Search results for 'MCELROY OO'

Products

  1. McElroy OO 12 Fret - Adirondack & Koa (used)

    McElroy OO 12 Fret - Adirondack & Koa (used)

    Out of stock


    Fantastic OO from Brent. The OO is my favourite guitar body size and this is a great example of why. The Adirondack and koa give it remarkable clarity and projection and the deep body add great depth and warmth. Strong, well defined bass notes, rich and full mids and clear and sparkling trebles. Its also a joy to play.


    • Adirondack spruce top
    • Koa back and sides
    • 24.9” scale
    • 1 3/4" nut width
    • 2 1/4" string spacing at saddle
    • 14 1/8” lower bout
    • 12 frets to the body
    • Ebony headstock veneer
    • Ebony bindings
    • Spalted Maple rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Mother of pearl inlaid logo
    • Mother of pearl small dot position markers
    • Gold Gotoh 510 tuners
    • Ebony bridge pins
    • No pickguard


    McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)


  2. McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)

    McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)

    Out of stock
    Made in 2015 this beauty is in as new condition.

    Adirondack and mad rose is a great combination giving a very full and warm tone with endless headroom as you would expect. It has remarkable richness across all tonal ranges with excellent balance and projection. The bass notes are rich and well defined, the mids very complex and full of character, the trebles are full and bright and clear. All in all a wonderful guitar for everything from hard strumming to a gentle fingerstyle, its response is very even and balanced.


    • Madagascan rosewood back and sides
    • Soft cutaway
    • 14 frets to the body
    • 25.4 ” scale
    • 1 3/4” nut width
    • 2 5/15” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Emboya burl rosette
    • Ebony fretboard
    • Ebony pin-less bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Embroidered logo Ameritage case

    McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)


  3. Indian Hill OO-12

    Indian Hill OO-12

    Out of stock
    Another beautiful OO-12 that sounds fantastic. Classic 12 fret warmth and the depth and character of the best mahogany, its very well balanced with great definition and projection... and its a beautiful work of art.

    I put a small ding in the back of the headstock (see photo) when doing the photos so I have knocked £100 off the (already great) price.

    Engelmann Spruce Top
    Curly Mahogany back/sides
    No Cutaway
    French polish finish
    Oval Soundport
    12-frets to the body
    645 mm scale (25.4")
    44 mm nut (just under 1 3/4")
    56 mm string spacing (2.2")
    Lower bout 14 1/4"
    Mahogany neck
    12th fret "IH" Indian Hill Logo
    Curly mahogany, cocobolo, maple purfling
    Cocobolo binding
    Curly Mahogany front/back headstock veneer
    No fretboard position markers, brass tube side dots
    Spalted maple rosette
    Ebony fretboard
    Pinless ebony bridge with spalted maple inlay
    Gold Gotoh 510 tuners
    Unbleached bone nut/saddle
    Pinless bridge
    Clear pickguard
    TKL case

    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
  4. Collings OO1 - Sitka & Flamed Maple

    Collings OO1 - Sitka & Flamed Maple

    Out of stock
    Gorgeous flamed maple, back sides and neck make this OO1 from Bill Collings look as stunning as it sounds. It has all the versatility, depth of tone and clarity of the mahogany OM with a little added sparkle. The OO is my favourite body size and this little beauty sits in the lap very comfortably for sofa noodling without losing hardly a tad in the volume and projection departments.

    Top Sitka spruce
    Back & Sides Flamed Maple
    Neck Flamed maple
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony pyramid-style with 2 5/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 13/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered slotted square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Backstrip 1-style (Walnut)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Neck Finish High gloss polyester resin
    Pickguard Tortoise
    Strings D'Addario EJ-16 (.012"- .053")
    Case Deluxe Hardshell case by TKL
    Neck Profile


    Collings OO1 - Sitka & Flamed MapleCollings OO1 - Sitka & Flamed MapleCollings OO1 - Sitka & Flamed Maple


  5. Weber Bitterroot A4 - A Style - Oval Hole

    Weber Bitterroot A4 - A Style - Oval Hole

    £2,495.00
     
    In stock
    Beautiful A4 Bitterroot with flame maple back and sides, spruce top, bound soundhole, radiussed ebony fretboard and Brekke bridge, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case.

    Fantastic full and rich sound with warm and deep bass notes, sweet mids and clear trebles. The Bitterroot range represent great value from Weber and always have a very sweet and mellow tone, not Ideal for bluegrass but perfect for everything else.

    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
  6. de Jonge Standard - Redwood & Figured Bubinga (used)

    de Jonge Standard - Redwood & Figured Bubinga (used)

    Out of stock
    This is on consignment. The owner is looking for a quick sale so it has been reduced by 20% from £4960 to £3965.

    Made in 2011. In excellent condition.

    An incredibly beautiful guitar from Sergei, and incredible sound. Its warm and full with outstanding balance. As I keep saying only the very best luthiers can combine tonal qualities that to lesser mortals would be mutually exclusive. To get this level of warmth with great separation, clarity and attack is a remarkable achievement.

    • Figured redwood top
    • Figured bubinga back and sides
    • 14” frets to the body
    • 25.4” scale
    • 1 ¾”nut width
    • Round soundport
    • 2 3/16”string spacing at saddle
    • 15 ½” lower bout
    • Honduras mahogany neck
    • Padauk and maple purfling
    • Ebony bindings
    • Figured bubinga headstock veneer
    • Figured bubinga rear headstock veneer
    • backstrip
    • No position markers (with side dots)
    • Spalted box elder rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)


  7. Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Out of stock
    What an incredible guitar! There is everything you could want here. Power and projection, rich and full/well define bass notes, warm and complex mids with clear bell-like trebles.

    It responds beautifully to any style of playing from a gentle caress to a heavy pick.

    • Colorado blue spruce top
    • African blackwood back and sides
    • Florentine cutaway
    • Adjustable action via neck bolt
    • Oval soundport
    • 14 frets to the body
    • 25.25” scale
    • 1 25/32” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • B/Koa/B , Southwest Blue soundboard purfling
    • Spalted Manchinga bindings
    • Wenge and Black Palm with Southwest Blue wedge headstock veneer
    • No position markers (with side dots)
    • Wenge and Black Palm with Southwest Blue inlay, Manchinga binding rosette
    • Bound Ebony with Koa purfling fretboard
    • Ebony bridge
    • Gotoh 510 Cosmo Black tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Baranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African Blackwood


  8. Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Out of stock
    2005 Bill Tippin OMT in excellent condition. Classic mad rose tone with fantastic depth and richness, it has great clarity and remarkable individual note definition. The bass notes are very well defined, the mids warm and sonorous and the trebles full and clear.

    • Sitka spruce top
    • Madagascar rosewood back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 3/16” lower bout
    • Mahogany neck
    • MoP logo
    • B/W/B purfling
    • Ivoroid bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Tulip MoP and abalone position markers (with side dots)
    • Wood rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)


  9. Petros FS - Redwood & Figured Claro Walnut 2008 (used)

    Petros FS - Redwood & Figured Claro Walnut 2008 (used)

    Out of stock
    A wonderful Petros Ultralite. Beautiful sweet tone and as light as a feather! This is a very responsive guitar with great warmth and complexity, deep lush bass notes, very characterful mids and sweet and clear trebles. It plays like a dream with great balance and projection.

    Redwood top
    Figured Claro walnut back and sides
    Butternut neck
    25 1/2" scale
    1 25/32" nut width
    2 1/4" string spacing at saddle
    14 5/8" lower bout
    Figured Claro walnut headstock veneer
    Bolivian rosewood bindings
    Amboyna burl purflings
    Bolivian rosewood back strip
    Amboyna burl rosette
    Bone nut and saddle
    Ebony fretboard
    Ebony bridge
    Abalone inlaid logo
    Abalone dot position markers
    Gotoh tuners
    Bolivian rosewood tuner buttons
    Clear pickguard
    TKL American Vintage Series with moisture controll case


    Petros FS - Redwood & Figured Claro Walnut 2008 (used)Petros FS - Redwood & Figured Claro Walnut 2008 (used)Petros FS - Redwood & Figured Claro Walnut 2008 (used)


  10. Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Out of stock
    David Wren says.

    "Forget about how gorgeous this instrument is ... forget about the craftsmanship chops this veteran builder brings to the table ... I had the pleasure of playing this one and ... it has one of the most responsive, powerful and complex tonalities I've played in ages ... LOVE this guitar!"

    I can't really add much except to say its bloody marvellous.

    • Adirondack Spruce top
    • Tropical figured Mahogany back and sides
    • Bound oval soundport
    • 12 frets to the body
    • 25 ½” scale
    • 1/3/4” nut width
    • 2 3/8” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Black/white/black wood lines with figured Mahogany purfling
    • Tasmanian Tiger Myrtleb indings
    • Tasmanian Tiger Myrtle headstock veneer
    • Black backstrip
    • No position markers (with side dots)
    • Paua shell, figured Mahogany and b/w/b wood lines rosette
    • Bound ebony fretboard
    • Pyramid ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL tweed case

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
  11. Traugott R African blackwood acoustic guitar - sold

    Traugott R African blackwood acoustic guitar - sold

    Out of stock

    There are many reasons why Jeff has had such a reputation for many decades, this is now one of them.

    It is hard to describe tone at the best of times but at this level it becomes almost impossible. Suffice to say that it is truly incredible, combing qualities that might be thought mutually exclusive, for instance resonance and clarity, depth and definition and subtlety and projection, you get them all in this remarkable guitar! The tone and responsiveness and are what made the Traugott legend.

    • German spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.625” lower bout
    • Honduran mahogany neck
    • Koa and ebony purfling
    • Koa and ebony bindings
    • Quilted mahogany headstock veneer
    • Koa and ebony backstrip
    • No position markers (with side dots)
    • Quilted mahogany rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 black tuners
    • Black Cosmos tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Main Stage case with Colorado Case Company cover

    Traugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - sold


  12. Traphagen HRS - Italian Spruce & Honduran Rosewood

    Traphagen HRS - Italian Spruce & Honduran Rosewood

    £2,999.00
     
    In stock


    Here’s a special offer on a special guitar that has, what some might say, are ‘issues’. We’ve had the guitar in the shop for a while now. During that time it has done its own ‘relic job’ by developing lacquer checking across the whole surface of the Spruce top. The back, sides and neck are unaffected.

    Anyone who knows a bit about the ‘lacquer checking’ that is added to modern custom shop electric guitars will understand what I mean by a ‘relic job’. There is absolutely no adverse effect to the tone or the overall loveliness of the guitar, it sounds wonderful, it’s just not something that you usually find on an expensive handmade acoustic guitar. There's an image of the lacquer checking below.

    The fret ends on the lower side of the neck could do with a little tidying up too though playability is very good as it is.

    There’s not much room left in the saddle for those who like an ultra-low action though the current action is great for fingerstyle.

    We don’t currently have the services of a luthier so we are therefore offering this guitar at £2,995, a massive £4,000 discount! Yes, you can own a seven grand guitar that you might not have been able to afford.

    Feel free to make us a cheeky offer as long as you don’t mind a cheeky response.

    Top - Italian Spruce
    Back & sides - Honduran Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Black hardshell arched case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.75mm
    Action fret 1 high E - 0.3mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 14 13/16"
    Upper bout width - 11.22"
    Body depth at base - 4.13"

    Amazon rosewood purfling - Amazon rosewood bindings - Honduran rosewood headstock veneer Honduran rosewood backstrip - No position markers (with side dots) - Black palm rosette Honduran rosewood bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle Rosewood bridge pins - Clear pickguard

    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
  13. Carruth OOO-12 - Rosewood & European Spruce

    Carruth OOO-12 - Rosewood & European Spruce

    Out of stock


    In many ways twelve frets to the body and a cutaway is the perfect combination. It gives the sweetness of the more centred bridge position and allows access all the way to the top fret.

    It definately works on this beauty from Alan. The first thing that struck me about this guitar is its lightness and ease of play, it feels like a much smaller guitar. It sounds fantastic, rich and resonant with full and well defined bass notes, complex and expressive mids, clear, precise bell-like trebles and great balance and projection. What a beaut!

    • European spruce top
    • Rosewood back and sides
    • Slotted headstock
    • Soft cutaway
    • Oil varnish finish
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany/maple neck
    • Wood logo
    • Maple/black purfling
    • Curly maple bindings
    • Rosewood headstock veneer
    • Maple backstrip
    • Bone position markers (with side dots)
    • Maple/koa rosette
    • Macassar ebony fretboard
    • Rosewood pyramid bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case


    Carruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European Spruce


  14. Simmons OO African blackwood acoustic guitar - sold

    Simmons OO African blackwood acoustic guitar - sold

    Out of stock
    I am gobsmaked, overawed and over the moon. If you think this beauty looks great you should hear it. Forget any thoughts of small body tone this is at least the equal any OM and many an SJ in the volume and depth department.

    It has a very warm and sweet tone with great richness and complexity. Fantastic articulation, definition and projection from the well defined bass notes trough the sweet mids to clear and full trebles. If I was was on a desert island and only had one guitar...



    • European spruce top
    • African Blackwood back and sides
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.5” lower bout
    • Honduran mahogany neck
    • Simmons logo
    • Ebony purfling
    • Ebony bindings
    • Ebony headstock veneer
    • African blackwood rear headstock veneer
    • No position markers (with side dots)
    • Custom rosette
    • African blackwood fretboard
    • African blackwood bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Titanium bridge pins
    • No pickguard
    • Hiscox case

    Simmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - sold


  15. David Oddy OO - Cedar/Koa 2013 (used)

    David Oddy OO - Cedar/Koa 2013 (used)

    Out of stock
    Gorgeous David Oddy OO in excellent condition, built in 2013 with Fishman pickup. It has a very sweet and full tone and plays like a dream.

    • Cedar top
    • Koa back and sides
    • Fishman pickup with volume control
    • 14 frets to the body
    • 25” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 14 1/14” lower bout
    • Five piece neck
    • Abalone logo
    • Abalone purfling
    • Koa bindings
    • Ebony headstock veneer
    • Abalone backstrip
    • MoP position markers (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Grover tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • No pickguard
    • Travelite case

    David Oddy OO - Cedar/Koa 2013 (used)David Oddy OO - Cedar/Koa 2013 (used)David Oddy OO - Cedar/Koa 2013 (used)


  16. White Reesling Parlour - Adirondack & Rosewood (used)

    White Reesling Parlour - Adirondack & Rosewood (used)

    £3,795.00
     
    In stock


    Wow! Rich, full deep and warm with volume, definition and projection. I have never before heard such solid, clear and well defined trebles on a guitar of this size. If you are looking for a small guitar that does everything a bigger one will do look no further.

    It takes a great teacher (Linda Manzer) and a great student to achieve this level of perfection.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - TKL arched case

    Frets to the body - 13
    Scale length - 24.5"
    Neck profile - C/D
    Nut width - 44.6mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.9mm
    Action fret 1 low E - 0.75mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.5mm
    Lower bout width - 13.5"
    Upper bout width - 10.24"
    Body depth at base -3.35"

    Oval soundport - Honey Jasper Recon Stone logo - Maple w/b/w purfling - Rosewood bindings Ebony headstock veneer - No position markers (with side dots) - Rosewood and maple rosette Ebony bridge - Gotoh 510 tuners - Ebony tuner buttons - Bone nut and saddle - Bone bridge pins Clear pickguard



    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
  17. Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Out of stock
    Excellent condition slope D made in Dana's workshop in 2005.

    Adirondack and rosewood make for a very powerful guitar with endless headroom, huge basses, awesome warm and full mids and bright and loud trebles. Anyone who know Vo Fletcher it's previous owner will know that this is the kind of guitar that Vo goes for. Built for performance and filling a venue with great definition and projection it also responds very well to a gentler approach.

    Pickup in the photos not included.

    Adirondack spruce top
    Indian rosewood back and sides
    Sunburst finish
    Snakehead headstock
    Soft cutaway
    25.5 " scale
    1 23/32"" nut width
    2 3/16" string spacing at saddle
    15 13/16" lower bout
    Ebony headstock veneer
    Triple ivoroid bindings
    Marquetry back strip
    Concentric circles rosette
    Bone nut and saddle
    Ebony fretboard
    Ebony belly bridge
    Abalone inlaid logo
    Abalone custom fretboard inlay
    Waverly tuners with ivoroid buttons
    Bone bridge pins
    Tortoise pickguard
    TKL hardshell case

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)


  18. Weber Bitterroot A5 - A Style - F Hole

    Weber Bitterroot A5 - A Style - F Hole

    £2,495.00
     
    In stock
    Beautiful A5 Bitterroot with flame maple back and sides, spruce top, radiussed ebony fretboard and Brekke bridge, tone bar braced, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case. The Bitterroot is our best selling F5 and this gem sounds just as good for quite a lot less, lacking what the Americans call a thousand dollar strap hanger but nothing else, it has huge volume and clarity making it a bluegrass monster, but with depth and subtlety too for other styles, a great sounding and looking mandolin at a great price.

    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
  19. Caldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple

    Caldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple

    Out of stock


    There has been a lot of discussion recently about the merits of maple and the widely held misconception that it gives bright tone.

    This beauty from Jimmy proves what a wild misconception it is. I just asked my tech to play it, the first thing he said is that the bass is very strong (I agree), the trebles are very clear and the mids are warm and complex. He is also very impressed by the balance from the lowest note to the highest.

    Top - Carpathuian Spruce
    Back & sides - Flamed European Maple
    Neck - Flamed Maple
    Fretboard - Madagascar Rosewood
    Case - Tolex hard case

    Frets to the body - 13
    Scale length - 24.7"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 8.0mm
    Bridge spacing - 11.6mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.1mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.6mm
    Lower bout width - 14 5/8"
    Upper bout width - 11.42"
    Body depth at base - 4.33"

    MoP logo - B/W/B purfling - Ivoroid bindings - Ebony headstock veneer - MoP position markers (with side dots) - W/B/W rosette - Madagascar rosewood bridge - Grover tuners - Chrome butterbean tuner buttons - Bone nut and saddle - Ivoroid bridge pins - Firestripe pickguard

    Caldwell Nick Lucas OO - Carpathian Spruce & Flamed MapleCaldwell Nick Lucas OO - Carpathian Spruce & Flamed MapleCaldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple


  20. Weber Bitterroot A4 - A Style - Oval Hole (used)

    Weber Bitterroot A4 - A Style - Oval Hole (used)

    £1,995.00
     
    In stock
    Beautiful A4 Bitterroot with flame maple back and sides, spruce top, bound soundhole, radiussed ebony fretboard and Brekke bridge, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case.

    Fantastic full and rich sound with warm and deep bass notes, sweet mids and clear trebles. The Bitterroot range represent great value from Weber and always have a very sweet and mellow tone, not Ideal for bluegrass but perfect for everything else.

    In excellent condition with original case.

    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
    Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)Weber Bitterroot A4 - A Style - Oval Hole (used)
  21. Collings Waterloo Stella Deluxe - Spruce & Cherry

    Collings Waterloo Stella Deluxe - Spruce & Cherry

    Out of stock
    The new WL-S Deluxe possesses a richness, dimensionality, and warmth that must be heard to be believed. Inspired by ornately appointed Stella guitars from the 1930’s, the WL-S features intricate wood purflings and custom acrylic inlays for an appearance to match its detailed tone. A hand rubbed varnish finish completes the WL-S both aesthetically and tonally, with a beautiful vintage patina and acoustical excitability that brings out the nuances of this ladder braced design. A solid cherry wood back and sides further enhance the unique character of this guitar, providing exceptional balance and articulation.

    All WL-S models feature a vintage correct “Soft-V” neck profile with a carbon fiber T-Bar, a slotted headstock, and a pyramid bridge with a cutthrough saddle. Hardshell TKL case included.

    All Waterloo models are handmade in Austin, Texas.


    Top: Solid Spruce
    B&S: Solid Cherry
    Bracing: Vintage style Ladder Brace
    Colour: Vintage Toner
    Binding: Ivoroid on Body, Soundhole, Neck and Peghead
    Bridge: Ebony Pyramid, 2 3/8” Spacing
    Bridge Pins: Ebony
    Saddle: Cut-through Bone
    Finish: Vintage style hand polished varnish
    Neck: Solid Mahogany w/slot Peghead
    Fingerboard: Indian Rosewood
    Nut: 1 3/4” Bone
    Neck Reinforcement: Carbon Fibre T-Bar
    Fingerboard Inlays: Deluxe Acrylic Floral pattern
    Neck Profile: Vintage correct “Soft V”
    Scale Length: 24 7/8”
    Fretwire: Medium 18% Nickel-Silver
    Logo: Stencil “Waterloo”
    Tuner: Golden Age Restoration



    Collings Waterloo Stella Deluxe - Spruce & CherryCollings Waterloo Stella Deluxe - Spruce & CherryCollings Waterloo Stella Deluxe - Spruce & Cherry


  22. Weber Bitterroot F5 Octave Mandolin - F Style - F Hole

    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole

    £4,795.00
     
    In stock
    A beautiful F5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    It is tone bar braced so there is none of that floppiness common to flat top octave mandolins. It has great power and definition with plenty of character and depth of tone and excellent projection. With a 20" scale it is very easy to play.


    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole
    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole
    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole
  23. Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Out of stock
    In excellent condition. This is lot of guitar for the money.

    I have compared it with other sitka/rosewood jumbos and this is the sweet one! The sound is very warm and lush without lacking definition. Fantastic for picking and strumming and more than capable of some delicate fingerstyle.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.6” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16 1/8” lower bout
    • Mahogany neck
    • MoP logo
    • Maple top border
    • Maple bindings
    • Rosewood headstock veneer
    • Micro dot position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Toffee tuner buttons
    • Micarta nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hard case

    Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)


  24. Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    £3,895.00
     
    In stock
    Fantastic rich and full sounding octave mandolin with 20" scale making it very easy to play. It has great resonance and warmth and depth of tone with excellent definition and projection from the lowest to highest notes.

    A5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. 20" scale length and 1 3/8" nut with a traditional Brekke bridge (adjustable under tension). The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.




    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
  25. Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    £4,450.00
     
    In stock
    A beautiful F4 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    Wonderful deep and full tone, fantastic warmth and resonance with well defined basses, complex mids and clear, ringing trebles and with the 20" scale it plays very easily.


    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
  26. Pono MND-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish

    Pono MND-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish

    Out of stock
    Wow! This beauty has a huge sound. It has the deep and well defined bass notes typical of rosewood and characteristic sitka spruce clarity, the mids are rich and full and the trebles very clear and well defined.

    Sitka spruce top, rosewood back and sides, abalone rosette, and a hardshell case.

    23” scale length, 13 5/8"” lower bout.


    Pono MND-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish Pono MND-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish Pono MND-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish


  27. Pono MN-30 Octave Mandolin - Rosewood Satin Finish

    Pono MN-30 Octave Mandolin - Rosewood Satin Finish

    Out of stock
    Rosewood and sitka spruce make for great depth and sustain along with great clarity. This guitar bodied octave mandolin (GoM) has has a big deep and resonant tone with well defined bass notes, warm mids and clear trebles. Great for everthing from heavy strumming and picking to sensitive melodies.

    Sitka spruce top, rosewood back and sides, rope rosette, and a hardshell case.

    23” scale length, 13 5/8” lower bout.


    Pono MN-30 Octave Mandolin - Rosewood Satin Finish Pono MN-30 Octave Mandolin - Rosewood Satin Finish Pono MN-30 Octave Mandolin - Rosewood Satin Finish


  28. Pono MD-30 Octave Mandolin - Rosewood Gloss Finish

    Pono MD-30 Octave Mandolin - Rosewood Gloss Finish

    Out of stock
    This one has remarkable volume and projection for a small guitar bodied octave mandolin (GoM). It has all the luscious and deep bass notes you would expect from rosewood and superb clarity from the sitka spruce top. It has warm mids a bright trebles and plays beautifully in all fretboard positions.

    Sitka spruce top, rosewood back and sides, abalone rosette, and a hardshell case.

    21 3/8” scale length, 11 ¼” lower bout.


    Pono MD-30 Octave Mandolin - Rosewood Gloss Finish Pono MD-30 Octave Mandolin - Rosewood Gloss Finish Pono MD-30 Octave Mandolin - Rosewood Gloss Finish


  29. Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish

    Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish

    Out of stock
    This is truly gorgeous! And it sounds great too, whether playing chords or melody lines it it has a bright and clear tone with good depth and resonance, warm bass notes, rich mids and clear trebles. A great GoM in a small package.

    Sitka spruce top, mahogany back and sides, abalone rosette, and a hardshell case.

    21 3/8” scale length, 11 ¼” lower bout.



    Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish


  30. Batson GC - Sitka Spruce & Rosewood (used)

    Batson GC - Sitka Spruce & Rosewood (used)

    £2,175.00
     
    In stock
    Cory says this is his best yet, I agree, that cathedral organ bass I keep talking about is plentiful here.

    If it's a strong bass response and rich and warm mids and clear trebles you are looking for, look no further.

    Top - Sitka Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox hard case (white) made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 43.6mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.3mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.53"

    Flamed maple binding - Flamed maple purfling - Rosewood headstock veneer - Side dots/no position markers - Flamed maple logo - Ebony bridge - Black chrome Gotoh super 510z tuners Black chrome tuner buttons - Bone nut and saddle

    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
  31. Franklin Guitar Co OM - Adirondack & Rosewood

    Franklin Guitar Co OM - Adirondack & Rosewood

    Out of stock
    This was a special order for a customer. I have another due in the same spec around the end of 2015.

    • Adirondack top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & RosewoodFranklin Guitar Co OM - Adirondack & RosewoodFranklin Guitar Co OM - Adirondack & Rosewood


  32. Manzer 'The Manzer' - Cedar & Rosewood

    Manzer 'The Manzer' - Cedar & Rosewood

    £11,995.00
     
    In stock


    There is an Acoustic Magazine review of this guitar here.

    With the 'Manzer Wedge' this feels like an OO sized guitar to play, supremely comfortable and effortless.

    The balance and clarity is the best I've heard, with perfect individual note definition from bottom to top. There is a depth and richness to the tone that defies belief with incredible articulation. There are good reasons why luthiers like Linda have the reputations that they do; this is one of them.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox 'Artist' hard case made in the UK

    Frets to the body - 14
    Scale length - 26.0"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.8mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15 9/16"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Manzer wedge - Soft cutaway - Oval soundport - Abalone logo - B/W/B purfling - Rosewood bindings - Ebony headstock veneer - No position markers (with side dots) - Abalone with Boxwood and Rosewood rosette - Ebony fretboard - Ebony bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Clear pickguard

    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
  33. Brook Taw - Spruce & Rosewood (used)

    Brook Taw - Spruce & Rosewood (used)

    Out of stock
    A classic OM body with herringbone purfling around a European spruce top, rosewood back and sides, wood binding and herringbone rosette. It has a nice warm tone with great balance, projection and clarity.

    Built in 20014 in as new condition. Save £555 on the new price.



    · European spruce top
    · Rosewood back and sides
    · 14 fret Mahogany neck
    · 24.9” scale
    · 13/4 nut width
    · 15 " lower bout
    · Ebony headstock veneer
    · Walnut bindings
    · "Crows Foot" b+w rosette
    · "Crows Foot" b+w purfling
    · Bone nut and saddle
    · Ebony fretboard
    · Ebony bridge
    · Pearl dot position markers
    · Nickel Gotoh tuners
    · Hiscox case

    Brook Taw - Spruce & Rosewood (used)Brook Taw - Spruce & Rosewood (used)Brook Taw - Spruce & Rosewood (used)


  34. Hamblin OO Sunburst - Sitka & Mahogany (used)

    Hamblin OO Sunburst - Sitka & Mahogany (used)

    Out of stock
    A beautiful sunburst mahogany OO from Kent. This is an amazing price for such a great guitar, fantastic loud and punchy sound with solid and rounded bass, full mids and clear well defined trebles. It has great balance a playability.



    • Sitka spruce top
    • Mahogany back and sides
    • Sunburst top finish
    • 14 frets to the body
    • 25” scale
    • 1 3/4“ nut width
    • 2 5/16” string spacing at saddle
    • 14 5/16” lower bout
    • Mahogany neck
    • No cutaway
    • Black/maple top border
    • Black bindings
    • Ebony headstock veneer
    • No position markers (with side dots).
    • Abalone rosette
    • Madagascar rosewood fretboard
    • Ebony pyramid bridge
    • Gotoh open tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Superior case

    Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)


  35. Big Hollow OO - Adirondack & Mahogany

    Big Hollow OO - Adirondack & Mahogany

    Out of stock

    I got my first chance to play this beauty at the Healdsburg Guitar Festival and it sounds even better than I remember. Its a very lively and responsive guitar with superb clarity and balance. The definition and projection are remarkable and it has great character with the classic mahogany tone with sweetness added by the 12 fret body join.

    • Adirondack top
    • Mahogany back and sides
    • Oil varnish finish
    • 12 frets to the body
    • 24.9” scale
    • 1.75” nut width
    • 2 3/8”string spacing at saddle
    • 14 ½” lower bout
    • Mahogany with double action truss rod neck
    • Juniper logo
    • Bold herringbone purfling
    • Bloodwood with a birch pinstripe bindings
    • Ebony headstock veneer
    • Pearl dot position markers (with side dots)
    • Bloodwood with herringbone rosette
    • Ebony fretboard
    • Ebony bridge
    • Chrome Grover Sta-tite 18:1 tuners
    • Butterbean chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hardshell case

    Big Hollow OO - Adirondack & MahoganyBig Hollow OO - Adirondack & MahoganyBig Hollow OO - Adirondack & Mahogany


  36. de Jonge OM - Sitka & Rosewood (used)

    de Jonge OM - Sitka & Rosewood (used)

    Out of stock


    Fantastic rosewood OM from Sergei. It sounds very rich and full with great balance and clarity, its very responsive and a joy to play.

    In very good condition with some clouding in the finish, hard to see and not possible to photograph. Good action but not much left on the saddle. The new price was £5395.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 5/16” lower bout
    • Mahogany neck
    • Maple/padauk purfling
    • Figured sapele bindings
    • Rosewood headstock veneer
    • No position markers (with side dots)
    • Figured sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Ebonoid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    de Jonge OM - Sitka & Rosewood (used)de Jonge OM - Sitka & Rosewood (used)de Jonge OM - Sitka & Rosewood (used)


  37. Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)

    Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)

    Out of stock
    In fantastic condition and sounding marvellous. Plenty of the famous Goodall sparkle with strong well defined bass, rich and complex mids and clear bell-like trebles.

    • Port Orford Cedar top
    • Myrtle back and sides
    • 14 frets to the body
    • Soft cutaway
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Maple neck
    • Abalone logo
    • Rosewood bindings
    • Ebony headstock veneer
    • Rosewood backstrip
    • Slotted diamond abalone position markers with dove inlay at the 12th fret (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge with dove inlays
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)


  38. Baranik OOm - Sitka & Mastergrade Manchinga

    Baranik OOm - Sitka & Mastergrade Manchinga

    Out of stock
    Another stunning manchinga guitar from Mike, take a look at the detailing... With his unique adjustable action via the heel strap button and very comfortable scalloped cutaway its a breeze to play (note, no reference to butter).

    Of course this is all secondary to great sound. It has remarkable clarity, separation and projection without missing an beat in the warmth and resonance departments, the basses are well defined and full, the mids complex and rewarding and the trebles strong and well defined.

    • Sitka top
    • Master grade manchinga back and sides
    • Bevelled cutaway
    • Oval soundport
    • 13 frets to the body
    • 24.5” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Gold Evo fretwire
    • Adjustable mahogany neck
    • Black/koa/black purfling
    • Ebony bindings
    • Macassar ebony/manchinga/Peruvian walnut headstock veneer
    • Peruvian walnut with coloured geometric design volute veneer
    • No position markers (with side dots)
    • Peruvian walnut with coloured geometric rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Aged bone nut and saddle
    • Clear pickguard
    • Cedar Creek case

    Baranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade Manchinga


  39. Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    £9,195.00
     
    In stock


    Its hard to know what to say sometimes when such amazing guitars arrive. I am shocked that Sheldon's work isn't more widely known.

    This is an original and wonderful work of art. I'm am fond of commenting on how great luthiers can combine qualities that otherwise might be considered mutually exclusive. Well Sheldon has pulled it off in achieving the big sound that you might expect from a sitka/rosewood sixteen inch guitar of this quality with remarkable individual note clarity and balance.

    Players in smaller rooms won't need amplification, neither will those who play with a soft touch - finger tips not nails for instance - lack any response or tonal character. Its big and beautiful and soft and mellow, a guitar that will respond to all moods and playing styles. Brilliant!

    Top - Bear Claw Sitka Spruce
    Back & sides - East Indian Rosewood
    Neck - Five piece mahogany, Peruvian walnut and curly maple
    Fretboard - Ebony
    Case - Workhorse carbon copy case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.7mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.6mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.4mm
    Lower bout width - 16"
    Upper bout width - 12.01"
    Body depth at base - 4.53"

    Bent wood/drop top style arm rest - Cutaway with an access bevel - Lacewood logo - Cherry and black pear purfling - Black walnut bindings - Ebony headstock veneer - Black walnut rear headstock veneer - Glow in the dark side dots - Ebony pinless bridge - Gotoh 510 tuners - Black tuner buttons - Black Tusq nut and saddle - Clear pickguard

    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
  40. Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood

    Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood

    Out of stock
    My first from Tom and more than ample proof of the reputation he has gained over recent years.

    With bevelled bindings top an back it is a supremely comfortable guitar to play. Feeling so comfortable and at ease allows you to concentrate on playing and listening to its wonderful tone. It has a deep an sonorous, rich and mellow sound with great separation and definition, fantastic for letting each note contribute a full palate and blend with the next. A dream fingerstylists guitar.

    And not to forget, fantastic workmanship and detailing (look at the back of the headstock), a work of art.

    • German Spruce top
    • Sacha rosewood (higuerilla) back and sides
    • Florentine cutaway
    • 14 frets to the body
    • 25.4” scale
    • 1.75 nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • Black/Maple/Black purfling
    • Beveled ebony bindings
    • Madagascar rosewood headstock veneer
    • Sacha rosewood rear headstock veneer
    • MoP position markers (with side dots)
    • Madagascar rosewood rosette
    • Ebony fretboard
    • Madagascar Rosewood Bound in ebony bridge
    • Gold Gotoh 510 Delta Series tuners
    • Faux ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' RosewoodDoerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' RosewoodDoerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood


  41. Beardsell 3-DM - Lutz Spruce & Leopard Wood

    Beardsell 3-DM - Lutz Spruce & Leopard Wood

    Out of stock
    I can still remember the first time I saw an instrument by Al. This is my first Beardsell guitar and I am well and truly gobsmacked. It looks like a work of art and plays like a dream.

    The tone is big, fat and generous. There's great volume and willing response to a light touch with dark and luscious bass notes, full mids and ringing sweet 'n clear trebles. To coin that tired old cliché (again) it sounds as good as it looks.

    • Lutz spruce top
    • Leopard wood back and sides
    • Florentine cutaway
    • 14 frets to the body
    • 24.9” scale
    • 1.75” nut width
    • Soundport
    • 2.25” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Gold pearl logo
    • Holly , ebony, pear, maple purfling
    • Macassar ebony bindings--
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Black Gabon, holly backstrip
    • No position markers side holly ebony segmented strip w/ pearl dots
    • Holly, ebony "x-ray" and zig-zag pie trim rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Chrome Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Ameritage case

    Beardsell 3-DM - Lutz Spruce & Leopard WoodBeardsell 3-DM - Lutz Spruce & Leopard WoodBeardsell 3-DM - Lutz Spruce & Leopard Wood


  42. Brondel A-1c - German Spruce & Malaysian Blackwood

    Brondel A-1c - German Spruce & Malaysian Blackwood

    Out of stock

    German spruce twinned with Malaysian blackwood gives some of the clearest and and most well defined individual notes I have heard. Of course put those notes together and and the result is harmonious and sweet, delicate fingerstyle, strumming and picking are all well within its competence, its excels at them all.

    There is headroom here enough to fly very high indeed and it responds excellently to the lightest touch. While this spectacular guitar is all about accuracy and articulation it comes with depth, warmth and character.

    • German spruce top
    • Malaysian blackwood back and sides
    • Double sides (EIR inside)
    • Laminated braces (bloodwood/red spruce)
    • 14 frets to the body
    • 25.6” scale
    • 1 3/4” nut width
    • 2 5/16” string spacing at saddle
    • 15 5/8” lower bout
    • Laminated curly maple/black walnut neck
    • Cutaway
    • Black walnut/curly maple purflings
    • Bloodwood bindings
    • Ziricote headstock veneer
    • Malaysian blackwood rear headstock veneer
    • Multicolour custom wood backstrip
    • Framed curly maple end wedge
    • Gold side dots
    • Black walnut/curly maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 gold tuners
    • Ziricote tuner buttons
    • Bone nut and saddle
    • Galalith bridge and end pins
    • No pickguard
    • Hard case

    Brondel A-1c - German Spruce & Malaysian Blackwood Brondel A-1c - German Spruce & Malaysian Blackwood Brondel A-1c - German Spruce & Malaysian Blackwood


  43. Kinnaird OM - Sitka & Rosewood

    Kinnaird OM - Sitka & Rosewood

    Out of stock
    My first from Steve and what a beauty. A great example of what rosewood can do, rich, deep and dark with great balance a great clarity at the top end. It has immaculate workmanship and plays like a dream.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Spanish cedar/wenge/maple/wenge/Spanish cedar neck
    • Soft cutaway
    • B/W/B top border
    • High curl koa bindings, body, neck and headstock
    • Rosewood headstock veneer
    • Koa position markers (with side dots)
    • Spalted maple rosette
    • Koa back strip
    • Koa logo
    • Ebony fretboard
    • Ebony bridge
    • Schaller M6 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Cedar Creek case

    Kinnaird OM - Sitka & RosewoodKinnaird OM - Sitka & RosewoodKinnaird OM - Sitka & Rosewood


  44. Berkowitz J6 - Cedar & Indian Rosewood - Manzer Wedge

    Berkowitz J6 - Cedar & Indian Rosewood - Manzer Wedge

    Out of stock

    Was £5795. Dusty Corner price £4495. A few light pick marks on the top.

    I’ve have never known a sixteen and a half inch guitar feel this comfortable, the Manzer wedge (originally designed by Linda Manzer) really works. This incredible guitar has jumbo power and depth but responds delightfully to the lightest touch, an unbeatable all-rounder.

    Please click to listen:


    MP3 format
    WAV format



    Compare on the Jukebox


    • Cedar top
    • Indian rosewood back and sides
    • 25.5” scale
    • 1 ¾" nut width
    • 2 ¼" string spacing at saddle
    • 16 ½" lower bout
    • Ebony headstock veneer
    • Ebony bindings
    • Abalone rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Abalone inlaid logo
    • Mother of pearl position markers
    • Gotoh super 510 tuners
    • Ebony tuner buttons
    • Ebony bridge pins
    • No pickguard
    • Hiscox case






    Berkowitz J6 - Cedar & Indian Rosewood - Manzer WedgeBerkowitz J6 - Cedar & Indian Rosewood - Manzer WedgeBerkowitz J6 - Cedar & Indian Rosewood - Manzer Wedge


  45. Goodall Traditional OM - Adirondack & Rosewood (used)

    Goodall Traditional OM - Adirondack & Rosewood (used)

    Out of stock
    This beautiful Traditional OM from James has a non standard Adirodack top. James has exceeded his usual standards with this one. It has a depth of tone that shouldn't come out of a relatively small body, rich and sweet but well balanced with good definition and plenty of volume.

    In excellent condition.

    With Baggs Anthem pickup.

    Body Width 15"
    Body Depth 4-1/4"
    Neck Width 1-3/4"
    Bracing X-Brace
    Number of Frets 20
    Neck Material Honduran Mahogany
    Neck Finish Satin Urethane
    Body Finish Glossy Urethane
    Brand of Strings Elixir Phosphor Bronze
    Pickguard Tor-Tis Pattern
    Back/Side Wood Indian Rosewood
    Top Wood Adirondack spruce
    Binding Maple
    Edge Trim Herringbone Ebony/Maple
    Peghead Overlay Ebony
    Fretboard Wood Ebony
    Fretboard Binding Maple
    Bridge Pins Blacklip MOP Inlaid Boxwood
    Tuners Waverly Vintage Nickel
    Tuner Buttons Ivoroid
    Peghead Inlay Blacklip MOP Logo
    Fretboard Inlay Notched MOP Squares
    Rosette Material Herringbone Wood Marquetry
    Nut/Saddle Bone
    Backstrip Style Chevron Wood Marquetry
    Cedar Creek Case



    Goodall Traditional OM - Adirondack & Rosewood (used)Goodall Traditional OM - Adirondack & Rosewood (used)Goodall Traditional OM - Adirondack & Rosewood (used)


  46. Beneteau OO-12 - Sitka & Rosewood (used)

    Beneteau OO-12 - Sitka & Rosewood (used)

    £2,999.00
     
    In stock
    Used and in excellent condition, more than a grand less then a new one one.

    A beautiful OO from Marc, fourteen and three sixteenths inch lower bout, 12 frets to the body, Indian Rosewood/Sitka spruce with a slotted headstock, pyramid bridge and nickel Waverly tuners, 1 11/16" nut and 25" scale. A quality oft sought in a fingerstyle guitar is great articulation, this is a true polyglot. It has incredible clarity and definition and remarkable playability.



    • Sitka spruce top
    • Indian rosewood back and sides
    • K & K pickup
    • 12 frets to the body
    • 25 " scale
    • 1 11/16" nut width
    • 2 1/8" string spacing at saddle
    • 14 3/16" lower bout
    • Slotted headstock
    • Honduran rosewood bindings
    • Honduran rosewood back strip
    • Honduran rosewood rosette
    • Abalone inlaid heel cap logo
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony pyramid bridge
    • No position markers
    • Waverly tuners
    • No pickguard
    • Hiscox case

    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
  47. Franklin Guitar Co OM - European Spruce & African Blackwood

    Franklin Guitar Co OM - European Spruce & African Blackwood

    Out of stock
    I am very excited to have my first guitar from Nick, its everything I had dreamed of. I can see why he is so much appreciated by the likes of Stefan Grossman and John Renbourn.

    When deciding how to describe a guitar the first thing I do is think about what hits me first. This guitar has remarkable articulation and expression, fantastic projection and clarity with each note having perfect definition. Achieving this this along with fantastic depth and complexity of tone is why Nick has the reputation he has.

    • European spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • MoP logo
    • Black and white maple purfling
    • Koa bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Abalone slotted squares position markers (with side dots)
    • Black and white maple rosette
    • Ebony fretboard
    • Black dyed rosewood bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Franklin Guitar Co OM - European Spruce & African BlackwoodFranklin Guitar Co OM - European Spruce & African BlackwoodFranklin Guitar Co OM - European Spruce & African Blackwood


  48. Fischer 12/15 - Adirondack & Rosewood

    Fischer 12/15 - Adirondack & Rosewood

    £3,495.00
     
    In stock
    This 12/15 - twelve frets to the body and a 15 inch lower bout - is another fantastic guitar from Steve. The body join at the twelfth fret gives a very full and rich tone due to the changed position of the bridge and the cutaway gives access all the way up.

    The result is a warm tone with great balance and the superb definition of Adirondack, deep/well defined bass, complex mids and clear, ringing trebles.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Cedar Creek hard case made in USA

    Frets to the body - 12
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.5mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 3.94"

    Florentine cutaway - Maple and ebony logo - Maple burl purfling - Curly maple bindings - Ebony headstock veneer - Rosewood rear headstock veneer - No position markers (with side dots) - Maple burl/rosewood rosette - Ebony fretboard - Ebony bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
  49. Martin OO-18 1956 - sold

    Martin OO-18 1956 - sold

    Out of stock
    This beauty was born in the same year as me, tho' it sounds and looks considerably better for its 21 years (?) than I do. In good condition with original case it has non original Waverly tuners but no issues. It has that much sought after vintage Martin sound in bucket loads...

    Martin OO-18 1956 - soldMartin OO-18 1956 - soldMartin OO-18 1956 - sold


  50. Weber Bitterroot F5 - F Style - F Hole

    Weber Bitterroot F5 - F Style - F Hole

    £3,795.00
     
    In stock
    Another gorgeous Bitterroot F5 with solid spruce top, solid flamed maple back and sides, all hand carved in Bend Oregon US of A and tone bar braced with a matte finish. It features a radiussed and bound ebony fretboard, Grover tuners, solid/cast tailpiece and the amazing ebony Brekke bridge that enables action adjustments while under full string tension! It has a very open sound, deep and warm basses, rich, vibrant mids and sweet, clean trebles. Great chop and cut for bluegrass with depth and resonance for other styles. I think this is about the best value F5 that I regularly have in stock. With a Weber hardshell case.

    Weber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F Hole
    Weber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F Hole
    Weber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F Hole
  51. Martin OOO-28EC Eric Clapton 2013 (used)

    Martin OOO-28EC Eric Clapton 2013 (used)

    Out of stock
    Fantastic condition Eric built in 2013. Its not as yellow as it looks in the photos.

    A great fingerpicker with even and balanced tone, warm bass, rich mids and clear trebles.

    • Sitka spruce top
    • Rosewood back and sides
    • 14 frets to the body
    • 24.9” scale
    • 1 ¾” nut width
    • 15” lower bout
    • Mahogany neck
    • No cutaway
    • Fine herringbone top border
    • Grained ivoroid bindings
    • HD Zig-Zag backstrip
    • Rosewood headstock veneer
    • Diamond and squares position markers (with side dots)
    • Fine herringbone rosette
    • Marquetry back strip
    • Ebony fretboard
    • Ebony bridge
    • Gotoh Nickel Open-Geared tuners with Butterbean Knobs
    • Bone saddle
    • Tortoise pickguard
    • Martin hard case

    Martin OOO-28EC Eric Clapton 2013 (used)Martin OOO-28EC Eric Clapton 2013 (used)Martin OOO-28EC Eric Clapton 2013 (used)


  52. Metheny-Manzer Signature 6 - German Spruce & Rosewood (No.23 of a limited edition of 30)

    Metheny-Manzer Signature 6 - German Spruce & Rosewood (No.23 of a limited edition of 30)

    Out of stock
    SOLD. Custom order due in 2017.

    What can you say about such an amazing guitar? Here's my best shot, it has everything, depth, clarity, projection, note separation, warmth, definition, etc., etc., etc.,and with the famous Manzer Wedge and a thumb scallop on the base side of the neck to body join its unbelievably comfortable to play.

    • Voiced select German top
    • Rosewood back and sides
    • Manzer wedge
    • Soft cutaway
    • 14 frets to the body
    • 2 9/16” scale
    • 1 ¾” nut width
    • 2 5/32” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Custom engraved inlay
    • Ebony with mitred joints bindings
    • Ebony headstock veneer
    • Silver with phosphorescent centre position markers (with side dots)
    • Abalone/boxwood/Indian rosewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • Calton Limited Edition Metheny Manzer edition with Metheny art and signature case

    Metheny-Manzer Signature 6 - German Spruce & Rosewood (No.23 of a limited edition of 30) Metheny-Manzer Signature 6 - German Spruce & Rosewood (No.23 of a limited edition of 30) Metheny-Manzer Signature 6 - German Spruce & Rosewood (No.23 of a limited edition of 30)


  53. Wren Remuda Madagascar rosewood acoustic guitar - sold

    Wren Remuda Madagascar rosewood acoustic guitar - sold

    Out of stock
    £4495. SOLD

    Another truly awesome guitar from David. The last three from him sold within days of arriving...

    This guitar has everything, volume, definition, separation, balance, deep and warm tone, excellent projection and fantastic playability. From the lightest fingerstyle to a heavy pick it responds perfectly.

    • Master grade Lutz top
    • Madagascar rosewood back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1.77”/45mm nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Highly figured sapele purfling
    • Highly figured sapele bindings
    • Madagascar rosewood headstock veneer
    • Madagascar rosewood rear headstock veneer
    • Figured sapele backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - sold


  54. Carruth OOO-14 - Sitka & Caribbean Mahogany

    Carruth OOO-14 - Sitka & Caribbean Mahogany

    Out of stock
    Another stunning guitar from Alan and at an unbelievable price. It has the warmth of a rosewood guitar with with the clarity and definition of mahogany, fantastic.

    This might explain why the sound is so mature; from Alan. "Caribbean mahogany that I got from my violin making teacher in the '80s. She said she'd had it for forty years."

    • Sitka spruce top
    • Caribbean Mahogany back and sides
    • Brushed oil varnish finish
    • D'Addario light strings
    • 14 frets to the body
    • 25.4” scale
    • 1 23/32" nut width
    • 2 1/8" string spacing at saddle
    • 15" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Maple purfling
    • Morado bindings
    • Morado headstock veneer
    • Morado ebony backstrip
    • Bone position markers (with side dots)
    • Honduras mahogany, Caribbean mahogany, maple, cherry, black dyed veneer rosette
    • Ebony fretboard
    • Morado bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Compensated bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean Mahogany


  55. Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Out of stock


    Fantastic Wingert F in sinker redwood and macassar ebony, built in 2012, in as new condition. Beautiful deep and rich tone with great power and great finesse, responding equally well to digging in and a very light touch. It has deep well defined bass notes with full and complex mids and fat and clear trebles.

    • Sinker redwood top
    • Madagascar rosewood back and sides
    • Soft cutaway
    • Mini bevel
    • 14 frets to the body
    • 25.3/8” scale
    • 1 25/32” nut width
    • 2 5/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Abalone logo
    • Paua purfling
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Paua rosette
    • Ebony fretboard
    • Ebony bridge
    • Gold Gotoh H.A.P.A height adjustable post tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)


  56. Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    £2,750.00
     
    In stock
    My first from Dennis and what a beauty in tone and looks. It has classic 12 fret richness and depth, plus full access with the cutaway.

    It's a big and warm sound with great separation and clarity. Individual note definition from low to high is remarkable. Great playability and wonderful tone, fantastic!

    Top - Sitka Spruce
    Back & sides - Curly Claro Walnut
    Neck - Mahogany, maple and rosewood
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 12
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.2mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.9mm
    Action fret 1 low E - 0.65mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.72"

    Soft cutaway - MoP logo - Maple/black purfling - Curly maple bindings - Ebony headstock veneer Abalone position markers (with side dots) - Segmented, spalted maple, ebony, walnut rosette Ebony bridge - Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins Clear pickguard

    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
  57. Stehr OO-12 Oregon myrtle acoustic guitar - sold

    Stehr OO-12 Oregon myrtle acoustic guitar - sold

    Out of stock
    All my previous guitars from Joel have sold within days of arriving and I expect this beauty will too. It has incredible warmth and intimacy with great volume and projection. The lower bout is only a 1/4" smaller than an OM but it has the fullness of a much bigger guitar and wonderful playability. If I was keeping a collection at home these days this one would be among them.

    • Carpathian spruce top
    • Oregon Myrtle back and sides
    • Soundport bound with Bolivian rosewood and purfling
    • 12 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.75” lower bout
    • Curly maple 5 piece laminate neck
    • Stehr leaf logo
    • Rosewood and maple purfling
    • Bolivian rosewood bindings
    • Bolivian rosewood headstock veneer
    • Oregon myrtle rear headstock veneer
    • Twelfth fret fretboard inlay (with side dots)
    • Bolivian rosewood rosette
    • Bolivian rosewood fretboard
    • Bolivian rosewood bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Rosewood bridge pins
    • No pickguard
    • Guardian case


    Stehr OO-12 Oregon myrtle acoustic guitar - soldStehr OO-12 Oregon myrtle acoustic guitar - soldStehr OO-12 Oregon myrtle acoustic guitar - sold


  58. Propsom OM - Redwood & Pommele Sapele

    Propsom OM - Redwood & Pommele Sapele

    £2,775.00
     
    In stock


    Wow!

    This is my favourite back and sides wood and it's a fantastic guitar. It has very a rich and full tone with great clarity and projection, strong warm and well defined bass notes, rich and resonant mids, clear and full trebles all the way to the top.

    Top - Redwood
    Back & sides - Pommele Sapele
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 44.4mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 15 1/8"
    Upper bout width - 11.42"
    Body depth at base - 4.13

    MoP logo - B/W/B/W wood purfling - Rosewood bindings - Pommelle sapele headstock veneer Mop slotted diamond position markers (with side dots) - Red heart abalone rosette - Ebony bridge Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
  59. Carruth OOO-12 - Adirondack & Curly Mahogany

    Carruth OOO-12 - Adirondack & Curly Mahogany

    Out of stock
    This is my first guitar from Alan and what a beauty it is. Check out the story of the mahogany in this link. I've been getting a lot of mahogany guitars recently and this OOO is a very good example of why, it has a very full tone and great volume with fantastic separation, and individual note definition. I've also been getting a few guitars with the twelve fret body join - known for increasing warmth - and a cutaway so you get the best of all worlds, deep resonant tone, access all the way up and great definition.

    This is a light and very responsive guitar with great playability, responding beautifully to the lightest touch or a heavy pick. If you ar looking for a versatile guitar look no further.

    • Adirondack/Red spruce top
    • 'Mahogany Mama curly mahogany back and sides
    • Recurve bevel cutaway
    • Slotted headstock
    • Brushed oil varnish finish
    • Thomastic 'Spectrum' series medium strings
    • 12 frets to the body
    • 25.4” scale
    • 1 13/16" nut width
    • 2 1/8" string spacing at saddle
    • 151/8" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Koa and maple purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Macassar ebony backstrip
    • Bone position markers (with side dots)
    • Koa, mahogany and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle, both compensated
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly Mahogany


  60. Gibson H1 Mandola - Pumpkin Top 1917 (used)

    Gibson H1 Mandola - Pumpkin Top 1917 (used)

    £3,350.00
     
    In stock
    I hope I look this good at 99!

    Gibson H1 mandola 1917 pumpkin top in incredible condition apart from the ding on the top and a few other very minor scuffs it looks new, its as shiny as a new pin! All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover, bridge and case.

    Ooodles of that wonderful deep and dark tone, there is nothing that sounds quite like one of these old Gibbo mandolas, the resonance just keeps going and going and going….

    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
  61. Pava A4 Player - Oval Hole

    Pava A4 Player - Oval Hole

    £3,895.00
     
    In stock
    It is great news that Pava has turned her hand to oval hole mandolins. This is an incredible A4 with the depth and warmth you would expect from Tom Ellis' stable. It also has great volume with fantastic clarity and projection so you get the resonance of an A4 with the power of an A5. It responds equally well to a gentle caress and a 3mm pick with a heavy hand, deep, rich and resonant tones with some oooomph if you need it. Awesome!


    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
  62. Phoenix Select

    Phoenix Select

    Out of stock
    Another superlative Phoenix mandolin. Phoenix mandolins are always very light and responsive, you can feel them resonating as you get them out of the case!

    This beauty has a very full tone with fantastic volume and complexity. It has plenty of oomph for the bluegrass players with a deep and full, loud chop and responds excellently to the heaviest pick or the lightest touch. It barks or sings sweetly, doing whatever you ask of it. A very versatile and wonderful mandolin.

    Red (Adirondack) spruce top, red maple back and sides and a Hiscox case.


    Phoenix SelectPhoenix SelectPhoenix Select


  63. Phoenix Select 2015 (used)

    Phoenix Select 2015 (used)

    Out of stock
    Phoenix mandolins are always very light and responsive, you can feel them resonating as you get them out of the case!

    It has a very full tone with fantastic volume and complexity. It has plenty of oomph for the bluegrass players with a deep and full, loud chop and responds excellently to the heaviest pick or the lightest touch. It barks or sings sweetly, doing whatever you ask of it. A very versatile and wonderful mandolin.

    Red (Adirondack) spruce top, red maple back and sides and a Hiscox case.

    Signed by Rolfe Gerhardt, in excellent condition, made in 2015. Save £600 on the new price.


    Phoenix Select 2015 (used)Phoenix Select 2015 (used)Phoenix Select 2015 (used)


  64. Somogyi OM - sold

    Somogyi OM - sold

    Out of stock
    SOLD. OO and OM both in African blackwood due summer 2015.

    What can you say about the sound of a Somogyi? There's nothing else like it! Here's my best shot but I can't possibly get even close in words..

    It has a richness of tone that I've not heard in any other guitar, I've used the word orchestral to describe the Somogyi sound before and I still can't think of better description. There's a depth and complexity that that's hard to believe if you haven't heard it for your self. It responds magnificently to the lightest touch and overwhelms with luscious tone with a little more input. This all comes with exceptional balance, projection and clarity.. from a lingering single note to a rapid succession or a full chord, there's music in perfect harmony.

    Here's an edited version of Ervin's thoughts on wenge.

    "Brazilian rosewood, that traditional "Holy Grail" of fine guitar making woods is getting scarce.. [Many woods] are marketed as being desirable and adequate substitutes. In my view, some are and some aren't. As a guitar maker, my own preferences are for woods that are "live" rather than not, regardless of their grain, figure or color. What that means is that one can elicit a live and musical tone from a particular slice or chunk when one taps on it. Some woods can make sound on the order of thummmmmmmm or thimmmmmmmm (ginnnnnnnng, gonnnnnng, pinnnnnnng or ponnnnnnnng also work; I think you get the idea), with bell-like sustain; others go "thwick" or "thud". There are "live" woods that look rather plain, and there are "dead" woods that look like Raquel Welch in 3-D.

    My own searches have brought me to wenge (pronounced WHEN-gay). It's a dark, purplish-brown colored African … The thing that appeals to me about wenge is that it is very live. That is, when you hold a piece of it up and tap on it.. it'll ring like a piece of glass, plate of steel, or a crystal brandy snifter. This quality is known as "vitreousness", which literally means "glasslike-ness". And wenge will make such a sound… Wenge's vitreousness is a function of the wood's being brittle on the level of its cellular structure. In fact, it's that very brittleness that makes the vibrational action, and the sound that this produces, possible… it is this.. that puts wenge in the same category as that most prized of traditional guitar making woods, Brazilian rosewood."



    • European spruce top
    • Wenge back and sides
    • Sharp cutaway
    • French polish finish
    • 14 frets to the body
    • 25 ¼” scale
    • 1 13/16” nut width
    • 2 ¼” string spacing at saddle
    • 15 3/4" lower bout
    • Mahogany neck
    • Black and white purfling
    • Rosewood bindings
    • Rosewood headstock veneer
    • Rosewood rear headstock veneer
    • Rosewood backstrip
    • Position markers (with side dots)
    • Sunset mosaic rosette
    • Ebony fretboard
    • Wenge bridge
    • Schaller tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hoffee case

    Somogyi OM - soldSomogyi OM - soldSomogyi OM - sold


  65. Dudenbostel A-1 (used)

    Dudenbostel A-1 (used)

    Out of stock
    Lynn makes very few of his A-1 model to a basic spec, no variations. I originally bought it from Lynn, he told me that he enjoys making these once in a while because he doesn’t have to work to other people’s requirements. It still has the 'Dude' sound, they don't come any better, volume and subtlety, richness and clarity, projection and intimacy, its has it all. And I think it looks amazing.

    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
  66. Grit Laskin visit April 25th 2015. Legendary Luthiers Three.

    Grit Laskin visit April 25th 2015. Legendary Luthiers Three.

    William (Grit) Laskin is legendary for his inlays. He is a VERY entertaining speaker covering his part in the development of the soundport and arm bevel with many informative and interesting stories to tell.

    See my reviews page for the article published in Acoustic magazine about the day.





    Grit Laskin visit April 25th 2015. Legendary Luthiers Three.Grit Laskin visit April 25th 2015. Legendary Luthiers Three.Grit Laskin visit April 25th 2015. Legendary Luthiers Three.
  67. Taylor 555 12 string (used)

    Taylor 555 12 string (used)

    Out of stock
    Good condition 555 with a few dings here and there (see photos) and a custom saddle. Taylor's reputation for great 12 string guitars is well deserved, this is a very fine example. Comes with unknown pickup.


    • Spruce top
    • Mahogany back and sides
    • Mahogany neck
    • 25 1/2" scale
    • 1 7/8” nut width
    • 2 7/16" string spacing at saddle
    • 17" lower bout
    • Black bindings
    • B/w/b purfling
    • Concentric circles rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Large dot position markers
    • Schertler tuners
    • Ebony bridge pins
    • Tortoise pickguard
    • Taylor case

    Taylor 555 12 string (used)Taylor 555 12 string (used)Taylor 555 12 string (used)


67 Item(s)