Products

  1. McKnight Mini Mac - Engelmann/Cocobolo (used)

    McKnight Mini Mac - Engelmann/Cocobolo (used)

    Out of stock
    In excellent condition, new price was £5995. There was a lot of excitement created about this beauty in a build thread on the AGF. It was well worth the wait.

    It sounds tremendous, a big and warm sound but with great articulation and the clarity and definition of cocobolo. It responds to a nail-less finger as easily as a heavy pick. A fantastic fingerstyle guitar but capable of much more.

    • Engelmann top
    • Cocobolo back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • No cutaway
    • Wood logo
    • Multi line top border
    • Curly Maple bindings
    • Ebony headstock veneer
    • Clasps position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Silver tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Clear pickguard
    • TKL case

    McKnight Mini Mac - Engelmann/Cocobolo (used)McKnight Mini Mac - Engelmann/Cocobolo (used)McKnight Mini Mac - Engelmann/Cocobolo (used)


  2. Wilborn OM - Red Cedar & Macassar Ebony

    Wilborn OM - Red Cedar & Macassar Ebony

    Out of stock

    I've never had a guitar in before at even twice this price in Macassar Ebony! Add Ben's fantastic skill and workmanship and you have a wonderful guitar at a very reasonable price.

    The combination of Macassar ebony and cedar gives the incredible depth and definition of ebony AND the warmth of cedar making it a very expressive guitar. Deep and well defined at the low end, warm and rich in the mid-range and with clear and precise trebles, fantastic!


    • Red cedar top
    • Macassar ebony back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾ nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • Bone logo
    • B/W purfling
    • Bloodwood bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Blood backstrip
    • Position markers (with side dots)
    • Bloodwood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schaller Grandtune tuners
    • Black chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Superior case


    Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony


  3. Ken Franklin Elsie - Adirondack & Oak

    Ken Franklin Elsie - Adirondack & Oak

    Out of stock
    Ken made the back and sides of this beauty form an old oak dresser from the 1940s. I've been wanting to get an oak guitar since I heard that Hans Brentrup was working with it and getting great results.

    It has a remarkable deep and rich sound with fantastic balance and warmth with separation and clarity.

    • Adirondack spruce top
    • Oak back and sides
    • 13 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 1/4" string spacing at saddle
    • 14” lower bout
    • European maple neck
    • Macassar ebony bindings
    • Oak headstock veneer
    • Oak rear headstock veneer
    • Macassar ebony backstrip
    • MoP side dots
    • Oak, Macassar ebony, and maple custom rosette
    • Macassar ebony fretboard
    • African ebony bridge
    • Gold mini Gotoh 510 tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Travelite case

    Ken Franklin Elsie - Adirondack & OakKen Franklin Elsie - Adirondack & OakKen Franklin Elsie - Adirondack & Oak


  4. Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Out of stock


    Fantastic Wingert F in sinker redwood and macassar ebony, built in 2012, in as new condition. Beautiful deep and rich tone with great power and great finesse, responding equally well to digging in and a very light touch. It has deep well defined bass notes with full and complex mids and fat and clear trebles.

    • Sinker redwood top
    • Madagascar rosewood back and sides
    • Soft cutaway
    • Mini bevel
    • 14 frets to the body
    • 25.3/8” scale
    • 1 25/32” nut width
    • 2 5/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Abalone logo
    • Paua purfling
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Paua rosette
    • Ebony fretboard
    • Ebony bridge
    • Gold Gotoh H.A.P.A height adjustable post tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)


  5. Stehr Auditorium Macassar Ebony acoustic guitar - sold

    Stehr Auditorium Macassar Ebony acoustic guitar - sold

    Out of stock
    This is my first guitar from Joel and what a début is.

    It has huge and well defined bass with very rich and full mids and strong and clear trebles, fantastic balance and separation. And of course with arm and rib bevels its a dream to play.

    • High figure bearclaw Sitka spruce
    • Macassar ebony
    • Catalysed urethane
    • Venetian cutaway
    • Sound port bound with ebony and maple purfling
    • 13 frets to the body
    • 25.4” scale
    • 1-3/4” width at the nut
    • 2-1/4” string spacing at the saddle
    • 15-1/8” lower bout width
    • Honduran mahogany with satin finish
    • Stehr leaf logo
    • Maple purfling for back, sides, fretboard and headstock
    • Ebony bindings with arm and rib bevels
    • Macassar ebony headplate, bound with ebony and maple purfling
    • Macassar ebony back headplate
    • No back strip
    • Rectangle fretboard markers inlays
    • Black and white ebony rosette
    • Ebony fretboard bound with maple purfling and ebony bindings
    • Ebony bridge
    • Gold Gotoh 510
    • Black buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL hardshell case with combo lock

    Stehr Auditorium Macassar Ebony acoustic guitar - soldStehr Auditorium Macassar Ebony acoustic guitar - soldStehr Auditorium Macassar Ebony acoustic guitar - sold


  6. Claxton EM - German Spruce & Macassar Ebony

    Claxton EM - German Spruce & Macassar Ebony

    Out of stock
    The work of a legend in contemporary guitar making and proof of how Ed achieved that status. This is an exceptional guitar. The workmanship and detailing is flawless. The tone is heavenly.

    As I have mentioned before it takes years of hard won experience to achieve acoustic qualities that might otherwise be thought of as to some extent mutually exclusive. This amazing guitar has warmth, resonance and richness of tone with remarkable clarity from the fat, well defined bass to the fullest trebles I've heard. I would put it against any guitar I've ever played for balance and evenness of tone. A truly great guitar.

    • German spruce top
    • Macassar ebony back and sides
    • Nitrocellulose finish
    • Soft cutaway
    • 14 frets to the body
    • 25.375” scale
    • 1 ¾” nut width
    • 2 1/14” string spacing at saddle
    • 15 9/16” lower bout
    • Mahogany neck
    • Pernambuco/holly/black purfling
    • Ebony bindings
    • Macassar ebony headstock veneer
    • Ebony backstrip
    • MoP side dots
    • Wood mosaic rosette
    • Ebony fretboard
    • Ebony bridge, hot hide glued
    • Gotoh 510 gold tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard, not installed
    • Hoffee case

    Claxton EM - German Spruce & Macassar EbonyClaxton EM - German Spruce & Macassar EbonyClaxton EM - German Spruce & Macassar Ebony


  7. Ken Franklin Carnelian - Adirondack & Paduak

    Ken Franklin Carnelian - Adirondack & Paduak

    Out of stock

    Ken does it again. A stunningly beautiful guitar (my favourite rosette so far) with fantastic sound at an unbelievable price. He hasn't filled the pores and while it makes it a little tricky to photograph it looks amazing, three dimensional and very tactile.

    The sound is very full and open, lively but warm and balanced.. my kind of guitar.

    Its my first in guitar padauk and it certainly won't be the last.

    • Adirondack top
    • Padauk back and sides
    • Oil varnish finish
    • D'Addario EXP 16 strings
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2.19” string spacing at saddle
    • 15.25” lower bout
    • Peruvian walnut neck
    • Wenge logo
    • Maple purfling
    • Wenge bindings
    • Padauk headstock veneer
    • Peruvian rear headstock veneer
    • Wenge backstrip
    • Maple position markers (with side dots)
    • Padauk, ebony, maple rosette
    • Macassar ebony fretboard
    • Ebony bridge
    • Gotoh 51o mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Gonçalo alves/ Chinese pistache bridge pins
    • Clear pickguard
    • Ameritage custom case


    Ken Franklin Carnelian - Adirondack & PaduakKen Franklin Carnelian - Adirondack & PaduakKen Franklin Carnelian - Adirondack & Paduak


  8. Beneteau OM - Quilted Pommele Sapele & Sitka

    Beneteau OM - Quilted Pommele Sapele & Sitka

    Out of stock
    Another outstanding guitar from Marc. It has a fantastic rich and complex tone with great clarity, definition and projection. The bass notes are strong , full and well defined, the mids are warm and full of character and the trebles clear and strong. A very articulate guitar with fantastic playability.

    • Alaskan sitka spruce top
    • Quilted pomelle sapele back and sides
    • 14 frets to the body
    • 25” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • Maple/sapele/black purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • MoP position markers (with side dots)
    • Quilted pomelle sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 mini tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hardshell case

    Beneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & Sitka


  9. Noble Acoustic Harp Guitar (used)

    Noble Acoustic Harp Guitar (used)

    £4,499.00
     
    In stock
    TAMCO's first harp guitar and what a beauty. If you haven't heard a harp guitar you should check out Stephen Bennett

    This really is incredible with a fantastic guitar tone and those wonderful rich and melodious harp strings.

    The harp strings are currently tuned E G A C D E, low to high.

    Top - Lutz Spruce
    Back & sides - Rosewood
    Neck - Mahogany/Rosewood/Maple
    Fretboard - Ebony
    Case - Colorado Case Co soft case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.15mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.15mm
    Lower bout width - 16"

    Black/white/black purfling - Koa bindings - Ebony headstock veneer - No position markers (with abalone side dots) - Cocobolo rosette - Ebony bridge - Gotoh 510 mini tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
  10. Chasson Concert - Engelmann & Wenge

    Chasson Concert - Engelmann & Wenge

    £2,975.00
     
    In stock
    There has been a lot of excitement about wenge recently. In these times of traditional tone woods becoming scarce and in some cases tightly restricted and banned, it's great to work with a wood that is plentiful and cheap.

    Some find the look of it to be plain but others love the deep and rich variations of colour that can be seen when looking closely, to be very beautiful. The way Kent has combined it with Leopardwood accents makes it an incredibly beautiful guitar however you look at it.

    Kent says this is the best guitar he has made and by his standards something.. by my standards it has a wonderful full sound, with complex and resonant tones across its very well balanced and defined range.

    Top - Engelmann Spruce
    Back & sides - Wenge
    Neck - Khaya
    Fretboard - Ebony
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.0mm
    Nut spacing - 7.7mm
    Bridge spacing - 11.3mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 12"
    Body depth at base - 4.33"

    Mop logo - Blackwood/Bloodwood purfling - Leopardwood bindings - Ebony headstock veneer - Leopardwood backstrip - MoP position markers (with side dots) - Leopardwood rosette - Ebony bridge - Schaller mini tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
  11. Carruth OOO-12 - Rosewood & European Spruce

    Carruth OOO-12 - Rosewood & European Spruce

    Out of stock


    In many ways twelve frets to the body and a cutaway is the perfect combination. It gives the sweetness of the more centred bridge position and allows access all the way to the top fret.

    It definately works on this beauty from Alan. The first thing that struck me about this guitar is its lightness and ease of play, it feels like a much smaller guitar. It sounds fantastic, rich and resonant with full and well defined bass notes, complex and expressive mids, clear, precise bell-like trebles and great balance and projection. What a beaut!

    • European spruce top
    • Rosewood back and sides
    • Slotted headstock
    • Soft cutaway
    • Oil varnish finish
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany/maple neck
    • Wood logo
    • Maple/black purfling
    • Curly maple bindings
    • Rosewood headstock veneer
    • Maple backstrip
    • Bone position markers (with side dots)
    • Maple/koa rosette
    • Macassar ebony fretboard
    • Rosewood pyramid bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case


    Carruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European Spruce


  12. Beneteau Nick Lucas - Sitka Spruce & Mahogany

    Beneteau Nick Lucas - Sitka Spruce & Mahogany

    £2,775.00
     
    In stock


    Another absolute stunner from Marc. The first thing that strikes me playing this beauty is the remarkable balance and individual note clarity, from the lowest to the highest note it has incredible definition and projection. Add the warmth and responsiveness of mahogany and you get a very versatile guitar.

    The playability is superb and it responds beautifully to everything from a pick to the lightest fingerstyle.

    Top - Sitka Spruce
    Back & sides - Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 14 7/8"
    Upper bout width - 9.84"
    Body depth at base - 4.33"

    MoP logo - Sapele/Black/Maple purfling - Ebony bindings - Macassar Ebony headstock veneer - Macassar Ebony rear headstock veneer - Ebony w/Purflings backstrip - MoP position markers with side dots - Honduran rosewood rosette - Ebony bridge - Vintage Gotoh tuners - Black tuner buttons - Bone nut and saddle - Ebony w/MOP dot bridge pins - No pickguard


    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
  13. Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Out of stock
    I am becoming addicted to Mike Retreaux parlor guitars. This is the biggest fix yet.

    Please click to listen:



    MP3 format ()
    WAV format ()


    Compare on the Jukebox




    • Sitka Spruce top
    • Black and white Ebony back and sides
    • Machinga neck
    • 12 3/8" lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with purpleheart purflings
    • 13th fret neck joint
    • Indigo acrylic rosette and accents
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Black Schertler tuners with black buttons
    • Black Binding with Purpleheart top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - sold


  14. Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Out of stock
    Very lightly used with two small dings on the top, too light to photograph and some varnish wear.

    This really is the bee's knees. Its the fifth Parlour Retreaux I've had from Mike. The figured Bubinga is the most spectacular I've seen. The tone is very warm with fantastic depth.

    • Italian Spruce top
    • Beeswing Figured Bubinga and sides
    • 12 3/8” lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with Koa purflings
    • 13th fret neck joint
    • Cream/Red striped Acrylic accents and rosette
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Cosmo Black mini Gotoh 510 Tuners with Black Buttons
    • Black Binding with Koa top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga


  15. Brock OM - Sitka & Pau Ferro

    Brock OM - Sitka & Pau Ferro

    Out of stock
    My first from Brock Johnson and it won't be the last , this is a great value guitar and quite a looker. It also my first guitar in Pau Ferro and also won't be my last. It has a very full and rounded bass with great clarity, punchy and warm mids and clear bell-like trebles. It also has great playability and overall balance and projection.

    You can see an article on one of Brock's guitars on an AGF thread HERE

    • Sitka top
    • Pau Ferro back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • MoP logo
    • Mitered Black/White/Black lines purfling
    • Curly maple bindings
    • Ebony headstock veneer
    • MoP dot position markers (with side dots)
    • Curly maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh mini M16 tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Ameritage Sliver Series case

    Brock OM - Sitka & Pau FerroBrock OM - Sitka & Pau FerroBrock OM - Sitka & Pau Ferro


  16. Brock OM - Sitka & Bocote

    Brock OM - Sitka & Bocote

    Out of stock

    My second from Brock Johnson and its another beauty at an ubeleivable price.

    Bocote is closely related to Ziricote and produces a similar tone. This guitar has remarkable balance with gorgeous deep/warm and well defined bass notes, full and characterful mids and clear/bell like trebles. What's not to like? A beautiful and great sounding guitar at very reasonable cost.


    • Sitka top
    • Bocote back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • MoP logo
    • Mitered Black/White/Black lines purfling
    • Ziricote bindings
    • Ziricote headstock veneer
    • No position markers (with side dots)
    • Ziricote Radial Rosette
    • Ebony fretboard
    • Ziricote bridge
    • Gotoh mini M16 tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Ameritage Sliver Series case

    Brock OM - Sitka & BocoteBrock OM - Sitka & BocoteBrock OM - Sitka & Bocote


  17. Doerr Legacy Select Standard - Sitka & Wenge

    Doerr Legacy Select Standard - Sitka & Wenge

    Out of stock
    Another beauty from Tom, this is my first from his new Standard range. You don't get his famous bevelled bindings and a few other extras such as the carved rear headstock that are standard features on the Signature range but you do get the same fantastic sound and one of the most beautiful headstocks I've seen... and you save around £2000!

    This Legacy has unbelievable separation and definition from the low E all the way to the top, each note is clear and well defined. It also has great volume and a rich and deep tone, responding equally well to a pick or the gentlest fingerstyle, a very versatile guitar.

    • Sitka top
    • Wenge back and sides
    • Arm bevel
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • B/W/B purfling
    • Ebony bindings
    • Kostal inspired ebony/wenge headstock veneer
    • Ebony rear headstock veneer
    • MoP position markers (with side dots)
    • Wenge with bevelled ebony binding rosette
    • Ebony fretboard
    • Wenge bridge
    • Mini Gotoh 510 tuners
    • Faux ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Doerr Legacy Select Standard - Sitka & WengeDoerr Legacy Select Standard - Sitka & WengeDoerr Legacy Select Standard - Sitka & Wenge


  18. Hatcher Penelope acoustic guitar - sold

    Hatcher Penelope acoustic guitar - sold

    Out of stock
    In as new condition.

    My first Guitar from Mark and it is a real stunner, the rosette and the amazing 'pillow' headstock are works of art. And to coin the old cliché it sounds as good as it looks. It has a fantastic deep and rich, well defined bass with full and complex mids and clear, ringing trebles. The balance and projection is excellent and the playability second to none.

    • Master grade sitka top
    • Rosewood back and sides
    • 12 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2.25” string spacing at saddle
    • 14 7/8” lower bout
    • Mahogany with maple and cross grained EIR centre strip neck
    • Black wood, maple, and mahogany purfling
    • Ebony bindings
    • Sculpted rosewood with maple purfling and black ebony bindingheadstock veneer
    • Mahogany with maple purfling rear headstock veneer
    • No position markers (with side dots)
    • Rosewood, spalted Tamarind, Mahogany tiles bordered in black ebony and bound in black wood, maple, and mahogany rosette
    • Black ebony with black ebony binding and maple purfling fretboard
    • Ebony bridge
    • Gotoh mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - sold


  19. Chasson Signature Dreadnought - Adirondack & Sapele

    Chasson Signature Dreadnought - Adirondack & Sapele

    Out of stock
    Wow! The bass of a dreadnought but much, much more. A dread I could take home.. want to take home.

    Someone who played it before it crossed the pond commented "Sounds like a dread with some sophistication.".. that's a great way to put it.

    The neck is adjustable to change the action so you can go from powerhouse picking to gentle fingerstyle in a jiffy.

    Kent says "One of the things I've worked hard on and am really happy with about this guitar is the blend of the traditional and contemporary. I grew up in North Carolina around a lot of Bluegrass and traditional Appalachian music but there are plenty of people building traditional dreads and doing a great job of it. I wanted to build something that gave a nod to that tradition but was decidedly my own."

    Please click to listen:



    MP3 format ()
    WAV format ()


    Compare on the Jukebox


    • Adirondack top
    • Sapele back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 11/16” nut width
    • 2 1/8” string spacing at saddle
    • 15.5” lower bout
    • Kahya neck
    • No cutaway
    • Arrow purfled wood top border
    • Walnut bindings
    • Ebony headstock veneer
    • MoP dot position markers (with side dots)
    • Snakewood/bloodwood segmented rosette
    • Wood back strip
    • Mother of pearl logo
    • Ebony elevated fretboard
    • Ebony bridge
    • Schaller mini tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Ameritage custom deluxe case

    Chasson Signature Dreadnought - Adirondack & SapeleChasson Signature Dreadnought - Adirondack & SapeleChasson Signature Dreadnought - Adirondack & Sapele


  20. Dudenbostel Classic OM 2009 acoustic guitar - sold

    Dudenbostel Classic OM 2009 acoustic guitar - sold

    Out of stock
    Fantastic 'Classic OM' from Lynn Dudenbostel. This is a rare bird indeed.

    It comes complete with a letter from Lynn dated April 14 2009 explaining his goal of producing a modern Martin 14 fret OM, see photo.

    It is an excellent condition and sounds awesome! It very light and extremely responsive, with unbelievable definition and projection, rich and full bases, complex mids and clear/well defined trebles. Sound clip to come soon.

    • Carpathian spruce top
    • Honduran mahogany back and sides
    • Oil varnish finish
    • 15" lower bout
    • 14 frets to the body
    • 25.4” scale
    • 1.752 nut width
    • 2 1/4" string spacing at saddle
    • Mahogany neck
    • B/W purfling
    • Rosewood bindings
    • Macassar ebony headstock veneer
    • Rosewood backstrip
    • Dot Abalone position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Grover open backed tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hard case

    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
  21. Stehr Auditorium Oregon Myrtle acoustic guitar - sold

    Stehr Auditorium Oregon Myrtle acoustic guitar - sold

    Out of stock
    Before this arrived I was beginning to wonder why I had ordered another Oregon Myrtle guitar from Joel (I think this is the fifth), now I know! It looks great and sounds amazing.

    It has wonderful clarity and projection with great balance. All notes are crystal clear with outstanding definition and equal volume across the range. The bass notes are deep and lush with full and complex mids and rich trebles. It responds beautifully to a light touch or a more enthusiastic approach. A great all round guitar for all styles.

    • Adirondack spruce top
    • Oregon myrtle back and sides
    • Macassar ebony bound soundport
    • 13 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2 3/16” string spacing at saddle
    • 15 1/8” lower bout
    • 5-piece walnut laminated neck
    • Stehr leaf logo
    • Maple and rosewood purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Oregon myrtle rear headstock veneer
    • No fretboard position markers with 12th fret inlay and side marks
    • Macassar ebony and maple/rosewood rosette
    • Macassar ebony fretboard
    • Rosewood bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Ameritage case with embroidered Stehr Guitars logo

    Stehr Auditorium Oregon Myrtle acoustic guitar - soldStehr Auditorium Oregon Myrtle acoustic guitar - soldStehr Auditorium Oregon Myrtle acoustic guitar - sold


  22. Girouard A5

    Girouard A5

    Out of stock
    Another amazing mandolin from Max and Lauri. It has a fantastic chop for bluegrassers with great volume and lots of depth and warmth in the basses and mids, making it a great all-rounder, fantastic for anything from classical to old time music and bluegrass.

    Red (Adirondack) spruce top, red maple back/sides/neck, Macassar ebony fretboard and peghead overlay, compound radius fretboard, evo gold fretwire, bone nut, Girouard ebony bridge Rubner tuners and TKL hardshell case.



    Girouard A5Girouard A5Girouard A5


  23. Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Out of stock
    Leo does it a gain! The last modified dreadnought I had from him sold very quickly. I am not expecting this beauty to be here for long. The workmanship is impeccable, take a look at the rosette and matching end graft and headstock inlay.

    The sound is equally outstanding. Many of Ervin Somogyi’s former apprentices make the mod D model and with very good reason, it has all the power and volume you can get from an acoustic guitar with immense headroom. The Swiss spruce a fiddle back mahogany in this very fine example give fantastic clarity. You get incredible depth and richness of tone with great balance with all the notes form the lowest to the highest having equal definition and projection. This is a stunning guitar.


    Soundboard, Moon Swiss Alpine spruce
    Back and sides, Highly figured Fiddle back Mahogany
    Lower bout 16”
    Scale Length, 25.25”
    End graft, custom matching rosette
    Neck, custom finished one piece Honduran mahogany
    Head-cap veneer, Fiddle back Mahogany with custom inlay matching rosette
    and end graft
    14th-fret to the body fingerboard
    Rosette, solid ring wood with black/white purfling
    Bridge, hand carved ebony
    Bridge pins, ebony with pearl dots
    Binding, ebony with Maple black/white purfling
    Top braces, Sitka spruce
    Back Braces, Honduran Mahogany
    Saddle, 2 1/4” string spacing compensated bone
    Nut, 1 3/4” width scalloped and compensated bone
    Back of Head-cap veneer, Ebony
    Tuning Machines, Schaller M6 in gold w/ebony buttons
    Fingerboard, ebony with ebony binding and white maple purfling
    Fret wire, medium Nickel-Silver 18%
    Fretboard Radius, 20”
    Case, Black exterior/Red interior custom carbon fiber Hoffee hardshell

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany


  24. Girouard A4

    Girouard A4

    £2,995.00
     
    In stock
    This A4 form Max and Lauri is very loud with fantastic depth and richness of tone. It has great response and volume. Gorgeous in looks and sound and it plays beautifully.

    Top Wood: Red Spruce
    Back, Side, Neck Wood: Red Maple
    Scale Length: 13.875
    Fretboard and Peghead overlay Wood: Macassar
    Fretboard Radius: Compound (7.25 at nut - 12 at bridge)
    Nut Type: Bone
    Fret Size: 043 x 080
    Fret Type: EVO Gold
    Fretboard Dots: MOP
    Neck Reinforcement: Truss Rod
    Neck Shape: Soft V shape
    Tailpiece: Stamped Engraved
    Tuners: Rubner
    Hardware Color: Silver
    Strap Button: None
    End Pin: Black screw in type
    Binding: Ivoroid top bound
    Pickguard: None
    Bridge: Girouard bridge
    Inlay: Girouard Script
    Strings: Curt Mangan
    Action height: low (0.060 bass 0.055 treble)
    Case: Superior





    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
  25. Old Wave Guitar Bodied Octave Mandolin (GoM)

    Old Wave Guitar Bodied Octave Mandolin (GoM)

    £4,395.00
     
    In stock
    Another amazing octave mandolin from Bill. Colorado engelmann spruce top (milled 1997) with red spruce spruce x bracing, Vermont mamaple (milled 2006) 2 piece back, 16" radius macassar ebony fretboard, bridge, pickguard, and peghead veneer, ivoroid celluloid binding, abalone position dots and wave inlay, 1 3/8 bison bone nut, grover tuners, sunburst lacquer finish over shella, Mangan custom 48-34-23-13 strings, tweed hardshell case.

    I have only ever owned two octave mandolins personally, both made by Mr. Bussmann.To use one of my favourite cliches again it sounds as good as it looks. Well defined bass (not a common feature on octave mandolins) with depth and resonance, warm and complex mids with clear and strong trebles... fantastic.

    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
  26. Carruth OOO-12 - Adirondack & Curly Mahogany

    Carruth OOO-12 - Adirondack & Curly Mahogany

    Out of stock
    This is my first guitar from Alan and what a beauty it is. Check out the story of the mahogany in this link. I've been getting a lot of mahogany guitars recently and this OOO is a very good example of why, it has a very full tone and great volume with fantastic separation, and individual note definition. I've also been getting a few guitars with the twelve fret body join - known for increasing warmth - and a cutaway so you get the best of all worlds, deep resonant tone, access all the way up and great definition.

    This is a light and very responsive guitar with great playability, responding beautifully to the lightest touch or a heavy pick. If you ar looking for a versatile guitar look no further.

    • Adirondack/Red spruce top
    • 'Mahogany Mama curly mahogany back and sides
    • Recurve bevel cutaway
    • Slotted headstock
    • Brushed oil varnish finish
    • Thomastic 'Spectrum' series medium strings
    • 12 frets to the body
    • 25.4” scale
    • 1 13/16" nut width
    • 2 1/8" string spacing at saddle
    • 151/8" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Koa and maple purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Macassar ebony backstrip
    • Bone position markers (with side dots)
    • Koa, mahogany and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle, both compensated
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly Mahogany


  27. Brondel B2 Essential - Lutz Spruce & Cocobolo

    Brondel B2 Essential - Lutz Spruce & Cocobolo

    Out of stock
    Another work of genius from Laurent. Is has very fat and luscious tone with great definition, separation and projection. It takes a great luthier to pull that off!

    • Lutz spruce top
    • Flitch matched cocobolo back and sides
    • 12 frets to the body
    • 25.6” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Ivoroid bindings
    • Royal ebony headstock veneer
    • No position markers (with side dots)
    • Ivoroid rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • No pickguard
    • Access case

    Brondel B2 Essential - Lutz Spruce & Cocobolo Brondel B2 Essential - Lutz Spruce & Cocobolo Brondel B2 Essential - Lutz Spruce & Cocobolo


  28. Ken Franklin Rita SJ - Adirondack & Bubinga

    Ken Franklin Rita SJ - Adirondack & Bubinga

    Out of stock
    Every bubinga guitar I have had has been wonderful and this gorgeous SJ from Ken is no exception. Its a very versatile guitar with beautiful 'fat' and well defined bass, expansive mids and bright, clear trebles. Its very expressive with fantastic balance and projection, responding beautifully to the pick and fingerstyle.

    • Adirondack top
    • Bubinga back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Sipo neck
    • Maple purfling
    • Ebony bindings
    • Bubinga headstock veneer
    • Bubinga rear headstock veneer
    • Wood position markers (with side dots)
    • Bubinga, ebony and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Ken Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & Bubinga


  29. Ensor OM - Lutz & Wenge (used)

    Ensor OM - Lutz & Wenge (used)

    Out of stock
    Was £3695. Dusty Corner price £2695.

    A regular customer spotted Chris' work a while ago and I'm very glad he did. This is a beautiful guitar with with a very solid tone, solid seems a strange word to use but what I'm getting at is chords that sound completely even with no strange beats or wolf tones roaming around. Individual notes are strong, well defined and full, the overall tone is dark, rich and vibrant.

    • Lutz spruce top
    • Wenge back and sides
    • Oval lower bout soundport
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾ nut width
    • 2 1/8” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Radial bloodwood purfling
    • Wenge bindings
    • Wenge headstock veneer
    • Wenge rear headstock veneer
    • Wenge backstrip
    • No position markers (with side dots)
    • Wenge rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • No pickguard
    • TKL case

    Ensor OM - Lutz & Wenge (used)Ensor OM - Lutz & Wenge (used)Ensor OM - Lutz & Wenge (used)


  30. Kinnaird OM - Engelmann & Curly Claro Walnut

    Kinnaird OM - Engelmann & Curly Claro Walnut

    Out of stock
    My first two guitars from Steve sold quickly and I like this one even more. Walnut is a wood that is not popular in some quarters but I've liked every Walnut guitar I've had built.

    It has a very full and luscious tone with warm and rounded basses with great definition. The mids are rich and complex and the trebles fat but clear all the way up. The overall balance is fantastic with great projection and volume. It has plenty of headroom for those with a heavy pick style and the sweetest clear and resonant tone from a light touch with fingers with or without nails.

    Stunning in all departments.

    Top - Engelmann Spruce
    Back & sides - Curly Claro Walnut
    Neck - Walnut with American Sycamore stripe
    Fretboard - Macassar Ebony
    Case - Cedar Creek hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.35mm
    Lower bout width - 15.25"
    Upper bout width - 11.22"
    Body depth at base - 4.53"

    America sycamore logo - Black/White/Black purfling - American sycamore bindings - Burled walnut headstock veneer - Figured walnut rear headstock veneer - American sycamore backstrip No position markers (with side dots) - Burled walnut rosette - Macassar ebony fretboard - Macassar ebony bridge - Gotoh tuners - Black horn tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
  31. Baranik OOm - Sitka & Mastergrade Manchinga

    Baranik OOm - Sitka & Mastergrade Manchinga

    Out of stock
    Another stunning manchinga guitar from Mike, take a look at the detailing... With his unique adjustable action via the heel strap button and very comfortable scalloped cutaway its a breeze to play (note, no reference to butter).

    Of course this is all secondary to great sound. It has remarkable clarity, separation and projection without missing an beat in the warmth and resonance departments, the basses are well defined and full, the mids complex and rewarding and the trebles strong and well defined.

    • Sitka top
    • Master grade manchinga back and sides
    • Bevelled cutaway
    • Oval soundport
    • 13 frets to the body
    • 24.5” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Gold Evo fretwire
    • Adjustable mahogany neck
    • Black/koa/black purfling
    • Ebony bindings
    • Macassar ebony/manchinga/Peruvian walnut headstock veneer
    • Peruvian walnut with coloured geometric design volute veneer
    • No position markers (with side dots)
    • Peruvian walnut with coloured geometric rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Aged bone nut and saddle
    • Clear pickguard
    • Cedar Creek case

    Baranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade Manchinga


  32. Beardsell 3-DM - Lutz Spruce & Leopard Wood

    Beardsell 3-DM - Lutz Spruce & Leopard Wood

    Out of stock
    I can still remember the first time I saw an instrument by Al. This is my first Beardsell guitar and I am well and truly gobsmacked. It looks like a work of art and plays like a dream.

    The tone is big, fat and generous. There's great volume and willing response to a light touch with dark and luscious bass notes, full mids and ringing sweet 'n clear trebles. To coin that tired old cliché (again) it sounds as good as it looks.

    • Lutz spruce top
    • Leopard wood back and sides
    • Florentine cutaway
    • 14 frets to the body
    • 24.9” scale
    • 1.75” nut width
    • Soundport
    • 2.25” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Gold pearl logo
    • Holly , ebony, pear, maple purfling
    • Macassar ebony bindings--
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Black Gabon, holly backstrip
    • No position markers side holly ebony segmented strip w/ pearl dots
    • Holly, ebony "x-ray" and zig-zag pie trim rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Chrome Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Ameritage case

    Beardsell 3-DM - Lutz Spruce & Leopard WoodBeardsell 3-DM - Lutz Spruce & Leopard WoodBeardsell 3-DM - Lutz Spruce & Leopard Wood


  33. Brondel A-1c - German Spruce & Malaysian Blackwood

    Brondel A-1c - German Spruce & Malaysian Blackwood

    Out of stock

    German spruce twinned with Malaysian blackwood gives some of the clearest and and most well defined individual notes I have heard. Of course put those notes together and and the result is harmonious and sweet, delicate fingerstyle, strumming and picking are all well within its competence, its excels at them all.

    There is headroom here enough to fly very high indeed and it responds excellently to the lightest touch. While this spectacular guitar is all about accuracy and articulation it comes with depth, warmth and character.

    • German spruce top
    • Malaysian blackwood back and sides
    • Double sides (EIR inside)
    • Laminated braces (bloodwood/red spruce)
    • 14 frets to the body
    • 25.6” scale
    • 1 3/4” nut width
    • 2 5/16” string spacing at saddle
    • 15 5/8” lower bout
    • Laminated curly maple/black walnut neck
    • Cutaway
    • Black walnut/curly maple purflings
    • Bloodwood bindings
    • Ziricote headstock veneer
    • Malaysian blackwood rear headstock veneer
    • Multicolour custom wood backstrip
    • Framed curly maple end wedge
    • Gold side dots
    • Black walnut/curly maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 gold tuners
    • Ziricote tuner buttons
    • Bone nut and saddle
    • Galalith bridge and end pins
    • No pickguard
    • Hard case

    Brondel A-1c - German Spruce & Malaysian Blackwood Brondel A-1c - German Spruce & Malaysian Blackwood Brondel A-1c - German Spruce & Malaysian Blackwood


  34. Old Wave A5

    Old Wave A5

    £2,995.00
     
    In stock
    This is a beauty and a beast, it is very loud. If you like your A5s to be very full with lots of warmth and depth this is the one. The chop has great volume and what I think of as a musical rather than percussive tone.

    Lutz spruce top (milled 2005) with red spruce spruce tone bar bracing, Varnum estate birdseye maple (milled 1979), 12" radius macassar ebony fretboard, pickguard, and peghead veneer, ivoroid celluloid binding, abalone position dots and wave inlay, 1 1/8 bison bone nut, grover tuners, dark buckskin lacquer finish over shellac.



    Old Wave A5Old Wave A5Old Wave A5
    Old Wave A5Old Wave A5Old Wave A5
    Old Wave A5Old Wave A5Old Wave A5
    Old Wave A5Old Wave A5Old Wave A5

34 Item(s)