side dots) - Burled walnut rosette - Macassar ebony fretboard - Macassar ebony bridge - Gotoh tuners - Black horn tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
  29. Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Out of stock
    Leo does it a gain! The last modified dreadnought I had from him sold very quickly. I am not expecting this beauty to be here for long. The workmanship is impeccable, take a look at the rosette and matching end graft and headstock inlay.

    The sound is equally outstanding. Many of Ervin Somogyi’s former apprentices make the mod D model and with very good reason, it has all the power and volume you can get from an acoustic guitar with immense headroom. The Swiss spruce a fiddle back mahogany in this very fine example give fantastic clarity. You get incredible depth and richness of tone with great balance with all the notes form the lowest to the highest having equal definition and projection. This is a stunning guitar.


    Soundboard, Moon Swiss Alpine spruce
    Back and sides, Highly figured Fiddle back Mahogany
    Lower bout 16”
    Scale Length, 25.25”
    End graft, custom matching rosette
    Neck, custom finished one piece Honduran mahogany
    Head-cap veneer, Fiddle back Mahogany with custom inlay matching rosette
    and end graft
    14th-fret to the body fingerboard
    Rosette, solid ring wood with black/white purfling
    Bridge, hand carved ebony
    Bridge pins, ebony with pearl dots
    Binding, ebony with Maple black/white purfling
    Top braces, Sitka spruce
    Back Braces, Honduran Mahogany
    Saddle, 2 1/4” string spacing compensated bone
    Nut, 1 3/4” width scalloped and compensated bone
    Back of Head-cap veneer, Ebony
    Tuning Machines, Schaller M6 in gold w/ebony buttons
    Fingerboard, ebony with ebony binding and white maple purfling
    Fret wire, medium Nickel-Silver 18%
    Fretboard Radius, 20”
    Case, Black exterior/Red interior custom carbon fiber Hoffee hardshell

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany


29 Item(s)