Search results for 'gibson black top'

Products

  1. Gibson H1 Mandola 1924 - Black Top (used)

    Gibson H1 Mandola 1924 - Black Top (used)

    Out of stock
    Still shiny after all these years! Amazing condition 1924 Gibson H1 mandola. All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover, bridge and case.

    And most importantly of all the tone! It looks like it hasn't been played much but it sounds like it has been played daily. Lots of that incredible deep and rich tone with endless sustain.

    Gibson H1 Mandola 1924 - Black Top (used)Gibson H1 Mandola 1924 - Black Top (used)Gibson H1 Mandola 1924 - Black Top (used)


  2. Collings MT Mandola - Black Gloss Top & Ivoroid Binding

    Collings MT Mandola - Black Gloss Top & Ivoroid Binding

    £3,775.00
     
    In stock
    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package.

    Top Adirondack spruce
    Back/Sides/Neck Eastern flamed maple
    Soundhole F-holes
    Body Binding Tortoise (top)
    Fingerboard Binding None
    Peghead Binding None
    Bracing Tone bars
    Bridge Ebony w/ Adjustable Saddle
    Fingerboard Ebony w/ MOP dots
    Nut 1 5/16"
    String Spacing 1 11/16"
    Neck Profile Rounded V
    Neck Joint Dovetail
    Frets Medium 18% nickel-silver
    Truss Rod Fully Adjustable
    Peghead Veneer Ebony w/ MOP Collings logo
    Tuners Nickel Gotoh w/ black buttons
    Scale Length 15.9"
    Fingerboard Radius 7" - 15" compound
    Body Finish Satin nitrocellulose lacquer
    Pickguard None
    Tailpiece Collings original tailpiece
    Strings D'Addario EJ76 (.015" - .052")
    Case Deluxe hardshell case by TKL

    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
  3. Gibson H1 Mandola - Pumpkin Top 1917 (used)

    Gibson H1 Mandola - Pumpkin Top 1917 (used)

    £3,350.00
     
    In stock
    I hope I look this good at 99!

    Gibson H1 mandola 1917 pumpkin top in incredible condition apart from the ding on the top and a few other very minor scuffs it looks new, its as shiny as a new pin! All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover, bridge and case.

    Ooodles of that wonderful deep and dark tone, there is nothing that sounds quite like one of these old Gibbo mandolas, the resonance just keeps going and going and going….

    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
  4. Gibson A1 Mandolin 1908 (used)

    Gibson A1 Mandolin 1908 (used)

    Out of stock
    This is an early Gibson A style mandolin with "pumpkin" top and Orville Gibson's picture on the label. The mandolin has the first version of the elevated pickguard but it is missing the clamp. The tailpiece cover is the earliest version that is a bit more ornate. The original bridge height is a full 3/4". The finish is great and the top is fully arched with no sinking. This a great playing antique instrument. Classic vintage Gibbo tone, lots of that wonderful deep and resonant bass, warm and sweet mids and clear trebles.

    Gibson A1 Mandolin 1908 (used)Gibson A1 Mandolin 1908 (used)Gibson A1 Mandolin 1908 (used)


  5. Collings MT mandolin black gloss top & ivoroid binding

    Collings MT mandolin black gloss top & ivoroid binding

    Out of stock
    Gorgeous blacktop from the team in Texas! This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant tone, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid binding


  6. Gibson J-35 Custom 1995 (used)

    Gibson J-35 Custom 1995 (used)

    Out of stock
    1995 Gibson J-35. Signed by Gibson Master Luthier Ren Ferguson. It is faithful replica of the pre-war Gibson J-35. It features Honduran Mahogany Back and sides, Adirondack Spruce top, Ebony fingerboard and saddle, Waverly Tuners and Original Hard case. For most of it's 22 years it was kept unplayed in a case by a collector, so the condition is remarkable for it's age. It has had no repairs, it has no cracks and only a few weather checks (they are hard to see).

    Fantastic rich and deep tone, kind of a dreadnought plus with all the power of a dread but with great clarity and projection, great for strumming flatpicking and fingerstyle.

    • Adirondack spruce top
    • Mahogany back and sides
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4" nut width
    • 2 3/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ivoroid bindings
    • Ebony headstock veneer
    • Rope backstrip
    • MoP position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Tiger stripe pickguard
    • TKL/Gibson case

    Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)


  7. Gibson F4 1915 Mandolin (used)

    Gibson F4 1915 Mandolin (used)

    Out of stock
    1915 Gibson F4 with the wonderful Handel tuners. Red sunburst finish, bound 2-point body, carved spruce top, oval soundhole, triple ring rosette, fantastic one piece flamed maple back and sides, bridge (with later insert instead of the individual pieces) and later bone nut (the original pearl nut is in the case), original tailpiece and cover, pickguard and clamp and case.

    This one is in very fine condition with no issues whatsoever, ready and willing to go on for another century or two. It has the typical teens Gibson oval hole tone with very deep and rich bass notes, warm and full mids and clear/ringing trebles.. magic. And with the current pound/dollar exchange rate it is at a very good price.

    ///


  8. Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Out of stock
    I am becoming addicted to Mike Retreaux parlor guitars. This is the biggest fix yet.

    Please click to listen:



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    • Sitka Spruce top
    • Black and white Ebony back and sides
    • Machinga neck
    • 12 3/8" lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with purpleheart purflings
    • 13th fret neck joint
    • Indigo acrylic rosette and accents
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Black Schertler tuners with black buttons
    • Black Binding with Purpleheart top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - sold


  9. Gibson Style O Artist 1920 (used)

    Gibson Style O Artist 1920 (used)

    Out of stock
    1920 Gibson O Style Artist in amazing condition, all original including case (a bit tatty with the cloth covering removed). The Style O was made famous by Big Bill Broonzy.

    I had been wanting to get my hands on one fo these for a very long time, and then I find two in a few months! It plays beautifully with a rich and full tone, more of a flat-top than archtop sound. All in perfect working order with good action and no buzzes or rattles.

    Gibson Style O Artist 1920 (used)Gibson Style O Artist 1920 (used)Gibson Style O Artist 1920 (used)


  10. Gibson F4 1912 Mandolin (used)

    Gibson F4 1912 Mandolin (used)

    Out of stock
    1912 Gibson F4 with the wonderful Handel tuners. Red sunburst finish, bound 2-point body, carved spruce top, oval soundhole, triple ring rosette, fantastic flamed maple back and sides, later, adjustable ebony bridge, original tailpiece and cover and original case.

    This is a LOUD one and with mojo a plenty, similar to the one I sold to Peggy of the Fairports (see above). It has the classic F4 teens sound with amazing depth and resonance and lots of that full and warm tone. All present and correct, no issues. It plays beautifully all the way up the neck with low action.

    Gibson F4 1912 Mandolin (used)Gibson F4 1912 Mandolin (used)Gibson F4 1912 Mandolin (used)


  11. Fay Model One - Englemann and Black & White Ebony

    Fay Model One - Englemann and Black & White Ebony

    Out of stock
    Guitars don’t get any better than this. With impeccable workmanship and detailing it has great presence and playability, with amazing balance from the lowest to the highest notes.

    Fantastic and well defined bass notes, rich and complex mids and clear trebles. A very versatile guitar, it is great for all styles from flatpicking and strumming to fingerstyle, it will handle it all.


    Engelmann Spruce Top
    Black & White Ebony Back &Sides
    Florentine Cutaway
    14 Frets to the Body
    25.0” Scale Length
    1 25/32” Nut Width
    2.25” String Spacing at the saddle
    15.2” Lower Bout Width
    Honduran Mahogany One Piece Neck
    Ebony Binding with Maple/Ebony Purflings Wenge Headstock Veneer
    Brass Fretmarkers (Side Dots)
    Wenge Rosette
    Ebony Fretboard
    Ebony Bridge
    Alessi Tuners with Hammered Brass Backplate and Ebony Buttons
    Dyed Cow Bone Nut, Saddle, and Bridge Pins
    Ameritage Custom Case

    Fay Model One - Englemann and Black & White EbonyFay Model One - Englemann and Black & White EbonyFay Model One - Englemann and Black & White Ebony


  12. Gibson A4 Snakehead 1924 (used)

    Gibson A4 Snakehead 1924 (used)

    Out of stock
    Gibson A-4 snakehead 1924, sunburst finish, two-piece back of gorgeous American maple with beautiful figure, adjustable truss-rod, adjustable bridge, Virzi Tone Producer, completely original, overall excellent condition but for one repaired hairline top crack from bridge to binding, original hard case.

    This beauty is one of the best snakes I've heard, as loud as an F5 and with the oval hole sound but pumped up with fantastic clarity and separation. The A2Z snakehead is widely regarded as best of the snakeheads for tone but the A4 snakehead has all the pop of an A2Z but with more depth and resonance.

    Gibson A4 Snakehead 1924 (used)Gibson A4 Snakehead 1924 (used)Gibson A4 Snakehead 1924 (used)


  13. Gibson H2 Mandola 1921 - Sunburst (used)

    Gibson H2 Mandola 1921 - Sunburst (used)

    Out of stock
    Excellent condition 1921 H2 mandola, still with the original shine. All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover and bridge with a modern case.

    This one has that amazing vintage Gibson mandola tone, lots of deep and resonant bases with full mids and trebles and a little extra sparkle and crispness giving it very good projection.

    Gibson H2 Mandola 1921 - Sunburst (used)Gibson H2 Mandola 1921 - Sunburst (used)Gibson H2 Mandola 1921 - Sunburst (used)


  14. Gibson A4 Blackface 1915 (used)

    Gibson A4 Blackface 1915 (used)

    Out of stock
    1915 Gibson A4 blackface in great shape with the original gorgeous Handel inlaid tuners, original tailpiece, pickguard and clamp and period case with replacement handle, (note, the photo is not of the case that comes with it).

    There is some of the side bulging common to this period of Gibsons, all solid and sound.

    It plays easily and sounds wonderful, rich and full with remarkable bass, warm mids and clear trebles.


    Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)


  15. Collings MT Mandola - Gloss Top

    Collings MT Mandola - Gloss Top

    Out of stock
    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package.

    Top Adirondack spruce
    Back/Sides/Neck Eastern flamed maple
    Soundhole F-holes
    Body Binding Tortoise (top)
    Fingerboard Binding None
    Peghead Binding None
    Bracing Tone bars
    Bridge Ebony w/ Adjustable Saddle
    Fingerboard Ebony w/ MOP dots
    Nut 1 5/16"
    String Spacing 1 11/16"
    Neck Profile Rounded V
    Neck Joint Dovetail
    Frets Medium 18% nickel-silver
    Truss Rod Fully Adjustable
    Peghead Veneer Ebony w/ MOP Collings logo
    Tuners Nickel Gotoh w/ black buttons
    Scale Length 15.9"
    Fingerboard Radius 7" - 15" compound
    Body Finish Satin nitrocellulose lacquer
    Pickguard None
    Tailpiece Collings original tailpiece
    Strings D'Addario EJ76 (.015" - .052")
    Case Deluxe hardshell case by TKL

    Collings MT Mandola - Gloss Top Collings MT Mandola - Gloss Top Collings MT Mandola - Gloss Top


  16. Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Out of stock
    What an incredible guitar! There is everything you could want here. Power and projection, rich and full/well define bass notes, warm and complex mids with clear bell-like trebles.

    It responds beautifully to any style of playing from a gentle caress to a heavy pick.

    • Colorado blue spruce top
    • African blackwood back and sides
    • Florentine cutaway
    • Adjustable action via neck bolt
    • Oval soundport
    • 14 frets to the body
    • 25.25” scale
    • 1 25/32” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • B/Koa/B , Southwest Blue soundboard purfling
    • Spalted Manchinga bindings
    • Wenge and Black Palm with Southwest Blue wedge headstock veneer
    • No position markers (with side dots)
    • Wenge and Black Palm with Southwest Blue inlay, Manchinga binding rosette
    • Bound Ebony with Koa purfling fretboard
    • Ebony bridge
    • Gotoh 510 Cosmo Black tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Baranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African Blackwood


  17. Collings MT mandolin amber gloss top

    Collings MT mandolin amber gloss top

    Out of stock
    Wow! This is a real stunner. And it sounds even better that it looks. Great for all styles, plenty of power, punch and chop for bluegrass and lots of depth and warmth, making it very versatile, it responds beautifully to a heavy pick or a light touch.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin amber gloss topCollings MT mandolin amber gloss topCollings MT mandolin amber gloss top


  18. Collings MT Mandolin - Gloss Top

    Collings MT Mandolin - Gloss Top

    £3,215.00
     
    In stock
    This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant sound, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
  19. Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    £3,195.00
     
    In stock
    I like Collings cream top finish so much that I have ordered it for my custom mandola (and being greedy on a Girouard mandola as well). To use one of my favourite Clichés it sounds as good as it looks. Fantastic in all departments, rich, full and well defined in the bass department, sweet and warm in the mids and clear and rich trebles. A mandolin for all occasions and all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
  20. Collings MTO mandolin with gloss top

    Collings MTO mandolin with gloss top

    Out of stock
    'Modern' oval hole sound with all the depth and richness you would want from an oval holed mandolin but with great volume, clarity and projection. It even has a good bluegrass chop, rare in oval holed mandolin and It also has the gloss top upgrade.

    Collings usual impeccable workmanship and beautiful woods, this is a stunning mandolin.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    X-bracing
    Tortoise-style top binding
    Tortoise rosette and bound soundhole
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22 frets, neck joins the body at the 13th fret
    V shaped neck profile with 1 9/16" string spacing
    7"-11 5/8" Compound fingerboard radius
    1 3/16" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MTO mandolin with gloss topCollings MTO mandolin with gloss topCollings MTO mandolin with gloss top


  21. Collings MTO Mandolin - Sheraton Brown Gloss Top

    Collings MTO Mandolin - Sheraton Brown Gloss Top

    £3,375.00
     
    In stock
    This is unbelievably loud. If you are looking for the richness and depth of a great oval hole mandolin and volume and power to match any f holed mandolin, look no further. This beauty has all the resonance and warmth you would expect from an oval holed mandolin but with great volume and projection.

    Add Collings' usual impeccable workmanship and beautiful woods and you have an amazing mandolin.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    X-bracing
    Tortoise-style top binding
    Tortoise rosette and bound soundhole
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22 frets, neck joins the body at the 13th fret
    V shaped neck profile with 1 9/16" string spacing
    7"-11 5/8" Compound fingerboard radius
    1 3/16" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
  22. Collings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard

    Collings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard

    £5,175.00
     
    In stock
    Customised for TAMCO to my specifications, with incredible quilted maple back and sides, this is a very special mandola.

    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package. Mandolas don't get any better than this.

    Select Adirondack spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid binding
    Satin nitrocellulose lacquer finish
    Bound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 11/16" Bone nut
    15.9" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Collings deluxe hardshell case

    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
  23. Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Out of stock
    David Wren says.

    "Forget about how gorgeous this instrument is ... forget about the craftsmanship chops this veteran builder brings to the table ... I had the pleasure of playing this one and ... it has one of the most responsive, powerful and complex tonalities I've played in ages ... LOVE this guitar!"

    I can't really add much except to say its bloody marvellous.

    • Adirondack Spruce top
    • Tropical figured Mahogany back and sides
    • Bound oval soundport
    • 12 frets to the body
    • 25 ½” scale
    • 1/3/4” nut width
    • 2 3/8” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Black/white/black wood lines with figured Mahogany purfling
    • Tasmanian Tiger Myrtleb indings
    • Tasmanian Tiger Myrtle headstock veneer
    • Black backstrip
    • No position markers (with side dots)
    • Paua shell, figured Mahogany and b/w/b wood lines rosette
    • Bound ebony fretboard
    • Pyramid ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL tweed case

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
  24. Noble Acoustic Harp Guitar (used)

    Noble Acoustic Harp Guitar (used)

    £4,499.00
     
    In stock
    TAMCO's first harp guitar and what a beauty. If you haven't heard a harp guitar you should check out Stephen Bennett

    This really is incredible with a fantastic guitar tone and those wonderful rich and melodious harp strings.

    The harp strings are currently tuned E G A C D E, low to high.

    Top - Lutz Spruce
    Back & sides - Rosewood
    Neck - Mahogany/Rosewood/Maple
    Fretboard - Ebony
    Case - Colorado Case Co soft case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.15mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.15mm
    Lower bout width - 16"

    Black/white/black purfling - Koa bindings - Ebony headstock veneer - No position markers (with abalone side dots) - Cocobolo rosette - Ebony bridge - Gotoh 510 mini tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
  25. Gibson F4 1921 Mandolin (used)

    Gibson F4 1921 Mandolin (used)

    Out of stock
    This 1921 F4 is has been around to block a few times, but has a great tone. It has a pre 1922 neck with a truss-rod  installed and an adjustable bridge. The lower part of the pre 1922 flower pot inlay is covered by a nickel  truss-rod cover. It is all original except the bridge and it is structurally sound with no issues. Modern fiberglass case.

    It plays beautifully and has great volume and the deep and resonant tone so beloved of these old Gibsons.


    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
  26. Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    £9,195.00
     
    In stock


    Its hard to know what to say sometimes when such amazing guitars arrive. I am shocked that Sheldon's work isn't more widely known.

    This is an original and wonderful work of art. I'm am fond of commenting on how great luthiers can combine qualities that otherwise might be considered mutually exclusive. Well Sheldon has pulled it off in achieving the big sound that you might expect from a sitka/rosewood sixteen inch guitar of this quality with remarkable individual note clarity and balance.

    Players in smaller rooms won't need amplification, neither will those who play with a soft touch - finger tips not nails for instance - lack any response or tonal character. Its big and beautiful and soft and mellow, a guitar that will respond to all moods and playing styles. Brilliant!

    Top - Bear Claw Sitka Spruce
    Back & sides - East Indian Rosewood
    Neck - Five piece mahogany, Peruvian walnut and curly maple
    Fretboard - Ebony
    Case - Workhorse carbon copy case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.7mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.6mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.4mm
    Lower bout width - 16"
    Upper bout width - 12.01"
    Body depth at base - 4.53"

    Bent wood/drop top style arm rest - Cutaway with an access bevel - Lacewood logo - Cherry and black pear purfling - Black walnut bindings - Ebony headstock veneer - Black walnut rear headstock veneer - Glow in the dark side dots - Ebony pinless bridge - Gotoh 510 tuners - Black tuner buttons - Black Tusq nut and saddle - Clear pickguard

    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
  27. Batson GC - Sitka Spruce & Rosewood (used)

    Batson GC - Sitka Spruce & Rosewood (used)

    £2,175.00
     
    In stock
    Cory says this is his best yet, I agree, that cathedral organ bass I keep talking about is plentiful here.

    If it's a strong bass response and rich and warm mids and clear trebles you are looking for, look no further.

    Top - Sitka Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox hard case (white) made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 43.6mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.3mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.53"

    Flamed maple binding - Flamed maple purfling - Rosewood headstock veneer - Side dots/no position markers - Flamed maple logo - Ebony bridge - Black chrome Gotoh super 510z tuners Black chrome tuner buttons - Bone nut and saddle

    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
  28. Beneteau Nick Lucas - Sitka Spruce & Mahogany

    Beneteau Nick Lucas - Sitka Spruce & Mahogany

    £2,775.00
     
    In stock


    Another absolute stunner from Marc. The first thing that strikes me playing this beauty is the remarkable balance and individual note clarity, from the lowest to the highest note it has incredible definition and projection. Add the warmth and responsiveness of mahogany and you get a very versatile guitar.

    The playability is superb and it responds beautifully to everything from a pick to the lightest fingerstyle.

    Top - Sitka Spruce
    Back & sides - Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 14 7/8"
    Upper bout width - 9.84"
    Body depth at base - 4.33"

    MoP logo - Sapele/Black/Maple purfling - Ebony bindings - Macassar Ebony headstock veneer - Macassar Ebony rear headstock veneer - Ebony w/Purflings backstrip - MoP position markers with side dots - Honduran rosewood rosette - Ebony bridge - Vintage Gotoh tuners - Black tuner buttons - Bone nut and saddle - Ebony w/MOP dot bridge pins - No pickguard


    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
  29. Berkowitz F6 Concert - Sitka & Padauk

    Berkowitz F6 Concert - Sitka & Padauk

    Out of stock


    Padauk is gaining in popularity and this beautiful guitar from David demonstrates why. The first thing that strikes me is a very deep and luxurious bass with fantastic resonance across the range. This is a big sound that is very rich and warm that responds well to a pick or the most delicate fingerstyle.

    It takes a very experienced luthier to achieve this level of warmth and resonance and have great definition and note separation. This is a wonderful and very versatile guitar.

    Top - Sitka Spruce
    Back & sides - Paduak
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hoffee moulded plastic hard case (white)

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 11.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 2mm
    Lower bout width - 15.5"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Abalone logo - Maple and bloodwood purfling - Bindings ebony with maple/black side purflings - Ebony headstock veneer - No position markers (with side dots) - Manzanita burl with maple and bloodwood rosette - Ebony bridge Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Berkowitz F6 Concert - Sitka & PadaukBerkowitz F6 Concert - Sitka & PadaukBerkowitz F6 Concert - Sitka & Padauk


  30. Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    £2,750.00
     
    In stock
    My first from Dennis and what a beauty in tone and looks. It has classic 12 fret richness and depth, plus full access with the cutaway.

    It's a big and warm sound with great separation and clarity. Individual note definition from low to high is remarkable. Great playability and wonderful tone, fantastic!

    Top - Sitka Spruce
    Back & sides - Curly Claro Walnut
    Neck - Mahogany, maple and rosewood
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 12
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.2mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.9mm
    Action fret 1 low E - 0.65mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.72"

    Soft cutaway - MoP logo - Maple/black purfling - Curly maple bindings - Ebony headstock veneer Abalone position markers (with side dots) - Segmented, spalted maple, ebony, walnut rosette Ebony bridge - Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins Clear pickguard

    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
  31. Collings MT2 Mandolin

    Collings MT2 Mandolin

    Out of stock
    Collings' top of the range A model, stunning woods, immaculate workmanship and oh that Collings tone. It has a very clear sound with great depth, balance and one of the loudest chops I've heard. It has that amazing combination of warmth/resonance and projection, great for bluegrass and almost anything else.

    Select Adirondack spruce top
    Premium figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Grained ivoroid top/back/neck & peghead binding
    Black/white purflings
    Full high-gloss nitrocellulose lacquer finish
    Bound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay w/Collings logo and flourish inlay
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel or gold tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT2 MandolinCollings MT2 MandolinCollings MT2 Mandolin


  32. Taylor 555 12 string (used)

    Taylor 555 12 string (used)

    Out of stock
    Good condition 555 with a few dings here and there (see photos) and a custom saddle. Taylor's reputation for great 12 string guitars is well deserved, this is a very fine example. Comes with unknown pickup.


    • Spruce top
    • Mahogany back and sides
    • Mahogany neck
    • 25 1/2" scale
    • 1 7/8” nut width
    • 2 7/16" string spacing at saddle
    • 17" lower bout
    • Black bindings
    • B/w/b purfling
    • Concentric circles rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Large dot position markers
    • Schertler tuners
    • Ebony bridge pins
    • Tortoise pickguard
    • Taylor case

    Taylor 555 12 string (used)Taylor 555 12 string (used)Taylor 555 12 string (used)


  33. Franklin Guitar Co OM - European Spruce & African Blackwood

    Franklin Guitar Co OM - European Spruce & African Blackwood

    Out of stock
    I am very excited to have my first guitar from Nick, its everything I had dreamed of. I can see why he is so much appreciated by the likes of Stefan Grossman and John Renbourn.

    When deciding how to describe a guitar the first thing I do is think about what hits me first. This guitar has remarkable articulation and expression, fantastic projection and clarity with each note having perfect definition. Achieving this this along with fantastic depth and complexity of tone is why Nick has the reputation he has.

    • European spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • MoP logo
    • Black and white maple purfling
    • Koa bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Abalone slotted squares position markers (with side dots)
    • Black and white maple rosette
    • Ebony fretboard
    • Black dyed rosewood bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Franklin Guitar Co OM - European Spruce & African BlackwoodFranklin Guitar Co OM - European Spruce & African BlackwoodFranklin Guitar Co OM - European Spruce & African Blackwood


  34. Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Out of stock
    Leo does it a gain! The last modified dreadnought I had from him sold very quickly. I am not expecting this beauty to be here for long. The workmanship is impeccable, take a look at the rosette and matching end graft and headstock inlay.

    The sound is equally outstanding. Many of Ervin Somogyi’s former apprentices make the mod D model and with very good reason, it has all the power and volume you can get from an acoustic guitar with immense headroom. The Swiss spruce a fiddle back mahogany in this very fine example give fantastic clarity. You get incredible depth and richness of tone with great balance with all the notes form the lowest to the highest having equal definition and projection. This is a stunning guitar.


    Soundboard, Moon Swiss Alpine spruce
    Back and sides, Highly figured Fiddle back Mahogany
    Lower bout 16”
    Scale Length, 25.25”
    End graft, custom matching rosette
    Neck, custom finished one piece Honduran mahogany
    Head-cap veneer, Fiddle back Mahogany with custom inlay matching rosette
    and end graft
    14th-fret to the body fingerboard
    Rosette, solid ring wood with black/white purfling
    Bridge, hand carved ebony
    Bridge pins, ebony with pearl dots
    Binding, ebony with Maple black/white purfling
    Top braces, Sitka spruce
    Back Braces, Honduran Mahogany
    Saddle, 2 1/4” string spacing compensated bone
    Nut, 1 3/4” width scalloped and compensated bone
    Back of Head-cap veneer, Ebony
    Tuning Machines, Schaller M6 in gold w/ebony buttons
    Fingerboard, ebony with ebony binding and white maple purfling
    Fret wire, medium Nickel-Silver 18%
    Fretboard Radius, 20”
    Case, Black exterior/Red interior custom carbon fiber Hoffee hardshell

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany


  35. Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    £2,995.00
     
    In stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional finish with a hand graduated and tuned Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with wonderful deep lows and enough volume to be heard.

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
  36. Gibson H4 Mandola 1921 (used)

    Gibson H4 Mandola 1921 (used)

    Out of stock
    1921 H4 in amazing condition. It has the original tuners and buttons, tailpiece and cover, one-piece maple back and case with new handle. The bridge is a replica made by Steve Smith at Cumberland Acoustics.

    This is an exceptional mandola! It is lush and deep and warm with that fantastic mellow sound you can only get in wonderful peice of history like this. And its LOUD.

    Gibson H4 Mandola 1921 (used)Gibson H4 Mandola 1921 (used)Gibson H4 Mandola 1921 (used)


  37. Brondel A-1c - German Spruce & Malaysian Blackwood

    Brondel A-1c - German Spruce & Malaysian Blackwood

    Out of stock

    German spruce twinned with Malaysian blackwood gives some of the clearest and and most well defined individual notes I have heard. Of course put those notes together and and the result is harmonious and sweet, delicate fingerstyle, strumming and picking are all well within its competence, its excels at them all.

    There is headroom here enough to fly very high indeed and it responds excellently to the lightest touch. While this spectacular guitar is all about accuracy and articulation it comes with depth, warmth and character.

    • German spruce top
    • Malaysian blackwood back and sides
    • Double sides (EIR inside)
    • Laminated braces (bloodwood/red spruce)
    • 14 frets to the body
    • 25.6” scale
    • 1 3/4” nut width
    • 2 5/16” string spacing at saddle
    • 15 5/8” lower bout
    • Laminated curly maple/black walnut neck
    • Cutaway
    • Black walnut/curly maple purflings
    • Bloodwood bindings
    • Ziricote headstock veneer
    • Malaysian blackwood rear headstock veneer
    • Multicolour custom wood backstrip
    • Framed curly maple end wedge
    • Gold side dots
    • Black walnut/curly maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 gold tuners
    • Ziricote tuner buttons
    • Bone nut and saddle
    • Galalith bridge and end pins
    • No pickguard
    • Hard case

    Brondel A-1c - German Spruce & Malaysian Blackwood Brondel A-1c - German Spruce & Malaysian Blackwood Brondel A-1c - German Spruce & Malaysian Blackwood


  38. Traphagen HRS - Italian Spruce & Honduran Rosewood

    Traphagen HRS - Italian Spruce & Honduran Rosewood

    £2,999.00
     
    In stock


    Here’s a special offer on a special guitar that has, what some might say, are ‘issues’. We’ve had the guitar in the shop for a while now. During that time it has done its own ‘relic job’ by developing lacquer checking across the whole surface of the Spruce top. The back, sides and neck are unaffected.

    Anyone who knows a bit about the ‘lacquer checking’ that is added to modern custom shop electric guitars will understand what I mean by a ‘relic job’. There is absolutely no adverse effect to the tone or the overall loveliness of the guitar, it sounds wonderful, it’s just not something that you usually find on an expensive handmade acoustic guitar. There's an image of the lacquer checking below.

    The fret ends on the lower side of the neck could do with a little tidying up too though playability is very good as it is.

    There’s not much room left in the saddle for those who like an ultra-low action though the current action is great for fingerstyle.

    We don’t currently have the services of a luthier so we are therefore offering this guitar at £2,995, a massive £4,000 discount! Yes, you can own a seven grand guitar that you might not have been able to afford.

    Feel free to make us a cheeky offer as long as you don’t mind a cheeky response.

    Top - Italian Spruce
    Back & sides - Honduran Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Black hardshell arched case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.75mm
    Action fret 1 high E - 0.3mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 14 13/16"
    Upper bout width - 11.22"
    Body depth at base - 4.13"

    Amazon rosewood purfling - Amazon rosewood bindings - Honduran rosewood headstock veneer Honduran rosewood backstrip - No position markers (with side dots) - Black palm rosette Honduran rosewood bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle Rosewood bridge pins - Clear pickguard

    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
  39. Clark Guitar Bodied Octave Mandolin (GoM)

    Clark Guitar Bodied Octave Mandolin (GoM)

    Out of stock
    Gorgeous sunburst guitar bodied octave mandolin, 20.25" scale, ebony tailpiece, bound ebony pickguard, ebony bridge, Adirondack Spruce top and Red Maple back and sides, bound in ivoroid with black/white purfling, varnish finish, abalone and MoP headstock inlay and it comes in a custom Ameritage case.

    The jazz guitar bodied octave mandolin seems to be the way to go, it has magical qualities, bass that I've not heard in other octaves, it is well defined and solid, if you like your octave mandolins jangly this is not for you. If you like a strong bass and lots of deep warm sound with great definition and projection it is perfect.


    Clark Guitar Bodied Octave Mandolin (GoM) Clark Guitar Bodied Octave Mandolin (GoM) Clark Guitar Bodied Octave Mandolin (GoM)


  40. Traugott R African blackwood acoustic guitar - sold

    Traugott R African blackwood acoustic guitar - sold

    Out of stock

    There are many reasons why Jeff has had such a reputation for many decades, this is now one of them.

    It is hard to describe tone at the best of times but at this level it becomes almost impossible. Suffice to say that it is truly incredible, combing qualities that might be thought mutually exclusive, for instance resonance and clarity, depth and definition and subtlety and projection, you get them all in this remarkable guitar! The tone and responsiveness and are what made the Traugott legend.

    • German spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.625” lower bout
    • Honduran mahogany neck
    • Koa and ebony purfling
    • Koa and ebony bindings
    • Quilted mahogany headstock veneer
    • Koa and ebony backstrip
    • No position markers (with side dots)
    • Quilted mahogany rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 black tuners
    • Black Cosmos tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Main Stage case with Colorado Case Company cover

    Traugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - sold


  41. Gibson A3 Teens (used)

    Gibson A3 Teens (used)

    Out of stock
    The serial number has faded away on this one so the year is unknown. It has one old repaired crack otherwise its in amazing condition with original tuners, bridge, tailpiece and case. This is a loud one with very balanced tone, not as 'tubby' as some, its very clear and warm.

    Gibson A3 Teens (used)Gibson A3 Teens (used)Gibson A3 Teens (used)


  42. Gibson A1  1912 (used)

    Gibson A1 1912 (used)

    Out of stock
    1912 A1 in great condition with original tuners, bridge, tailpiece and case (with new handle).

    Plays well with that classic full and fat tone.

    Gibson A1  1912 (used)Gibson A1  1912 (used)Gibson A1  1912 (used)


  43. Gibson F4 1918

    Gibson F4 1918

    Out of stock
    Sold to Dave Pegg of Fairport Convention.

    1918 F4 that's seen some action. It structurally sound all round, with original tuners with the fantastic Handel buttons, original tailpiece and cover, later adjustable bridge and a modern shaped hardshell case.

    I love its well worn look and it sounds terrific, its warm and full with plenty of volume. A great price for a wonderful piece of history that has many a year of entertainment in it yet for players and audiences.

    Gibson F4 1918Gibson F4 1918Gibson F4 1918
    Gibson F4 1918Gibson F4 1918Gibson F4 1918
    Gibson F4 1918Gibson F4 1918Gibson F4 1918
    Gibson F4 1918Gibson F4 1918Gibson F4 1918
  44. Gibson A4 1909 (used)

    Gibson A4 1909 (used)

    £1,395.00
     
    In stock
    This one has been around the block a few times but its all sound and plays well with low action and no issues. The back seem has an old cleated repair and there is a repaired crack.

    It has the much sought after and gorgeous Handel inlaid tuners, original pineapple tailpiece, some top flattening and an adjustable bridge. The case is also original but has seen better times (see photo).

    The sound is on the brighter side for an A4, it has some of the clarity of the snakehead sound. A great player, at this price it won't be around long.

    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
  45. Beneteau OM - Quilted Pommele Sapele & Sitka

    Beneteau OM - Quilted Pommele Sapele & Sitka

    Out of stock
    Another outstanding guitar from Marc. It has a fantastic rich and complex tone with great clarity, definition and projection. The bass notes are strong , full and well defined, the mids are warm and full of character and the trebles clear and strong. A very articulate guitar with fantastic playability.

    • Alaskan sitka spruce top
    • Quilted pomelle sapele back and sides
    • 14 frets to the body
    • 25” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • Maple/sapele/black purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • MoP position markers (with side dots)
    • Quilted pomelle sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 mini tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hardshell case

    Beneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & Sitka


  46. Gibson A4 Red Burst 1915 (used)

    Gibson A4 Red Burst 1915 (used)

    Out of stock
    Double bound body, red sunburst on spruce top, bound oval soundhole, 3 ring rosette, mahogany neck, bound ebony fretboard, dot inlays, 24 frets (professional re-fret), original tailpiece cover and bridge, fleur-de-lis and logo inlays, 4-on-a-plate tuners with Handel inlaid tuner buttons. In excellent condition with low action.

    It sounds fantastic, lots of that great vintage gibbo tone with solid bases, sweet mids and clear trebles.

    With original case (not the modern one shown in the photos).

    Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)


  47. Gibson J Mandobass 1922 (used)

    Gibson J Mandobass 1922 (used)

    Out of stock
    After well over10 years at TAMCO the mandobass is sorely missed. I've added a couple of photos of its new owner. I am delighted that it has gone to a good home and is being played instead of just admired.

    I am very loathe to part with this beauty, its been my shop mascot for about twelve years but needs must.

    Complete with both stands and original gigbag (with a small tear, see photos).

    These are very rare and hard to come buy.


    Gibson J Mandobass 1922 (used)Gibson J Mandobass 1922 (used)Gibson J Mandobass 1922 (used)


  48. Gibson Ajr Snakehead 1923 (used)

    Gibson Ajr Snakehead 1923 (used)

    Out of stock
    The legendary snakehead, made during the tenure on Mr Lloyd Loar. Known for an oval hole sound with cut and volume this is a fine example with strong and deep oval hole sound and great volume but with more clarity and projection than other oval hole mandolins.

    Original tuners, tailpiece and compensated bridge, old case.


    Gibson Ajr Snakehead 1923 (used)Gibson Ajr Snakehead 1923 (used)Gibson Ajr Snakehead 1923 (used)


  49. Jang OM acoustic guitar - sold

    Jang OM acoustic guitar - sold

    Out of stock
    My first from Isaac and what a beauty!

    It has fantastic warmth and balance with a great richness of tone. Amazing projection and clarity all the way to the easily accessible top fret.


    • Master Grade Adirondack Spruce top
    • Special Quilted Mahogany back and sides
    • Uchida-style Bendaway with bevel cutaway
    • 14 frets to the body
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Ebony bindings with Black/White purfling
    • Ebony/ Quilted Mahogany with Koa accent headstock veneer
    • Quilted Mahogany rear headstock veneer
    • Simple & Elegant African Blackwood Bound rosette
    • Bound Ebony fretboard
    • Ebony bridge
    • Gotoh 510 H.A.P.A. Gold/Ebonoid tuners
    • Bone nut and saddle
    • Ebony with Paua Dot bridge pins
    • Clear pickguard
    • Custom Mainstage case


    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
  50. Gibson Style U acoustic harp guitar 1916

    Gibson Style U acoustic harp guitar 1916

    Out of stock
    All original, including case.

    The harp strings are tuned chromatically with the first (lightest) the same as the guitar G.

    Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916
    Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916
    Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916
    Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916Gibson Style U acoustic harp guitar 1916
  51. Gibson F5L Fern 1990 - Signed by Steve Carlson (used)

    Gibson F5L Fern 1990 - Signed by Steve Carlson (used)

    Out of stock
    Signed 29th October 1990 by Steve Carlson. It is in almost unplayed original condition in original hardshell case.
    I am selling for the original owner who has the original receipts, purchased and imported from Mandolin Brothers, USA.


    Plays easily with 'the bluegrass' sound.. great chop and plenty of resonance, solid bass with clear trebles. A fantastic combination of depth of tone, sweetness, and clarity.

    Gibson F5L Fern 1990 - Signed by Steve Carlson (used)Gibson F5L Fern 1990 - Signed by Steve Carlson (used)Gibson F5L Fern 1990 - Signed by Steve Carlson (used)


  52. Gibson H1 Mandola - with Virzi Tone Producer 1919 (used)

    Gibson H1 Mandola - with Virzi Tone Producer 1919 (used)

    Out of stock
    Wow!! The sound of these old gibbo 'dolas has to be heard to be believed and this is one of the best sounding I've had.

    It's in very good condition, no issues, Virzi tone producer serial number 10555, original tuners, original tailpiece and case in great shape. It has incredible deep, growling bass, dark and complex mids and sweet trebles, there's nothing quite like the tone of these old beauties..

    Gibson H1 Mandola - with Virzi Tone Producer 1919 (used)Gibson H1 Mandola - with Virzi Tone Producer 1919 (used)Gibson H1 Mandola - with Virzi Tone Producer 1919 (used)


  53. Weber Yellowstone A4 Mandocello - A Style - Oval Hole

    Weber Yellowstone A4 Mandocello - A Style - Oval Hole

    Out of stock
    Awesome! This is one of finest mandocellos I have played. The late and much lamented Stan Jay famously described the mandocello sound as being like a deep growl from the jungle. This one is coming from somewhere much deeper, the very bowels of the earth. But unlike some cellos it doesn’t lack clarity and definition, it has it all, and it looks incredible. A mandocello for the connoisseur.

    It features a hand graduated and tuned solid spruce top, flamed maple back and sides, ivoroid bound ebony with black/ivoroid side accent lines headstock veneer, ‘The Weber’ script and MoP white and gold headstock inlay, ebony fretboard and traditional Brekke bridge. It has a 24 3/4” scale length and 1 5/8”nut width, dual action adjustable truss rod, cast Weber tailpiece, Grover tuners and a deluxe hard case.

    Weber Yellowstone A4 Mandocello - A Style - Oval HoleWeber Yellowstone A4 Mandocello - A Style - Oval HoleWeber Yellowstone A4 Mandocello - A Style - Oval Hole


  54. Carruth OOO-12 - Rosewood & European Spruce

    Carruth OOO-12 - Rosewood & European Spruce

    Out of stock


    In many ways twelve frets to the body and a cutaway is the perfect combination. It gives the sweetness of the more centred bridge position and allows access all the way to the top fret.

    It definately works on this beauty from Alan. The first thing that struck me about this guitar is its lightness and ease of play, it feels like a much smaller guitar. It sounds fantastic, rich and resonant with full and well defined bass notes, complex and expressive mids, clear, precise bell-like trebles and great balance and projection. What a beaut!

    • European spruce top
    • Rosewood back and sides
    • Slotted headstock
    • Soft cutaway
    • Oil varnish finish
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany/maple neck
    • Wood logo
    • Maple/black purfling
    • Curly maple bindings
    • Rosewood headstock veneer
    • Maple backstrip
    • Bone position markers (with side dots)
    • Maple/koa rosette
    • Macassar ebony fretboard
    • Rosewood pyramid bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case


    Carruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European Spruce


  55. Collings MT mandolin

    Collings MT mandolin

    Out of stock
    This is Collings' entry level mandolin but it has everything you would expect from Collings. It has great volume with a fantastic and powerful bluegrass chop, strong bass notes, warm and complex mids and clear trebles. Its much more than a bluegrass cannon with a very full tone that is great for all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolinCollings MT mandolinCollings MT mandolin


  56. Beardsell 2G - Bearclaw Lutz Spruce & Makore

    Beardsell 2G - Bearclaw Lutz Spruce & Makore

    £3,995.00
     
    In stock
    Awesome! When innovation combines with the complete mastery of traditional skills this is what you get. Al is a true master and the tone of this beauty is to die for! OK that's enough exclamation marks...

    It has a very full and open/rich tone with fantastic depth and complexity. The definition and separation are truly remarkable. This is a very intimate and expressive guitar that also responds beautifully to a pick and a bit of digging in.

    Top - Lutz Spruce (Bearclaw)
    Back & sides - Makore
    Neck - Mahogany
    Fretboard - Rosewood
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 24.7"
    Neck profile - C
    Nut width - 45.8mm
    Nut spacing - 7.1mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.4mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.5mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 4.33"

    Venetian cutaway - Lacquer finish - Dual soundports - offset tear-drop profile neck - Gold MoP logo - b/w/b/w/b/w black-dyed pear, holly, maple, fibrepurfling - Rosewood bindings - Rosewood, holly , ebony headstock veneer - Rosewood, maple rear headstock veneer - Holly, ebony, maple, black dyed pear backstrip - Holly, ebony, gold MOP side dots - Holly, ebony, black-dyed pear rosette - Rosewood bridge - Gotoh 510 chrome tuners - Chrome tuner buttons - Bone nut and saddle - Rosewood bridge pins - Clear pickguard

    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
  57. Hatcher Penelope acoustic guitar - sold

    Hatcher Penelope acoustic guitar - sold

    Out of stock
    In as new condition.

    My first Guitar from Mark and it is a real stunner, the rosette and the amazing 'pillow' headstock are works of art. And to coin the old cliché it sounds as good as it looks. It has a fantastic deep and rich, well defined bass with full and complex mids and clear, ringing trebles. The balance and projection is excellent and the playability second to none.

    • Master grade sitka top
    • Rosewood back and sides
    • 12 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2.25” string spacing at saddle
    • 14 7/8” lower bout
    • Mahogany with maple and cross grained EIR centre strip neck
    • Black wood, maple, and mahogany purfling
    • Ebony bindings
    • Sculpted rosewood with maple purfling and black ebony bindingheadstock veneer
    • Mahogany with maple purfling rear headstock veneer
    • No position markers (with side dots)
    • Rosewood, spalted Tamarind, Mahogany tiles bordered in black ebony and bound in black wood, maple, and mahogany rosette
    • Black ebony with black ebony binding and maple purfling fretboard
    • Ebony bridge
    • Gotoh mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - sold


  58. Buendia Modified Dreadnought - Adirondack & Birdseye Maple

    Buendia Modified Dreadnought - Adirondack & Birdseye Maple

    Out of stock

    Truly awesome! Only a student of the legendary Ervin Somogyi could produce a guitar with such powerful and rich bass notes that is perfectly balanced and has even projection all the way to the highest note. The trebles have remarkable sustain and clarity. Every note is equally present and complex with fantastic colour. This is a phenomenal guitar!

    • Adirondack top
    • Birdseye maple back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Honduran mahogany neck
    • Black/white purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • No position markers (with side dots)
    • Custom rosette
    • Ebony with ebony binding and ebony purfling fretboard
    • Carved ebony bridge
    • Gotoh 510 stealth tuners
    • Black tuner buttons
    • Scalloped and compensated bone nut and bone saddle
    • Ebony bridge pins
    • Custom black Hoffee case

    Buendia Modified Dreadnought - Adirondack & Birdseye MapleBuendia Modified Dreadnought - Adirondack & Birdseye MapleBuendia Modified Dreadnought - Adirondack & Birdseye Maple


  59. Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Out of stock
    Very lightly used with two small dings on the top, too light to photograph and some varnish wear.

    This really is the bee's knees. Its the fifth Parlour Retreaux I've had from Mike. The figured Bubinga is the most spectacular I've seen. The tone is very warm with fantastic depth.

    • Italian Spruce top
    • Beeswing Figured Bubinga and sides
    • 12 3/8” lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with Koa purflings
    • 13th fret neck joint
    • Cream/Red striped Acrylic accents and rosette
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Cosmo Black mini Gotoh 510 Tuners with Black Buttons
    • Black Binding with Koa top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga


  60. Franklin Guitar Co OM - Adirondack & Rosewood

    Franklin Guitar Co OM - Adirondack & Rosewood

    Out of stock
    This was a special order for a customer. I have another due in the same spec around the end of 2015.

    • Adirondack top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & RosewoodFranklin Guitar Co OM - Adirondack & RosewoodFranklin Guitar Co OM - Adirondack & Rosewood


  61. Hamblin OO Sunburst - Sitka & Mahogany (used)

    Hamblin OO Sunburst - Sitka & Mahogany (used)

    Out of stock
    A beautiful sunburst mahogany OO from Kent. This is an amazing price for such a great guitar, fantastic loud and punchy sound with solid and rounded bass, full mids and clear well defined trebles. It has great balance a playability.



    • Sitka spruce top
    • Mahogany back and sides
    • Sunburst top finish
    • 14 frets to the body
    • 25” scale
    • 1 3/4“ nut width
    • 2 5/16” string spacing at saddle
    • 14 5/16” lower bout
    • Mahogany neck
    • No cutaway
    • Black/maple top border
    • Black bindings
    • Ebony headstock veneer
    • No position markers (with side dots).
    • Abalone rosette
    • Madagascar rosewood fretboard
    • Ebony pyramid bridge
    • Gotoh open tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Superior case

    Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)


  62. Circa OM - Adirondack & Honduran Mahogany (used)

    Circa OM - Adirondack & Honduran Mahogany (used)

    Out of stock
    In excellent condition.

    Perfect balance and that classic vintage mahogany sound. This beauty from John has remarkable projection, solid well defined bass, characterful and complex mids and-bell like trebles. A very versatile guitar, great for all styles. It plays like a dream and you can hear every detail of every note, a perfectionists guitar.

    • Adirondack top
    • Beeswing Honduran mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 1/4" string spacing at saddle
    • 15” lower bout
    • Honduran mahogany with diamond neck
    • Black/maple lines with miters at endgraft purfling
    • Black nitro bindings
    • Ebony headstock veneer
    • Black line backstrip
    • Small dot position markers (with side dots)
    • 5/9/5 Martin style 28 rosette
    • Ebony fretboard
    • Ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Hardshell case

    Circa OM - Adirondack & Honduran Mahogany (used)Circa OM - Adirondack & Honduran Mahogany (used)Circa OM - Adirondack & Honduran Mahogany (used)


  63. Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Out of stock
    I'm gobsmaked! This beauty from Nick is light and very responsive. It has that illusive combination of incredible clarity, definition and projection with warmth, depth and complexity. If you like to be very expressive in your playing this amazing guitar will convey every feeling from melancholia to joy and rage.

    • Adirondack top
    • Figured mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured Mahogany


  64. Fischer 12/15 - Lutz Spruce & Honduran Mahogany

    Fischer 12/15 - Lutz Spruce & Honduran Mahogany

    Out of stock
    My first from Steve and it exceeds my very high expectations. With the clarity and definition of mahogany and the warmth of the twelve fret body join (due to moving the bridge towards the centre of the lower bout) it it has both sweetness of tone and great projection. A very versatile and expressive guitar with fantastic playability.

    • Lutz spruce top
    • Honduran mahogany back and sides
    • Florentine cutaway
    • 12 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Maple and ebony logo
    • Black/black/maple purfling
    • Snakewood bindings
    • Ebony headstock veneer
    • Snakewood rear headstock veneer
    • No position markers (with side dots)
    • Snakewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case

    Fischer 12/15 - Lutz Spruce & Honduran MahoganyFischer 12/15 - Lutz Spruce & Honduran MahoganyFischer 12/15 - Lutz Spruce & Honduran Mahogany


  65. Brock OM - Sitka & Pau Ferro

    Brock OM - Sitka & Pau Ferro

    Out of stock
    My first from Brock Johnson and it won't be the last , this is a great value guitar and quite a looker. It also my first guitar in Pau Ferro and also won't be my last. It has a very full and rounded bass with great clarity, punchy and warm mids and clear bell-like trebles. It also has great playability and overall balance and projection.

    You can see an article on one of Brock's guitars on an AGF thread HERE

    • Sitka top
    • Pau Ferro back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • MoP logo
    • Mitered Black/White/Black lines purfling
    • Curly maple bindings
    • Ebony headstock veneer
    • MoP dot position markers (with side dots)
    • Curly maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh mini M16 tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Ameritage Sliver Series case

    Brock OM - Sitka & Pau FerroBrock OM - Sitka & Pau FerroBrock OM - Sitka & Pau Ferro


  66. Brondel A2 - Adirondack & Flamed Oregon Walnut

    Brondel A2 - Adirondack & Flamed Oregon Walnut

    Out of stock
    Another Brondel masterpiece, very light and responsive, what I think of a 'eager'. Unbelievably well defined and rich bass with magical mids and terrific clear and sweet/fat trebles. Add to the mix great balance and projection and the very best playability and you have an outstanding Instrument. This is my kinda' guitar.

    See the AGF build thread HERE

    • Adirondack spruce top
    • Flamed Oregon walnut back and sides
    • Oil varnish finish
    • 14 frets to the body
    • 25” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • l5” lower bout
    • Laminated black walnut neck
    • Cocobolo/flamed maple arrow purfling
    • Cocobolo bindings
    • Cocobolo headstock veneer
    • Cocobolo rear headstock veneer
    • Custom multicolor backstrip
    • No position markers (with side dots)
    • Custom arrow rosette
    • Cocobolo fretboard
    • Cocobolo bridge
    • Schertler black chrome tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Ameritage case

    Brondel A2 - Adirondack & Flamed Oregon WalnutBrondel A2 - Adirondack & Flamed Oregon WalnutBrondel A2 - Adirondack & Flamed Oregon Walnut


  67. Brock OM - Sitka & Bocote

    Brock OM - Sitka & Bocote

    Out of stock

    My second from Brock Johnson and its another beauty at an ubeleivable price.

    Bocote is closely related to Ziricote and produces a similar tone. This guitar has remarkable balance with gorgeous deep/warm and well defined bass notes, full and characterful mids and clear/bell like trebles. What's not to like? A beautiful and great sounding guitar at very reasonable cost.


    • Sitka top
    • Bocote back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • MoP logo
    • Mitered Black/White/Black lines purfling
    • Ziricote bindings
    • Ziricote headstock veneer
    • No position markers (with side dots)
    • Ziricote Radial Rosette
    • Ebony fretboard
    • Ziricote bridge
    • Gotoh mini M16 tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Ameritage Sliver Series case

    Brock OM - Sitka & BocoteBrock OM - Sitka & BocoteBrock OM - Sitka & Bocote


  68. Kinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar

    Kinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar

    Out of stock

    Another amazing mahogany/cedar FS from Steve and Ryan.

    Add the warmth of cedar to the clarity of mahogany, 12 frets to the body and Steve and Ryan's prowess as luthiers and what to you get? This wonderful FS is the answer. Its loud, clear, warm and sweet, a versatile guitar that plays like a dream, it is light and very responsive.

    • Western Red Cedar top
    • ‘Jaguar’ Honduran mahogany back and sides
    • Oval soundport
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 5/8” lower bout
    • Mahogany/purpleheart neck
    • Purpleheart logo
    • Black/white violin purfling
    • Purpleheart bindings
    • Moradora headstock veneer
    • Purpleheart with b/w purfling lines backstrip
    • Slotted squares position markers (with side dots)
    • Birdseye rosette
    • Ebony fretboard
    • Moradora bridge
    • Gotoh tuners
    • Black horn tuner buttons
    • Bone nut and saddle
    • Boxwood bridge pins
    • Clear pickguard
    • Cedar Creek custom case

    Kinnaird FS - Jaguar Honduran Mahogany & Western Red CedarKinnaird FS - Jaguar Honduran Mahogany & Western Red CedarKinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar


  69. Ogino OM 'Alice' - Sitka & Padauk

    Ogino OM 'Alice' - Sitka & Padauk

    Out of stock
    This beautiful set of very straight grained padauk was given to Hiroshi as his graduation present by Ervin Somogyi and he has done a fantastic job using it.

    Hiroshi's Zen rosette, embodies his "Wabi-Sabi", or "quiet simplicity" approach. Its a true work of art.

    The tone is as remarkable as the workmanship. This is a versatile guitar with a very full and well defined bass, with warm and punchy mids and exceptionally clear trebles. It responds beautifully to a gentle touch of the fingers and equally well to a pick with great balance and projection.


    • Sitka with natural oil varnish finish top
    • Padauk back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Black and white purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • No position markers (with side dots)
    • Carved ‘Zen’ rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom hardshell case

    Ogino OM 'Alice' - Sitka & PadaukOgino OM 'Alice' - Sitka & PadaukOgino OM 'Alice' - Sitka & Padauk


  70. Simmons OO African blackwood acoustic guitar - sold

    Simmons OO African blackwood acoustic guitar - sold

    Out of stock
    I am gobsmaked, overawed and over the moon. If you think this beauty looks great you should hear it. Forget any thoughts of small body tone this is at least the equal any OM and many an SJ in the volume and depth department.

    It has a very warm and sweet tone with great richness and complexity. Fantastic articulation, definition and projection from the well defined bass notes trough the sweet mids to clear and full trebles. If I was was on a desert island and only had one guitar...



    • European spruce top
    • African Blackwood back and sides
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.5” lower bout
    • Honduran mahogany neck
    • Simmons logo
    • Ebony purfling
    • Ebony bindings
    • Ebony headstock veneer
    • African blackwood rear headstock veneer
    • No position markers (with side dots)
    • Custom rosette
    • African blackwood fretboard
    • African blackwood bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Titanium bridge pins
    • No pickguard
    • Hiscox case

    Simmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - sold


  71. Kinnaird OM - Engelmann & Curly Claro Walnut

    Kinnaird OM - Engelmann & Curly Claro Walnut

    Out of stock
    My first two guitars from Steve sold quickly and I like this one even more. Walnut is a wood that is not popular in some quarters but I've liked every Walnut guitar I've had built.

    It has a very full and luscious tone with warm and rounded basses with great definition. The mids are rich and complex and the trebles fat but clear all the way up. The overall balance is fantastic with great projection and volume. It has plenty of headroom for those with a heavy pick style and the sweetest clear and resonant tone from a light touch with fingers with or without nails.

    Stunning in all departments.

    Top - Engelmann Spruce
    Back & sides - Curly Claro Walnut
    Neck - Walnut with American Sycamore stripe
    Fretboard - Macassar Ebony
    Case - Cedar Creek hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.35mm
    Lower bout width - 15.25"
    Upper bout width - 11.22"
    Body depth at base - 4.53"

    America sycamore logo - Black/White/Black purfling - American sycamore bindings - Burled walnut headstock veneer - Figured walnut rear headstock veneer - American sycamore backstrip No position markers (with side dots) - Burled walnut rosette - Macassar ebony fretboard - Macassar ebony bridge - Gotoh tuners - Black horn tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
  72. Traugott BK koa/German spruce acoustic guitar - sold

    Traugott BK koa/German spruce acoustic guitar - sold

    Out of stock
    The Koa BK is Jeff's signature model and now I know why. This is a truly outstanding guitar.

    From the deep, luscious basses through the complex and warm mids to the clear and bell-like trebles the definition and projection is exactly the same. I have never before had such a well balanced guitar.

    It's hard to know what to say about such an incredible instrument... The bass notes are immense and well defined. The mids have a depth and complexity that is rarely heard. The trebles are fat and full with great clarity and definition.

    Reputations like Jeff's take many years to establish and total dedication to maintain, craftsmanship at this level is an honour to witness.

    • German spruce top
    • Koa back and sides
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 1.25” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Koa/ebony purfling
    • Koa/ebony bindings
    • Koa bound with ebony headstock veneer
    • Koa/ebony backstrip
    • No position markers (with side dots)
    • Koa/ebony rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners Cosmo black
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hoffee case
    • Colorado Case Company case cover

    Traugott BK koa/German spruce acoustic guitar - soldTraugott BK koa/German spruce acoustic guitar - soldTraugott BK koa/German spruce acoustic guitar - sold


  73. Claxton EM - German Spruce & Macassar Ebony

    Claxton EM - German Spruce & Macassar Ebony

    Out of stock
    The work of a legend in contemporary guitar making and proof of how Ed achieved that status. This is an exceptional guitar. The workmanship and detailing is flawless. The tone is heavenly.

    As I have mentioned before it takes years of hard won experience to achieve acoustic qualities that might otherwise be thought of as to some extent mutually exclusive. This amazing guitar has warmth, resonance and richness of tone with remarkable clarity from the fat, well defined bass to the fullest trebles I've heard. I would put it against any guitar I've ever played for balance and evenness of tone. A truly great guitar.

    • German spruce top
    • Macassar ebony back and sides
    • Nitrocellulose finish
    • Soft cutaway
    • 14 frets to the body
    • 25.375” scale
    • 1 ¾” nut width
    • 2 1/14” string spacing at saddle
    • 15 9/16” lower bout
    • Mahogany neck
    • Pernambuco/holly/black purfling
    • Ebony bindings
    • Macassar ebony headstock veneer
    • Ebony backstrip
    • MoP side dots
    • Wood mosaic rosette
    • Ebony fretboard
    • Ebony bridge, hot hide glued
    • Gotoh 510 gold tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard, not installed
    • Hoffee case

    Claxton EM - German Spruce & Macassar EbonyClaxton EM - German Spruce & Macassar EbonyClaxton EM - German Spruce & Macassar Ebony


  74. Beardsell 3-DM - Lutz Spruce & Leopard Wood

    Beardsell 3-DM - Lutz Spruce & Leopard Wood

    Out of stock
    I can still remember the first time I saw an instrument by Al. This is my first Beardsell guitar and I am well and truly gobsmacked. It looks like a work of art and plays like a dream.

    The tone is big, fat and generous. There's great volume and willing response to a light touch with dark and luscious bass notes, full mids and ringing sweet 'n clear trebles. To coin that tired old cliché (again) it sounds as good as it looks.

    • Lutz spruce top
    • Leopard wood back and sides
    • Florentine cutaway
    • 14 frets to the body
    • 24.9” scale
    • 1.75” nut width
    • Soundport
    • 2.25” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Gold pearl logo
    • Holly , ebony, pear, maple purfling
    • Macassar ebony bindings--
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Black Gabon, holly backstrip
    • No position markers side holly ebony segmented strip w/ pearl dots
    • Holly, ebony "x-ray" and zig-zag pie trim rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Chrome Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Ameritage case

    Beardsell 3-DM - Lutz Spruce & Leopard WoodBeardsell 3-DM - Lutz Spruce & Leopard WoodBeardsell 3-DM - Lutz Spruce & Leopard Wood


  75. Leach Southwest

    Leach Southwest

    Out of stock

    What can you say about the work of a genius inlay artist? This guitar is even more stunning than I imagined when I first thought of it and talked to Harv.

    But Mr. Leach doesn't just have a reputation for his inlay work, it sounds great too. Very rich and warm with fantastic balance, definition and projection.

    See the Acoustic Guitar Forum build thread HERE

    • Engelmann spruce top
    • Manchinga back and sides
    • Venetian cutaway
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 2 9/32”string spacing at saddle
    • 15” lower bout
    • Mahogany with Aspen center neck
    • Black/white /black purfling
    • Dark flamed Koa bindings
    • Headstock veneer: Cactus scene sapele, bubinga, pau ferro, tulipwood, bloodwood, cocobolo, malachite, turquoise, Corian, imitation MOP
    • Spalted maple with B/W/B purfling rosette
    • Southwest scene inlay fretboard
    • Rosewood bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony with honey jasper dots bridge pins
    • Pickguard: Gecko inlay on Manchinga, inlay materials: Honey jasper, red coral and pipestone recon stone, red Corian, ebony.
    • TKL case



    Leach SouthwestLeach SouthwestLeach Southwest


  76. Baranik OOm - Sitka & Mastergrade Manchinga

    Baranik OOm - Sitka & Mastergrade Manchinga

    Out of stock
    Another stunning manchinga guitar from Mike, take a look at the detailing... With his unique adjustable action via the heel strap button and very comfortable scalloped cutaway its a breeze to play (note, no reference to butter).

    Of course this is all secondary to great sound. It has remarkable clarity, separation and projection without missing an beat in the warmth and resonance departments, the basses are well defined and full, the mids complex and rewarding and the trebles strong and well defined.

    • Sitka top
    • Master grade manchinga back and sides
    • Bevelled cutaway
    • Oval soundport
    • 13 frets to the body
    • 24.5” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Gold Evo fretwire
    • Adjustable mahogany neck
    • Black/koa/black purfling
    • Ebony bindings
    • Macassar ebony/manchinga/Peruvian walnut headstock veneer
    • Peruvian walnut with coloured geometric design volute veneer
    • No position markers (with side dots)
    • Peruvian walnut with coloured geometric rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Aged bone nut and saddle
    • Clear pickguard
    • Cedar Creek case

    Baranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade Manchinga


  77. Eastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup

    Eastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup

    £1,499.00
     
    In stock
    Free UK mainland delivery. £1499, including pro set-up.

    The 614 comes with a K&K twin internal pickup.

    All solid, spruce and flamed maple with black/diamond rosette, ebony fingerboard, nickel fittings, solid tailpiece and Schaller tuners, triple bound front and back and single bound headstock. Lots of deep and resonant oval hole sound with strong mids and ringing trebles. Comes with violin style fitted rectangular hard-shell case.

    Eastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup
    Eastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup
    Eastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup
  78. Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood

    Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood

    Out of stock
    My first from Tom and more than ample proof of the reputation he has gained over recent years.

    With bevelled bindings top an back it is a supremely comfortable guitar to play. Feeling so comfortable and at ease allows you to concentrate on playing and listening to its wonderful tone. It has a deep an sonorous, rich and mellow sound with great separation and definition, fantastic for letting each note contribute a full palate and blend with the next. A dream fingerstylists guitar.

    And not to forget, fantastic workmanship and detailing (look at the back of the headstock), a work of art.

    • German Spruce top
    • Sacha rosewood (higuerilla) back and sides
    • Florentine cutaway
    • 14 frets to the body
    • 25.4” scale
    • 1.75 nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • Black/Maple/Black purfling
    • Beveled ebony bindings
    • Madagascar rosewood headstock veneer
    • Sacha rosewood rear headstock veneer
    • MoP position markers (with side dots)
    • Madagascar rosewood rosette
    • Ebony fretboard
    • Madagascar Rosewood Bound in ebony bridge
    • Gold Gotoh 510 Delta Series tuners
    • Faux ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' RosewoodDoerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' RosewoodDoerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood


  79. Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise

    Out of stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional sunburst finish with a hand graduated and tuned solid Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with a wonderful deep low and enough volume to be heard.

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & TortoiseWeber Yellowstone A4 - A Style - Oval Hole - Honey & TortoiseWeber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise


  80. Collings MF5 (used)

    Collings MF5 (used)

    Out of stock
    Wow! This is what Collings are about, lots of full and fat tone with fantastic pop and chop and depth, breadth and subtlety and complexity, and, and, and...

    Playability is 100% and responsiveness to the lightest touch or the heaviest pick and attack is awesome. You could play anything on this beauty.


    Select Adirondack spruce top
    Premium figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Grained ivoroid top/back/neck & peghead binding
    Black/white purflings
    Full high-gloss nitrocellulose lacquer finish
    Bound Florentine-style headstock
    13 Degree headstock angle
    Ebony peghead overlay w/Collings logo and flourish inlay
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel or gold tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MF5 (used)Collings MF5 (used)Collings MF5 (used)


  81. Northfield Big Mon F5 Engelmann top (used)

    Northfield Big Mon F5 Engelmann top (used)

    Out of stock
    A very rare opportunity to get a used big Mon in excellent condition. Save £1000 on the new price.

    The Northfield Big Mon has been creating quite a stir. It has a big fat tone with fantastic volume and projection. Created as the ideal bluegrass hoss (or cannon if you prefer) it has great depth and richness of tone to take on pretty well any style, with great responsiveness from the lightest touch to the heaviest attack with a thick pick.

    From the Northfield website. "Our "Big Mon" Mandolin is something we created in our shop. In an effort to try and create a little more mid range and bass response, with a nice airy sound, we developed this model to have a distinct voice. Here's what we did..

    The "Big Mon" body style is just slightly different than the standard size. We've increased the width of the body, at its widest point, by 5mm. We've also adjusted the depth/width of the sides a little in a few places. Everything is in proportion to this change, so it results in a slightly larger body overall. It's not very noticeable unless you compare it directly to another standard size by lining them up back to back."

    Northfield Big Mon F5 Engelmann top (used)Northfield Big Mon F5 Engelmann top (used)Northfield Big Mon F5 Engelmann top (used)


  82. Wilborn OM - Lutz Spruce & Figured Maple

    Wilborn OM - Lutz Spruce & Figured Maple

    Out of stock
    My fourth from Ben, the other three sold very quickly. This is another beautiful work of art with very a sweet and well balanced tone. Individual note clarity is excellent with great definition and full notes from bottom to top and it has remarkable playability.

    • Lutz top
    • Figured Myrtle back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Peruvian walnut neck
    • Bone logo
    • B/W/B purfling
    • Bloodwood bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Bloodwood backstrip
    • Corian position markers (with side dots)
    • Bloodwood rosette
    • Ebony fretboard
    • Ebonized black walnut bridge
    • Grover sta-tite tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Access case

    Wilborn OM - Lutz Spruce & Figured MapleWilborn OM - Lutz Spruce & Figured MapleWilborn OM - Lutz Spruce & Figured Maple


  83. Ken Franklin Rita SJ - Adirondack & Bubinga

    Ken Franklin Rita SJ - Adirondack & Bubinga

    Out of stock
    Every bubinga guitar I have had has been wonderful and this gorgeous SJ from Ken is no exception. Its a very versatile guitar with beautiful 'fat' and well defined bass, expansive mids and bright, clear trebles. Its very expressive with fantastic balance and projection, responding beautifully to the pick and fingerstyle.

    • Adirondack top
    • Bubinga back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Sipo neck
    • Maple purfling
    • Ebony bindings
    • Bubinga headstock veneer
    • Bubinga rear headstock veneer
    • Wood position markers (with side dots)
    • Bubinga, ebony and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Ken Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & Bubinga


  84. Chasson Concert - Engelmann & Cocobolo

    Chasson Concert - Engelmann & Cocobolo

    Out of stock
    Wow! Kent (once again) has pulled out all the stops on this beauty, a fantastic example of the 'art' of luthiery.

    He went all out on the sound as well, a very versatile guitar with deep and sonorous basses, complex mids full of character and expression and clear but warm and bright trebles. Playing hard or soft it responds with consummate ease.

    • Engelmann spruce top
    • Cocobolo back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Khya mahogany neck
    • MoP logo
    • Bloodwood/black purfling
    • Flamed koa bindings
    • Cocobolo headstock veneer
    • Cocobolo rear headstock veneer
    • No position markers (with side dots)
    • Leopardwood rosette
    • Cocobolo fretboard
    • Cocobolo bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Ameritage case

    Chasson Concert - Engelmann & CocoboloChasson Concert - Engelmann & CocoboloChasson Concert - Engelmann & Cocobolo


  85. Old Wave A4 - Cabernet

    Old Wave A4 - Cabernet

    Out of stock
    Colorado Engelmann spruce top with red spruce x bracing, quilted maple 2 piece back, 12" radius ebony fretboard and bridge, ivoroid binding, pearl position dots and wave inlay, abalone rosette, quilted peghead veneer and cabernet lacquer finish, TKL black hardshell case.

    Another fantastic and beautiful A4 from Bill, very rich and full with strong and well defined bass, sweet and complex mids and clear, ringing trebles.

    Old Wave A4 - CabernetOld Wave A4 - CabernetOld Wave A4 - Cabernet


  86. Kraut modified dreadnought koa acoustic guitar

    Kraut modified dreadnought koa acoustic guitar

    Out of stock
    There is an Acoustic Magazine review of this guitar here.

    This is a truly incredible guitar! It responds equally well to the lightest caress or a heavy pick, it will do it all. The bass notes are big, fat and warm and have great definition. The mids are sweet, full and complex with clarity and depth. The trebles have the same volume as all the other notes and are very clear with a bell-like fullness.

    • Bearclaw sitka spruce top
    • Figured Koa back and sides
    • Sharp cutaway
    • 14 frets to the body
    • 25 ¼” scale
    • 1 25/32” nut width
    • 2 ¼”string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Black/white purfling
    • Ebony bindings
    • Figured koa headstock veneer
    • Figured koa rear headstock veneer
    • Ebony backstrip
    • No position markers (with side brass dots)
    • Custom rosette
    • Ebony fretboard
    • Ebony bridge
    • Alessi tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hoffee case

    Kraut modified dreadnought koa acoustic guitarKraut modified dreadnought koa acoustic guitarKraut modified dreadnought koa acoustic guitar


  87. Wren Remuda waterfall bubinga acoustic guitar (used)

    Wren Remuda waterfall bubinga acoustic guitar (used)

    Out of stock
    Wow! This amazing guitar sounds even better than it looks! It has a very deep and warm tone with great separation and balance, full and well defined bass notes, resonant mids and clear trebles.

    David is taking a year off from guitar making and when he starts again his prices will go up, grab this incredible guitar while you can.

    • Master grade Lutz top
    • Waterfall bubinga back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1 3/4" nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony segmented backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda waterfall bubinga acoustic guitar (used)Wren Remuda waterfall bubinga acoustic guitar (used)Wren Remuda waterfall bubinga acoustic guitar (used)


  88. Wilborn OM - Red Cedar & Macassar Ebony

    Wilborn OM - Red Cedar & Macassar Ebony

    Out of stock

    I've never had a guitar in before at even twice this price in Macassar Ebony! Add Ben's fantastic skill and workmanship and you have a wonderful guitar at a very reasonable price.

    The combination of Macassar ebony and cedar gives the incredible depth and definition of ebony AND the warmth of cedar making it a very expressive guitar. Deep and well defined at the low end, warm and rich in the mid-range and with clear and precise trebles, fantastic!


    • Red cedar top
    • Macassar ebony back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾ nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • Bone logo
    • B/W purfling
    • Bloodwood bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Blood backstrip
    • Position markers (with side dots)
    • Bloodwood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schaller Grandtune tuners
    • Black chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Superior case


    Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony


  89. Carruth OOO-14 - Sitka & Caribbean Mahogany

    Carruth OOO-14 - Sitka & Caribbean Mahogany

    Out of stock
    Another stunning guitar from Alan and at an unbelievable price. It has the warmth of a rosewood guitar with with the clarity and definition of mahogany, fantastic.

    This might explain why the sound is so mature; from Alan. "Caribbean mahogany that I got from my violin making teacher in the '80s. She said she'd had it for forty years."

    • Sitka spruce top
    • Caribbean Mahogany back and sides
    • Brushed oil varnish finish
    • D'Addario light strings
    • 14 frets to the body
    • 25.4” scale
    • 1 23/32" nut width
    • 2 1/8" string spacing at saddle
    • 15" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Maple purfling
    • Morado bindings
    • Morado headstock veneer
    • Morado ebony backstrip
    • Bone position markers (with side dots)
    • Honduras mahogany, Caribbean mahogany, maple, cherry, black dyed veneer rosette
    • Ebony fretboard
    • Morado bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Compensated bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean Mahogany


  90. Old Wave A4 - Golden Amber Quilted Maple

    Old Wave A4 - Golden Amber Quilted Maple

    Out of stock
    Isn't this a stunner? It has a little more brightness than the sunburst A4 that it came in with but still with plenty of warmth and depth, just a little more projection and clarity. Its strokes for folks time...

    Colorado Engelmann spruce top with red spruce x bracing, quilted maple sides/neck back, 12" radius ebony fretboard and bridge, quilted maple peghead veneer, tortoise binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, golden amber lacquer finish, TKL black hardshell case.

    Old Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted Maple


  91. Wren Remuda Madagascar rosewood acoustic guitar - sold

    Wren Remuda Madagascar rosewood acoustic guitar - sold

    Out of stock
    £4495. SOLD

    Another truly awesome guitar from David. The last three from him sold within days of arriving...

    This guitar has everything, volume, definition, separation, balance, deep and warm tone, excellent projection and fantastic playability. From the lightest fingerstyle to a heavy pick it responds perfectly.

    • Master grade Lutz top
    • Madagascar rosewood back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1.77”/45mm nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Highly figured sapele purfling
    • Highly figured sapele bindings
    • Madagascar rosewood headstock veneer
    • Madagascar rosewood rear headstock veneer
    • Figured sapele backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - sold


  92. Indian Hill Concert

    Indian Hill Concert

    Out of stock
    I was gob smacked by the first guitar I had from Mike, I am double gob smacked this time. This is one of the loudest guitars I've ever heard but it has depth and subtlety too. From the lowest bass note to the the highest treble, each note has perfect definition and clarity with a full and strong tone. Whether playing the most delicate fingerstyle or going for it with a pick this beauty takes it in its stride. Incredible.

    • Engelmann spruce top
    • Wenge/Zebrawood/Wengeback and Wenge sides
    • Oval soundport
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • Wenge, zebrawood, and maple purfling lines
    • Wenge bindings
    • Wenge headstock veneer
    • Wenge rear headstock veneer
    • Mahogany Indian Hill 12th fret position marker (with side dots)
    • Radial zebrawood rosette
    • Ebony fretboard
    • Ebony bridge with zebrawood inlay bridge
    • Gotoh 510 tuners
    • Cosmo black tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Hardshell case

    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
  93. Propsom OM - Redwood & Pommele Sapele

    Propsom OM - Redwood & Pommele Sapele

    £2,775.00
     
    In stock


    Wow!

    This is my favourite back and sides wood and it's a fantastic guitar. It has very a rich and full tone with great clarity and projection, strong warm and well defined bass notes, rich and resonant mids, clear and full trebles all the way to the top.

    Top - Redwood
    Back & sides - Pommele Sapele
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 44.4mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 15 1/8"
    Upper bout width - 11.42"
    Body depth at base - 4.13

    MoP logo - B/W/B/W wood purfling - Rosewood bindings - Pommelle sapele headstock veneer Mop slotted diamond position markers (with side dots) - Red heart abalone rosette - Ebony bridge Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
  94. Chasson Concert - Engelmann & Wenge

    Chasson Concert - Engelmann & Wenge

    £2,975.00
     
    In stock
    There has been a lot of excitement about wenge recently. In these times of traditional tone woods becoming scarce and in some cases tightly restricted and banned, it's great to work with a wood that is plentiful and cheap.

    Some find the look of it to be plain but others love the deep and rich variations of colour that can be seen when looking closely, to be very beautiful. The way Kent has combined it with Leopardwood accents makes it an incredibly beautiful guitar however you look at it.

    Kent says this is the best guitar he has made and by his standards something.. by my standards it has a wonderful full sound, with complex and resonant tones across its very well balanced and defined range.

    Top - Engelmann Spruce
    Back & sides - Wenge
    Neck - Khaya
    Fretboard - Ebony
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.0mm
    Nut spacing - 7.7mm
    Bridge spacing - 11.3mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 12"
    Body depth at base - 4.33"

    Mop logo - Blackwood/Bloodwood purfling - Leopardwood bindings - Ebony headstock veneer - Leopardwood backstrip - MoP position markers (with side dots) - Leopardwood rosette - Ebony bridge - Schaller mini tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
  95. Manzer 'The Manzer' - Cedar & Rosewood

    Manzer 'The Manzer' - Cedar & Rosewood

    £11,995.00
     
    In stock


    There is an Acoustic Magazine review of this guitar here.

    With the 'Manzer Wedge' this feels like an OO sized guitar to play, supremely comfortable and effortless.

    The balance and clarity is the best I've heard, with perfect individual note definition from bottom to top. There is a depth and richness to the tone that defies belief with incredible articulation. There are good reasons why luthiers like Linda have the reputations that they do; this is one of them.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox 'Artist' hard case made in the UK

    Frets to the body - 14
    Scale length - 26.0"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.8mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15 9/16"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Manzer wedge - Soft cutaway - Oval soundport - Abalone logo - B/W/B purfling - Rosewood bindings - Ebony headstock veneer - No position markers (with side dots) - Abalone with Boxwood and Rosewood rosette - Ebony fretboard - Ebony bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Clear pickguard

    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
  96. Pono MD-30 Octave Mandolin - Rosewood Gloss Finish

    Pono MD-30 Octave Mandolin - Rosewood Gloss Finish

    Out of stock
    This one has remarkable volume and projection for a small guitar bodied octave mandolin (GoM). It has all the luscious and deep bass notes you would expect from rosewood and superb clarity from the sitka spruce top. It has warm mids a bright trebles and plays beautifully in all fretboard positions.

    Sitka spruce top, rosewood back and sides, abalone rosette, and a hardshell case.

    21 3/8” scale length, 11 ¼” lower bout.


    Pono MD-30 Octave Mandolin - Rosewood Gloss Finish Pono MD-30 Octave Mandolin - Rosewood Gloss Finish Pono MD-30 Octave Mandolin - Rosewood Gloss Finish


  97. Old Wave A4 - Sunburst

    Old Wave A4 - Sunburst

    Out of stock
    This beauty has fantastic depth and warmth with very full and rich mids and trebles and clear, ringing trebles. Great for folk, old time and many more styles.

    Colorado Engelmann spruce top with red spruce x bracing, Varnum estate (c.1980) curly maple sides/ back/neck, 12" radius ebony fretboard, peghead veneer and bridge, ivoroid binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, sunburst lacquer finish TKL black hardshell case.

    Old Wave A4 - SunburstOld Wave A4 - SunburstOld Wave A4 - Sunburst


  98. Fylde Alexander Custom 2011 (used)

    Fylde Alexander Custom 2011 (used)

    Out of stock
    Excellent condition Custom Fylde Alexander.

    • Cedar top
    • Sapele back and sides
    • Headway pickup
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4"” nut width
    • 2 1/4" string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Decal logo
    • Marquetry herringbone top border
    • Wood bindings
    • Rosewood headstock veneer
    • Dots position markers (with side dots)
    • Marquetry rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Black tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Kinsman hard case



    Fylde Alexander Custom 2011 (used)Fylde Alexander Custom 2011 (used)Fylde Alexander Custom 2011 (used)


  99. Franzke A5

    Franzke A5

    Out of stock
    It has a very balanced sound with full basses, rich and complex mids and clear, ringing trebles. The chop is what I refer to as 'musical' plenty of power and cut but with warmth and richness. Great for bluegrass and almost any other style of playing.

    Top Engelmann Spruce
    Back/Sides Red Maple
    Fretboard Ebony
    Inlay Reconstituted Stone
    Bindings Maple/black/maple
    Truss rod Fixed double carbon fiber
    Tailpiece James engraved
    Bridge Bill James
    Tuners Golden Age
    Finish French polished Spirit Varnish
    Frets Gold EVO
    Case Guardian molded

    Franzke A5Franzke A5Franzke A5


  100. LeGeyt CLM figured mahogany acoustic guitar - sold

    LeGeyt CLM figured mahogany acoustic guitar - sold

    Out of stock

    I liked the tone of the last CLM from Burton so much that I asked him to make this one as close as possible. This is another example of why mahogany is so popular, its been one of my favourite back and side woods for a long while now.

    Its another very light and responsive guitar with wonderful warm and sweet mahogany tones, full and rich bass notes, sweet and complex mids and clear, well defined trebles. And some stunning flamed mahogany with Burton's signature black neck, what a beauty.

    • Lutz spruce top
    • Curly Honduran mahogany back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 5/8” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Blackened Spanish cedar neck
    • Curly maple purfling
    • Mahogany and African blackwood bindings
    • Madagascar rosewood headstock veneer
    • Spanish cedar rear headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case


    LeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - sold


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