Search results for 'lebeda a4 standard'

Products

  1. Lebeda A4 Standard Mandolin (used)

    Lebeda A4 Standard Mandolin (used)

    £1,195.00
     
    In stock
    Lebeda A4 mandolin from 2005 in excellent condition. It has that full and rich tone that Jiri is so good at, and plenty of volume, great bass without being tubby, complex mid range and clear 'n sweet trebles.

    In spruce and beautifully flamed maple with a 1 1/8" nut, ebony bridge and fretboard and the original case. Its a very lot of mandolin for the money.

    Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)
    Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)
    Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)
  2. Lebeda A4 Premium - with McIntyre Feather Pickup (used)

    Lebeda A4 Premium - with McIntyre Feather Pickup (used)

    Out of stock
    Lebeda A4 premium with McIntyre feather pickup installed by ourselves. With original case, in excellent condition. Fantastic rich and mellow tone with lots of punchy volume.

    Lebeda A4 Premium - with McIntyre Feather Pickup (used)Lebeda A4 Premium - with McIntyre Feather Pickup (used)Lebeda A4 Premium - with McIntyre Feather Pickup (used)


  3. Phoenix Standard

    Phoenix Standard

    Out of stock
    The standard from Rolfe has a mere strap button to hang it over your shoulder but it makes up for the strap hanger complex with amazing responsiveness. As is the Phoenix trademark it seems to get to the note before you do. Not quite as light as the neoclassical but still lighter than most giving it amazing resonance and projection. People often ask my about playability, I usually respond that it is different for different people, for me this is it, light and open. It has a very punchy sound with well defined bass, strong mids and very precise and clean trebles. I almost forgot to mention how great it looks, Rolfe told me this one has extra specially flamey maple, the photo doesn't do it justice but take a look anyways. With hardshell case.

    Phoenix StandardPhoenix StandardPhoenix Standard


  4. Lebeda A5 (used)

    Lebeda A5 (used)

    Out of stock
    Lebeda A5 with original case, ebony armrest, custom inlay and in excellent condition. Built in 2000.

    It has fantastic power and volume with a great chop, warm mids and clear trebles. Great for bluegrass and with the depth and fullnes of tone for other styles.

    Spruce top and gorgeous quilted maple back and sides.

    Lebeda A5 (used)Lebeda A5 (used)Lebeda A5 (used)


  5. Doerr Legacy Select Standard - Sitka & Wenge

    Doerr Legacy Select Standard - Sitka & Wenge

    Out of stock
    Another beauty from Tom, this is my first from his new Standard range. You don't get his famous bevelled bindings and a few other extras such as the carved rear headstock that are standard features on the Signature range but you do get the same fantastic sound and one of the most beautiful headstocks I've seen... and you save around £2000!

    This Legacy has unbelievable separation and definition from the low E all the way to the top, each note is clear and well defined. It also has great volume and a rich and deep tone, responding equally well to a pick or the gentlest fingerstyle, a very versatile guitar.

    • Sitka top
    • Wenge back and sides
    • Arm bevel
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • B/W/B purfling
    • Ebony bindings
    • Kostal inspired ebony/wenge headstock veneer
    • Ebony rear headstock veneer
    • MoP position markers (with side dots)
    • Wenge with bevelled ebony binding rosette
    • Ebony fretboard
    • Wenge bridge
    • Mini Gotoh 510 tuners
    • Faux ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Doerr Legacy Select Standard - Sitka & WengeDoerr Legacy Select Standard - Sitka & WengeDoerr Legacy Select Standard - Sitka & Wenge


  6. Heiden F standard - sold

    Heiden F standard - sold

    Out of stock
    Another stunning F5 from Michael, it has a red spruce top, beautiful one piece sugar maple back and sugar maple sides. Finished with a buffed varnish topcoat, abalone headstock inlay, ivoroid top and back binding and a radiussed Ebony fretboard that is twenty eight millimetres at the bone nut and has twenty one medium frets. Nickel James engraved tailpiece, Ebony finger rest/pick guard and an Ebony bridge. With hard case.

    This is a true cannon. It has incredible volume, projection and clarity AND richness, depth and resonance. It takes a great luthier to get these qualities in the same instrument. It will chop and bark for the bluegrass player, howl for the blues man, sing sweet for the balladeer and respond willingly to any other style.

    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
  7. de Jonge Standard - Redwood & Figured Bubinga (used)

    de Jonge Standard - Redwood & Figured Bubinga (used)

    Out of stock
    This is on consignment. The owner is looking for a quick sale so it has been reduced by 20% from £4960 to £3965.

    Made in 2011. In excellent condition.

    An incredibly beautiful guitar from Sergei, and incredible sound. Its warm and full with outstanding balance. As I keep saying only the very best luthiers can combine tonal qualities that to lesser mortals would be mutually exclusive. To get this level of warmth with great separation, clarity and attack is a remarkable achievement.

    • Figured redwood top
    • Figured bubinga back and sides
    • 14” frets to the body
    • 25.4” scale
    • 1 ¾”nut width
    • Round soundport
    • 2 3/16”string spacing at saddle
    • 15 ½” lower bout
    • Honduras mahogany neck
    • Padauk and maple purfling
    • Ebony bindings
    • Figured bubinga headstock veneer
    • Figured bubinga rear headstock veneer
    • backstrip
    • No position markers (with side dots)
    • Spalted box elder rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)


  8. Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)

    Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)

    Out of stock
    In fantastic condition and sounding marvellous. Plenty of the famous Goodall sparkle with strong well defined bass, rich and complex mids and clear bell-like trebles.

    • Port Orford Cedar top
    • Myrtle back and sides
    • 14 frets to the body
    • Soft cutaway
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Maple neck
    • Abalone logo
    • Rosewood bindings
    • Ebony headstock veneer
    • Rosewood backstrip
    • Slotted diamond abalone position markers with dove inlay at the 12th fret (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge with dove inlays
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)


  9. Northfield Big Mon F5 Engelmann top (used)

    Northfield Big Mon F5 Engelmann top (used)

    Out of stock
    A very rare opportunity to get a used big Mon in excellent condition. Save £1000 on the new price.

    The Northfield Big Mon has been creating quite a stir. It has a big fat tone with fantastic volume and projection. Created as the ideal bluegrass hoss (or cannon if you prefer) it has great depth and richness of tone to take on pretty well any style, with great responsiveness from the lightest touch to the heaviest attack with a thick pick.

    From the Northfield website. "Our "Big Mon" Mandolin is something we created in our shop. In an effort to try and create a little more mid range and bass response, with a nice airy sound, we developed this model to have a distinct voice. Here's what we did..

    The "Big Mon" body style is just slightly different than the standard size. We've increased the width of the body, at its widest point, by 5mm. We've also adjusted the depth/width of the sides a little in a few places. Everything is in proportion to this change, so it results in a slightly larger body overall. It's not very noticeable unless you compare it directly to another standard size by lining them up back to back."

    Northfield Big Mon F5 Engelmann top (used)Northfield Big Mon F5 Engelmann top (used)Northfield Big Mon F5 Engelmann top (used)


  10. Northfield Big Mon F5 - Engelmann Spruce Top

    Northfield Big Mon F5 - Engelmann Spruce Top

    £4,795.00
     
    In stock
    Big Mon with Engelmann Spruce top, violin varnish neck, engraved Bill James tailpiece.

    The Northfield Big Mon has been creating quite a stir. It has a big fat tone with fantastic volume and projection. Created as the ideal bluegrass hoss (or cannon if you prefer) it has an amazing chop and great depth and richness of tone to take on pretty well any style, with great responsiveness from the lightest touch to the heaviest attack with a thick pick it is fantastic for all types of playing.

    From the Northfield website. "Our "Big Mon" Mandolin is something we created in our shop. In an effort to try and create a little more mid range and bass response, with a nice airy sound, we developed this model to have a distinct voice. Here's what we did..

    The "Big Mon" body style is just slightly different than the standard size. We've increased the width of the body, at its widest point, by 5mm. We've also adjusted the depth/width of the sides a little in a few places. Everything is in proportion to this change, so it results in a slightly larger body overall. It's not very noticeable unless you compare it directly to another standard size by lining them up back to back."

    Northfield Big Mon F5 - Engelmann Spruce TopNorthfield Big Mon F5 - Engelmann Spruce TopNorthfield Big Mon F5 - Engelmann Spruce Top
    Northfield Big Mon F5 - Engelmann Spruce TopNorthfield Big Mon F5 - Engelmann Spruce TopNorthfield Big Mon F5 - Engelmann Spruce Top
    Northfield Big Mon F5 - Engelmann Spruce TopNorthfield Big Mon F5 - Engelmann Spruce TopNorthfield Big Mon F5 - Engelmann Spruce Top
  11. Goodall Traditional OM - Adirondack & Rosewood (used)

    Goodall Traditional OM - Adirondack & Rosewood (used)

    Out of stock
    This beautiful Traditional OM from James has a non standard Adirodack top. James has exceeded his usual standards with this one. It has a depth of tone that shouldn't come out of a relatively small body, rich and sweet but well balanced with good definition and plenty of volume.

    In excellent condition.

    With Baggs Anthem pickup.

    Body Width 15"
    Body Depth 4-1/4"
    Neck Width 1-3/4"
    Bracing X-Brace
    Number of Frets 20
    Neck Material Honduran Mahogany
    Neck Finish Satin Urethane
    Body Finish Glossy Urethane
    Brand of Strings Elixir Phosphor Bronze
    Pickguard Tor-Tis Pattern
    Back/Side Wood Indian Rosewood
    Top Wood Adirondack spruce
    Binding Maple
    Edge Trim Herringbone Ebony/Maple
    Peghead Overlay Ebony
    Fretboard Wood Ebony
    Fretboard Binding Maple
    Bridge Pins Blacklip MOP Inlaid Boxwood
    Tuners Waverly Vintage Nickel
    Tuner Buttons Ivoroid
    Peghead Inlay Blacklip MOP Logo
    Fretboard Inlay Notched MOP Squares
    Rosette Material Herringbone Wood Marquetry
    Nut/Saddle Bone
    Backstrip Style Chevron Wood Marquetry
    Cedar Creek Case



    Goodall Traditional OM - Adirondack & Rosewood (used)Goodall Traditional OM - Adirondack & Rosewood (used)Goodall Traditional OM - Adirondack & Rosewood (used)


  12. Gibson A4 1909 (used)

    Gibson A4 1909 (used)

    £1,395.00
     
    In stock
    This one has been around the block a few times but its all sound and plays well with low action and no issues. The back seem has an old cleated repair and there is a repaired crack.

    It has the much sought after and gorgeous Handel inlaid tuners, original pineapple tailpiece, some top flattening and an adjustable bridge. The case is also original but has seen better times (see photo).

    The sound is on the brighter side for an A4, it has some of the clarity of the snakehead sound. A great player, at this price it won't be around long.

    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
  13. Capek A4 Basic Octave Mandolin (used)

    Capek A4 Basic Octave Mandolin (used)

    Out of stock
    Rosta is the man for getting great bass from a mandolin and that's what you want from an octave mandolin. This beauty in spruce and flamed maple with a twenty two and three quarters inch scale length has a very strong but controlled bass with fantastic warm and vibrant mids and clear ringing trebles. Many octave mandolins suffer from muddiness, not this one, the balance and projection is amazing and it plays like a dream and sounds fantastic acoustic and plugged in. With case.

    In excellent condition with a few surface marks.

    Capek A4 Basic Octave Mandolin (used)Capek A4 Basic Octave Mandolin (used)Capek A4 Basic Octave Mandolin (used)


  14. Franzke A4

    Franzke A4

    Out of stock
    This beauty has a very even sound from the lowest G all the way up the fretboard, not biased towards the bass notes like so many oval holed mandolins. The tone is very full and sweet with great individual note definition, fantastic for folk/old time and many more styles.

    Top Engelmann Spruce
    Back/Sides Red Maple
    Neck Maple
    Fretboard Ebony
    Inlay Reconstituted Stone
    Bindings Maple/bloodwood/maple
    Truss rod Fixed double carbon fiber
    Tailpiece James engraved
    Bridge Bill James
    Tuners Golden Age
    Finish French polished Spirit Varnish
    Frets Gold EVO
    Case Guardian molded



    Franzke A4 Franzke A4 Franzke A4


  15. Ellis A4 Special (used)

    Ellis A4 Special (used)

    Out of stock
    ON HOLD. Another stunning mandolin from Tom. Adirondack top, flamed maple back and sides, triple bound top, back and pickguard, ebony fretboard, ebony bridge, engraved James tailpiece, abalone headstock inlay and a Superior case. The sound is delightful, loud and full with that incredible mid range that Tom is famous for. It is remarkably responsive and sweet and resonant with great projection and balance.

    In excellent condition.

    Ellis A4 Special (used)Ellis A4 Special (used)Ellis A4 Special (used)


  16. Gibson A4 Snakehead 1924 (used)

    Gibson A4 Snakehead 1924 (used)

    Out of stock
    Gibson A-4 snakehead 1924, sunburst finish, two-piece back of gorgeous American maple with beautiful figure, adjustable truss-rod, adjustable bridge, Virzi Tone Producer, completely original, overall excellent condition but for one repaired hairline top crack from bridge to binding, original hard case.

    This beauty is one of the best snakes I've heard, as loud as an F5 and with the oval hole sound but pumped up with fantastic clarity and separation. The A2Z snakehead is widely regarded as best of the snakeheads for tone but the A4 snakehead has all the pop of an A2Z but with more depth and resonance.

    Gibson A4 Snakehead 1924 (used)Gibson A4 Snakehead 1924 (used)Gibson A4 Snakehead 1924 (used)


  17. Weber Bitterroot A4 - A Style - Oval Hole

    Weber Bitterroot A4 - A Style - Oval Hole

    £2,495.00
     
    In stock
    Beautiful A4 Bitterroot with flame maple back and sides, spruce top, bound soundhole, radiussed ebony fretboard and Brekke bridge, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case.

    Fantastic full and rich sound with warm and deep bass notes, sweet mids and clear trebles. The Bitterroot range represent great value from Weber and always have a very sweet and mellow tone, not Ideal for bluegrass but perfect for everything else.

    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
  18. Weber Yellowstone A4 Octave Mandolin - A Style - Oval Hole

    Weber Yellowstone A4 Octave Mandolin - A Style - Oval Hole

    £3,995.00
     
    In stock
    A beautiful octave mandolin from the Weber team. In the gorgeous honey and tortoise finish with Adirondack/red spruce top, ebony radiussed fretboard, ebony traditional Brekke bridge, it has a 20" scale and 1 15/32" nut width. It's a dream to play with incredible deep and warm basses, rich and sweet mids and clear/well defined trebles. With hard case.

    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
  19. Weber Yellowstone A4 Mandocello - A Style - Oval Hole

    Weber Yellowstone A4 Mandocello - A Style - Oval Hole

    Out of stock
    Awesome! This is one of finest mandocellos I have played. The late and much lamented Stan Jay famously described the mandocello sound as being like a deep growl from the jungle. This one is coming from somewhere much deeper, the very bowels of the earth. But unlike some cellos it doesn’t lack clarity and definition, it has it all, and it looks incredible. A mandocello for the connoisseur.

    It features a hand graduated and tuned solid spruce top, flamed maple back and sides, ivoroid bound ebony with black/ivoroid side accent lines headstock veneer, ‘The Weber’ script and MoP white and gold headstock inlay, ebony fretboard and traditional Brekke bridge. It has a 24 3/4” scale length and 1 5/8”nut width, dual action adjustable truss rod, cast Weber tailpiece, Grover tuners and a deluxe hard case.

    Weber Yellowstone A4 Mandocello - A Style - Oval HoleWeber Yellowstone A4 Mandocello - A Style - Oval HoleWeber Yellowstone A4 Mandocello - A Style - Oval Hole


  20. Weber Bitterroot A4 - A Style - Oval Hole (used)

    Weber Bitterroot A4 - A Style - Oval Hole (used)

    £1,995.00
     
    In stock
    Beautiful A4 Bitterroot with flame maple back and sides, spruce top, bound soundhole, radiussed ebony fretboard and Brekke bridge, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case.

    Fantastic full and rich sound with warm and deep bass notes, sweet mids and clear trebles. The Bitterroot range represent great value from Weber and always have a very sweet and mellow tone, not Ideal for bluegrass but perfect for everything else.

    In excellent condition with original case.

    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
  21. Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    £2,995.00
     
    In stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional finish with a hand graduated and tuned Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with wonderful deep lows and enough volume to be heard.

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
  22. Gibson A4 Blackface 1915 (used)

    Gibson A4 Blackface 1915 (used)

    Out of stock
    1915 Gibson A4 blackface in great shape with the original gorgeous Handel inlaid tuners, original tailpiece, pickguard and clamp and period case with replacement handle, (note, the photo is not of the case that comes with it).

    There is some of the side bulging common to this period of Gibsons, all solid and sound.

    It plays easily and sounds wonderful, rich and full with remarkable bass, warm mids and clear trebles.


    Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)


  23. Gibson A4 Red Burst 1915 (used)

    Gibson A4 Red Burst 1915 (used)

    Out of stock
    Double bound body, red sunburst on spruce top, bound oval soundhole, 3 ring rosette, mahogany neck, bound ebony fretboard, dot inlays, 24 frets (professional re-fret), original tailpiece cover and bridge, fleur-de-lis and logo inlays, 4-on-a-plate tuners with Handel inlaid tuner buttons. In excellent condition with low action.

    It sounds fantastic, lots of that great vintage gibbo tone with solid bases, sweet mids and clear trebles.

    With original case (not the modern one shown in the photos).

    Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)


  24. Pava A4 Player - Oval Hole

    Pava A4 Player - Oval Hole

    £3,895.00
     
    In stock
    It is great news that Pava has turned her hand to oval hole mandolins. This is an incredible A4 with the depth and warmth you would expect from Tom Ellis' stable. It also has great volume with fantastic clarity and projection so you get the resonance of an A4 with the power of an A5. It responds equally well to a gentle caress and a 3mm pick with a heavy hand, deep, rich and resonant tones with some oooomph if you need it. Awesome!


    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
  25. Weber Gallatin A4 - A Style - Oval Hole

    Weber Gallatin A4 - A Style - Oval Hole

    Out of stock
    With no bindings this Gallatin A looks great. It is an example of a mandolin where every penny has gone into the sound. With a solid hand carved spruce top, solid hand carved maple back and sides, solid cast tailpiece and Brekke bridge it's the least expensive US of A made A style mandolin around. The basic spec of course does not affect the sound, it has a classic A4 tone, solid, well defined bass with warm and rich mids and crisp ringing trebles. With hard case.

    The one and only Dave Swarbrick (Swarb) of Fairport Convention had one of these.

    Photos to follow.




    Weber Gallatin A4 - A Style - Oval HoleWeber Gallatin A4 - A Style - Oval HoleWeber Gallatin A4 - A Style - Oval Hole


  26. Old Wave A4 - Cabernet

    Old Wave A4 - Cabernet

    Out of stock
    Colorado Engelmann spruce top with red spruce x bracing, quilted maple 2 piece back, 12" radius ebony fretboard and bridge, ivoroid binding, pearl position dots and wave inlay, abalone rosette, quilted peghead veneer and cabernet lacquer finish, TKL black hardshell case.

    Another fantastic and beautiful A4 from Bill, very rich and full with strong and well defined bass, sweet and complex mids and clear, ringing trebles.

    Old Wave A4 - CabernetOld Wave A4 - CabernetOld Wave A4 - Cabernet


  27. Old Wave A4  spruce/flamed maple (used)

    Old Wave A4 spruce/flamed maple (used)

    Out of stock
    In great condition with a few barely visible surface marks and £500 less than a new one. This Lovely A4 from Bill is a classic oval hole mando, lots of depth, resonance and sweetness with clear trebles.

    With original TKL case.

    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
  28. Old Wave A4 - Birdseye Maple

    Old Wave A4 - Birdseye Maple

    Out of stock
    Its hard to tell the difference tonally between these two beauties. Both are very loud with strong, well defined and warm bass notes, rich and full mids and clear/precise trebles. Its fantastic to have that wonderful oval hole sound with great definition and projection. The birdseye is gorgeous but so is the Vermont maple... I wouldn't want to have to choose between the two.


    Colorado Engelmann spruce top with red spruce x bracing Varnum Estate (c.1980) birdseye maple sides/1 piece back/neck, 12" radius ziricote fretboard and peghead veneer, tortoise celluloid binding, abalone position dots, rosette, and wave inlay, 1 3/16 bison bone nut, Grover tuners golden/amber lacquer finish, D'Addario J74 strings, TKL black hardshell case

    Old Wave A4 - Birdseye MapleOld Wave A4 - Birdseye MapleOld Wave A4 - Birdseye Maple


  29. Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise

    Out of stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional sunburst finish with a hand graduated and tuned solid Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with a wonderful deep low and enough volume to be heard.

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & TortoiseWeber Yellowstone A4 - A Style - Oval Hole - Honey & TortoiseWeber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise


  30. Old Wave A4 - Golden Amber Quilted Maple

    Old Wave A4 - Golden Amber Quilted Maple

    Out of stock
    Isn't this a stunner? It has a little more brightness than the sunburst A4 that it came in with but still with plenty of warmth and depth, just a little more projection and clarity. Its strokes for folks time...

    Colorado Engelmann spruce top with red spruce x bracing, quilted maple sides/neck back, 12" radius ebony fretboard and bridge, quilted maple peghead veneer, tortoise binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, golden amber lacquer finish, TKL black hardshell case.

    Old Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted Maple


  31. Old Wave A4 - Sunburst

    Old Wave A4 - Sunburst

    Out of stock
    This beauty has fantastic depth and warmth with very full and rich mids and trebles and clear, ringing trebles. Great for folk, old time and many more styles.

    Colorado Engelmann spruce top with red spruce x bracing, Varnum estate (c.1980) curly maple sides/ back/neck, 12" radius ebony fretboard, peghead veneer and bridge, ivoroid binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, sunburst lacquer finish TKL black hardshell case.

    Old Wave A4 - SunburstOld Wave A4 - SunburstOld Wave A4 - Sunburst


  32. Ellis A4 Deluxe

    Ellis A4 Deluxe

    Out of stock
    A gorgeous blonde top A4 from Tom. Its in Red (Adirondack) spruce and the most beautiful flamed red maple and has an ebony fretboard, pickguard and bridge, engraved James tailpiece, triple bound top, back and headstock, abalone inlay and logo, rope-style rosette and a TKL case.

    The sound is everything a great oval hole mandolin should be, rich and resonant with deep and sonorous bass notes, sweet and complex mids and clear, sparkling trebles. And non of the boom that comes with some lesser oval holes.


    Ellis A4 DeluxeEllis A4 DeluxeEllis A4 Deluxe


  33. Girouard A4

    Girouard A4

    £2,995.00
     
    In stock
    This A4 form Max and Lauri is very loud with fantastic depth and richness of tone. It has great response and volume. Gorgeous in looks and sound and it plays beautifully.

    Top Wood: Red Spruce
    Back, Side, Neck Wood: Red Maple
    Scale Length: 13.875
    Fretboard and Peghead overlay Wood: Macassar
    Fretboard Radius: Compound (7.25 at nut - 12 at bridge)
    Nut Type: Bone
    Fret Size: 043 x 080
    Fret Type: EVO Gold
    Fretboard Dots: MOP
    Neck Reinforcement: Truss Rod
    Neck Shape: Soft V shape
    Tailpiece: Stamped Engraved
    Tuners: Rubner
    Hardware Color: Silver
    Strap Button: None
    End Pin: Black screw in type
    Binding: Ivoroid top bound
    Pickguard: None
    Bridge: Girouard bridge
    Inlay: Girouard Script
    Strings: Curt Mangan
    Action height: low (0.060 bass 0.055 treble)
    Case: Superior





    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
  34. Chasson Concert - Engelmann & Wenge

    Chasson Concert - Engelmann & Wenge

    £2,975.00
     
    In stock
    There has been a lot of excitement about wenge recently. In these times of traditional tone woods becoming scarce and in some cases tightly restricted and banned, it's great to work with a wood that is plentiful and cheap.

    Some find the look of it to be plain but others love the deep and rich variations of colour that can be seen when looking closely, to be very beautiful. The way Kent has combined it with Leopardwood accents makes it an incredibly beautiful guitar however you look at it.

    Kent says this is the best guitar he has made and by his standards something.. by my standards it has a wonderful full sound, with complex and resonant tones across its very well balanced and defined range.

    Top - Engelmann Spruce
    Back & sides - Wenge
    Neck - Khaya
    Fretboard - Ebony
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.0mm
    Nut spacing - 7.7mm
    Bridge spacing - 11.3mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 12"
    Body depth at base - 4.33"

    Mop logo - Blackwood/Bloodwood purfling - Leopardwood bindings - Ebony headstock veneer - Leopardwood backstrip - MoP position markers (with side dots) - Leopardwood rosette - Ebony bridge - Schaller mini tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge

34 Item(s)