Search results for 'OLD WAVE A5'A=0'

Products

  1. Old Wave Mandola - Cabernet

    Old Wave Mandola - Cabernet

    Out of stock
    Beautiful mandola from Bill with a Colorado Engelmann spruce top with red spruce x bracing, Varnum estate curly maple sides and back, 2 piece neck, 16" scale, 16"radius ebony fretboard, ebony Cumberland Acoustic bridge, ebony peghead veneer, ivoroid binding, abalone position dots, rosette and wave inlay, 1 1/4" bison bone nut, Grover tuners, cabernet lacquer finish, D’Addario J72 strings, Weber hardshell case.

    It has a beautiful deep and sonorous tone, just like a great 'dola should, fantastic warmth and wonderful dark resonance. A great mandola like this sounds a lot deeper that it really is.


    Old Wave Mandola - Cabernet Old Wave Mandola - Cabernet Old Wave Mandola - Cabernet


  2. Old Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - sold

    Old Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - sold

    Out of stock
    Bill made this one for me, its also to the same specs as Simon Mayor’s signature Vanden. Adirondack spruce top with red spruce tone bar bracing curly sugar maple 1 piece back, 12" radius ebony fretboard and bridge, ivoroid binding 1 3/16" nut width, medium sunburst lacquer finish, TKL tweed hardshell case.

    Unfortunately in these tough economic times it has to be up for sale. Please don't buy it!


    Old Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - soldOld Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - soldOld Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - sold
    Old Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - soldOld Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - soldOld Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - sold

    Old Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - soldOld Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - soldOld Wave A5 Blackface wide neck Adirondack spruce/curly sugar maple - sold
  3. Old Wave A4 - Cabernet

    Old Wave A4 - Cabernet

    Out of stock
    Colorado Engelmann spruce top with red spruce x bracing, quilted maple 2 piece back, 12" radius ebony fretboard and bridge, ivoroid binding, pearl position dots and wave inlay, abalone rosette, quilted peghead veneer and cabernet lacquer finish, TKL black hardshell case.

    Another fantastic and beautiful A4 from Bill, very rich and full with strong and well defined bass, sweet and complex mids and clear, ringing trebles.

    Old Wave A4 - CabernetOld Wave A4 - CabernetOld Wave A4 - Cabernet


  4. Old Wave A5

    Old Wave A5

    £2,995.00
     
    In stock
    This is a beauty and a beast, it is very loud. If you like your A5s to be very full with lots of warmth and depth this is the one. The chop has great volume and what I think of as a musical rather than percussive tone.

    Lutz spruce top (milled 2005) with red spruce spruce tone bar bracing, Varnum estate birdseye maple (milled 1979), 12" radius macassar ebony fretboard, pickguard, and peghead veneer, ivoroid celluloid binding, abalone position dots and wave inlay, 1 1/8 bison bone nut, grover tuners, dark buckskin lacquer finish over shellac.



    Old Wave A5Old Wave A5Old Wave A5
    Old Wave A5Old Wave A5Old Wave A5
    Old Wave A5Old Wave A5Old Wave A5
    Old Wave A5Old Wave A5Old Wave A5
  5. Old Wave A4 - Sunburst

    Old Wave A4 - Sunburst

    Out of stock
    This beauty has fantastic depth and warmth with very full and rich mids and trebles and clear, ringing trebles. Great for folk, old time and many more styles.

    Colorado Engelmann spruce top with red spruce x bracing, Varnum estate (c.1980) curly maple sides/ back/neck, 12" radius ebony fretboard, peghead veneer and bridge, ivoroid binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, sunburst lacquer finish TKL black hardshell case.

    Old Wave A4 - SunburstOld Wave A4 - SunburstOld Wave A4 - Sunburst


  6. Old Wave A4 - Golden Amber Quilted Maple

    Old Wave A4 - Golden Amber Quilted Maple

    Out of stock
    Isn't this a stunner? It has a little more brightness than the sunburst A4 that it came in with but still with plenty of warmth and depth, just a little more projection and clarity. Its strokes for folks time...

    Colorado Engelmann spruce top with red spruce x bracing, quilted maple sides/neck back, 12" radius ebony fretboard and bridge, quilted maple peghead veneer, tortoise binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, golden amber lacquer finish, TKL black hardshell case.

    Old Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted Maple


  7. Old Wave A4 - Birdseye Maple

    Old Wave A4 - Birdseye Maple

    Out of stock
    Its hard to tell the difference tonally between these two beauties. Both are very loud with strong, well defined and warm bass notes, rich and full mids and clear/precise trebles. Its fantastic to have that wonderful oval hole sound with great definition and projection. The birdseye is gorgeous but so is the Vermont maple... I wouldn't want to have to choose between the two.


    Colorado Engelmann spruce top with red spruce x bracing Varnum Estate (c.1980) birdseye maple sides/1 piece back/neck, 12" radius ziricote fretboard and peghead veneer, tortoise celluloid binding, abalone position dots, rosette, and wave inlay, 1 3/16 bison bone nut, Grover tuners golden/amber lacquer finish, D'Addario J74 strings, TKL black hardshell case

    Old Wave A4 - Birdseye MapleOld Wave A4 - Birdseye MapleOld Wave A4 - Birdseye Maple


  8. Old Wave Guitar Bodied Octave Mandolin (GoM)

    Old Wave Guitar Bodied Octave Mandolin (GoM)

    £4,395.00
     
    In stock
    Another amazing octave mandolin from Bill. Colorado engelmann spruce top (milled 1997) with red spruce spruce x bracing, Vermont mamaple (milled 2006) 2 piece back, 16" radius macassar ebony fretboard, bridge, pickguard, and peghead veneer, ivoroid celluloid binding, abalone position dots and wave inlay, 1 3/8 bison bone nut, grover tuners, sunburst lacquer finish over shella, Mangan custom 48-34-23-13 strings, tweed hardshell case.

    I have only ever owned two octave mandolins personally, both made by Mr. Bussmann.To use one of my favourite cliches again it sounds as good as it looks. Well defined bass (not a common feature on octave mandolins) with depth and resonance, warm and complex mids with clear and strong trebles... fantastic.

    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
  9. Old Wave Melondolin

    Old Wave Melondolin

    Out of stock
    When I last visited Bill and played his melon I told him I just had to have one. He said he felt that with the last one (his) he had achieved what he wanted form the idea and didn't want to make anymore. Mean son of a ******.

    Anyways, to cut a long story very short a while later I heard those immortal words 'I owe you a favour' this is that favour. I've had it a while now and despite the regular thinning of my herd its staying.

    Old Wave MelondolinOld Wave MelondolinOld Wave Melondolin


  10. Old Wave A4  spruce/flamed maple (used)

    Old Wave A4 spruce/flamed maple (used)

    Out of stock
    In great condition with a few barely visible surface marks and £500 less than a new one. This Lovely A4 from Bill is a classic oval hole mando, lots of depth, resonance and sweetness with clear trebles.

    With original TKL case.

    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
  11. Martin OO-18 1956 - sold

    Martin OO-18 1956 - sold

    Out of stock
    This beauty was born in the same year as me, tho' it sounds and looks considerably better for its 21 years (?) than I do. In good condition with original case it has non original Waverly tuners but no issues. It has that much sought after vintage Martin sound in bucket loads...

    Martin OO-18 1956 - soldMartin OO-18 1956 - soldMartin OO-18 1956 - sold


  12. Collings D2H acoustic guitar - sold

    Collings D2H acoustic guitar - sold

    Out of stock
    This beauty has the classic rosewood dreadnought sound, it is very deep, warm and resonant with lots of headroom and great projection. The bass notes are very well defined with rich and complex mids and clear/sharp trebles. It has fantastic volume and definition, add Collings incredible workmanship and you will struggle to find a rosewood dread to match this beauty.


    Top Sitka spruce
    Back & Sides E. Indian rosewood
    Lower Bout Width 15 5/8"
    Neck Honduran mahogany
    Body Binding Ivoroid with herringbone purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with abalone long diamond & squares
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Stained Exotic Ebony with MOP Collings Logo
    Tuners Nickel Waverly (16:1 ratio)
    Backstrip 2-style (Zipper)
    Rosette iv/tort/iv & b/w purflings
    Scale Length 25 1/2"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Strings D'Addario EJ-17 (.013"- .056")
    Case Deluxe Hardshell case by TKL

    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
  13. Laskin 'Leonardo Da Vinci' acoustic guitar - sold

    Laskin 'Leonardo Da Vinci' acoustic guitar - sold

    Out of stock
    Another tone monster from Grit, and it doesn't look half bad either!

    From Grit "the African Blackwood is the equal, in my experience, to old growth Brazilian, especially in terms of its instantaneous responsiveness." I'd have to agree with that. It has a depth and complexity of tone that I have rarely heard with incredible articulation and expressiveness, clarity and definition.

    See the story of the inlay below the spec. More photos below that.

    • Sitka top
    • African Blackwood back and sides
    • Sharp cutaway
    • Arm Bevel
    • Oval soundport
    • 14 frets to the body
    • 25.5” scale
    • 1.75 nut width
    • 2.2” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Ebony purfling
    • Wood bindings
    • MoP side dots
    • Wood and abalone rosette
    • Ebony bound fretboard
    • Ebony bridge
    • Gotoh 510 HAP tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hoffee custom case

    "In researching Leonardo Da Vinci I uncovered something I considered very interesting and enticing. It turns out that in its history, the painting we call the Mona Lisa (“Portrait Of Lisa Del Giacondo “) was stolen only once in its lifetime. In 1911 an Italian man working at the Louvre, walked it out of the museum under his smock. It wasn’t until 2 years later that the painting was recovered, when the thief, Vincenzo Peruggi, offered it to the Uffizi Gallery, back in his home country. He felt he was restoring the painting to it’s rightful home in Italy.

    The important aspect of this tale is really its after-effect. Until this theft, the painting was a significant but not particularly exceptional Da Vinci painting of the period. But the notoriety it received from this incident began it’s unceasing rise to fame, until today it’s considered the most valued and valuable painting from the renaissance.

    So, this pivotal moment became the root of my story, and of the inlay design I’ve titled “The Peruggia Caper”. And there is a touch of humour.

    Here’s a description of the images, starting at the headstock and continuing down the fretboard:

    -In the headstock we see a Vertical orientation of the thief, walking off with the painting, which is partially hidden under his half-length smock. The upper portion of the painting is exposed, so we see the upper half of Mona Lisa’s face—plenty enough for us to recognize the image. A small section of her left arm will also be visible. Behind Peruggia we see the stone arches of the Louvre.

    -As we move into the fretboard the visuals shift to horizontal orientation and we see the upper arms and head and portions of the graphic square & circle border lines of the Vitruvian man. But in my story, we see his lower left arm grabbing the foot of the thief and his eyes looking in that direction.

    -Moving down we see Leonardo’s helicopter—large, but still of a size that all the recognizable parts are in view—but we see that it’s being pushed into service by the extended arm and hand of Leonardo himself.

    -The Leonardo gripping the helicopter is based on the only known authenticated self portrait done in his lifetime, when he was middle-aged.
    -In the ‘background’ behind this portrait, and contrastingly in a vertical view, we see the iconic image of Leonardo as an old man, this portrait will be done in a way that imitates the original style of the drawing, done in the manner common at the time, which was in red chalk (faded to orange in our time). I will engrave it and fill the cuts with red, and the background material will be a beige Jasper stone, which will give it marbled, aged look. By orienting this image 180 degrees from all the other fretboard elements of the story, it gives the impression that the older Leonardo is just an observer, standing back and overlooking the narrative and his younger self."

    Laskin 'Leonardo Da Vinci' acoustic guitar - soldLaskin 'Leonardo Da Vinci' acoustic guitar - soldLaskin 'Leonardo Da Vinci' acoustic guitar - sold


  14. LeGeyt CLM figured mahogany acoustic guitar - sold

    LeGeyt CLM figured mahogany acoustic guitar - sold

    Out of stock

    I liked the tone of the last CLM from Burton so much that I asked him to make this one as close as possible. This is another example of why mahogany is so popular, its been one of my favourite back and side woods for a long while now.

    Its another very light and responsive guitar with wonderful warm and sweet mahogany tones, full and rich bass notes, sweet and complex mids and clear, well defined trebles. And some stunning flamed mahogany with Burton's signature black neck, what a beauty.

    • Lutz spruce top
    • Curly Honduran mahogany back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 5/8” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Blackened Spanish cedar neck
    • Curly maple purfling
    • Mahogany and African blackwood bindings
    • Madagascar rosewood headstock veneer
    • Spanish cedar rear headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case


    LeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - sold


  15. Poling Sierra walnut/cedar - sold

    Poling Sierra walnut/cedar - sold

    Out of stock
    A wonderful fingerstyle instrument from Ohio luthier Brock Poling. Light, warm and responsive with a beautifully carved neck that fades from a matt finish to a gloss when it meets the headstock.


    Please click to listen:


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    * Highly figured black walnut back and sides
    * AAAA western red cedar top
    * 25 ½” scale
    * 1 3/4” nut
    * 2 5/16” string spacing at saddle
    * 15” lower bout
    * Soundhole bound with rosewood
    * Rosewood/red abalone rosette
    * Rosewood bindings
    * Rosewood end graft
    * Maple purfling
    * Bone bridge pins
    * Bone saddle
    * Bone nut
    * Neck; mahogany/rosewood veneer/mahogany w dual carbon fibre rods
    * MoP headstock inlay
    * Rosewood backstrip
    * Fingerboard Madagascar rosewood, bound in matching rosewood
    * Fingerboard radius 14"
    * No fingerboard markers
    * No pickguard
    * Waverly tuners
    * Custom Ameritage climate controlled case

    Poling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - sold
    Poling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - sold
    Poling Sierra walnut/cedar - sold
  16. Nugget A5 Deluxe - sold

    Nugget A5 Deluxe - sold

    Out of stock
    I can still remember the first conversation I had with Mike (Kemnitzer, Mr. Nugget). I nearly fell over when he said he would like to have some mandolins here at TAMCO. I have just about recovered but am feeling a little unwieldy again. It is a privilege to have a mandolin here by one of the legendary contemporary luthiers. As well as looking like it should cost twice as much the sound is superlative. The note separation and clarity is off the scale,. the depth and quality of tone is something I haven't heard before.. It has volume and subtlety, bark, bite and sweetness.

    Spruce top, quilted maple back and sides, French polished oil varnish finish, dark curly koa wood binding with maple purfling, 22 fret curved fingerboard, ebony Koa bound pick-guard, Nugget crest inlay with logo, silver plated Waverly tuners with ebony buttons, silver plated hardware, Calton case.

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    Nugget A5 Deluxe - soldNugget A5 Deluxe - soldNugget A5 Deluxe - sold
    Nugget A5 Deluxe - soldNugget A5 Deluxe - soldNugget A5 Deluxe - sold
    Nugget A5 Deluxe - soldNugget A5 Deluxe - soldNugget A5 Deluxe - sold
    Nugget A5 Deluxe - soldNugget A5 Deluxe - soldNugget A5 Deluxe - sold
  17. Dudenbostel Classic OM 2009 acoustic guitar - sold

    Dudenbostel Classic OM 2009 acoustic guitar - sold

    Out of stock
    Fantastic 'Classic OM' from Lynn Dudenbostel. This is a rare bird indeed.

    It comes complete with a letter from Lynn dated April 14 2009 explaining his goal of producing a modern Martin 14 fret OM, see photo.

    It is an excellent condition and sounds awesome! It very light and extremely responsive, with unbelievable definition and projection, rich and full bases, complex mids and clear/well defined trebles. Sound clip to come soon.

    • Carpathian spruce top
    • Honduran mahogany back and sides
    • Oil varnish finish
    • 15" lower bout
    • 14 frets to the body
    • 25.4” scale
    • 1.752 nut width
    • 2 1/4" string spacing at saddle
    • Mahogany neck
    • B/W purfling
    • Rosewood bindings
    • Macassar ebony headstock veneer
    • Rosewood backstrip
    • Dot Abalone position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Grover open backed tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hard case

    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
  18. Lebeda A5 (used)

    Lebeda A5 (used)

    Out of stock
    Lebeda A5 with original case, ebony armrest, custom inlay and in excellent condition. Built in 2000.

    It has fantastic power and volume with a great chop, warm mids and clear trebles. Great for bluegrass and with the depth and fullnes of tone for other styles.

    Spruce top and gorgeous quilted maple back and sides.

    Lebeda A5 (used)Lebeda A5 (used)Lebeda A5 (used)


  19. Hatcher Greta acoustic guitar - sold

    Hatcher Greta acoustic guitar - sold

    Out of stock
    Wow! Another absolutely stunning guitar from Mark. It is a very light and responsive guitar, what I think of as eager. The definition and projection are truly remarkable right across the range, with full and precise bass notes, beautiful warm and complex mids and full and clear trebles. It plays like a dream and sounds wonderful.

    • Master Grade Sitka top
    • Figured Honduran Mahoganyback and sides
    • 13 frets to the body
    • 24.9” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • 5 line wood w/Cocobolo purfling
    • Cocobolo bindings
    • Cocobolo headstock veneer
    • Cocobolo rear headstock veneer
    • No position markers (with side dots)
    • Cocobolo, spalted Tamarind, mahogany tiles rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Greta acoustic guitar - soldHatcher Greta acoustic guitar - soldHatcher Greta acoustic guitar - sold


  20. Pava A5 - Blonde Gloss

    Pava A5 - Blonde Gloss

    Out of stock
    Wonderful! It looks great and has tone to match. Its fantastically powerful with great depth and character, responding equally to a heavy (bluegrass?) pick or the gentlest of touches. Great for all styles of mandolining. Whether you are chopping against banj*s or playing a quiet lullaby this beauty will excel.

    With hard case.

    Pava A5 - Blonde GlossPava A5 - Blonde GlossPava A5 - Blonde Gloss


  21. Weber Bitterroot A5 - A Style - F Hole

    Weber Bitterroot A5 - A Style - F Hole

    £2,495.00
     
    In stock
    Beautiful A5 Bitterroot with flame maple back and sides, spruce top, radiussed ebony fretboard and Brekke bridge, tone bar braced, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case. The Bitterroot is our best selling F5 and this gem sounds just as good for quite a lot less, lacking what the Americans call a thousand dollar strap hanger but nothing else, it has huge volume and clarity making it a bluegrass monster, but with depth and subtlety too for other styles, a great sounding and looking mandolin at a great price.

    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
  22. Weber Gallatin A5 - A Style - F Hole

    Weber Gallatin A5 - A Style - F Hole

    Out of stock
    Fantastic value A5 from the Weber team. The Gallatin mandolins are designed to get a great sounding mandolin at the best possible price. It has no bindings and satin finish, it looks great and is tone bar braced. It has a Weber solid cast tailpiece, traditional Brekke bridge, radiussed Ebony fingerboard, dual action adjustable truss rod, nickel Grover tuners and comes with a deluxe hardshell case.

    It has a very punchy f hole sound. Plenty of power and volume for the bluegrass chop with depth and enough resonance to make it a great all-rounder.


    Weber Gallatin A5 - A Style - F HoleWeber Gallatin A5 - A Style - F HoleWeber Gallatin A5 - A Style - F Hole


  23. Weber Gallatin A5 Mandocello - A Style - F Hole (used)

    Weber Gallatin A5 Mandocello - A Style - F Hole (used)

    Out of stock
    The deep rumble with a little extra definition form the f holes. This is a fantastic value carved top and back ( 'bluegrass' ) mandocello.

    Hand graduated and tuned solid spruce top, hand scalloped spruce tone bars braced, mahogany back and sides, MOP 'Weber' script peghead inlay, black bound ebony radiused fretboard, 24 ¾ inches scale length, 1 5/8 inch nut width, MOP large diamonds fretboard inlay, dual action/adjustable truss rod, cast Weber stainless steel tailpiece, nickel Grover tuners, original Brekke bridge and a deluxe hardshell case (now with stickers).

    In very good condition with a clear pickguard added over a finger mark.




    Weber Gallatin A5 Mandocello - A Style - F Hole (used)Weber Gallatin A5 Mandocello - A Style - F Hole (used)Weber Gallatin A5 Mandocello - A Style - F Hole (used)


  24. Ellis A5 Deluxe (used)

    Ellis A5 Deluxe (used)

    Out of stock
    Another stunning mandolin from Tom. Adirondack top, flamed maple back and sides, triple bound top, back and pickguard, ebony fretboard with 28.5 mm nut width, ebony bridge, engraved James tailpiece, abalone headstock inlay and a TKL case. The sound is incredible, loud and full with that incredible mid range pop that only the best f hole mandolins have. It is remarkably responsive, one of the loudest chops I've heard but sweet and resonant when asked.

    In excellent condition with some light playing marks.




    Ellis A5 Deluxe (used)Ellis A5 Deluxe (used)Ellis A5 Deluxe (used)


  25. Wren Remuda Madagascar rosewood acoustic guitar - sold

    Wren Remuda Madagascar rosewood acoustic guitar - sold

    Out of stock
    £4495. SOLD

    Another truly awesome guitar from David. The last three from him sold within days of arriving...

    This guitar has everything, volume, definition, separation, balance, deep and warm tone, excellent projection and fantastic playability. From the lightest fingerstyle to a heavy pick it responds perfectly.

    • Master grade Lutz top
    • Madagascar rosewood back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1.77”/45mm nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Highly figured sapele purfling
    • Highly figured sapele bindings
    • Madagascar rosewood headstock veneer
    • Madagascar rosewood rear headstock veneer
    • Figured sapele backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - sold


  26. Martin 2-17 1927 acoustic guitar - sold

    Martin 2-17 1927 acoustic guitar - sold

    Out of stock
    I was so impressed with the 5-17 tenor from 1928 I had in a while ago (for a day before it sold) that I went for this beauty.

    It weighs in at 1.05 kg! And has a very rich, full and lively tone to match. I regretted not taking the tenor home, I'm thinking about this one too.

    With old (original?) and modern case.

    Martin 2-17 1927 acoustic guitar - soldMartin 2-17 1927 acoustic guitar - soldMartin 2-17 1927 acoustic guitar - sold
    Martin 2-17 1927 acoustic guitar - soldMartin 2-17 1927 acoustic guitar - soldMartin 2-17 1927 acoustic guitar - sold
    Martin 2-17 1927 acoustic guitar - soldMartin 2-17 1927 acoustic guitar - soldMartin 2-17 1927 acoustic guitar - sold
  27. Wren Remuda quilted sapele - sold

    Wren Remuda quilted sapele - sold

    Out of stock
    Another outstanding guitar from David. It has a very full and rich tone with deep and resonant bass notes, warm and complex mids and clear, precise trebles. The balance and individual note definition and projection is truly remarkable. And you get David's amazing build book with photography that puts mine to shame. My first two from David sold very quickly, I expect this one will too.

    • Master Grade European Spruce top
    • Pommele Quilt Sapele back and sides
    • French Polish applied Shellac finish
    • Sound port
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.75” lower bout
    • Wren at 5th fret
    • Mahogany neck
    • Flamed koa purfling
    • Ebony bindings
    • Quilted sapele headstock veneer
    • Quilted sapele rear headstock veneer
    • Ebony backstrip
    • 5th fret "Wren" inlay of copper, brass, turquoise, abalone shell position markers (with side dots)
    • Abalone with b/w strips and flamed koa rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Wren Remuda quilted sapele - soldWren Remuda quilted sapele - soldWren Remuda quilted sapele - sold


  28. Jang OM acoustic guitar - sold

    Jang OM acoustic guitar - sold

    Out of stock
    My first from Isaac and what a beauty!

    It has fantastic warmth and balance with a great richness of tone. Amazing projection and clarity all the way to the easily accessible top fret.


    • Master Grade Adirondack Spruce top
    • Special Quilted Mahogany back and sides
    • Uchida-style Bendaway with bevel cutaway
    • 14 frets to the body
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Ebony bindings with Black/White purfling
    • Ebony/ Quilted Mahogany with Koa accent headstock veneer
    • Quilted Mahogany rear headstock veneer
    • Simple & Elegant African Blackwood Bound rosette
    • Bound Ebony fretboard
    • Ebony bridge
    • Gotoh 510 H.A.P.A. Gold/Ebonoid tuners
    • Bone nut and saddle
    • Ebony with Paua Dot bridge pins
    • Clear pickguard
    • Custom Mainstage case


    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
  29. Simmons OO African blackwood acoustic guitar - sold

    Simmons OO African blackwood acoustic guitar - sold

    Out of stock
    I am gobsmaked, overawed and over the moon. If you think this beauty looks great you should hear it. Forget any thoughts of small body tone this is at least the equal any OM and many an SJ in the volume and depth department.

    It has a very warm and sweet tone with great richness and complexity. Fantastic articulation, definition and projection from the well defined bass notes trough the sweet mids to clear and full trebles. If I was was on a desert island and only had one guitar...



    • European spruce top
    • African Blackwood back and sides
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.5” lower bout
    • Honduran mahogany neck
    • Simmons logo
    • Ebony purfling
    • Ebony bindings
    • Ebony headstock veneer
    • African blackwood rear headstock veneer
    • No position markers (with side dots)
    • Custom rosette
    • African blackwood fretboard
    • African blackwood bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Titanium bridge pins
    • No pickguard
    • Hiscox case

    Simmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - sold


  30. Pava A5 Mandolin - Sunburst Satin

    Pava A5 Mandolin - Sunburst Satin

    Out of stock
    This beauty has absolutely incredible tone! Its one of the best sounding mandolins I've ever played. It has remarkable volume and achieves that rare feat of having fantastic depth and resonance at the same time as clarity and cut (bluegrass players please note, the chop is outstanding).

    No question here of what styles of playing it is suitable for, it will do everything from quiet and gentle to loud and aggressive.

    Pava A5 Mandolin - Sunburst SatinPava A5 Mandolin - Sunburst SatinPava A5 Mandolin - Sunburst Satin


  31. Pava A5 Player - Sunburst Gloss

    Pava A5 Player - Sunburst Gloss

    Out of stock
    Pava's mandolins sell as quickly as I can get them and there is a very good reason, they are incredible, immaculate fit and finish, the best tonewoods available and fantastic tone.

    This absolutely gorgeous Player A5 has great volume with an immense chop and great depth and warmth. It plays beautifully and responds equally well to the gentlest touch or going for it with a heavy pick. Pick your style from bluegrass to classical, this is a mandolin for everyone.


    Pava A5 Player - Sunburst GlossPava A5 Player - Sunburst GlossPava A5 Player - Sunburst Gloss


  32. Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Out of stock
    David Wren says.

    "Forget about how gorgeous this instrument is ... forget about the craftsmanship chops this veteran builder brings to the table ... I had the pleasure of playing this one and ... it has one of the most responsive, powerful and complex tonalities I've played in ages ... LOVE this guitar!"

    I can't really add much except to say its bloody marvellous.

    • Adirondack Spruce top
    • Tropical figured Mahogany back and sides
    • Bound oval soundport
    • 12 frets to the body
    • 25 ½” scale
    • 1/3/4” nut width
    • 2 3/8” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Black/white/black wood lines with figured Mahogany purfling
    • Tasmanian Tiger Myrtleb indings
    • Tasmanian Tiger Myrtle headstock veneer
    • Black backstrip
    • No position markers (with side dots)
    • Paua shell, figured Mahogany and b/w/b wood lines rosette
    • Bound ebony fretboard
    • Pyramid ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL tweed case

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
  33. Girouard A5

    Girouard A5

    Out of stock
    Another amazing mandolin from Max and Lauri. It has a fantastic chop for bluegrassers with great volume and lots of depth and warmth in the basses and mids, making it a great all-rounder, fantastic for anything from classical to old time music and bluegrass.

    Red (Adirondack) spruce top, red maple back/sides/neck, Macassar ebony fretboard and peghead overlay, compound radius fretboard, evo gold fretwire, bone nut, Girouard ebony bridge Rubner tuners and TKL hardshell case.



    Girouard A5Girouard A5Girouard A5


  34. Hatcher "The Tree" Penelope crossover acoustic guitar - sold

    Hatcher "The Tree" Penelope crossover acoustic guitar - sold

    Unbelievably gorgeous customer order by mark Hatcher.

    Hatcher "The Tree" Penelope crossover acoustic guitar - soldHatcher "The Tree" Penelope crossover acoustic guitar - soldHatcher "The Tree" Penelope crossover acoustic guitar - sold


  35. Franzke A5

    Franzke A5

    Out of stock
    It has a very balanced sound with full basses, rich and complex mids and clear, ringing trebles. The chop is what I refer to as 'musical' plenty of power and cut but with warmth and richness. Great for bluegrass and almost any other style of playing.

    Top Engelmann Spruce
    Back/Sides Red Maple
    Fretboard Ebony
    Inlay Reconstituted Stone
    Bindings Maple/black/maple
    Truss rod Fixed double carbon fiber
    Tailpiece James engraved
    Bridge Bill James
    Tuners Golden Age
    Finish French polished Spirit Varnish
    Frets Gold EVO
    Case Guardian molded

    Franzke A5Franzke A5Franzke A5


  36. Stehr Auditorium Oregon Myrtle acoustic guitar - sold

    Stehr Auditorium Oregon Myrtle acoustic guitar - sold

    Out of stock
    Before this arrived I was beginning to wonder why I had ordered another Oregon Myrtle guitar from Joel (I think this is the fifth), now I know! It looks great and sounds amazing.

    It has wonderful clarity and projection with great balance. All notes are crystal clear with outstanding definition and equal volume across the range. The bass notes are deep and lush with full and complex mids and rich trebles. It responds beautifully to a light touch or a more enthusiastic approach. A great all round guitar for all styles.

    • Adirondack spruce top
    • Oregon myrtle back and sides
    • Macassar ebony bound soundport
    • 13 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2 3/16” string spacing at saddle
    • 15 1/8” lower bout
    • 5-piece walnut laminated neck
    • Stehr leaf logo
    • Maple and rosewood purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Oregon myrtle rear headstock veneer
    • No fretboard position markers with 12th fret inlay and side marks
    • Macassar ebony and maple/rosewood rosette
    • Macassar ebony fretboard
    • Rosewood bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Ameritage case with embroidered Stehr Guitars logo

    Stehr Auditorium Oregon Myrtle acoustic guitar - soldStehr Auditorium Oregon Myrtle acoustic guitar - soldStehr Auditorium Oregon Myrtle acoustic guitar - sold


  37. Traugott R African blackwood acoustic guitar - sold

    Traugott R African blackwood acoustic guitar - sold

    Out of stock

    There are many reasons why Jeff has had such a reputation for many decades, this is now one of them.

    It is hard to describe tone at the best of times but at this level it becomes almost impossible. Suffice to say that it is truly incredible, combing qualities that might be thought mutually exclusive, for instance resonance and clarity, depth and definition and subtlety and projection, you get them all in this remarkable guitar! The tone and responsiveness and are what made the Traugott legend.

    • German spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.625” lower bout
    • Honduran mahogany neck
    • Koa and ebony purfling
    • Koa and ebony bindings
    • Quilted mahogany headstock veneer
    • Koa and ebony backstrip
    • No position markers (with side dots)
    • Quilted mahogany rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 black tuners
    • Black Cosmos tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Main Stage case with Colorado Case Company cover

    Traugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - sold


  38. Traugott BK koa/German spruce acoustic guitar - sold

    Traugott BK koa/German spruce acoustic guitar - sold

    Out of stock
    The Koa BK is Jeff's signature model and now I know why. This is a truly outstanding guitar.

    From the deep, luscious basses through the complex and warm mids to the clear and bell-like trebles the definition and projection is exactly the same. I have never before had such a well balanced guitar.

    It's hard to know what to say about such an incredible instrument... The bass notes are immense and well defined. The mids have a depth and complexity that is rarely heard. The trebles are fat and full with great clarity and definition.

    Reputations like Jeff's take many years to establish and total dedication to maintain, craftsmanship at this level is an honour to witness.

    • German spruce top
    • Koa back and sides
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 1.25” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Koa/ebony purfling
    • Koa/ebony bindings
    • Koa bound with ebony headstock veneer
    • Koa/ebony backstrip
    • No position markers (with side dots)
    • Koa/ebony rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners Cosmo black
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hoffee case
    • Colorado Case Company case cover

    Traugott BK koa/German spruce acoustic guitar - soldTraugott BK koa/German spruce acoustic guitar - soldTraugott BK koa/German spruce acoustic guitar - sold


  39. Somogyi SJ quilted maple 1989 #117 acoustic guitar - sold

    Somogyi SJ quilted maple 1989 #117 acoustic guitar - sold

    Out of stock

    Re-voiced by Ervin over the summer of 2015, a letter from Ervin explaining his thinking is included (see photo). This is effectively a new Somogyi that would cost over £30 000 to order now.

    Its in excellent condition and has the classic Somogyi tone that Ervin is famous for. It is very rich and full, almost impossible to describe. I have used the expression before that Ervin's guitars sound like a choir of angels with a full orchestra. I still can't think of a better way to put it.


    • European spruce top
    • Quilted maple back and sides
    • Somogyi slotted headstock
    • Sharp cutaway
    • 14 frets to the body
    • 25” scale
    • 1 11/16” nut width
    • 2 1/8” string spacing at saddle
    • 16 3/8” lower bout
    • Mahogany neck
    • Rosewood purfling
    • Rosewood bindings
    • Birdseye maple headstock veneer
    • Birdseye maple rear headstock veneer
    • Rosewood backstrip
    • MoP patterned position markers (with side dots)
    • Rosewood and abalone rosette
    • Ebony fretboard
    • Rosewood bridge
    • Single tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • New Hiscox Artist series case

    Somogyi SJ quilted maple 1989 #117 acoustic guitar - soldSomogyi SJ quilted maple 1989 #117 acoustic guitar - soldSomogyi SJ quilted maple 1989 #117 acoustic guitar - sold


  40. Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    £3,895.00
     
    In stock
    Fantastic rich and full sounding octave mandolin with 20" scale making it very easy to play. It has great resonance and warmth and depth of tone with excellent definition and projection from the lowest to highest notes.

    A5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. 20" scale length and 1 3/8" nut with a traditional Brekke bridge (adjustable under tension). The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.




    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
  41. Hatcher Penelope acoustic guitar - sold

    Hatcher Penelope acoustic guitar - sold

    Out of stock
    In as new condition.

    My first Guitar from Mark and it is a real stunner, the rosette and the amazing 'pillow' headstock are works of art. And to coin the old cliché it sounds as good as it looks. It has a fantastic deep and rich, well defined bass with full and complex mids and clear, ringing trebles. The balance and projection is excellent and the playability second to none.

    • Master grade sitka top
    • Rosewood back and sides
    • 12 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2.25” string spacing at saddle
    • 14 7/8” lower bout
    • Mahogany with maple and cross grained EIR centre strip neck
    • Black wood, maple, and mahogany purfling
    • Ebony bindings
    • Sculpted rosewood with maple purfling and black ebony bindingheadstock veneer
    • Mahogany with maple purfling rear headstock veneer
    • No position markers (with side dots)
    • Rosewood, spalted Tamarind, Mahogany tiles bordered in black ebony and bound in black wood, maple, and mahogany rosette
    • Black ebony with black ebony binding and maple purfling fretboard
    • Ebony bridge
    • Gotoh mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - sold


  42. Beauregard OMC acoustic guitar - sold

    Beauregard OMC acoustic guitar - sold

    Out of stock

    Please click to listen:



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    • Sitka spruce top
    • Rosewood back and sides
    • 14 frets to the body
    • 25” scale
    • 1 ¾”nut width
    • 2 3/8”string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Sharp cutaway
    • Maple purfling
    • Rosewood bindings
    • Rosewood headstock veneer
    • Burled maple rear headstock veneer
    • No position markers (with side dots)
    • Abalone rosette
    • Rosewood fretboard
    • Ebony bridge
    • Gotoh super 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins with MoP dot
    • No pickguard
    • TKL case

    Beauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - sold
    Beauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - sold
    Beauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - sold
    Beauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - soldBeauregard OMC acoustic guitar - sold
  43. Martin O-16NY 1968 - sold

    Martin O-16NY 1968 - sold

    Out of stock
    Very good condition New Yorker form 1968 with non original case.

    Martin O-16NY 1968 - soldMartin O-16NY 1968 - soldMartin O-16NY 1968 - sold


  44. Beardsell 6A BF mandolin - sold

    Beardsell 6A BF mandolin - sold

    Out of stock
    I had been aware of Al Beardsell's amazing guitars for a while when I read the feature on him in the Fretboard Journal. I took a look at his website and was amazed to find this remarkable mandolin for sale.

    It is one of the most stunning mandolins I have ever seen. The sound has incredible clarity and finesse, power when called for and depth and subtlety when asked.

    It is in excellent condition with some very small marks. No previous owner, it was used by Al as a demonstration of his work, and was on loan to Mike Marshall for a few months and shown at his symposium summer 2010.




    Beardsell 6A BF mandolin - soldBeardsell 6A BF mandolin - soldBeardsell 6A BF mandolin - sold


  45. Weber Yellowstone A5 - A Style - F Hole - Traditional Sunburst

    Weber Yellowstone A5 - A Style - F Hole - Traditional Sunburst

    £2,995.00
     
    In stock
    A beautiful Yellowstone A5 in the traditional sunburst finish. It features an Adirondack/red spruce top, gorgeous flamed maple back and sides, tone bar bracing, ebony radiussed fretboard and bound top, back, fretboard and headstock. It has a one and one eighth nut width, dual action adjustable truss rod and gloss finish. This is a fantastic Bluegrass mandolin (if the Bluegrass police don't catch you without the scroll...) but also great for any other style of playing. With hardshell case.


    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
  46. Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Out of stock
    I am becoming addicted to Mike Retreaux parlor guitars. This is the biggest fix yet.

    Please click to listen:



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    • Sitka Spruce top
    • Black and white Ebony back and sides
    • Machinga neck
    • 12 3/8" lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with purpleheart purflings
    • 13th fret neck joint
    • Indigo acrylic rosette and accents
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Black Schertler tuners with black buttons
    • Black Binding with Purpleheart top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - sold


  47. Somogyi OM - sold

    Somogyi OM - sold

    Out of stock
    SOLD. OO and OM both in African blackwood due summer 2015.

    What can you say about the sound of a Somogyi? There's nothing else like it! Here's my best shot but I can't possibly get even close in words..

    It has a richness of tone that I've not heard in any other guitar, I've used the word orchestral to describe the Somogyi sound before and I still can't think of better description. There's a depth and complexity that that's hard to believe if you haven't heard it for your self. It responds magnificently to the lightest touch and overwhelms with luscious tone with a little more input. This all comes with exceptional balance, projection and clarity.. from a lingering single note to a rapid succession or a full chord, there's music in perfect harmony.

    Here's an edited version of Ervin's thoughts on wenge.

    "Brazilian rosewood, that traditional "Holy Grail" of fine guitar making woods is getting scarce.. [Many woods] are marketed as being desirable and adequate substitutes. In my view, some are and some aren't. As a guitar maker, my own preferences are for woods that are "live" rather than not, regardless of their grain, figure or color. What that means is that one can elicit a live and musical tone from a particular slice or chunk when one taps on it. Some woods can make sound on the order of thummmmmmmm or thimmmmmmmm (ginnnnnnnng, gonnnnnng, pinnnnnnng or ponnnnnnnng also work; I think you get the idea), with bell-like sustain; others go "thwick" or "thud". There are "live" woods that look rather plain, and there are "dead" woods that look like Raquel Welch in 3-D.

    My own searches have brought me to wenge (pronounced WHEN-gay). It's a dark, purplish-brown colored African … The thing that appeals to me about wenge is that it is very live. That is, when you hold a piece of it up and tap on it.. it'll ring like a piece of glass, plate of steel, or a crystal brandy snifter. This quality is known as "vitreousness", which literally means "glasslike-ness". And wenge will make such a sound… Wenge's vitreousness is a function of the wood's being brittle on the level of its cellular structure. In fact, it's that very brittleness that makes the vibrational action, and the sound that this produces, possible… it is this.. that puts wenge in the same category as that most prized of traditional guitar making woods, Brazilian rosewood."



    • European spruce top
    • Wenge back and sides
    • Sharp cutaway
    • French polish finish
    • 14 frets to the body
    • 25 ¼” scale
    • 1 13/16” nut width
    • 2 ¼” string spacing at saddle
    • 15 3/4" lower bout
    • Mahogany neck
    • Black and white purfling
    • Rosewood bindings
    • Rosewood headstock veneer
    • Rosewood rear headstock veneer
    • Rosewood backstrip
    • Position markers (with side dots)
    • Sunset mosaic rosette
    • Ebony fretboard
    • Wenge bridge
    • Schaller tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hoffee case

    Somogyi OM - soldSomogyi OM - soldSomogyi OM - sold


  48. Brentrup Parlour Adirondack/Oak acoustic guitar - sold

    Brentrup Parlour Adirondack/Oak acoustic guitar - sold

    Out of stock
    I've been hassling Hans to send me a guitar for a few years now. It was well worth the wait. Punchy little parlour is a tired old phrase but it certainly applies here, fantastic volume (OK not as much a s dread) separation and projection with a deep and characterful tone, oak and Adirondack is clearly a winning combination. And what a beauty, I love the look of the oak and Hans' Larson style rosette and purfling. A perfect blues guitar with plenty headroom and sustain for digging in.

    There's a ding on the back of the headstock (see photo) £250 has been knocked off because of this.

    • Red (Adirondack) spruce top
    • White oak back and sides
    • Slotted headstock
    • 12 frets to the body
    • 25” scale
    • 1 13/16"” nut width
    • 2 3/8” string spacing at saddle
    • 12 ¾” lower bout
    • Mahogany neck
    • Custom Larson style purfling
    • Ivoroid bindings
    • White oak headstock veneer
    • Custom Larson style backstrip
    • MoP position markers (with side dots)
    • Custom Larson style rosette
    • Ebony fretboard
    • Ebony bridge
    • Stew-Mac Golden Age tuners
    • Butterbean tuner buttons
    • Bone nut and saddle
    • Clear pickguard
    • TKL case

    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
  49. Olson SJ custom 2001 with Baggs pickup - sold

    Olson SJ custom 2001 with Baggs pickup - sold

    Out of stock
    • Cedar top
    • Rosewood back and sides
    • 25.5” scale
    • 1 3/4" nut width
    • 2 1/4" string spacing at saddle
    • 15 1/8” lower bout
    • Baggs undersaddle pickup. Currently not installed.
    • 14 frets to the body
    • Abalone top border
    • Abalone back strip
    • Abalone headstock binding
    • Mother of pearl rosette
    • Rosewood headstock veneer
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Mother of pearl snowflake fretboard inlays
    • Gotoh super 510 tuners
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL combination lock case

    Olson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - sold
    Olson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - sold
    Olson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - sold
    Olson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - soldOlson SJ custom 2001 with Baggs pickup - sold
  50. Stehr Auditorium Macassar Ebony acoustic guitar - sold

    Stehr Auditorium Macassar Ebony acoustic guitar - sold

    Out of stock
    This is my first guitar from Joel and what a début is.

    It has huge and well defined bass with very rich and full mids and strong and clear trebles, fantastic balance and separation. And of course with arm and rib bevels its a dream to play.

    • High figure bearclaw Sitka spruce
    • Macassar ebony
    • Catalysed urethane
    • Venetian cutaway
    • Sound port bound with ebony and maple purfling
    • 13 frets to the body
    • 25.4” scale
    • 1-3/4” width at the nut
    • 2-1/4” string spacing at the saddle
    • 15-1/8” lower bout width
    • Honduran mahogany with satin finish
    • Stehr leaf logo
    • Maple purfling for back, sides, fretboard and headstock
    • Ebony bindings with arm and rib bevels
    • Macassar ebony headplate, bound with ebony and maple purfling
    • Macassar ebony back headplate
    • No back strip
    • Rectangle fretboard markers inlays
    • Black and white ebony rosette
    • Ebony fretboard bound with maple purfling and ebony bindings
    • Ebony bridge
    • Gold Gotoh 510
    • Black buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL hardshell case with combo lock

    Stehr Auditorium Macassar Ebony acoustic guitar - soldStehr Auditorium Macassar Ebony acoustic guitar - soldStehr Auditorium Macassar Ebony acoustic guitar - sold


  51. Heiden F standard - sold

    Heiden F standard - sold

    Out of stock
    Another stunning F5 from Michael, it has a red spruce top, beautiful one piece sugar maple back and sugar maple sides. Finished with a buffed varnish topcoat, abalone headstock inlay, ivoroid top and back binding and a radiussed Ebony fretboard that is twenty eight millimetres at the bone nut and has twenty one medium frets. Nickel James engraved tailpiece, Ebony finger rest/pick guard and an Ebony bridge. With hard case.

    This is a true cannon. It has incredible volume, projection and clarity AND richness, depth and resonance. It takes a great luthier to get these qualities in the same instrument. It will chop and bark for the bluegrass player, howl for the blues man, sing sweet for the balladeer and respond willingly to any other style.

    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
    Heiden F standard - soldHeiden F standard - soldHeiden F standard - sold
  52. Weber Fern A5 - A Style - F Hole USED

    Weber Fern A5 - A Style - F Hole USED

    £3,195.00
     
    In stock
    In excellent condition, was £3795.

    This is Weber's top of the line A mandolin. Its a stunner and features a hand graduated and tuned solid Red Spruce/Adirondack top, hand scalloped spruce tone bars, flamed maple back and sides, "The Weber" script in MOP and Fern inlay in Abalone, cast Weber gold tailpiece, gold Grover tuners, Traditional Brekke Bridge and comes in a deluxe rectangular case.

    Its a Fern F5 without the strap hanger and around three grand less but has 'the sound', its punchy with enough chop to lay low a few ban*os, with a sweet and sublime power. A gentler approach yields a very sweet, rich and warm sound with great separation and balance. This is a truly outstanding all-rounder.

    Whether hunting ban*oes or serenading, this beauty will be a faithful and willing accomplice.

    Weber Fern A5 - A Style - F Hole USEDWeber Fern A5 - A Style - F Hole USEDWeber Fern A5 - A Style - F Hole USED
    Weber Fern A5 - A Style - F Hole USEDWeber Fern A5 - A Style - F Hole USEDWeber Fern A5 - A Style - F Hole USED
    Weber Fern A5 - A Style - F Hole USEDWeber Fern A5 - A Style - F Hole USEDWeber Fern A5 - A Style - F Hole USED
  53. Stehr OO-12 Oregon myrtle acoustic guitar - sold

    Stehr OO-12 Oregon myrtle acoustic guitar - sold

    Out of stock
    All my previous guitars from Joel have sold within days of arriving and I expect this beauty will too. It has incredible warmth and intimacy with great volume and projection. The lower bout is only a 1/4" smaller than an OM but it has the fullness of a much bigger guitar and wonderful playability. If I was keeping a collection at home these days this one would be among them.

    • Carpathian spruce top
    • Oregon Myrtle back and sides
    • Soundport bound with Bolivian rosewood and purfling
    • 12 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.75” lower bout
    • Curly maple 5 piece laminate neck
    • Stehr leaf logo
    • Rosewood and maple purfling
    • Bolivian rosewood bindings
    • Bolivian rosewood headstock veneer
    • Oregon myrtle rear headstock veneer
    • Twelfth fret fretboard inlay (with side dots)
    • Bolivian rosewood rosette
    • Bolivian rosewood fretboard
    • Bolivian rosewood bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Rosewood bridge pins
    • No pickguard
    • Guardian case


    Stehr OO-12 Oregon myrtle acoustic guitar - soldStehr OO-12 Oregon myrtle acoustic guitar - soldStehr OO-12 Oregon myrtle acoustic guitar - sold


  54. Laskin 'Darwin to DNA' - sold

    Laskin 'Darwin to DNA' - sold

    Out of stock
    I'm bowled over, flabbergasted and almost speechless. This this is a truly awesome guitar!

    It has a very full and resonant tone with fantastic deep, rich and well defined bass notes, full and complex mids and clear, rich and well defined trebles. It has great volume and headroom with perfect balance and projection.

    And... well just look at the photos...

    • Sitka top
    • African blackwood back and sides
    • Soft cutaway
    • Oval soundport
    • Arm bevel
    • 14 frets to the body
    • 25.5” scale
    • 1.75” nut width
    • 2.2” string spacing at saddle
    • 15 15/16” lower bout
    • Mahogany neck
    • Ebony purfling
    • Wood bindings
    • Wood backstrip
    • No position markers (with side dots)
    • Wood mosaic plus abalone, rosewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hoffee case

    Laskin 'Darwin to DNA' - soldLaskin 'Darwin to DNA' - soldLaskin 'Darwin to DNA' - sold


  55. Silverangel El Phantasma - sold

    Silverangel El Phantasma - sold

    Out of stock
    Ken made this for me in 2007, it's a stunning looking instrument tho' some of the detailing is not perfect. The sound is incredible.. it's loud and very focused, amazing warm and cutting chop with strong bass and clear trebles. With lightweight hard case.

    Silverangel El Phantasma - soldSilverangel El Phantasma - soldSilverangel El Phantasma - sold
    Silverangel El Phantasma - soldSilverangel El Phantasma - soldSilverangel El Phantasma - sold
    Silverangel El Phantasma - soldSilverangel El Phantasma - soldSilverangel El Phantasma - sold
  56. Franzke A5 Blonde

    Franzke A5 Blonde

    Out of stock
    Stunning blonde A5 from Mark with an Adirondack top, flamed maple back and sides, ebony fretboard and Cumberland Acoustics bridge, James tailpiece, Golden age tuners, adjustable carbon fibre truss rod and a hard case.

    This is my kind of f hole sound, rich and full with plenty of bark and chop. Great for bluegrass but with the depth and complexity of tone for many other styles.

    Franzke A5 BlondeFranzke A5 BlondeFranzke A5 Blonde


  57. Pava A5 - Sunburst

    Pava A5 - Sunburst

    Out of stock
    Pava not only makes great mandolins but has wonderful consistency too. The first two sold in a jiffy so don't hang around if you fancy this one.

    Playing and describing so many great mandolins sometimes its hard to know what to say so my approach is to start with what strikes me first after a few minutes playing. In this case it was the sweetness of the chop. Some chop chords are dry and percussive, at the other end of the scale they can be sweet and not very good for cutting though against the villain of the piece in the jam (no name but you know which instrument I mean). Occasionally I come across one that in my view is the 'best of all possible worlds' what I think of as a musical chop, loud and with great cut but warm and not dry, this is one of the best examples of this I have come across.

    This a VERY versatile mandolin with plenty of the aforementioned chop and cut for the bluegrass player and wonderful depth and richness of tone for other styles. It takes a great luthier to combine clarity and definition and warmth and resonance, Pava has achieved that in this beautiful mandolin.

    Pava A5 - SunburstPava A5 - SunburstPava A5 - Sunburst


  58. Chasson Jumbo - Sitka & Flamed Maple

    Chasson Jumbo - Sitka & Flamed Maple

    Out of stock
    I'm speechless.. well almost. I've heard and seen a lot of great guitars here at TAMCO, and on my travels over the last ten years or so, and this is one of the most beautiful ever.

    I think a lot of players have an ideal sound in their heads for different styles of guitar. This matches my idea of how a Jumbo should sound....perfectly.

    It is big and loud with fantastic balance and focus, the depth and richness of tone is stunning. Nothing washes about causing unwanted harmonics and overtones, it's just great!

    Top - Sitka Spruce
    Back & sides - Flamed Western Maple
    Neck - Khaya
    Fretboard - Ebony
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 25.0
    Neck profile - C/D
    Nut width - 44.9mm
    Nut spacing - 76mm
    Bridge spacing - 11.6mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 1.5mm
    Lower bout width - 17"
    Upper bout width - 12.4"
    Body depth at base - 4.72"

    Adjustable action - MoP logo - Ebony top border - Ebony bindings - Ebony headstock veneer - MoP dot position markers (with side dots) - Ebony segmented rosette - Ebony fretboard - Ebony bridge - Schertler open tuners - Ebony tuner buttons -
    Bone nut and saddle - Ebony bridge pins - No pickguard

    Chasson Jumbo - Sitka & Flamed MapleChasson Jumbo - Sitka & Flamed MapleChasson Jumbo - Sitka & Flamed Maple


  59. Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Out of stock
    2005 Bill Tippin OMT in excellent condition. Classic mad rose tone with fantastic depth and richness, it has great clarity and remarkable individual note definition. The bass notes are very well defined, the mids warm and sonorous and the trebles full and clear.

    • Sitka spruce top
    • Madagascar rosewood back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 3/16” lower bout
    • Mahogany neck
    • MoP logo
    • B/W/B purfling
    • Ivoroid bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Tulip MoP and abalone position markers (with side dots)
    • Wood rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)


  60. Rein RJN-113 - Lutz Spruce & Figured Mahogany

    Rein RJN-113 - Lutz Spruce & Figured Mahogany

    £3,375.00
     
    In stock

    My first from Tom and what a beauty! Luscious mahogany richness with fantastic clarity and sweet tone. There is complexity and character in all tonal ranges from the strong and well defined bass notes through the full mids to the clear ringing trebles.

    With Tom's adjustable action it can be adjusted in a jiffy from low action for delicate fingerstyle to higher for a pick. Versatility doesn't get any more versatile than this.

    Top - Lutz Spruce
    Back & sides - Figured Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Superior tan leather

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C/D
    Nut width - 44.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.2mm
    Lower bout width - 14 7/16"
    Upper bout width - 10.63"
    Body depth at base - 4.33"

    Satinwood logo - Dyed green purfling - Rosewood bindings - Ziricote headstock veneer - Rope backstrip - No position markers (with side dots) - Rope rosette - Ebony bridge - Gotoh open back tuners - Nickel tuner buttons - Bone nut and saddle - • Bone bridge pins - No pickguard

    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
  61. Galloup Borealis Fan Fret (used)

    Galloup Borealis Fan Fret (used)

    Out of stock
    Fan fret, arm rest and incredible detailing, this is a beautiful guitar. It plays like a dream and sounds fantastic, depth, resonance, clarity and projection, it has it all.

    Top - European Spruce
    Back & sides - Indian Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - AVS hard case - faux leather w/embossed leather trim - green interior - made in USA

    Frets to the body - 14/15
    Scale length - 25.0" to 26.7"
    Neck profile - D
    Nut width - 45.7mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.4mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 16"
    Upper bout width - 11.02"
    Body depth at base - 4.53"

    Fishman dual source pickup - Hyde glue construction - 14/15 frets to the body - Graphite reinforced neck - Venetian cutaway - Ebony/maple top border - Rosewood bindings - Ebony headstock - Ebony rear headstock veneer - Silver position markers (with side dots) - Spalted maple rosette - Ebony/maple back strip - MoP logo - Ebony fret board - Ebony bridge - Gotoh 510 tuners - Nickel tuner buttons - Bone nut and saddle - Bone bridge pins - Mylar pick guard

    Galloup Borealis Fan Fret (used)Galloup Borealis Fan Fret (used)Galloup Borealis Fan Fret (used)


  62. Kinnaird Parlour - Engelmann & English Brown Oak

    Kinnaird Parlour - Engelmann & English Brown Oak

    Out of stock


    My second oak parlour from Steve and this beauty is just as spectacular as the last.

    It has fantastic balance and projection with great warmth, depth and clarity. My mother used to say 'great things come in small packages' this certainly applies here. It has as much volume as a much bigger guitar and is a comfortable to play as you could possibly wish for.

    Top - Engelmann Spruce
    Back & sides - Quartersawn English Brown Oak
    Neck - Spanish Cedar
    Fretboard - Ebony
    Case - Cedar Creek hard case

    Frets to the body - 12
    Scale length - 24.9"
    Neck profile - C
    Nut width - 44.7mm
    Nut spacing - 7.6mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.7mm
    Action fret 12 low E - 2.15mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 1.5mm
    Lower bout width - 12 7/8"
    Upper bout width - 9.06"
    Body depth at base - 3.94"

    Sterling silver K logo - b/w/b/w/b violin purfling - American holly bindings - Ebony headstock veneer - Marquetry "St. Cross" pattern backstrip - Silver circles position markers (with side dots) - Custom marquetry "St. Cross" pattern with holly-bound rosette - Ebony bridge - Schaller tuners - Chrome butter bean tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird Parlour - Engelmann & English Brown OakKinnaird Parlour - Engelmann & English Brown OakKinnaird Parlour - Engelmann & English Brown Oak


  63. White Reesling Parlour - Adirondack & Rosewood (used)

    White Reesling Parlour - Adirondack & Rosewood (used)

    £3,795.00
     
    In stock


    Wow! Rich, full deep and warm with volume, definition and projection. I have never before heard such solid, clear and well defined trebles on a guitar of this size. If you are looking for a small guitar that does everything a bigger one will do look no further.

    It takes a great teacher (Linda Manzer) and a great student to achieve this level of perfection.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - TKL arched case

    Frets to the body - 13
    Scale length - 24.5"
    Neck profile - C/D
    Nut width - 44.6mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.9mm
    Action fret 1 low E - 0.75mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.5mm
    Lower bout width - 13.5"
    Upper bout width - 10.24"
    Body depth at base -3.35"

    Oval soundport - Honey Jasper Recon Stone logo - Maple w/b/w purfling - Rosewood bindings Ebony headstock veneer - No position markers (with side dots) - Rosewood and maple rosette Ebony bridge - Gotoh 510 tuners - Ebony tuner buttons - Bone nut and saddle - Bone bridge pins Clear pickguard



    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
  64. Caldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple

    Caldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple

    Out of stock


    There has been a lot of discussion recently about the merits of maple and the widely held misconception that it gives bright tone.

    This beauty from Jimmy proves what a wild misconception it is. I just asked my tech to play it, the first thing he said is that the bass is very strong (I agree), the trebles are very clear and the mids are warm and complex. He is also very impressed by the balance from the lowest note to the highest.

    Top - Carpathuian Spruce
    Back & sides - Flamed European Maple
    Neck - Flamed Maple
    Fretboard - Madagascar Rosewood
    Case - Tolex hard case

    Frets to the body - 13
    Scale length - 24.7"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 8.0mm
    Bridge spacing - 11.6mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.1mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.6mm
    Lower bout width - 14 5/8"
    Upper bout width - 11.42"
    Body depth at base - 4.33"

    MoP logo - B/W/B purfling - Ivoroid bindings - Ebony headstock veneer - MoP position markers (with side dots) - W/B/W rosette - Madagascar rosewood bridge - Grover tuners - Chrome butterbean tuner buttons - Bone nut and saddle - Ivoroid bridge pins - Firestripe pickguard

    Caldwell Nick Lucas OO - Carpathian Spruce & Flamed MapleCaldwell Nick Lucas OO - Carpathian Spruce & Flamed MapleCaldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple


  65. Collings OO1 - Sitka & Flamed Maple

    Collings OO1 - Sitka & Flamed Maple

    Out of stock
    Gorgeous flamed maple, back sides and neck make this OO1 from Bill Collings look as stunning as it sounds. It has all the versatility, depth of tone and clarity of the mahogany OM with a little added sparkle. The OO is my favourite body size and this little beauty sits in the lap very comfortably for sofa noodling without losing hardly a tad in the volume and projection departments.

    Top Sitka spruce
    Back & Sides Flamed Maple
    Neck Flamed maple
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony pyramid-style with 2 5/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 13/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered slotted square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Backstrip 1-style (Walnut)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Neck Finish High gloss polyester resin
    Pickguard Tortoise
    Strings D'Addario EJ-16 (.012"- .053")
    Case Deluxe Hardshell case by TKL
    Neck Profile


    Collings OO1 - Sitka & Flamed MapleCollings OO1 - Sitka & Flamed MapleCollings OO1 - Sitka & Flamed Maple


  66. Avalon L325 Legacy Premier 2008 (used)

    Avalon L325 Legacy Premier 2008 (used)

    Out of stock
    Avalon L325 Legacy Premier with stunning rosewood back an sides. It has a very rich and full tone with great depth and warmth, full and deep bass notes, luscious and complex mids and clear trebles. This is a very expressive guitar with good projection and balance.

    It’s in excellent condition with some very light play wear, complete with the original documentation.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Bound Ebony
    Case - Hiscox hard case made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 43.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.2mm
    Action fret 1 low E - 0.7mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 16.25"
    Upper bout width - 11.81"
    Body depth at base - 4.92"

    Satin finish - Avalon logo - Koa bindings - Rosewood headstock veneer - Side dots/no position markers - MoP rosette - Rosewood bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Avalon L325 Legacy Premier 2008 (used)Avalon L325 Legacy Premier 2008 (used)Avalon L325 Legacy Premier 2008 (used)


  67. Gibson J-35 Custom 1995 (used)

    Gibson J-35 Custom 1995 (used)

    Out of stock
    1995 Gibson J-35. Signed by Gibson Master Luthier Ren Ferguson. It is faithful replica of the pre-war Gibson J-35. It features Honduran Mahogany Back and sides, Adirondack Spruce top, Ebony fingerboard and saddle, Waverly Tuners and Original Hard case. For most of it's 22 years it was kept unplayed in a case by a collector, so the condition is remarkable for it's age. It has had no repairs, it has no cracks and only a few weather checks (they are hard to see).

    Fantastic rich and deep tone, kind of a dreadnought plus with all the power of a dread but with great clarity and projection, great for strumming flatpicking and fingerstyle.

    • Adirondack spruce top
    • Mahogany back and sides
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4" nut width
    • 2 3/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ivoroid bindings
    • Ebony headstock veneer
    • Rope backstrip
    • MoP position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Tiger stripe pickguard
    • TKL/Gibson case

    Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)


  68. Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Out of stock
    Oh my what a beauty to nestle in your lap! Adirondack and mahogany add up to a very clear and well defined tone that also has great depth, warmth, resonance and complexity. This is a fantastic fingerstyle guitar with great responsiveness and playability.

    Top Adirondack spruce
    Back & Sides Honduran mahogany
    Lower Bout Width 13 7/16"
    Neck Honduran mahogany
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Case Deluxe Hardshell case by TKLKL


    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)


  69. Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)

    Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)

    Out of stock


    Excellent condition Cuban mahogany Saluda from 2015.

    It has the clarity you would expect from the Sitka/Cuban mahogany combination, with endless headroom. The SJ body size adds great depth and warmth. A very versatile guitar with a very full tone and excellent separation and projection, great for all styles form strumming to gentle fingerstyle.


    • Sitka spruce top
    • Cuban mahogany back and sides
    • Sharp cutaway
    • Satin finish
    • 14 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2 1/8” string spacing at saddle
    • 16” lower bout
    • Mahogany neck with inlay
    • MoP logo
    • B/W/B purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony backstrip
    • Grapevine fretboard inlay (with side dots)
    • Grapevine rosette
    • Ebony fretboard
    • Ebony pinless bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Hiscox Pro II case with some internal wear



    Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)


  70. Campanella Due 2007 (used)

    Campanella Due 2007 (used)

    Out of stock
    I am not expecting my fist mandolin from Joe until September 2017 so having this preview is fantastic.

    I now know why Joe has gained such an incredible reputation, the Due model is his signature mandolin. It has remarkable presence and depth of tone with a richness that is quite stunning. This is a fantastic all-rounder with plenty of volume and a great chop for bluegrass players and great warmth and resonance for other styles.

    With Waverly tuners, James tailpiece and Calton case. The new price will be over £7500.

    Campanella Due 2007 (used)Campanella Due 2007 (used)Campanella Due 2007 (used)


  71. Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Out of stock
    Excellent condition slope D made in Dana's workshop in 2005.

    Adirondack and rosewood make for a very powerful guitar with endless headroom, huge basses, awesome warm and full mids and bright and loud trebles. Anyone who know Vo Fletcher it's previous owner will know that this is the kind of guitar that Vo goes for. Built for performance and filling a venue with great definition and projection it also responds very well to a gentler approach.

    Pickup in the photos not included.

    Adirondack spruce top
    Indian rosewood back and sides
    Sunburst finish
    Snakehead headstock
    Soft cutaway
    25.5 " scale
    1 23/32"" nut width
    2 3/16" string spacing at saddle
    15 13/16" lower bout
    Ebony headstock veneer
    Triple ivoroid bindings
    Marquetry back strip
    Concentric circles rosette
    Bone nut and saddle
    Ebony fretboard
    Ebony belly bridge
    Abalone inlaid logo
    Abalone custom fretboard inlay
    Waverly tuners with ivoroid buttons
    Bone bridge pins
    Tortoise pickguard
    TKL hardshell case

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)


  72. Washburn Parlour 1904 (used)

    Washburn Parlour 1904 (used)

    Out of stock
    1904 Washburn parlour in excellent condition. Adirondack/Brazilian rosewood, wooden coffin style case.

    The depth and richness of tone of this little beauty is truly remarkable! It's a little clichéd to say how parlour guitars sound like bigger guitars but if you doubt it, come and try this stunner. It has a quality of tone that only a hundred and ten years of Adirondack and Brazilian can produce.

    I have no expertise in this area but will do my best to answer any questions. As far as I can tell it is all original except for the bridge pins.

    Top - Adirondack Spruce
    Back & sides - Brazilian Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Coffin hard case

    Frets to the body - 12
    Scale length - 24.0"
    Neck profile - V
    Nut width - 47.4mm
    Nut spacing - 7.9mm
    Bridge spacing - 12.2mm
    Action fret 1 low E - 0.75mm
    Action fret 12 low E - 2.8mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 3.25mm
    Lower bout width - 12.5"
    Upper bout width - 8.86"
    Body depth at base - 3.94"

    Brazilian rosewood headstock veneer - Marquetry backstrip - No position markers - Ebony bridge Three on a plate tuners - Ivoroid tuner buttons - Plastic (non original) bridge pins - No pickguard

    Washburn Parlour 1904 (used)Washburn Parlour 1904 (used)Washburn Parlour 1904 (used)


  73. Batson GC - Sitka Spruce & Rosewood (used)

    Batson GC - Sitka Spruce & Rosewood (used)

    £2,175.00
     
    In stock
    Cory says this is his best yet, I agree, that cathedral organ bass I keep talking about is plentiful here.

    If it's a strong bass response and rich and warm mids and clear trebles you are looking for, look no further.

    Top - Sitka Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox hard case (white) made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 43.6mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.3mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.53"

    Flamed maple binding - Flamed maple purfling - Rosewood headstock veneer - Side dots/no position markers - Flamed maple logo - Ebony bridge - Black chrome Gotoh super 510z tuners Black chrome tuner buttons - Bone nut and saddle

    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
  74. Chasson Concert - Engelmann & Wenge

    Chasson Concert - Engelmann & Wenge

    £2,975.00
     
    In stock
    There has been a lot of excitement about wenge recently. In these times of traditional tone woods becoming scarce and in some cases tightly restricted and banned, it's great to work with a wood that is plentiful and cheap.

    Some find the look of it to be plain but others love the deep and rich variations of colour that can be seen when looking closely, to be very beautiful. The way Kent has combined it with Leopardwood accents makes it an incredibly beautiful guitar however you look at it.

    Kent says this is the best guitar he has made and by his standards something.. by my standards it has a wonderful full sound, with complex and resonant tones across its very well balanced and defined range.

    Top - Engelmann Spruce
    Back & sides - Wenge
    Neck - Khaya
    Fretboard - Ebony
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.0mm
    Nut spacing - 7.7mm
    Bridge spacing - 11.3mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 12"
    Body depth at base - 4.33"

    Mop logo - Blackwood/Bloodwood purfling - Leopardwood bindings - Ebony headstock veneer - Leopardwood backstrip - MoP position markers (with side dots) - Leopardwood rosette - Ebony bridge - Schaller mini tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
    Chasson Concert - Engelmann & WengeChasson Concert - Engelmann & WengeChasson Concert - Engelmann & Wenge
  75. Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    £2,750.00
     
    In stock
    My first from Dennis and what a beauty in tone and looks. It has classic 12 fret richness and depth, plus full access with the cutaway.

    It's a big and warm sound with great separation and clarity. Individual note definition from low to high is remarkable. Great playability and wonderful tone, fantastic!

    Top - Sitka Spruce
    Back & sides - Curly Claro Walnut
    Neck - Mahogany, maple and rosewood
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 12
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.2mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.9mm
    Action fret 1 low E - 0.65mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.72"

    Soft cutaway - MoP logo - Maple/black purfling - Curly maple bindings - Ebony headstock veneer Abalone position markers (with side dots) - Segmented, spalted maple, ebony, walnut rosette Ebony bridge - Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins Clear pickguard

    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
  76. Heiden A artist (used)

    Heiden A artist (used)

    Out of stock
    Adirondack (red) spruce top, stunningly flamed sugar maple back and sides, sugar maple neck, finished with French polish topcoat on top of varnish, all applied by hand. Abalone logo, abalone and mother of pearl headstock inlay, triple bound ivoroid top back, fretboard and headstock binding, radiussed Ebony fretboard with twenty two medium frets, shaped and scalloped at the end. It has a twenty eight millimetre neck width, bone nut, silver James engraved tailpiece, silver Waverly tuners with Pearl buttons, triple bound Ebony finger rest/pick guard and an Ebony bridge. With Calton case.

    The sound is awesome, full and rich with with fantastic projection and volume. A great bluegrass mandolin with barrel loads of chop that responds beautifully and sweetly to a lighter touch and all styles of playing.



    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
  77. Propsom OM - Redwood & Pommele Sapele

    Propsom OM - Redwood & Pommele Sapele

    £2,775.00
     
    In stock


    Wow!

    This is my favourite back and sides wood and it's a fantastic guitar. It has very a rich and full tone with great clarity and projection, strong warm and well defined bass notes, rich and resonant mids, clear and full trebles all the way to the top.

    Top - Redwood
    Back & sides - Pommele Sapele
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 44.4mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 15 1/8"
    Upper bout width - 11.42"
    Body depth at base - 4.13

    MoP logo - B/W/B/W wood purfling - Rosewood bindings - Pommelle sapele headstock veneer Mop slotted diamond position markers (with side dots) - Red heart abalone rosette - Ebony bridge Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
  78. Beardsell 2G - Bearclaw Lutz Spruce & Makore

    Beardsell 2G - Bearclaw Lutz Spruce & Makore

    £3,995.00
     
    In stock
    Awesome! When innovation combines with the complete mastery of traditional skills this is what you get. Al is a true master and the tone of this beauty is to die for! OK that's enough exclamation marks...

    It has a very full and open/rich tone with fantastic depth and complexity. The definition and separation are truly remarkable. This is a very intimate and expressive guitar that also responds beautifully to a pick and a bit of digging in.

    Top - Lutz Spruce (Bearclaw)
    Back & sides - Makore
    Neck - Mahogany
    Fretboard - Rosewood
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 24.7"
    Neck profile - C
    Nut width - 45.8mm
    Nut spacing - 7.1mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.4mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.5mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 4.33"

    Venetian cutaway - Lacquer finish - Dual soundports - offset tear-drop profile neck - Gold MoP logo - b/w/b/w/b/w black-dyed pear, holly, maple, fibrepurfling - Rosewood bindings - Rosewood, holly , ebony headstock veneer - Rosewood, maple rear headstock veneer - Holly, ebony, maple, black dyed pear backstrip - Holly, ebony, gold MOP side dots - Holly, ebony, black-dyed pear rosette - Rosewood bridge - Gotoh 510 chrome tuners - Chrome tuner buttons - Bone nut and saddle - Rosewood bridge pins - Clear pickguard

    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
  79. Fischer 12/15 - Adirondack & Rosewood

    Fischer 12/15 - Adirondack & Rosewood

    £3,495.00
     
    In stock
    This 12/15 - twelve frets to the body and a 15 inch lower bout - is another fantastic guitar from Steve. The body join at the twelfth fret gives a very full and rich tone due to the changed position of the bridge and the cutaway gives access all the way up.

    The result is a warm tone with great balance and the superb definition of Adirondack, deep/well defined bass, complex mids and clear, ringing trebles.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Cedar Creek hard case made in USA

    Frets to the body - 12
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.5mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 3.94"

    Florentine cutaway - Maple and ebony logo - Maple burl purfling - Curly maple bindings - Ebony headstock veneer - Rosewood rear headstock veneer - No position markers (with side dots) - Maple burl/rosewood rosette - Ebony fretboard - Ebony bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
  80. Beneteau OM - Alaskan Sitka Spruce & Padauk

    Beneteau OM - Alaskan Sitka Spruce & Padauk

    £2,999.00
     
    In stock
    If you're looking for lots of bright sparkle combined with a deep luscious tone and fantastic balance, separation and projection, look no further!

    This beauty from Marc has that rare combination of amazing clarity along with warmth and resonance making it very versatile, great for picking and strumming and a wonderful fingerstylist's guitar. Marc's guitars have been my most consistent sellers for many years now. There's not a lot of fanfare out there about Beneteau guitars but there is quite a lot of very happy customers.

    Top - Alaskan Sitka Spruce
    Back & sides - Padauk
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.6mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.50mm
    Lower bout width - 15"
    Upper bout width - 11.22"
    Body depth at base - 4.33"

    MoP logo - Bloodwood purfling - Ebony bindings - Ebony headstock veneer - Ebony rear headstock veneer - Ebony backstrip - MoP position markers with side dots - Padauk radial rosette Ebony bridge - Gotoh vintage style tuners - Butterfly tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
  81. Beneteau Nick Lucas - Sitka Spruce & Mahogany

    Beneteau Nick Lucas - Sitka Spruce & Mahogany

    £2,775.00
     
    In stock


    Another absolute stunner from Marc. The first thing that strikes me playing this beauty is the remarkable balance and individual note clarity, from the lowest to the highest note it has incredible definition and projection. Add the warmth and responsiveness of mahogany and you get a very versatile guitar.

    The playability is superb and it responds beautifully to everything from a pick to the lightest fingerstyle.

    Top - Sitka Spruce
    Back & sides - Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 14 7/8"
    Upper bout width - 9.84"
    Body depth at base - 4.33"

    MoP logo - Sapele/Black/Maple purfling - Ebony bindings - Macassar Ebony headstock veneer - Macassar Ebony rear headstock veneer - Ebony w/Purflings backstrip - MoP position markers with side dots - Honduran rosewood rosette - Ebony bridge - Vintage Gotoh tuners - Black tuner buttons - Bone nut and saddle - Ebony w/MOP dot bridge pins - No pickguard


    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
  82. Berkowitz F6 Concert - Sitka & Padauk

    Berkowitz F6 Concert - Sitka & Padauk

    Out of stock


    Padauk is gaining in popularity and this beautiful guitar from David demonstrates why. The first thing that strikes me is a very deep and luxurious bass with fantastic resonance across the range. This is a big sound that is very rich and warm that responds well to a pick or the most delicate fingerstyle.

    It takes a very experienced luthier to achieve this level of warmth and resonance and have great definition and note separation. This is a wonderful and very versatile guitar.

    Top - Sitka Spruce
    Back & sides - Paduak
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hoffee moulded plastic hard case (white)

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 11.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 2mm
    Lower bout width - 15.5"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Abalone logo - Maple and bloodwood purfling - Bindings ebony with maple/black side purflings - Ebony headstock veneer - No position markers (with side dots) - Manzanita burl with maple and bloodwood rosette - Ebony bridge Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Berkowitz F6 Concert - Sitka & PadaukBerkowitz F6 Concert - Sitka & PadaukBerkowitz F6 Concert - Sitka & Padauk


  83. Manzer 'The Manzer' - Cedar & Rosewood

    Manzer 'The Manzer' - Cedar & Rosewood

    £11,995.00
     
    In stock


    There is an Acoustic Magazine review of this guitar here.

    With the 'Manzer Wedge' this feels like an OO sized guitar to play, supremely comfortable and effortless.

    The balance and clarity is the best I've heard, with perfect individual note definition from bottom to top. There is a depth and richness to the tone that defies belief with incredible articulation. There are good reasons why luthiers like Linda have the reputations that they do; this is one of them.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox 'Artist' hard case made in the UK

    Frets to the body - 14
    Scale length - 26.0"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.8mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15 9/16"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Manzer wedge - Soft cutaway - Oval soundport - Abalone logo - B/W/B purfling - Rosewood bindings - Ebony headstock veneer - No position markers (with side dots) - Abalone with Boxwood and Rosewood rosette - Ebony fretboard - Ebony bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Clear pickguard

    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
  84. Wilborn OM - Adirondack & Figured Honduran Mahogany

    Wilborn OM - Adirondack & Figured Honduran Mahogany

    £2,799.00
     
    In stock


    This is my fifth guitar from Ben and its another stunner!

    Its loud, its rich, its full, its warm, it has great definition and projection, it has fantastic note separation from down low to the highest notes, its wonderful!

    Top - Adirondack Spruce
    Back & sides - Figured Honduran Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.1mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 15 1/8"
    Upper bout width - 22.22"
    Body depth at base -3.94"

    Sunburst finish - Oval soundport - MoP logo - Curly maple purfling - Leopardwood bindings Ebony headstock veneer - Leopardwood rear headstock veneer - Curly maple/leopardwood backstrip - MoP position markers (with side dots) - Curly maple/leopardwood rosette - Ebony bridge - Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
  85. Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    £9,195.00
     
    In stock


    Its hard to know what to say sometimes when such amazing guitars arrive. I am shocked that Sheldon's work isn't more widely known.

    This is an original and wonderful work of art. I'm am fond of commenting on how great luthiers can combine qualities that otherwise might be considered mutually exclusive. Well Sheldon has pulled it off in achieving the big sound that you might expect from a sitka/rosewood sixteen inch guitar of this quality with remarkable individual note clarity and balance.

    Players in smaller rooms won't need amplification, neither will those who play with a soft touch - finger tips not nails for instance - lack any response or tonal character. Its big and beautiful and soft and mellow, a guitar that will respond to all moods and playing styles. Brilliant!

    Top - Bear Claw Sitka Spruce
    Back & sides - East Indian Rosewood
    Neck - Five piece mahogany, Peruvian walnut and curly maple
    Fretboard - Ebony
    Case - Workhorse carbon copy case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.7mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.6mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.4mm
    Lower bout width - 16"
    Upper bout width - 12.01"
    Body depth at base - 4.53"

    Bent wood/drop top style arm rest - Cutaway with an access bevel - Lacewood logo - Cherry and black pear purfling - Black walnut bindings - Ebony headstock veneer - Black walnut rear headstock veneer - Glow in the dark side dots - Ebony pinless bridge - Gotoh 510 tuners - Black tuner buttons - Black Tusq nut and saddle - Clear pickguard

    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
  86. Traphagen HRS - Italian Spruce & Honduran Rosewood

    Traphagen HRS - Italian Spruce & Honduran Rosewood

    £2,999.00
     
    In stock


    Here’s a special offer on a special guitar that has, what some might say, are ‘issues’. We’ve had the guitar in the shop for a while now. During that time it has done its own ‘relic job’ by developing lacquer checking across the whole surface of the Spruce top. The back, sides and neck are unaffected.

    Anyone who knows a bit about the ‘lacquer checking’ that is added to modern custom shop electric guitars will understand what I mean by a ‘relic job’. There is absolutely no adverse effect to the tone or the overall loveliness of the guitar, it sounds wonderful, it’s just not something that you usually find on an expensive handmade acoustic guitar. There's an image of the lacquer checking below.

    The fret ends on the lower side of the neck could do with a little tidying up too though playability is very good as it is.

    There’s not much room left in the saddle for those who like an ultra-low action though the current action is great for fingerstyle.

    We don’t currently have the services of a luthier so we are therefore offering this guitar at £2,995, a massive £4,000 discount! Yes, you can own a seven grand guitar that you might not have been able to afford.

    Feel free to make us a cheeky offer as long as you don’t mind a cheeky response.

    Top - Italian Spruce
    Back & sides - Honduran Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Black hardshell arched case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.75mm
    Action fret 1 high E - 0.3mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 14 13/16"
    Upper bout width - 11.22"
    Body depth at base - 4.13"

    Amazon rosewood purfling - Amazon rosewood bindings - Honduran rosewood headstock veneer Honduran rosewood backstrip - No position markers (with side dots) - Black palm rosette Honduran rosewood bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle Rosewood bridge pins - Clear pickguard

    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
  87. Carruth OOO-12 - Rosewood & European Spruce

    Carruth OOO-12 - Rosewood & European Spruce

    Out of stock


    In many ways twelve frets to the body and a cutaway is the perfect combination. It gives the sweetness of the more centred bridge position and allows access all the way to the top fret.

    It definately works on this beauty from Alan. The first thing that struck me about this guitar is its lightness and ease of play, it feels like a much smaller guitar. It sounds fantastic, rich and resonant with full and well defined bass notes, complex and expressive mids, clear, precise bell-like trebles and great balance and projection. What a beaut!

    • European spruce top
    • Rosewood back and sides
    • Slotted headstock
    • Soft cutaway
    • Oil varnish finish
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany/maple neck
    • Wood logo
    • Maple/black purfling
    • Curly maple bindings
    • Rosewood headstock veneer
    • Maple backstrip
    • Bone position markers (with side dots)
    • Maple/koa rosette
    • Macassar ebony fretboard
    • Rosewood pyramid bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case


    Carruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European Spruce


  88. Beneteau OO-12 - Sitka & Rosewood (used)

    Beneteau OO-12 - Sitka & Rosewood (used)

    £2,999.00
     
    In stock
    Used and in excellent condition, more than a grand less then a new one one.

    A beautiful OO from Marc, fourteen and three sixteenths inch lower bout, 12 frets to the body, Indian Rosewood/Sitka spruce with a slotted headstock, pyramid bridge and nickel Waverly tuners, 1 11/16" nut and 25" scale. A quality oft sought in a fingerstyle guitar is great articulation, this is a true polyglot. It has incredible clarity and definition and remarkable playability.



    • Sitka spruce top
    • Indian rosewood back and sides
    • K & K pickup
    • 12 frets to the body
    • 25 " scale
    • 1 11/16" nut width
    • 2 1/8" string spacing at saddle
    • 14 3/16" lower bout
    • Slotted headstock
    • Honduran rosewood bindings
    • Honduran rosewood back strip
    • Honduran rosewood rosette
    • Abalone inlaid heel cap logo
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony pyramid bridge
    • No position markers
    • Waverly tuners
    • No pickguard
    • Hiscox case

    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
  89. Santa Cruz OM/E - Late 1990s - Fishman Pickup (used)

    Santa Cruz OM/E - Late 1990s - Fishman Pickup (used)

    Out of stock
    Great condition and a lot of Santa Cruz for two grand. It has a very strong and well defined bass, rich, warm mids and sweet trebles.

    • Sitka top
    • Rosewood back and sides
    • Fishman pickup
    • 14 frets to the body
    • 25.5” scale
    • 1 11/16” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • B/W purfling
    • Ivoroid bindings
    • Rosewood headstock veneer
    • MoP dot position markers (with side dots)
    • Herringbone rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hardshell case

    Santa Cruz OM/E - Late 1990s - Fishman Pickup (used)Santa Cruz OM/E - Late 1990s - Fishman Pickup (used)Santa Cruz OM/E - Late 1990s - Fishman Pickup (used)


  90. Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Out of stock
    I'm gobsmaked! This beauty from Nick is light and very responsive. It has that illusive combination of incredible clarity, definition and projection with warmth, depth and complexity. If you like to be very expressive in your playing this amazing guitar will convey every feeling from melancholia to joy and rage.

    • Adirondack top
    • Figured mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured Mahogany


  91. Froggy Bottom M Deluxe (used) ex-Stuart Ryan

    Froggy Bottom M Deluxe (used) ex-Stuart Ryan

    Out of stock
    Previously owned by Stuart Ryan.

    • Adirondack top
    • Rosewood back and sides
    • 14 frets to the body
    • 25 1/8” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Abalone logo
    • B/W purfling
    • Maple bindings
    • Rosewood headstock veneer
    • Abalone backstrip
    • Slotted diamond abalone position markers (with side dots)
    • Abalone rosette
    • Scrimshaw heel cap
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Froggy Bottom M Deluxe (used) ex-Stuart RyanFroggy Bottom M Deluxe (used) ex-Stuart RyanFroggy Bottom M Deluxe (used) ex-Stuart Ryan


  92. Carruth OOO-12 - Adirondack & Curly Mahogany

    Carruth OOO-12 - Adirondack & Curly Mahogany

    Out of stock
    This is my first guitar from Alan and what a beauty it is. Check out the story of the mahogany in this link. I've been getting a lot of mahogany guitars recently and this OOO is a very good example of why, it has a very full tone and great volume with fantastic separation, and individual note definition. I've also been getting a few guitars with the twelve fret body join - known for increasing warmth - and a cutaway so you get the best of all worlds, deep resonant tone, access all the way up and great definition.

    This is a light and very responsive guitar with great playability, responding beautifully to the lightest touch or a heavy pick. If you ar looking for a versatile guitar look no further.

    • Adirondack/Red spruce top
    • 'Mahogany Mama curly mahogany back and sides
    • Recurve bevel cutaway
    • Slotted headstock
    • Brushed oil varnish finish
    • Thomastic 'Spectrum' series medium strings
    • 12 frets to the body
    • 25.4” scale
    • 1 13/16" nut width
    • 2 1/8" string spacing at saddle
    • 151/8" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Koa and maple purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Macassar ebony backstrip
    • Bone position markers (with side dots)
    • Koa, mahogany and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle, both compensated
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly Mahogany


  93. Collings OM3 Custom 2014 (used)

    Collings OM3 Custom 2014 (used)

    Out of stock
    Gorgeous Custom Collings OM3. Fantastic rich and full tone with beautiful warm and full base notes, luscious mids and clear, well defined trebles.

    It has great balance and amazing projection, great for fingerstyle and much more.

    In excellent condition with a couple of lacquer dents in the base.



    Top Sitka spruce
    Back & Sides Mountain Cedar
    Neck Honduran mahogany
    Body Binding Ivoroid with b/w/b/w/b purfling
    Fingerboard Binding .060" ivoroid
    Peghead Binding .100" ivoroid with b/w purfling
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with no inlay
    Bridge Pins/End Pin Ebony with abalone dot
    Nut Bone, 1 11/16"
    Saddle Bone, drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Stained Exotic Ebony with MOP Collings logo
    Tuners Gold Waverly (16:1 ratio)
    Backstrip 3-style (Chevron)
    Rosette Abalone
    Scale Length 25 1/2"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Neck Finish High gloss polyester resin
    Pickguard Tortoise
    Strings D'Addario EJ-16 (.012"- .053")
    Case Hiscox

    Collings OM3 Custom 2014 (used)Collings OM3 Custom 2014 (used)Collings OM3 Custom 2014 (used)


  94. Carruth OOO-14 - Sitka & Caribbean Mahogany

    Carruth OOO-14 - Sitka & Caribbean Mahogany

    Out of stock
    Another stunning guitar from Alan and at an unbelievable price. It has the warmth of a rosewood guitar with with the clarity and definition of mahogany, fantastic.

    This might explain why the sound is so mature; from Alan. "Caribbean mahogany that I got from my violin making teacher in the '80s. She said she'd had it for forty years."

    • Sitka spruce top
    • Caribbean Mahogany back and sides
    • Brushed oil varnish finish
    • D'Addario light strings
    • 14 frets to the body
    • 25.4” scale
    • 1 23/32" nut width
    • 2 1/8" string spacing at saddle
    • 15" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Maple purfling
    • Morado bindings
    • Morado headstock veneer
    • Morado ebony backstrip
    • Bone position markers (with side dots)
    • Honduras mahogany, Caribbean mahogany, maple, cherry, black dyed veneer rosette
    • Ebony fretboard
    • Morado bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Compensated bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean Mahogany


  95. Girouard A4

    Girouard A4

    £2,995.00
     
    In stock
    This A4 form Max and Lauri is very loud with fantastic depth and richness of tone. It has great response and volume. Gorgeous in looks and sound and it plays beautifully.

    Top Wood: Red Spruce
    Back, Side, Neck Wood: Red Maple
    Scale Length: 13.875
    Fretboard and Peghead overlay Wood: Macassar
    Fretboard Radius: Compound (7.25 at nut - 12 at bridge)
    Nut Type: Bone
    Fret Size: 043 x 080
    Fret Type: EVO Gold
    Fretboard Dots: MOP
    Neck Reinforcement: Truss Rod
    Neck Shape: Soft V shape
    Tailpiece: Stamped Engraved
    Tuners: Rubner
    Hardware Color: Silver
    Strap Button: None
    End Pin: Black screw in type
    Binding: Ivoroid top bound
    Pickguard: None
    Bridge: Girouard bridge
    Inlay: Girouard Script
    Strings: Curt Mangan
    Action height: low (0.060 bass 0.055 treble)
    Case: Superior





    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
  96. Goodall Traditional OM - Adirondack & Rosewood (used)

    Goodall Traditional OM - Adirondack & Rosewood (used)

    Out of stock
    This beautiful Traditional OM from James has a non standard Adirodack top. James has exceeded his usual standards with this one. It has a depth of tone that shouldn't come out of a relatively small body, rich and sweet but well balanced with good definition and plenty of volume.

    In excellent condition.

    With Baggs Anthem pickup.

    Body Width 15"
    Body Depth 4-1/4"
    Neck Width 1-3/4"
    Bracing X-Brace
    Number of Frets 20
    Neck Material Honduran Mahogany
    Neck Finish Satin Urethane
    Body Finish Glossy Urethane
    Brand of Strings Elixir Phosphor Bronze
    Pickguard Tor-Tis Pattern
    Back/Side Wood Indian Rosewood
    Top Wood Adirondack spruce
    Binding Maple
    Edge Trim Herringbone Ebony/Maple
    Peghead Overlay Ebony
    Fretboard Wood Ebony
    Fretboard Binding Maple
    Bridge Pins Blacklip MOP Inlaid Boxwood
    Tuners Waverly Vintage Nickel
    Tuner Buttons Ivoroid
    Peghead Inlay Blacklip MOP Logo
    Fretboard Inlay Notched MOP Squares
    Rosette Material Herringbone Wood Marquetry
    Nut/Saddle Bone
    Backstrip Style Chevron Wood Marquetry
    Cedar Creek Case



    Goodall Traditional OM - Adirondack & Rosewood (used)Goodall Traditional OM - Adirondack & Rosewood (used)Goodall Traditional OM - Adirondack & Rosewood (used)


  97. Circa OM - Adirondack & Honduran Mahogany (used)

    Circa OM - Adirondack & Honduran Mahogany (used)

    Out of stock
    In excellent condition.

    Perfect balance and that classic vintage mahogany sound. This beauty from John has remarkable projection, solid well defined bass, characterful and complex mids and-bell like trebles. A very versatile guitar, great for all styles. It plays like a dream and you can hear every detail of every note, a perfectionists guitar.

    • Adirondack top
    • Beeswing Honduran mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 1/4" string spacing at saddle
    • 15” lower bout
    • Honduran mahogany with diamond neck
    • Black/maple lines with miters at endgraft purfling
    • Black nitro bindings
    • Ebony headstock veneer
    • Black line backstrip
    • Small dot position markers (with side dots)
    • 5/9/5 Martin style 28 rosette
    • Ebony fretboard
    • Ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Hardshell case

    Circa OM - Adirondack & Honduran Mahogany (used)Circa OM - Adirondack & Honduran Mahogany (used)Circa OM - Adirondack & Honduran Mahogany (used)


  98. Ellis F5 Special

    Ellis F5 Special

    £9,695.00
     
    In stock
    Awesome! Impeccable workmanship, unbeatable traditional looks and sound to die for. Red spruce (Adirondack) top, flamed sugar maple back and sides, Waverly tuners, radiussed ebony fretboard with 28mm nut width, ebony bridge, raised pickguard and abalone and mother of pearl headstock inlay. The sound is very deep, full and rich with great volume and projection. It responds to the most aggressive bluegrass or the gentlest caress, mandolins don't get any better than this.

    With Travelite case.




    Ellis F5 Special Ellis F5 Special Ellis F5 Special
    Ellis F5 Special Ellis F5 Special Ellis F5 Special
    Ellis F5 Special Ellis F5 Special Ellis F5 Special
    Ellis F5 Special Ellis F5 Special Ellis F5 Special
  99. Franklin Guitar Co OM - Adirondack & Rosewood

    Franklin Guitar Co OM - Adirondack & Rosewood

    Out of stock
    This was a special order for a customer. I have another due in the same spec around the end of 2015.

    • Adirondack top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & RosewoodFranklin Guitar Co OM - Adirondack & RosewoodFranklin Guitar Co OM - Adirondack & Rosewood


  100. Wilborn L - Engelmann & Cocobolo

    Wilborn L - Engelmann & Cocobolo

    Out of stock
    I saw this beauty at the Healdsburg Guitar Festival and couldn't resist it. One of the pleasures of Healdsburg is discovering new talent and meeting luthiers like Ben.

    Well, to coin the old cliché it sounds as good as it looks. It has rich warm tones and great clarity with the volume of a much bigger guitar, great balance from down low all the way to the top and fantastic playability. Another I want to take home.

    • Engelmann spruce top
    • Cocobolo back and sides
    • Sharp cutaway
    • Oval soundport
    • 14 frets to the body
    • 24.9” scale
    • 1 13/16” nut width
    • 2 3/16” string spacing at saddle
    • 14 ¼” lower bout
    • Peruvian walnut neck
    • MoP logo
    • Ebony/bloodwood purfling
    • Bloodwood bindings
    • Bound ebony headstock veneer
    • Ebony rear headstock veneer
    •Bloodwood backstrip
    • No position markers (with side dots)
    • Bloodwood rosette
    •Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo


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