Search results for 'Galloup Borealis Fan Fre/'

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  1. Galloup Borealis Fan Fret (used)

    Galloup Borealis Fan Fret (used)

    Out of stock
    Fan fret, arm rest and incredible detailing, this is a beautiful guitar. It plays like a dream and sounds fantastic, depth, resonance, clarity and projection, it has it all.

    Top - European Spruce
    Back & sides - Indian Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - AVS hard case - faux leather w/embossed leather trim - green interior - made in USA

    Frets to the body - 14/15
    Scale length - 25.0" to 26.7"
    Neck profile - D
    Nut width - 45.7mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.4mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 16"
    Upper bout width - 11.02"
    Body depth at base - 4.53"

    Fishman dual source pickup - Hyde glue construction - 14/15 frets to the body - Graphite reinforced neck - Venetian cutaway - Ebony/maple top border - Rosewood bindings - Ebony headstock - Ebony rear headstock veneer - Silver position markers (with side dots) - Spalted maple rosette - Ebony/maple back strip - MoP logo - Ebony fret board - Ebony bridge - Gotoh 510 tuners - Nickel tuner buttons - Bone nut and saddle - Bone bridge pins - Mylar pick guard

    Galloup Borealis Fan Fret (used)Galloup Borealis Fan Fret (used)Galloup Borealis Fan Fret (used)


  2. Sexauer FT-O-JB - Fan Fret "Companion" (used)

    Sexauer FT-O-JB - Fan Fret "Companion" (used)

    Out of stock
    See the Acoustic Magazine review, this website, central menu, reviews.

    This is a fantastic small guitar. The Malaysian Blackwood and fan fret give it a deep well defined bass and more volume and projection than many a bigger guitar. It has rich and complex mids and clear treble, a very versatile guitar.



    • German spruce top
    • Malaysian Blackwood back and sides
    • Mahogany neck
    • Adirondack spruce braces
    • 24 15/16” to 25 7/16” scale
    • 1 25/32”" nut width
    • 2 9/32" string spacing at saddle
    • 13 1/2" lower bout
    • 12 frets to the body
    • Madagascar rosewood headstock veneer
    • Hardwood bindings
    • Hardwood backstrip
    • Quartered flamed maple rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Madagascar Rosewood bridge
    • Slotted diamond abalone position markers
    • Waverly tuners
    • Ebony bridge pins
    • Greven pickguard
    • New Hiscox Pro II case

    Sexauer FT-O-JB - Fan Fret "Companion" (used)Sexauer FT-O-JB - Fan Fret "Companion" (used)Sexauer FT-O-JB - Fan Fret "Companion" (used)


  3. McElroy OO 12 Fret - Adirondack & Koa (used)

    McElroy OO 12 Fret - Adirondack & Koa (used)

    Out of stock


    Fantastic OO from Brent. The OO is my favourite guitar body size and this is a great example of why. The Adirondack and koa give it remarkable clarity and projection and the deep body add great depth and warmth. Strong, well defined bass notes, rich and full mids and clear and sparkling trebles. Its also a joy to play.


    • Adirondack spruce top
    • Koa back and sides
    • 24.9” scale
    • 1 3/4" nut width
    • 2 1/4" string spacing at saddle
    • 14 1/8” lower bout
    • 12 frets to the body
    • Ebony headstock veneer
    • Ebony bindings
    • Spalted Maple rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Mother of pearl inlaid logo
    • Mother of pearl small dot position markers
    • Gold Gotoh 510 tuners
    • Ebony bridge pins
    • No pickguard


    McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)


  4. Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Out of stock
    Leo does it a gain! The last modified dreadnought I had from him sold very quickly. I am not expecting this beauty to be here for long. The workmanship is impeccable, take a look at the rosette and matching end graft and headstock inlay.

    The sound is equally outstanding. Many of Ervin Somogyi’s former apprentices make the mod D model and with very good reason, it has all the power and volume you can get from an acoustic guitar with immense headroom. The Swiss spruce a fiddle back mahogany in this very fine example give fantastic clarity. You get incredible depth and richness of tone with great balance with all the notes form the lowest to the highest having equal definition and projection. This is a stunning guitar.


    Soundboard, Moon Swiss Alpine spruce
    Back and sides, Highly figured Fiddle back Mahogany
    Lower bout 16”
    Scale Length, 25.25”
    End graft, custom matching rosette
    Neck, custom finished one piece Honduran mahogany
    Head-cap veneer, Fiddle back Mahogany with custom inlay matching rosette
    and end graft
    14th-fret to the body fingerboard
    Rosette, solid ring wood with black/white purfling
    Bridge, hand carved ebony
    Bridge pins, ebony with pearl dots
    Binding, ebony with Maple black/white purfling
    Top braces, Sitka spruce
    Back Braces, Honduran Mahogany
    Saddle, 2 1/4” string spacing compensated bone
    Nut, 1 3/4” width scalloped and compensated bone
    Back of Head-cap veneer, Ebony
    Tuning Machines, Schaller M6 in gold w/ebony buttons
    Fingerboard, ebony with ebony binding and white maple purfling
    Fret wire, medium Nickel-Silver 18%
    Fretboard Radius, 20”
    Case, Black exterior/Red interior custom carbon fiber Hoffee hardshell

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany


  5. Weber Yellowstone A5 - A Style - F Hole - Traditional Sunburst

    Weber Yellowstone A5 - A Style - F Hole - Traditional Sunburst

    £2,995.00
     
    In stock
    A beautiful Yellowstone A5 in the traditional sunburst finish. It features an Adirondack/red spruce top, gorgeous flamed maple back and sides, tone bar bracing, ebony radiussed fretboard and bound top, back, fretboard and headstock. It has a one and one eighth nut width, dual action adjustable truss rod and gloss finish. This is a fantastic Bluegrass mandolin (if the Bluegrass police don't catch you without the scroll...) but also great for any other style of playing. With hardshell case.


    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
    Weber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional SunburstWeber Yellowstone A5 - A Style - F Hole - Traditional Sunburst
  6. Collings MT mandolin black gloss top & ivoroid binding

    Collings MT mandolin black gloss top & ivoroid binding

    Out of stock
    Gorgeous blacktop from the team in Texas! This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant tone, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid binding


  7. Collings D2H acoustic guitar - sold

    Collings D2H acoustic guitar - sold

    Out of stock
    This beauty has the classic rosewood dreadnought sound, it is very deep, warm and resonant with lots of headroom and great projection. The bass notes are very well defined with rich and complex mids and clear/sharp trebles. It has fantastic volume and definition, add Collings incredible workmanship and you will struggle to find a rosewood dread to match this beauty.


    Top Sitka spruce
    Back & Sides E. Indian rosewood
    Lower Bout Width 15 5/8"
    Neck Honduran mahogany
    Body Binding Ivoroid with herringbone purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with abalone long diamond & squares
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Stained Exotic Ebony with MOP Collings Logo
    Tuners Nickel Waverly (16:1 ratio)
    Backstrip 2-style (Zipper)
    Rosette iv/tort/iv & b/w purflings
    Scale Length 25 1/2"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Strings D'Addario EJ-17 (.013"- .056")
    Case Deluxe Hardshell case by TKL

    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
  8. Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Out of stock
    Oh my what a beauty to nestle in your lap! Adirondack and mahogany add up to a very clear and well defined tone that also has great depth, warmth, resonance and complexity. This is a fantastic fingerstyle guitar with great responsiveness and playability.

    Top Adirondack spruce
    Back & Sides Honduran mahogany
    Lower Bout Width 13 7/16"
    Neck Honduran mahogany
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Case Deluxe Hardshell case by TKLKL


    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)


  9. Gibson J-35 Custom 1995 (used)

    Gibson J-35 Custom 1995 (used)

    Out of stock
    1995 Gibson J-35. Signed by Gibson Master Luthier Ren Ferguson. It is faithful replica of the pre-war Gibson J-35. It features Honduran Mahogany Back and sides, Adirondack Spruce top, Ebony fingerboard and saddle, Waverly Tuners and Original Hard case. For most of it's 22 years it was kept unplayed in a case by a collector, so the condition is remarkable for it's age. It has had no repairs, it has no cracks and only a few weather checks (they are hard to see).

    Fantastic rich and deep tone, kind of a dreadnought plus with all the power of a dread but with great clarity and projection, great for strumming flatpicking and fingerstyle.

    • Adirondack spruce top
    • Mahogany back and sides
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4" nut width
    • 2 3/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ivoroid bindings
    • Ebony headstock veneer
    • Rope backstrip
    • MoP position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Tiger stripe pickguard
    • TKL/Gibson case

    Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)


  10. Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Out of stock
    2005 Bill Tippin OMT in excellent condition. Classic mad rose tone with fantastic depth and richness, it has great clarity and remarkable individual note definition. The bass notes are very well defined, the mids warm and sonorous and the trebles full and clear.

    • Sitka spruce top
    • Madagascar rosewood back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 3/16” lower bout
    • Mahogany neck
    • MoP logo
    • B/W/B purfling
    • Ivoroid bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Tulip MoP and abalone position markers (with side dots)
    • Wood rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)


  11. Fischer 12/15 - Adirondack & Rosewood (open to offers)

    Fischer 12/15 - Adirondack & Rosewood (open to offers)

    Out of stock
    This 12/15 - twelve frets to the body and a 15 inch lower bout - is another fantastic guitar from Steve. The body join at the twelfth fret gives a very full and rich tone due to the changed position of the bridge and the cutaway gives access all the way up.

    The result is a warm tone with great balance and the superb definition of Adirondack, deep/well defined bass, complex mids and clear, ringing trebles.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Cedar Creek hard case made in USA

    Frets to the body - 12
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.5mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 3.94"

    Florentine cutaway - Maple and ebony logo - Maple burl purfling - Curly maple bindings - Ebony headstock veneer - Rosewood rear headstock veneer - No position markers (with side dots) - Maple burl/rosewood rosette - Ebony fretboard - Ebony bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Fischer 12/15 - Adirondack & Rosewood (open to offers)Fischer 12/15 - Adirondack & Rosewood (open to offers)Fischer 12/15 - Adirondack & Rosewood (open to offers)


  12. Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    £3,895.00
     
    In stock
    Fantastic rich and full sounding octave mandolin with 20" scale making it very easy to play. It has great resonance and warmth and depth of tone with excellent definition and projection from the lowest to highest notes.

    A5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. 20" scale length and 1 3/8" nut with a traditional Brekke bridge (adjustable under tension). The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.




    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
  13. Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    £4,450.00
     
    In stock
    A beautiful F4 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    Wonderful deep and full tone, fantastic warmth and resonance with well defined basses, complex mids and clear, ringing trebles and with the 20" scale it plays very easily.


    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
  14. Carruth OOO-12 - Rosewood & European Spruce

    Carruth OOO-12 - Rosewood & European Spruce

    Out of stock


    In many ways twelve frets to the body and a cutaway is the perfect combination. It gives the sweetness of the more centred bridge position and allows access all the way to the top fret.

    It definately works on this beauty from Alan. The first thing that struck me about this guitar is its lightness and ease of play, it feels like a much smaller guitar. It sounds fantastic, rich and resonant with full and well defined bass notes, complex and expressive mids, clear, precise bell-like trebles and great balance and projection. What a beaut!

    • European spruce top
    • Rosewood back and sides
    • Slotted headstock
    • Soft cutaway
    • Oil varnish finish
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany/maple neck
    • Wood logo
    • Maple/black purfling
    • Curly maple bindings
    • Rosewood headstock veneer
    • Maple backstrip
    • Bone position markers (with side dots)
    • Maple/koa rosette
    • Macassar ebony fretboard
    • Rosewood pyramid bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case


    Carruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European Spruce


  15. Chasson Jumbo - Sitka & Flamed Maple

    Chasson Jumbo - Sitka & Flamed Maple

    Out of stock
    I'm speechless.. well almost. I've heard and seen a lot of great guitars here at TAMCO, and on my travels over the last ten years or so, and this is one of the most beautiful ever.

    I think a lot of players have an ideal sound in their heads for different styles of guitar. This matches my idea of how a Jumbo should sound....perfectly.

    It is big and loud with fantastic balance and focus, the depth and richness of tone is stunning. Nothing washes about causing unwanted harmonics and overtones, it's just great!

    Top - Sitka Spruce
    Back & sides - Flamed Western Maple
    Neck - Khaya
    Fretboard - Ebony
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 25.0
    Neck profile - C/D
    Nut width - 44.9mm
    Nut spacing - 76mm
    Bridge spacing - 11.6mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 1.5mm
    Lower bout width - 17"
    Upper bout width - 12.4"
    Body depth at base - 4.72"

    Adjustable action - MoP logo - Ebony top border - Ebony bindings - Ebony headstock veneer - MoP dot position markers (with side dots) - Ebony segmented rosette - Ebony fretboard - Ebony bridge - Schertler open tuners - Ebony tuner buttons -
    Bone nut and saddle - Ebony bridge pins - No pickguard

    Chasson Jumbo - Sitka & Flamed MapleChasson Jumbo - Sitka & Flamed MapleChasson Jumbo - Sitka & Flamed Maple


  16. Weber Fern F5 - F Style - F Hole (used)

    Weber Fern F5 - F Style - F Hole (used)

    £5,495.00
     
    In stock
    Weber's top of the range F5, Adirondack/red spruce top, beautiful fern headstock inlay, spectacular flamed maple back and sides, radiussed fretboard, tone bar braced and a Weber hard case. Recently re-finished by Weber.

    It has lovely dark bass and warm middles with clear trebles, a very full and rich tone with great playability and fantastic response from the lightest touch to a heavy pick. Plenty of cut and chop for bluegrass players and others wanting to be heard with depth and complexity making it great for anything from folk to classical. A superb all-round mandolin.




    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
  17. Kinnaird Parlour - Engelmann & English Brown Oak

    Kinnaird Parlour - Engelmann & English Brown Oak

    Out of stock


    My second oak parlour from Steve and this beauty is just as spectacular as the last.

    It has fantastic balance and projection with great warmth, depth and clarity. My mother used to say 'great things come in small packages' this certainly applies here. It has as much volume as a much bigger guitar and is a comfortable to play as you could possibly wish for.

    Top - Engelmann Spruce
    Back & sides - Quartersawn English Brown Oak
    Neck - Spanish Cedar
    Fretboard - Ebony
    Case - Cedar Creek hard case

    Frets to the body - 12
    Scale length - 24.9"
    Neck profile - C
    Nut width - 44.7mm
    Nut spacing - 7.6mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.7mm
    Action fret 12 low E - 2.15mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 1.5mm
    Lower bout width - 12 7/8"
    Upper bout width - 9.06"
    Body depth at base - 3.94"

    Sterling silver K logo - b/w/b/w/b violin purfling - American holly bindings - Ebony headstock veneer - Marquetry "St. Cross" pattern backstrip - Silver circles position markers (with side dots) - Custom marquetry "St. Cross" pattern with holly-bound rosette - Ebony bridge - Schaller tuners - Chrome butter bean tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird Parlour - Engelmann & English Brown OakKinnaird Parlour - Engelmann & English Brown OakKinnaird Parlour - Engelmann & English Brown Oak


  18. Lowden D32 1997 (used)

    Lowden D32 1997 (used)

    Out of stock
    Newtonards made 1997 D32.

    Fantastic rich, deep and resonant tone with great volume and projection. Great for picking, strumming and much more.

    • Cedar top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.5” scale
    • 1 11/16” nut width
    • 2 1/8” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Wood purfling
    • Mahogany bindings
    • Rosewood headstock veneer
    • MoP dot position markers (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Rosewood bridge
    • Gotoh tuners
    • Butterbean tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hiscox/Lowden case





    Lowden D32 1997 (used)Lowden D32 1997 (used)Lowden D32 1997 (used)


  19. McKnight Mini Mac - Engelmann/Cocobolo (used)

    McKnight Mini Mac - Engelmann/Cocobolo (used)

    Out of stock
    In excellent condition, new price was £5995. There was a lot of excitement created about this beauty in a build thread on the AGF. It was well worth the wait.

    It sounds tremendous, a big and warm sound but with great articulation and the clarity and definition of cocobolo. It responds to a nail-less finger as easily as a heavy pick. A fantastic fingerstyle guitar but capable of much more.

    • Engelmann top
    • Cocobolo back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • No cutaway
    • Wood logo
    • Multi line top border
    • Curly Maple bindings
    • Ebony headstock veneer
    • Clasps position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Silver tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Clear pickguard
    • TKL case

    McKnight Mini Mac - Engelmann/Cocobolo (used)McKnight Mini Mac - Engelmann/Cocobolo (used)McKnight Mini Mac - Engelmann/Cocobolo (used)


  20. Noble Acoustic Harp Guitar

    Noble Acoustic Harp Guitar

    £6,750.00
     
    In stock
    TAMCO's first harp guitar and what a beauty. If you haven't heard a harp guitar you should check out Stephen Bennett

    This really is incredible with a fantastic guitar tone and those wonderful rich and melodious harp strings.

    The harp strings are currently tuned E G A C D E, low to high.

    Top - Lutz Spruce
    Back & sides - Rosewood
    Neck - Mahogany/Rosewood/Maple
    Fretboard - Ebony
    Case - Colorado Case Co soft case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.15mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.15mm
    Lower bout width - 16"

    Black/white/black purfling - Koa bindings - Ebony headstock veneer - No position markers (with abalone side dots) - Cocobolo rosette - Ebony bridge - Gotoh 510 mini tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins

    Noble Acoustic Harp GuitarNoble Acoustic Harp GuitarNoble Acoustic Harp Guitar
    Noble Acoustic Harp GuitarNoble Acoustic Harp GuitarNoble Acoustic Harp Guitar
    Noble Acoustic Harp GuitarNoble Acoustic Harp GuitarNoble Acoustic Harp Guitar
    Noble Acoustic Harp GuitarNoble Acoustic Harp GuitarNoble Acoustic Harp Guitar
  21. Fay Model One - Englemann and Black & White Ebony

    Fay Model One - Englemann and Black & White Ebony

    Out of stock
    Guitars don’t get any better than this. With impeccable workmanship and detailing it has great presence and playability, with amazing balance from the lowest to the highest notes.

    Fantastic and well defined bass notes, rich and complex mids and clear trebles. A very versatile guitar, it is great for all styles from flatpicking and strumming to fingerstyle, it will handle it all.


    Engelmann Spruce Top
    Black & White Ebony Back &Sides
    Florentine Cutaway
    14 Frets to the Body
    25.0” Scale Length
    1 25/32” Nut Width
    2.25” String Spacing at the saddle
    15.2” Lower Bout Width
    Honduran Mahogany One Piece Neck
    Ebony Binding with Maple/Ebony Purflings Wenge Headstock Veneer
    Brass Fretmarkers (Side Dots)
    Wenge Rosette
    Ebony Fretboard
    Ebony Bridge
    Alessi Tuners with Hammered Brass Backplate and Ebony Buttons
    Dyed Cow Bone Nut, Saddle, and Bridge Pins
    Ameritage Custom Case

    Fay Model One - Englemann and Black & White EbonyFay Model One - Englemann and Black & White EbonyFay Model One - Englemann and Black & White Ebony


  22. Wilborn OM - Adirondack & Figured Honduran Mahogany

    Wilborn OM - Adirondack & Figured Honduran Mahogany

    Out of stock


    This is my fifth guitar from Ben and its another stunner!

    Its loud, its rich, its full, its warm, it has great definition and projection, it has fantastic note separation from down low to the highest notes, its wonderful!

    Top - Adirondack Spruce
    Back & sides - Figured Honduran Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.1mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 15 1/8"
    Upper bout width - 22.22"
    Body depth at base -3.94"

    Sunburst finish - Oval soundport - MoP logo - Curly maple purfling - Leopardwood bindings Ebony headstock veneer - Leopardwood rear headstock veneer - Curly maple/leopardwood backstrip - MoP position markers (with side dots) - Curly maple/leopardwood rosette - Ebony bridge - Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany


  23. Collings MT Mandolin - Gloss Top

    Collings MT Mandolin - Gloss Top

    Out of stock
    This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant sound, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
  24. Jang OM acoustic guitar - sold

    Jang OM acoustic guitar - sold

    Out of stock
    My first from Isaac and what a beauty!

    It has fantastic warmth and balance with a great richness of tone. Amazing projection and clarity all the way to the easily accessible top fret.


    • Master Grade Adirondack Spruce top
    • Special Quilted Mahogany back and sides
    • Uchida-style Bendaway with bevel cutaway
    • 14 frets to the body
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Ebony bindings with Black/White purfling
    • Ebony/ Quilted Mahogany with Koa accent headstock veneer
    • Quilted Mahogany rear headstock veneer
    • Simple & Elegant African Blackwood Bound rosette
    • Bound Ebony fretboard
    • Ebony bridge
    • Gotoh 510 H.A.P.A. Gold/Ebonoid tuners
    • Bone nut and saddle
    • Ebony with Paua Dot bridge pins
    • Clear pickguard
    • Custom Mainstage case


    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
  25. Weber Fern F5 - F Style - F Hole - Varnish Finish

    Weber Fern F5 - F Style - F Hole - Varnish Finish

    £7,695.00
     
    In stock
    Weber's top of the range F5, Adirondack/red spruce top, spirit varnish finish, beautiful fern headstock inlay, spectacular flamed maple back and sides, radiussed fretboard, tone bar braced and a Weber hard case.

    It has lovely dark bass and warm middles with clear trebles, a very full and rich tone with great playability and fantastic response from the lightest touch to a heavy pick. Plenty of cut and chop for bluegrass players and others wanting to be heard with depth and complexity making it great for anything from folk to classical. A superb all-round mandolin.




    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
  26. Old Wave Mandola - Cabernet

    Old Wave Mandola - Cabernet

    Out of stock
    Beautiful mandola from Bill with a Colorado Engelmann spruce top with red spruce x bracing, Varnum estate curly maple sides and back, 2 piece neck, 16" scale, 16"radius ebony fretboard, ebony Cumberland Acoustic bridge, ebony peghead veneer, ivoroid binding, abalone position dots, rosette and wave inlay, 1 1/4" bison bone nut, Grover tuners, cabernet lacquer finish, D’Addario J72 strings, Weber hardshell case.

    It has a beautiful deep and sonorous tone, just like a great 'dola should, fantastic warmth and wonderful dark resonance. A great mandola like this sounds a lot deeper that it really is.


    Old Wave Mandola - Cabernet Old Wave Mandola - Cabernet Old Wave Mandola - Cabernet


  27. Rein RJN-113 - Lutz Spruce & Figured Mahogany

    Rein RJN-113 - Lutz Spruce & Figured Mahogany

    Out of stock

    My first from Tom and what a beauty! Luscious mahogany richness with fantastic clarity and sweet tone. There is complexity and character in all tonal ranges from the strong and well defined bass notes through the full mids to the clear ringing trebles.

    With Tom's adjustable action it can be adjusted in a jiffy from low action for delicate fingerstyle to higher for a pick. Versatility doesn't get any more versatile than this.

    Top - Lutz Spruce
    Back & sides - Figured Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Superior tan leather

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C/D
    Nut width - 44.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.2mm
    Lower bout width - 14 7/16"
    Upper bout width - 10.63"
    Body depth at base - 4.33"

    Satinwood logo - Dyed green purfling - Rosewood bindings - Ziricote headstock veneer - Rope backstrip - No position markers (with side dots) - Rope rosette - Ebony bridge - Gotoh open back tuners - Nickel tuner buttons - Bone nut and saddle - • Bone bridge pins - No pickguard

    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
  28. Beneteau OM - Alaskan Sitka Spruce & Padauk

    Beneteau OM - Alaskan Sitka Spruce & Padauk

    Out of stock
    If you're looking for lots of bright sparkle combined with a deep luscious tone and fantastic balance, separation and projection, look no further!

    This beauty from Marc has that rare combination of amazing clarity along with warmth and resonance making it very versatile, great for picking and strumming and a wonderful fingerstylist's guitar. Marc's guitars have been my most consistent sellers for many years now. There's not a lot of fanfare out there about Beneteau guitars but there is quite a lot of very happy customers.

    Top - Alaskan Sitka Spruce
    Back & sides - Padauk
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.6mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.50mm
    Lower bout width - 15"
    Upper bout width - 11.22"
    Body depth at base - 4.33"

    MoP logo - Bloodwood purfling - Ebony bindings - Ebony headstock veneer - Ebony rear headstock veneer - Ebony backstrip - MoP position markers with side dots - Padauk radial rosette Ebony bridge - Gotoh vintage style tuners - Butterfly tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
  29. Collings MT mandolin

    Collings MT mandolin

    £3,595.00
     
    In stock
    This is Collings' entry level mandolin but it has everything you would expect from Collings. It has great volume with a fantastic and powerful bluegrass chop, strong bass notes, warm and complex mids and clear trebles. Its much more than a bluegrass cannon with a very full tone that is great for all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolinCollings MT mandolinCollings MT mandolin
    Collings MT mandolinCollings MT mandolinCollings MT mandolin
    Collings MT mandolinCollings MT mandolinCollings MT mandolin
    Collings MT mandolinCollings MT mandolinCollings MT mandolin
  30. Eastman 515 - F Style - F Hole

    Eastman 515 - F Style - F Hole

    £1,149.00
     
    In stock
    Free UK mainland delivery. £1149, including pro set-up.

    An amazing value F5 in hand carved all solid woods, spruce and maple, solid cast tailpiece, triple bound top, single bound neck, ebony fingerboard, nickel fittings. Fantastic value and a banjo killer too, lots of volume, bark and chop for bluegrass and warmth and depth for other styles . With hardshell case. Classic finish.


    Eastman 515 - F Style - F HoleEastman 515 - F Style - F HoleEastman 515 - F Style - F Hole
    Eastman 515 - F Style - F HoleEastman 515 - F Style - F HoleEastman 515 - F Style - F Hole
    Eastman 515 - F Style - F HoleEastman 515 - F Style - F HoleEastman 515 - F Style - F Hole
  31. Indian Hill Grand Concert 12 fret cutaway acoustic guitar

    Indian Hill Grand Concert 12 fret cutaway acoustic guitar

    Out of stock
    If anyone tells you you can't get strong and well defined bass notes and full and rich mids from maple tell them to check out this beauty. It plays like a dream and has volume, depth of tone and great definition and projection and its a stunner. What else could you ask for?

    • Sitka top
    • Curly maple back and sides
    • Sharp cutaway
    • French polish finish
    • Oval soundport
    • 12 frets to the body
    • 25 3/8” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • 12th fret logo
    • Cocobolo/maple purfling
    • Cocobolo bindings
    • Maple headstock veneer
    • Maple rear headstock veneer
    • No position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Bone nut and saddle
    • Clear pickguard
    • TKL case

    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
  32. Heiden A artist (used)

    Heiden A artist (used)

    Out of stock
    Adirondack (red) spruce top, stunningly flamed sugar maple back and sides, sugar maple neck, finished with French polish topcoat on top of varnish, all applied by hand. Abalone logo, abalone and mother of pearl headstock inlay, triple bound ivoroid top back, fretboard and headstock binding, radiussed Ebony fretboard with twenty two medium frets, shaped and scalloped at the end. It has a twenty eight millimetre neck width, bone nut, silver James engraved tailpiece, silver Waverly tuners with Pearl buttons, triple bound Ebony finger rest/pick guard and an Ebony bridge. With Calton case.

    The sound is awesome, full and rich with with fantastic projection and volume. A great bluegrass mandolin with barrel loads of chop that responds beautifully and sweetly to a lighter touch and all styles of playing.



    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
    Heiden A artist (used)Heiden A artist (used)Heiden A artist (used)
  33. Beneteau OM - Quilted Pommele Sapele & Sitka

    Beneteau OM - Quilted Pommele Sapele & Sitka

    Out of stock
    Another outstanding guitar from Marc. It has a fantastic rich and complex tone with great clarity, definition and projection. The bass notes are strong , full and well defined, the mids are warm and full of character and the trebles clear and strong. A very articulate guitar with fantastic playability.

    • Alaskan sitka spruce top
    • Quilted pomelle sapele back and sides
    • 14 frets to the body
    • 25” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • Maple/sapele/black purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • MoP position markers (with side dots)
    • Quilted pomelle sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 mini tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hardshell case

    Beneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & Sitka


  34. Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)

    Out of stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional sunburst finish with a hand graduated and tuned solid Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with a wonderful deep low and enough volume to be heard.

    In great condition and incredible value!

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)
    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)
    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)
  35. Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    £3,195.00
     
    In stock
    I like Collings cream top finish so much that I have ordered it for my custom mandola (and being greedy on a Girouard mandola as well). To use one of my favourite Clichés it sounds as good as it looks. Fantastic in all departments, rich, full and well defined in the bass department, sweet and warm in the mids and clear and rich trebles. A mandolin for all occasions and all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding

    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard

    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut

    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge

    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
  36. Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    £2,995.00
     
    In stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional finish with a hand graduated and tuned Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with wonderful deep lows and enough volume to be heard.

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
  37. Taylor 555 12 string (used)

    Taylor 555 12 string (used)

    Out of stock
    Good condition 555 with a few dings here and there (see photos) and a custom saddle. Taylor's reputation for great 12 string guitars is well deserved, this is a very fine example. Comes with unknown pickup.


    • Spruce top
    • Mahogany back and sides
    • Mahogany neck
    • 25 1/2" scale
    • 1 7/8” nut width
    • 2 7/16" string spacing at saddle
    • 17" lower bout
    • Black bindings
    • B/w/b purfling
    • Concentric circles rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Large dot position markers
    • Schertler tuners
    • Ebony bridge pins
    • Tortoise pickguard
    • Taylor case

    Taylor 555 12 string (used)Taylor 555 12 string (used)Taylor 555 12 string (used)


  38. Ken Franklin Rita SJ - Adirondack & Bubinga

    Ken Franklin Rita SJ - Adirondack & Bubinga

    Out of stock
    Every bubinga guitar I have had has been wonderful and this gorgeous SJ from Ken is no exception. Its a very versatile guitar with beautiful 'fat' and well defined bass, expansive mids and bright, clear trebles. Its very expressive with fantastic balance and projection, responding beautifully to the pick and fingerstyle.

    • Adirondack top
    • Bubinga back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Sipo neck
    • Maple purfling
    • Ebony bindings
    • Bubinga headstock veneer
    • Bubinga rear headstock veneer
    • Wood position markers (with side dots)
    • Bubinga, ebony and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Ken Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & Bubinga


  39. Laskin 'Darwin to DNA' - sold

    Laskin 'Darwin to DNA' - sold

    Out of stock
    I'm bowled over, flabbergasted and almost speechless. This this is a truly awesome guitar!

    It has a very full and resonant tone with fantastic deep, rich and well defined bass notes, full and complex mids and clear, rich and well defined trebles. It has great volume and headroom with perfect balance and projection.

    And... well just look at the photos...

    • Sitka top
    • African blackwood back and sides
    • Soft cutaway
    • Oval soundport
    • Arm bevel
    • 14 frets to the body
    • 25.5” scale
    • 1.75” nut width
    • 2.2” string spacing at saddle
    • 15 15/16” lower bout
    • Mahogany neck
    • Ebony purfling
    • Wood bindings
    • Wood backstrip
    • No position markers (with side dots)
    • Wood mosaic plus abalone, rosewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hoffee case

    Laskin 'Darwin to DNA' - soldLaskin 'Darwin to DNA' - soldLaskin 'Darwin to DNA' - sold


  40. Hamblin OO Sunburst - Sitka & Mahogany (used)

    Hamblin OO Sunburst - Sitka & Mahogany (used)

    Out of stock
    A beautiful sunburst mahogany OO from Kent. This is an amazing price for such a great guitar, fantastic loud and punchy sound with solid and rounded bass, full mids and clear well defined trebles. It has great balance a playability.



    • Sitka spruce top
    • Mahogany back and sides
    • Sunburst top finish
    • 14 frets to the body
    • 25” scale
    • 1 3/4“ nut width
    • 2 5/16” string spacing at saddle
    • 14 5/16” lower bout
    • Mahogany neck
    • No cutaway
    • Black/maple top border
    • Black bindings
    • Ebony headstock veneer
    • No position markers (with side dots).
    • Abalone rosette
    • Madagascar rosewood fretboard
    • Ebony pyramid bridge
    • Gotoh open tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Superior case

    Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)


  41. Girouard A5 Quilted Maple (used)

    Girouard A5 Quilted Maple (used)

    Out of stock
    Max and Lauri pull it off again, a stunning A5 with spectacular quilted maple back and sides and fantastic tone. Lots of the signature Girouard sound, thick and full with great bass, warm mids and clear bell-like trebles, plus plenty of volume and cut for the bluegrassers out there. A very fine mandolin for all styles.

    Sitka spruce top, quilted maple back and sides, bone nut, radiused macassar ebony fretboard, macassar ebony headstock veneer, Cumberland Acoustics ebony bridge, Grover tuners and a Travelite case.

    In excellent condition.

    Girouard A5 Quilted Maple (used)Girouard A5 Quilted Maple (used)Girouard A5 Quilted Maple (used)


  42. Franzke A4

    Franzke A4

    Out of stock
    This beauty has a very even sound from the lowest G all the way up the fretboard, not biased towards the bass notes like so many oval holed mandolins. The tone is very full and sweet with great individual note definition, fantastic for folk/old time and many more styles.

    Top Engelmann Spruce
    Back/Sides Red Maple
    Neck Maple
    Fretboard Ebony
    Inlay Reconstituted Stone
    Bindings Maple/bloodwood/maple
    Truss rod Fixed double carbon fiber
    Tailpiece James engraved
    Bridge Bill James
    Tuners Golden Age
    Finish French polished Spirit Varnish
    Frets Gold EVO
    Case Guardian molded



    Franzke A4 Franzke A4 Franzke A4


  43. Wilborn L - Engelmann & Cocobolo

    Wilborn L - Engelmann & Cocobolo

    Out of stock
    I saw this beauty at the Healdsburg Guitar Festival and couldn't resist it. One of the pleasures of Healdsburg is discovering new talent and meeting luthiers like Ben.

    Well, to coin the old cliché it sounds as good as it looks. It has rich warm tones and great clarity with the volume of a much bigger guitar, great balance from down low all the way to the top and fantastic playability. Another I want to take home.

    • Engelmann spruce top
    • Cocobolo back and sides
    • Sharp cutaway
    • Oval soundport
    • 14 frets to the body
    • 24.9” scale
    • 1 13/16” nut width
    • 2 3/16” string spacing at saddle
    • 14 ¼” lower bout
    • Peruvian walnut neck
    • MoP logo
    • Ebony/bloodwood purfling
    • Bloodwood bindings
    • Bound ebony headstock veneer
    • Ebony rear headstock veneer
    •Bloodwood backstrip
    • No position markers (with side dots)
    • Bloodwood rosette
    •Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo


  44. Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)

    Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)

    Out of stock
    Gorgeous distressed finish Vintage A octave mandolin in excellent condition, 22" inch scale with original case. Hand graduated spruce top and solid flamed maple back and sides. The top, back, neck and headstock are bound, the fretboard is radiussed ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, 'The Weber' and flowerpot headstock inlay.

    From Acoustic reviewer Steve Bennett. "It has a very rich tone with fantastic clarity and beautiful sustain with that elusive vintage old time tone. Warmth and clarity in one package, hard to beat." With the K&K pickup it sounds just as good plugged in.


    Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)


  45. Franklin Guitar Co OM - European Spruce & African Blackwood

    Franklin Guitar Co OM - European Spruce & African Blackwood

    Out of stock
    I am very excited to have my first guitar from Nick, its everything I had dreamed of. I can see why he is so much appreciated by the likes of Stefan Grossman and John Renbourn.

    When deciding how to describe a guitar the first thing I do is think about what hits me first. This guitar has remarkable articulation and expression, fantastic projection and clarity with each note having perfect definition. Achieving this this along with fantastic depth and complexity of tone is why Nick has the reputation he has.

    • European spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • MoP logo
    • Black and white maple purfling
    • Koa bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Abalone slotted squares position markers (with side dots)
    • Black and white maple rosette
    • Ebony fretboard
    • Black dyed rosewood bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Franklin Guitar Co OM - European Spruce & African BlackwoodFranklin Guitar Co OM - European Spruce & African BlackwoodFranklin Guitar Co OM - European Spruce & African Blackwood


  46. Claxton OM - Adirondack & Cuban Mahogany

    Claxton OM - Adirondack & Cuban Mahogany

    Out of stock
    Another truly fantastic guitar from Ed. There seems to be something extra special about Cuban mahogany, team it with the best Adirondack and Ed's skills and you get something amazing.

    I'm tempted to say that this guitar sounds the way it looks - elegant - but it is much more than that. Crystal clear tone with perfect balance and great projection along with fantastic resonance and warmth. A combination that produces wonderful tone with intimacy and complexity. After all the fine words I just want to say that I am gobsmacked!

    • Adirondack top
    • Cuban mahogany back and sides
    • 14 frets to the body
    • 25 3/8” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Pernambuco, holly, ebonoid purfling
    • Ebony bindings
    • Snakewood headstock veneer
    • Ebony backstrip
    • MoP position markers (with side dots)
    • Mosaic rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebonoid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Pickguard included, not installed
    • Main Stage fibreglass case

    Claxton OM - Adirondack & Cuban Mahogany Claxton OM - Adirondack & Cuban Mahogany Claxton OM - Adirondack & Cuban Mahogany


  47. Carruth OOO-12 - Adirondack & Curly Mahogany

    Carruth OOO-12 - Adirondack & Curly Mahogany

    Out of stock
    This is my first guitar from Alan and what a beauty it is. Check out the story of the mahogany in this link. I've been getting a lot of mahogany guitars recently and this OOO is a very good example of why, it has a very full tone and great volume with fantastic separation, and individual note definition. I've also been getting a few guitars with the twelve fret body join - known for increasing warmth - and a cutaway so you get the best of all worlds, deep resonant tone, access all the way up and great definition.

    This is a light and very responsive guitar with great playability, responding beautifully to the lightest touch or a heavy pick. If you ar looking for a versatile guitar look no further.

    • Adirondack/Red spruce top
    • 'Mahogany Mama curly mahogany back and sides
    • Recurve bevel cutaway
    • Slotted headstock
    • Brushed oil varnish finish
    • Thomastic 'Spectrum' series medium strings
    • 12 frets to the body
    • 25.4” scale
    • 1 13/16" nut width
    • 2 1/8" string spacing at saddle
    • 151/8" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Koa and maple purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Macassar ebony backstrip
    • Bone position markers (with side dots)
    • Koa, mahogany and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle, both compensated
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly Mahogany


  48. Beneteau OM - Engelmann & Ziricote (used)

    Beneteau OM - Engelmann & Ziricote (used)

    Out of stock
    In as new condition. Fantastic Ziricote sound (and looks) with warm and deep tones all across the range and sweet and clear mids and trebles. This is a very balanced guitar with full and resonant tone, great projection and plays like a dream.

    • Engelmann spruce top
    • Ziricote back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • B/W purfling
    • Walnut bindings
    • Ziricote headstock veneer
    • Ziricote rear headstock veneer
    • Walnut backstrip
    • MoP position markers (with side dots)
    • Burled walnut rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 black tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Calton case

    Beneteau OM - Engelmann & Ziricote (used)Beneteau OM - Engelmann & Ziricote (used)Beneteau OM - Engelmann & Ziricote (used)


  49. Doerr Legacy Select Standard - Sitka & Wenge

    Doerr Legacy Select Standard - Sitka & Wenge

    Out of stock
    Another beauty from Tom, this is my first from his new Standard range. You don't get his famous bevelled bindings and a few other extras such as the carved rear headstock that are standard features on the Signature range but you do get the same fantastic sound and one of the most beautiful headstocks I've seen... and you save around £2000!

    This Legacy has unbelievable separation and definition from the low E all the way to the top, each note is clear and well defined. It also has great volume and a rich and deep tone, responding equally well to a pick or the gentlest fingerstyle, a very versatile guitar.

    • Sitka top
    • Wenge back and sides
    • Arm bevel
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • B/W/B purfling
    • Ebony bindings
    • Kostal inspired ebony/wenge headstock veneer
    • Ebony rear headstock veneer
    • MoP position markers (with side dots)
    • Wenge with bevelled ebony binding rosette
    • Ebony fretboard
    • Wenge bridge
    • Mini Gotoh 510 tuners
    • Faux ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Doerr Legacy Select Standard - Sitka & WengeDoerr Legacy Select Standard - Sitka & WengeDoerr Legacy Select Standard - Sitka & Wenge


  50. Wilborn OM - Red Cedar & Macassar Ebony

    Wilborn OM - Red Cedar & Macassar Ebony

    Out of stock

    I've never had a guitar in before at even twice this price in Macassar Ebony! Add Ben's fantastic skill and workmanship and you have a wonderful guitar at a very reasonable price.

    The combination of Macassar ebony and cedar gives the incredible depth and definition of ebony AND the warmth of cedar making it a very expressive guitar. Deep and well defined at the low end, warm and rich in the mid-range and with clear and precise trebles, fantastic!


    • Red cedar top
    • Macassar ebony back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾ nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany neck
    • Bone logo
    • B/W purfling
    • Bloodwood bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Blood backstrip
    • Position markers (with side dots)
    • Bloodwood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schaller Grandtune tuners
    • Black chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Superior case


    Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony Wilborn OM - Red Cedar & Macassar Ebony


  51. Sorensen Sprite

    Sorensen Sprite

    Out of stock
    Steve is so busy he isn't having time to supply many dealer orders. I am not expecting another from him this year so grab this outstanding mandolin while you can.

    Another absolutely stunning mandolin from Steve. It has everything you could want in the tone (and looks) department, its very full and rich with great warmth and complexity, fantastic definition and note separation and a chop for the bluegrassers up with the very best. It responds beautifully to the lightest touch and the heaviest pick.

    Top Wood One-piece Sitka Spruce / Red Spruce tone bars
    Back and Side Wood Crinkly Curl Two-Piece Sugar maple
    Finishing Hand Rubbed Oil Varnish with Shellac French Polish
    Frets - Jescar Gold EVO
    Tuners - Rubner Gold with black buttons
    Tailpiece - Gold James Traditional with Sorensen logo
    Bobelock "Arrow" fiberglass case with Dog Cover

    Sorensen SpriteSorensen SpriteSorensen Sprite


  52. Buendia Modified Dreadnought - Adirondack & Birdseye Maple

    Buendia Modified Dreadnought - Adirondack & Birdseye Maple

    Out of stock

    Truly awesome! Only a student of the legendary Ervin Somogyi could produce a guitar with such powerful and rich bass notes that is perfectly balanced and has even projection all the way to the highest note. The trebles have remarkable sustain and clarity. Every note is equally present and complex with fantastic colour. This is a phenomenal guitar!

    • Adirondack top
    • Birdseye maple back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Honduran mahogany neck
    • Black/white purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • No position markers (with side dots)
    • Custom rosette
    • Ebony with ebony binding and ebony purfling fretboard
    • Carved ebony bridge
    • Gotoh 510 stealth tuners
    • Black tuner buttons
    • Scalloped and compensated bone nut and bone saddle
    • Ebony bridge pins
    • Custom black Hoffee case

    Buendia Modified Dreadnought - Adirondack & Birdseye MapleBuendia Modified Dreadnought - Adirondack & Birdseye MapleBuendia Modified Dreadnought - Adirondack & Birdseye Maple


  53. Simmons OO African blackwood acoustic guitar - sold

    Simmons OO African blackwood acoustic guitar - sold

    Out of stock
    I am gobsmaked, overawed and over the moon. If you think this beauty looks great you should hear it. Forget any thoughts of small body tone this is at least the equal any OM and many an SJ in the volume and depth department.

    It has a very warm and sweet tone with great richness and complexity. Fantastic articulation, definition and projection from the well defined bass notes trough the sweet mids to clear and full trebles. If I was was on a desert island and only had one guitar...



    • European spruce top
    • African Blackwood back and sides
    • 14 frets to the body
    • 25” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.5” lower bout
    • Honduran mahogany neck
    • Simmons logo
    • Ebony purfling
    • Ebony bindings
    • Ebony headstock veneer
    • African blackwood rear headstock veneer
    • No position markers (with side dots)
    • Custom rosette
    • African blackwood fretboard
    • African blackwood bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Titanium bridge pins
    • No pickguard
    • Hiscox case

    Simmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - soldSimmons OO African blackwood acoustic guitar - sold


  54. Martin OOO-28EC Eric Clapton 2013 (used)

    Martin OOO-28EC Eric Clapton 2013 (used)

    Out of stock
    Fantastic condition Eric built in 2013. Its not as yellow as it looks in the photos.

    A great fingerpicker with even and balanced tone, warm bass, rich mids and clear trebles.

    • Sitka spruce top
    • Rosewood back and sides
    • 14 frets to the body
    • 24.9” scale
    • 1 ¾” nut width
    • 15” lower bout
    • Mahogany neck
    • No cutaway
    • Fine herringbone top border
    • Grained ivoroid bindings
    • HD Zig-Zag backstrip
    • Rosewood headstock veneer
    • Diamond and squares position markers (with side dots)
    • Fine herringbone rosette
    • Marquetry back strip
    • Ebony fretboard
    • Ebony bridge
    • Gotoh Nickel Open-Geared tuners with Butterbean Knobs
    • Bone saddle
    • Tortoise pickguard
    • Martin hard case

    Martin OOO-28EC Eric Clapton 2013 (used)Martin OOO-28EC Eric Clapton 2013 (used)Martin OOO-28EC Eric Clapton 2013 (used)


  55. Old Wave A4 - Sunburst

    Old Wave A4 - Sunburst

    Out of stock
    This beauty has fantastic depth and warmth with very full and rich mids and trebles and clear, ringing trebles. Great for folk, old time and many more styles.

    Colorado Engelmann spruce top with red spruce x bracing, Varnum estate (c.1980) curly maple sides/ back/neck, 12" radius ebony fretboard, peghead veneer and bridge, ivoroid binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, sunburst lacquer finish TKL black hardshell case.

    Old Wave A4 - SunburstOld Wave A4 - SunburstOld Wave A4 - Sunburst


  56. Old Wave A4 - Birdseye Maple

    Old Wave A4 - Birdseye Maple

    Out of stock
    Its hard to tell the difference tonally between these two beauties. Both are very loud with strong, well defined and warm bass notes, rich and full mids and clear/precise trebles. Its fantastic to have that wonderful oval hole sound with great definition and projection. The birdseye is gorgeous but so is the Vermont maple... I wouldn't want to have to choose between the two.


    Colorado Engelmann spruce top with red spruce x bracing Varnum Estate (c.1980) birdseye maple sides/1 piece back/neck, 12" radius ziricote fretboard and peghead veneer, tortoise celluloid binding, abalone position dots, rosette, and wave inlay, 1 3/16 bison bone nut, Grover tuners golden/amber lacquer finish, D'Addario J74 strings, TKL black hardshell case

    Old Wave A4 - Birdseye MapleOld Wave A4 - Birdseye MapleOld Wave A4 - Birdseye Maple


  57. Ogino OM 'Alice' - Sitka & Padauk

    Ogino OM 'Alice' - Sitka & Padauk

    Out of stock
    This beautiful set of very straight grained padauk was given to Hiroshi as his graduation present by Ervin Somogyi and he has done a fantastic job using it.

    Hiroshi's Zen rosette, embodies his "Wabi-Sabi", or "quiet simplicity" approach. Its a true work of art.

    The tone is as remarkable as the workmanship. This is a versatile guitar with a very full and well defined bass, with warm and punchy mids and exceptionally clear trebles. It responds beautifully to a gentle touch of the fingers and equally well to a pick with great balance and projection.


    • Sitka with natural oil varnish finish top
    • Padauk back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Black and white purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • No position markers (with side dots)
    • Carved ‘Zen’ rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom hardshell case

    Ogino OM 'Alice' - Sitka & PadaukOgino OM 'Alice' - Sitka & PadaukOgino OM 'Alice' - Sitka & Padauk


  58. Wren Remuda Madagascar rosewood acoustic guitar - sold

    Wren Remuda Madagascar rosewood acoustic guitar - sold

    Out of stock
    £4495. SOLD

    Another truly awesome guitar from David. The last three from him sold within days of arriving...

    This guitar has everything, volume, definition, separation, balance, deep and warm tone, excellent projection and fantastic playability. From the lightest fingerstyle to a heavy pick it responds perfectly.

    • Master grade Lutz top
    • Madagascar rosewood back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1.77”/45mm nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Highly figured sapele purfling
    • Highly figured sapele bindings
    • Madagascar rosewood headstock veneer
    • Madagascar rosewood rear headstock veneer
    • Figured sapele backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - sold


  59. Girouard A5

    Girouard A5

    Out of stock
    Another amazing mandolin from Max and Lauri. It has a fantastic chop for bluegrassers with great volume and lots of depth and warmth in the basses and mids, making it a great all-rounder, fantastic for anything from classical to old time music and bluegrass.

    Red (Adirondack) spruce top, red maple back/sides/neck, Macassar ebony fretboard and peghead overlay, compound radius fretboard, evo gold fretwire, bone nut, Girouard ebony bridge Rubner tuners and TKL hardshell case.



    Girouard A5Girouard A5Girouard A5


  60. Claxton OM - Italian spruce & Claro Walnut

    Claxton OM - Italian spruce & Claro Walnut

    Out of stock


    Ed does it again! Superlative craftsmanship and finishing and tone to die for.

    With the clarity of Italian spruce and the warmth of walnut and Ed's amazing skill this is a truly incredible guitar. Its rare to get this much warmth, depth and complexity of tone with perfect individual note definition, separation and projection. Its very responsive, articulate and intimate, responding fantastically to the lightest touch and equally well to a little digging with great volume when required. Awesome!

    • Italian spruce top
    • Claro walnut back and sides from a log that was sunk in a lake in Sonoma, CA for 50 years
    • 14 frets to the body
    • 25.375”scale
    • 1.75”nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Pernambuco, holly, Ebonoid purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony backstrip
    • No position markers (with MoP side dots)
    • Wood mosaic rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebonoid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Pickguard included, not installed
    • Main Stage case

    Claxton OM - Italian spruce & Claro WalnutClaxton OM - Italian spruce & Claro WalnutClaxton OM - Italian spruce & Claro Walnut


  61. Carruth OOO-14 - Sitka & Caribbean Mahogany

    Carruth OOO-14 - Sitka & Caribbean Mahogany

    Out of stock
    Another stunning guitar from Alan and at an unbelievable price. It has the warmth of a rosewood guitar with with the clarity and definition of mahogany, fantastic.

    This might explain why the sound is so mature; from Alan. "Caribbean mahogany that I got from my violin making teacher in the '80s. She said she'd had it for forty years."

    • Sitka spruce top
    • Caribbean Mahogany back and sides
    • Brushed oil varnish finish
    • D'Addario light strings
    • 14 frets to the body
    • 25.4” scale
    • 1 23/32" nut width
    • 2 1/8" string spacing at saddle
    • 15" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Maple purfling
    • Morado bindings
    • Morado headstock veneer
    • Morado ebony backstrip
    • Bone position markers (with side dots)
    • Honduras mahogany, Caribbean mahogany, maple, cherry, black dyed veneer rosette
    • Ebony fretboard
    • Morado bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Compensated bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean Mahogany


  62. Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Out of stock


    Fantastic Wingert F in sinker redwood and macassar ebony, built in 2012, in as new condition. Beautiful deep and rich tone with great power and great finesse, responding equally well to digging in and a very light touch. It has deep well defined bass notes with full and complex mids and fat and clear trebles.

    • Sinker redwood top
    • Madagascar rosewood back and sides
    • Soft cutaway
    • Mini bevel
    • 14 frets to the body
    • 25.3/8” scale
    • 1 25/32” nut width
    • 2 5/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Abalone logo
    • Paua purfling
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Paua rosette
    • Ebony fretboard
    • Ebony bridge
    • Gold Gotoh H.A.P.A height adjustable post tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)


  63. Dudenbostel Classic OM 2009 acoustic guitar - sold

    Dudenbostel Classic OM 2009 acoustic guitar - sold

    Out of stock
    Fantastic 'Classic OM' from Lynn Dudenbostel. This is a rare bird indeed.

    It comes complete with a letter from Lynn dated April 14 2009 explaining his goal of producing a modern Martin 14 fret OM, see photo.

    It is an excellent condition and sounds awesome! It very light and extremely responsive, with unbelievable definition and projection, rich and full bases, complex mids and clear/well defined trebles. Sound clip to come soon.

    • Carpathian spruce top
    • Honduran mahogany back and sides
    • Oil varnish finish
    • 15" lower bout
    • 14 frets to the body
    • 25.4” scale
    • 1.752 nut width
    • 2 1/4" string spacing at saddle
    • Mahogany neck
    • B/W purfling
    • Rosewood bindings
    • Macassar ebony headstock veneer
    • Rosewood backstrip
    • Dot Abalone position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Grover open backed tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hard case

    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
  64. Gibson A4 Red Burst 1915 (used)

    Gibson A4 Red Burst 1915 (used)

    Out of stock
    Double bound body, red sunburst on spruce top, bound oval soundhole, 3 ring rosette, mahogany neck, bound ebony fretboard, dot inlays, 24 frets (professional re-fret), original tailpiece cover and bridge, fleur-de-lis and logo inlays, 4-on-a-plate tuners with Handel inlaid tuner buttons. In excellent condition with low action.

    It sounds fantastic, lots of that great vintage gibbo tone with solid bases, sweet mids and clear trebles.

    With original case (not the modern one shown in the photos).

    Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)


  65. Collings MF5 (used)

    Collings MF5 (used)

    Out of stock
    Wow! This is what Collings are about, lots of full and fat tone with fantastic pop and chop and depth, breadth and subtlety and complexity, and, and, and...

    Playability is 100% and responsiveness to the lightest touch or the heaviest pick and attack is awesome. You could play anything on this beauty.


    Select Adirondack spruce top
    Premium figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Grained ivoroid top/back/neck & peghead binding
    Black/white purflings
    Full high-gloss nitrocellulose lacquer finish
    Bound Florentine-style headstock
    13 Degree headstock angle
    Ebony peghead overlay w/Collings logo and flourish inlay
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel or gold tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MF5 (used)Collings MF5 (used)Collings MF5 (used)


  66. Peggy White Reesling Parlour - Italian Spruce & Flamed Maple

    Peggy White Reesling Parlour - Italian Spruce & Flamed Maple

    Out of stock
    There has been a lot of discussion on the Acoustic Guitar Forum recently about the tonal properties of maple. Having been a believer for a long time that in the hands of a skilled luthier it makes a fantastic tonewood for the back and sides of guitars (as well as mandolins) I am delighted to see the consensus heading my way.

    This gorgeous Reesling parlour guitar from Peggy proves my point. It has fantastic clarity and balance with a lovely deep and resonant tone. The bass notes are full and well defined, the mids warm and complex and the trebles bright, warm and clear.

    • Italian spruce top
    • Flamed maple back and sides
    • Oval soundport
    • 13 frets to the body
    • 24 ½” scale
    • 1 ¾” nut width
    • 2 1/8” string spacing at saddle
    • 13 ½” lower bout
    • Mahogany neck
    • Honey Jasper Recon Stone logo
    • Maple w/b/w purfling
    • Rosewood bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • TKL arched case



    Peggy White Reesling Parlour - Italian Spruce & Flamed MaplePeggy White Reesling Parlour - Italian Spruce & Flamed MaplePeggy White Reesling Parlour - Italian Spruce & Flamed Maple


  67. Hatcher Penelope acoustic guitar - sold

    Hatcher Penelope acoustic guitar - sold

    Out of stock
    In as new condition.

    My first Guitar from Mark and it is a real stunner, the rosette and the amazing 'pillow' headstock are works of art. And to coin the old cliché it sounds as good as it looks. It has a fantastic deep and rich, well defined bass with full and complex mids and clear, ringing trebles. The balance and projection is excellent and the playability second to none.

    • Master grade sitka top
    • Rosewood back and sides
    • 12 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2.25” string spacing at saddle
    • 14 7/8” lower bout
    • Mahogany with maple and cross grained EIR centre strip neck
    • Black wood, maple, and mahogany purfling
    • Ebony bindings
    • Sculpted rosewood with maple purfling and black ebony bindingheadstock veneer
    • Mahogany with maple purfling rear headstock veneer
    • No position markers (with side dots)
    • Rosewood, spalted Tamarind, Mahogany tiles bordered in black ebony and bound in black wood, maple, and mahogany rosette
    • Black ebony with black ebony binding and maple purfling fretboard
    • Ebony bridge
    • Gotoh mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - sold


  68. Brentrup Parlour Adirondack/Oak acoustic guitar - sold

    Brentrup Parlour Adirondack/Oak acoustic guitar - sold

    Out of stock
    I've been hassling Hans to send me a guitar for a few years now. It was well worth the wait. Punchy little parlour is a tired old phrase but it certainly applies here, fantastic volume (OK not as much a s dread) separation and projection with a deep and characterful tone, oak and Adirondack is clearly a winning combination. And what a beauty, I love the look of the oak and Hans' Larson style rosette and purfling. A perfect blues guitar with plenty headroom and sustain for digging in.

    There's a ding on the back of the headstock (see photo) £250 has been knocked off because of this.

    • Red (Adirondack) spruce top
    • White oak back and sides
    • Slotted headstock
    • 12 frets to the body
    • 25” scale
    • 1 13/16"” nut width
    • 2 3/8” string spacing at saddle
    • 12 ¾” lower bout
    • Mahogany neck
    • Custom Larson style purfling
    • Ivoroid bindings
    • White oak headstock veneer
    • Custom Larson style backstrip
    • MoP position markers (with side dots)
    • Custom Larson style rosette
    • Ebony fretboard
    • Ebony bridge
    • Stew-Mac Golden Age tuners
    • Butterbean tuner buttons
    • Bone nut and saddle
    • Clear pickguard
    • TKL case

    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
    Brentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - soldBrentrup Parlour Adirondack/Oak acoustic guitar - sold
  69. Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood

    Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood

    Out of stock
    My first from Tom and more than ample proof of the reputation he has gained over recent years.

    With bevelled bindings top an back it is a supremely comfortable guitar to play. Feeling so comfortable and at ease allows you to concentrate on playing and listening to its wonderful tone. It has a deep an sonorous, rich and mellow sound with great separation and definition, fantastic for letting each note contribute a full palate and blend with the next. A dream fingerstylists guitar.

    And not to forget, fantastic workmanship and detailing (look at the back of the headstock), a work of art.

    • German Spruce top
    • Sacha rosewood (higuerilla) back and sides
    • Florentine cutaway
    • 14 frets to the body
    • 25.4” scale
    • 1.75 nut width
    • 2.25” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • Black/Maple/Black purfling
    • Beveled ebony bindings
    • Madagascar rosewood headstock veneer
    • Sacha rosewood rear headstock veneer
    • MoP position markers (with side dots)
    • Madagascar rosewood rosette
    • Ebony fretboard
    • Madagascar Rosewood Bound in ebony bridge
    • Gold Gotoh 510 Delta Series tuners
    • Faux ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Cedar Creek case

    Doerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' RosewoodDoerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' RosewoodDoerr Legacy Select Signature - German Spruce & Sacha 'Higuerilla' Rosewood


  70. Ken Franklin Elsie - Adirondack & Oak

    Ken Franklin Elsie - Adirondack & Oak

    Out of stock
    Ken made the back and sides of this beauty form an old oak dresser from the 1940s. I've been wanting to get an oak guitar since I heard that Hans Brentrup was working with it and getting great results.

    It has a remarkable deep and rich sound with fantastic balance and warmth with separation and clarity.

    • Adirondack spruce top
    • Oak back and sides
    • 13 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 1/4" string spacing at saddle
    • 14” lower bout
    • European maple neck
    • Macassar ebony bindings
    • Oak headstock veneer
    • Oak rear headstock veneer
    • Macassar ebony backstrip
    • MoP side dots
    • Oak, Macassar ebony, and maple custom rosette
    • Macassar ebony fretboard
    • African ebony bridge
    • Gold mini Gotoh 510 tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Travelite case

    Ken Franklin Elsie - Adirondack & OakKen Franklin Elsie - Adirondack & OakKen Franklin Elsie - Adirondack & Oak


  71. Girouard A4

    Girouard A4

    £2,995.00
     
    In stock
    This A4 form Max and Lauri is very loud with fantastic depth and richness of tone. It has great response and volume. Gorgeous in looks and sound and it plays beautifully.

    Top Wood: Red Spruce
    Back, Side, Neck Wood: Red Maple
    Scale Length: 13.875
    Fretboard and Peghead overlay Wood: Macassar
    Fretboard Radius: Compound (7.25 at nut - 12 at bridge)
    Nut Type: Bone
    Fret Size: 043 x 080
    Fret Type: EVO Gold
    Fretboard Dots: MOP
    Neck Reinforcement: Truss Rod
    Neck Shape: Soft V shape
    Tailpiece: Stamped Engraved
    Tuners: Rubner
    Hardware Color: Silver
    Strap Button: None
    End Pin: Black screw in type
    Binding: Ivoroid top bound
    Pickguard: None
    Bridge: Girouard bridge
    Inlay: Girouard Script
    Strings: Curt Mangan
    Action height: low (0.060 bass 0.055 treble)
    Case: Superior





    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
  72. de Jonge OM - Ziricote & Engelmann

    de Jonge OM - Ziricote & Engelmann

    Out of stock
    A customer put some light scratches on this beauty then I dropped a box against it!! See photos. Reduced by £2400 from £6395 to £3995 this is a bargain.

    Local legend Terry Lees was the first to play this beautiful guitar from Sergei. I've known Terry for a while and I know when its his kind of guitar within a few bars, he digs in and goes for it.

    He's playing as a write and I hear immense power an depth when he's digging in and beautiful warm sweet tones when the mood changes.

    You may think a zirizote guitar is going to be heavy (as in weight not 'that's heavy man') but in Serge's expert hands this is not the case. This is a light and responsive, wonderful guitar with fantastic playability and expression.

    • Bearclaw Engelmann spruce top
    • Ziricote back and sides
    • French polish finish
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾”nut width
    • Soundport
    • 2 3/16” string spacing at saddle
    • 15 3/16” lower bout
    • Honduras mahogany neck
    • Rosewood and maple purfling
    • Ziricote bindings
    • Ziricote headstock veneer
    • Ziricote rear headstock veneer
    • No position markers (with side dots)
    • Ziricote rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Water buffalo bone bridge pins
    • Clear pickguard
    • TKL case


    de Jonge OM - Ziricote & Engelmannde Jonge OM - Ziricote & Engelmannde Jonge OM - Ziricote & Engelmann


  73. Old Wave Guitar Bodied Octave Mandolin (GoM)

    Old Wave Guitar Bodied Octave Mandolin (GoM)

    £4,395.00
     
    In stock
    Another amazing octave mandolin from Bill. Colorado engelmann spruce top (milled 1997) with red spruce spruce x bracing, Vermont mamaple (milled 2006) 2 piece back, 16" radius macassar ebony fretboard, bridge, pickguard, and peghead veneer, ivoroid celluloid binding, abalone position dots and wave inlay, 1 3/8 bison bone nut, grover tuners, sunburst lacquer finish over shella, Mangan custom 48-34-23-13 strings, tweed hardshell case.

    I have only ever owned two octave mandolins personally, both made by Mr. Bussmann.To use one of my favourite cliches again it sounds as good as it looks. Well defined bass (not a common feature on octave mandolins) with depth and resonance, warm and complex mids with clear and strong trebles... fantastic.

    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
    Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)Old Wave Guitar Bodied Octave Mandolin (GoM)
  74. Collings OM3 Custom 2014 (used)

    Collings OM3 Custom 2014 (used)

    Out of stock
    Gorgeous Custom Collings OM3. Fantastic rich and full tone with beautiful warm and full base notes, luscious mids and clear, well defined trebles.

    It has great balance and amazing projection, great for fingerstyle and much more.

    In excellent condition with a couple of lacquer dents in the base.



    Top Sitka spruce
    Back & Sides Mountain Cedar
    Neck Honduran mahogany
    Body Binding Ivoroid with b/w/b/w/b purfling
    Fingerboard Binding .060" ivoroid
    Peghead Binding .100" ivoroid with b/w purfling
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with no inlay
    Bridge Pins/End Pin Ebony with abalone dot
    Nut Bone, 1 11/16"
    Saddle Bone, drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Stained Exotic Ebony with MOP Collings logo
    Tuners Gold Waverly (16:1 ratio)
    Backstrip 3-style (Chevron)
    Rosette Abalone
    Scale Length 25 1/2"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Neck Finish High gloss polyester resin
    Pickguard Tortoise
    Strings D'Addario EJ-16 (.012"- .053")
    Case Hiscox

    Collings OM3 Custom 2014 (used)Collings OM3 Custom 2014 (used)Collings OM3 Custom 2014 (used)


  75. Eastman MDC 805 Mandocello

    Eastman MDC 805 Mandocello

    Out of stock
    £2079, free UK mainland delivery, including pro set-up.

    Oval or f hole for a mandocello? It would seem logical that a cello would be better with oval holes given that bass and resonance is the point of a cello. I was surprised when I visited Bill Bussmann to hear the incredible bass from his jazz guitar bodied, f hole, octave mandolin, so surprised that I insisted he sell it to me! Not being a jazz fan I have never understood the sound of a jazz guitar, I just don't get it or particularly like it. It's the last thing I would have thought would produce a bassy and resonant larger mandolin family instrument, but is does! ... end of long story.... This Eastman cello proves the theory that somehow a jazz guitar body produces a deep and resonant sound. It has incredible warm and dark basses with rich and thick resonance, it plays easily and is a very fine mandocello. Comes with hardshell case.

    Eastman MDC 805 MandocelloEastman MDC 805 MandocelloEastman MDC 805 Mandocello


  76. Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Out of stock
    In excellent condition. This is lot of guitar for the money.

    I have compared it with other sitka/rosewood jumbos and this is the sweet one! The sound is very warm and lush without lacking definition. Fantastic for picking and strumming and more than capable of some delicate fingerstyle.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.6” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16 1/8” lower bout
    • Mahogany neck
    • MoP logo
    • Maple top border
    • Maple bindings
    • Rosewood headstock veneer
    • Micro dot position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Toffee tuner buttons
    • Micarta nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hard case

    Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)


  77. National ResoPhonic RM1 Walnut - Antique Brass Parts

    National ResoPhonic RM1 Walnut - Antique Brass Parts

    Out of stock
    Great for blues and generally getting that wonderful resonator tone, National ResoPhonic mandolins are also fantastic for their unbelievable volume. I can still remember the first time I tuned one up and did my usual quick and hard three chord run to check tuning, my ears hurt. If you want to be heard in the pub in that noisy jam there is nothing better.

    The tone is nothing like those cheap n' nasty resonators you hear around and about, it is the true mandolin sound with the resonator feel.

    Back and sides walnut
    Tuners Gotoh Open Gear
    Nut Material Bone
    Fretboard Ebony
    Fretboard Binding Ivoroid
    Fretboard Markers Mother of Pearl
    Fretwire W-.053 H.031
    Resonator 9.5" Hand Spun
    Bridge Type Maple Biscuit
    Neck Material Maple
    Top Material Maple
    Lower Bout Width 11.5"
    Width at Nut 1.25"
    Scale Length 14"
    Hardshell Case




    National ResoPhonic RM1 Walnut - Antique Brass PartsNational ResoPhonic RM1 Walnut - Antique Brass PartsNational ResoPhonic RM1 Walnut - Antique Brass Parts


  78. Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Out of stock
    Very lightly used with two small dings on the top, too light to photograph and some varnish wear.

    This really is the bee's knees. Its the fifth Parlour Retreaux I've had from Mike. The figured Bubinga is the most spectacular I've seen. The tone is very warm with fantastic depth.

    • Italian Spruce top
    • Beeswing Figured Bubinga and sides
    • 12 3/8” lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with Koa purflings
    • 13th fret neck joint
    • Cream/Red striped Acrylic accents and rosette
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Cosmo Black mini Gotoh 510 Tuners with Black Buttons
    • Black Binding with Koa top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga


  79. Fischer 12/15 - Lutz Spruce & Honduran Mahogany

    Fischer 12/15 - Lutz Spruce & Honduran Mahogany

    Out of stock
    My first from Steve and it exceeds my very high expectations. With the clarity and definition of mahogany and the warmth of the twelve fret body join (due to moving the bridge towards the centre of the lower bout) it it has both sweetness of tone and great projection. A very versatile and expressive guitar with fantastic playability.

    • Lutz spruce top
    • Honduran mahogany back and sides
    • Florentine cutaway
    • 12 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Maple and ebony logo
    • Black/black/maple purfling
    • Snakewood bindings
    • Ebony headstock veneer
    • Snakewood rear headstock veneer
    • No position markers (with side dots)
    • Snakewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case

    Fischer 12/15 - Lutz Spruce & Honduran MahoganyFischer 12/15 - Lutz Spruce & Honduran MahoganyFischer 12/15 - Lutz Spruce & Honduran Mahogany


  80. Stehr Auditorium Macassar Ebony acoustic guitar - sold

    Stehr Auditorium Macassar Ebony acoustic guitar - sold

    Out of stock
    This is my first guitar from Joel and what a début is.

    It has huge and well defined bass with very rich and full mids and strong and clear trebles, fantastic balance and separation. And of course with arm and rib bevels its a dream to play.

    • High figure bearclaw Sitka spruce
    • Macassar ebony
    • Catalysed urethane
    • Venetian cutaway
    • Sound port bound with ebony and maple purfling
    • 13 frets to the body
    • 25.4” scale
    • 1-3/4” width at the nut
    • 2-1/4” string spacing at the saddle
    • 15-1/8” lower bout width
    • Honduran mahogany with satin finish
    • Stehr leaf logo
    • Maple purfling for back, sides, fretboard and headstock
    • Ebony bindings with arm and rib bevels
    • Macassar ebony headplate, bound with ebony and maple purfling
    • Macassar ebony back headplate
    • No back strip
    • Rectangle fretboard markers inlays
    • Black and white ebony rosette
    • Ebony fretboard bound with maple purfling and ebony bindings
    • Ebony bridge
    • Gold Gotoh 510
    • Black buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL hardshell case with combo lock

    Stehr Auditorium Macassar Ebony acoustic guitar - soldStehr Auditorium Macassar Ebony acoustic guitar - soldStehr Auditorium Macassar Ebony acoustic guitar - sold


  81. Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)

    Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)

    Out of stock
    In fantastic condition and sounding marvellous. Plenty of the famous Goodall sparkle with strong well defined bass, rich and complex mids and clear bell-like trebles.

    • Port Orford Cedar top
    • Myrtle back and sides
    • 14 frets to the body
    • Soft cutaway
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Maple neck
    • Abalone logo
    • Rosewood bindings
    • Ebony headstock veneer
    • Rosewood backstrip
    • Slotted diamond abalone position markers with dove inlay at the 12th fret (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge with dove inlays
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)Goodall Standard - Port Orford Cedar & Myrtle 2004 (used)


  82. Indian Hill OO-12

    Indian Hill OO-12

    Out of stock
    Another beautiful OO-12 that sounds fantastic. Classic 12 fret warmth and the depth and character of the best mahogany, its very well balanced with great definition and projection... and its a beautiful work of art.

    I put a small ding in the back of the headstock (see photo) when doing the photos so I have knocked £100 off the (already great) price.

    Engelmann Spruce Top
    Curly Mahogany back/sides
    No Cutaway
    French polish finish
    Oval Soundport
    12-frets to the body
    645 mm scale (25.4")
    44 mm nut (just under 1 3/4")
    56 mm string spacing (2.2")
    Lower bout 14 1/4"
    Mahogany neck
    12th fret "IH" Indian Hill Logo
    Curly mahogany, cocobolo, maple purfling
    Cocobolo binding
    Curly Mahogany front/back headstock veneer
    No fretboard position markers, brass tube side dots
    Spalted maple rosette
    Ebony fretboard
    Pinless ebony bridge with spalted maple inlay
    Gold Gotoh 510 tuners
    Unbleached bone nut/saddle
    Pinless bridge
    Clear pickguard
    TKL case

    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
  83. Pava F5 Professional

    Pava F5 Professional

    Out of stock
    Pava does it yet again. This fantastic F5 IS the master of all trades. It is powerful with a fantastic chop for the bluegrassers, responding to a heavy pick superbly. With a gentler approach it is very responsive with rich and mellow, well defined basses, warm and full mids and thick and equally well defined trebles. I am speechless, this lady is a genius.

    Gloss finish, Adirondack red spruce top, red maple back and sides, double bound top and back, bound fingerboard and peg head, Rubner tuners, James tailpiece, MoP logo, headstock inlay and fret markers, Travellite case.

    Pava F5 ProfessionalPava F5 ProfessionalPava F5 Professional


  84. Weber Gallatin A5 Mandocello - A Style - F Hole (used)

    Weber Gallatin A5 Mandocello - A Style - F Hole (used)

    Out of stock
    The deep rumble with a little extra definition form the f holes. This is a fantastic value carved top and back ( 'bluegrass' ) mandocello.

    Hand graduated and tuned solid spruce top, hand scalloped spruce tone bars braced, mahogany back and sides, MOP 'Weber' script peghead inlay, black bound ebony radiused fretboard, 24 ¾ inches scale length, 1 5/8 inch nut width, MOP large diamonds fretboard inlay, dual action/adjustable truss rod, cast Weber stainless steel tailpiece, nickel Grover tuners, original Brekke bridge and a deluxe hardshell case (now with stickers).

    In very good condition with a clear pickguard added over a finger mark.




    Weber Gallatin A5 Mandocello - A Style - F Hole (used)Weber Gallatin A5 Mandocello - A Style - F Hole (used)Weber Gallatin A5 Mandocello - A Style - F Hole (used)


  85. Old Wave A4 - Cabernet

    Old Wave A4 - Cabernet

    Out of stock
    Colorado Engelmann spruce top with red spruce x bracing, quilted maple 2 piece back, 12" radius ebony fretboard and bridge, ivoroid binding, pearl position dots and wave inlay, abalone rosette, quilted peghead veneer and cabernet lacquer finish, TKL black hardshell case.

    Another fantastic and beautiful A4 from Bill, very rich and full with strong and well defined bass, sweet and complex mids and clear, ringing trebles.

    Old Wave A4 - CabernetOld Wave A4 - CabernetOld Wave A4 - Cabernet


  86. de Jonge OM - Sitka & Rosewood (used)

    de Jonge OM - Sitka & Rosewood (used)

    Out of stock


    Fantastic rosewood OM from Sergei. It sounds very rich and full with great balance and clarity, its very responsive and a joy to play.

    In very good condition with some clouding in the finish, hard to see and not possible to photograph. Good action but not much left on the saddle. The new price was £5395.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 5/16” lower bout
    • Mahogany neck
    • Maple/padauk purfling
    • Figured sapele bindings
    • Rosewood headstock veneer
    • No position markers (with side dots)
    • Figured sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Ebonoid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    de Jonge OM - Sitka & Rosewood (used)de Jonge OM - Sitka & Rosewood (used)de Jonge OM - Sitka & Rosewood (used)


  87. Weber Bitterroot A4 - A Style - Oval Hole

    Weber Bitterroot A4 - A Style - Oval Hole

    £3,350.00
     
    In stock
    Beautiful A4 Bitterroot with flame maple back and sides, spruce top, bound soundhole, radiussed ebony fretboard and Brekke bridge, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case.

    Fantastic full and rich sound with warm and deep bass notes, sweet mids and clear trebles. The Bitterroot range represent great value from Weber and always have a very sweet and mellow tone, not Ideal for bluegrass but perfect for everything else.

    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
  88. Kinnaird OM - Engelmann & Curly Claro Walnut

    Kinnaird OM - Engelmann & Curly Claro Walnut

    Out of stock
    My first two guitars from Steve sold quickly and I like this one even more. Walnut is a wood that is not popular in some quarters but I've liked every Walnut guitar I've had built.

    It has a very full and luscious tone with warm and rounded basses with great definition. The mids are rich and complex and the trebles fat but clear all the way up. The overall balance is fantastic with great projection and volume. It has plenty of headroom for those with a heavy pick style and the sweetest clear and resonant tone from a light touch with fingers with or without nails.

    Stunning in all departments.

    Top - Engelmann Spruce
    Back & sides - Curly Claro Walnut
    Neck - Walnut with American Sycamore stripe
    Fretboard - Macassar Ebony
    Case - Cedar Creek hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.35mm
    Lower bout width - 15.25"
    Upper bout width - 11.22"
    Body depth at base - 4.53"

    America sycamore logo - Black/White/Black purfling - American sycamore bindings - Burled walnut headstock veneer - Figured walnut rear headstock veneer - American sycamore backstrip No position markers (with side dots) - Burled walnut rosette - Macassar ebony fretboard - Macassar ebony bridge - Gotoh tuners - Black horn tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut


  89. Leach Southwest

    Leach Southwest

    Out of stock

    What can you say about the work of a genius inlay artist? This guitar is even more stunning than I imagined when I first thought of it and talked to Harv.

    But Mr. Leach doesn't just have a reputation for his inlay work, it sounds great too. Very rich and warm with fantastic balance, definition and projection.

    See the Acoustic Guitar Forum build thread HERE

    • Engelmann spruce top
    • Manchinga back and sides
    • Venetian cutaway
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 2 9/32”string spacing at saddle
    • 15” lower bout
    • Mahogany with Aspen center neck
    • Black/white /black purfling
    • Dark flamed Koa bindings
    • Headstock veneer: Cactus scene sapele, bubinga, pau ferro, tulipwood, bloodwood, cocobolo, malachite, turquoise, Corian, imitation MOP
    • Spalted maple with B/W/B purfling rosette
    • Southwest scene inlay fretboard
    • Rosewood bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony with honey jasper dots bridge pins
    • Pickguard: Gecko inlay on Manchinga, inlay materials: Honey jasper, red coral and pipestone recon stone, red Corian, ebony.
    • TKL case



    Leach SouthwestLeach SouthwestLeach Southwest


  90. Chasson Concert - Engelmann & Cocobolo

    Chasson Concert - Engelmann & Cocobolo

    Out of stock
    Wow! Kent (once again) has pulled out all the stops on this beauty, a fantastic example of the 'art' of luthiery.

    He went all out on the sound as well, a very versatile guitar with deep and sonorous basses, complex mids full of character and expression and clear but warm and bright trebles. Playing hard or soft it responds with consummate ease.

    • Engelmann spruce top
    • Cocobolo back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Khya mahogany neck
    • MoP logo
    • Bloodwood/black purfling
    • Flamed koa bindings
    • Cocobolo headstock veneer
    • Cocobolo rear headstock veneer
    • No position markers (with side dots)
    • Leopardwood rosette
    • Cocobolo fretboard
    • Cocobolo bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Ameritage case

    Chasson Concert - Engelmann & CocoboloChasson Concert - Engelmann & CocoboloChasson Concert - Engelmann & Cocobolo


  91. Ken Franklin Carnelian - Adirondack & Paduak

    Ken Franklin Carnelian - Adirondack & Paduak

    Out of stock

    Ken does it again. A stunningly beautiful guitar (my favourite rosette so far) with fantastic sound at an unbelievable price. He hasn't filled the pores and while it makes it a little tricky to photograph it looks amazing, three dimensional and very tactile.

    The sound is very full and open, lively but warm and balanced.. my kind of guitar.

    Its my first in guitar padauk and it certainly won't be the last.

    • Adirondack top
    • Padauk back and sides
    • Oil varnish finish
    • D'Addario EXP 16 strings
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2.19” string spacing at saddle
    • 15.25” lower bout
    • Peruvian walnut neck
    • Wenge logo
    • Maple purfling
    • Wenge bindings
    • Padauk headstock veneer
    • Peruvian rear headstock veneer
    • Wenge backstrip
    • Maple position markers (with side dots)
    • Padauk, ebony, maple rosette
    • Macassar ebony fretboard
    • Ebony bridge
    • Gotoh 51o mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Gonçalo alves/ Chinese pistache bridge pins
    • Clear pickguard
    • Ameritage custom case


    Ken Franklin Carnelian - Adirondack & PaduakKen Franklin Carnelian - Adirondack & PaduakKen Franklin Carnelian - Adirondack & Paduak


  92. Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Out of stock
    Excellent condition slope D made in Dana's workshop in 2005.

    Adirondack and rosewood make for a very powerful guitar with endless headroom, huge basses, awesome warm and full mids and bright and loud trebles. Anyone who know Vo Fletcher it's previous owner will know that this is the kind of guitar that Vo goes for. Built for performance and filling a venue with great definition and projection it also responds very well to a gentler approach.

    Pickup in the photos not included.

    Adirondack spruce top
    Indian rosewood back and sides
    Sunburst finish
    Snakehead headstock
    Soft cutaway
    25.5 " scale
    1 23/32"" nut width
    2 3/16" string spacing at saddle
    15 13/16" lower bout
    Ebony headstock veneer
    Triple ivoroid bindings
    Marquetry back strip
    Concentric circles rosette
    Bone nut and saddle
    Ebony fretboard
    Ebony belly bridge
    Abalone inlaid logo
    Abalone custom fretboard inlay
    Waverly tuners with ivoroid buttons
    Bone bridge pins
    Tortoise pickguard
    TKL hardshell case

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)


  93. Traphagen HRS - Italian Spruce & Honduran Rosewood

    Traphagen HRS - Italian Spruce & Honduran Rosewood

    Out of stock


    Here’s a special offer on a special guitar that has, what some might say, are ‘issues’. We’ve had the guitar in the shop for a while now. During that time it has done its own ‘relic job’ by developing lacquer checking across the whole surface of the Spruce top. The back, sides and neck are unaffected.

    Anyone who knows a bit about the ‘lacquer checking’ that is added to modern custom shop electric guitars will understand what I mean by a ‘relic job’. There is absolutely no adverse effect to the tone or the overall loveliness of the guitar, it sounds wonderful, it’s just not something that you usually find on an expensive handmade acoustic guitar. There's an image of the lacquer checking below.

    The fret ends on the lower side of the neck could do with a little tidying up too though playability is very good as it is.

    There’s not much room left in the saddle for those who like an ultra-low action though the current action is great for fingerstyle.

    We don’t currently have the services of a luthier so we are therefore offering this guitar at £2,995, a massive £4,000 discount! Yes, you can own a seven grand guitar that you might not have been able to afford.

    Feel free to make us a cheeky offer as long as you don’t mind a cheeky response.

    Top - Italian Spruce
    Back & sides - Honduran Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Black hardshell arched case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.75mm
    Action fret 1 high E - 0.3mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 14 13/16"
    Upper bout width - 11.22"
    Body depth at base - 4.13"

    Amazon rosewood purfling - Amazon rosewood bindings - Honduran rosewood headstock veneer Honduran rosewood backstrip - No position markers (with side dots) - Black palm rosette Honduran rosewood bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle Rosewood bridge pins - Clear pickguard

    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood


  94. Collings MT Mandola - Black Gloss Top & Ivoroid Binding

    Collings MT Mandola - Black Gloss Top & Ivoroid Binding

    £3,775.00
     
    In stock
    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package.

    Top Adirondack spruce
    Back/Sides/Neck Eastern flamed maple
    Soundhole F-holes
    Body Binding Tortoise (top)
    Fingerboard Binding None
    Peghead Binding None
    Bracing Tone bars
    Bridge Ebony w/ Adjustable Saddle
    Fingerboard Ebony w/ MOP dots
    Nut 1 5/16"
    String Spacing 1 11/16"
    Neck Profile Rounded V
    Neck Joint Dovetail
    Frets Medium 18% nickel-silver
    Truss Rod Fully Adjustable
    Peghead Veneer Ebony w/ MOP Collings logo
    Tuners Nickel Gotoh w/ black buttons
    Scale Length 15.9"
    Fingerboard Radius 7" - 15" compound
    Body Finish Satin nitrocellulose lacquer
    Pickguard None
    Tailpiece Collings original tailpiece
    Strings D'Addario EJ76 (.015" - .052")
    Case Deluxe hardshell case by TKL

    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
  95. Bowerman Guitar Bodied Octave Mandolin

    Bowerman Guitar Bodied Octave Mandolin

    Out of stock
    Another gorgeous octave mandolin from Jayson, this is my third, the first two sold very quickly.

    It has unbelievable solid and well defined warm bass notes, fantastic rich and complex mids and full/clear trebles. None of that muddiness common to flat-top octave mandolins here, it has definition and projection a plenty and it plays beautifully.

    Sitka top, rosewood back and sides, mahogany neck, 24" scale and a hardshell case.

    Bowerman Guitar Bodied Octave MandolinBowerman Guitar Bodied Octave MandolinBowerman Guitar Bodied Octave Mandolin


  96. Collings MT mandolin amber gloss top

    Collings MT mandolin amber gloss top

    Out of stock
    Wow! This is a real stunner. And it sounds even better that it looks. Great for all styles, plenty of power, punch and chop for bluegrass and lots of depth and warmth, making it very versatile, it responds beautifully to a heavy pick or a light touch.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin amber gloss topCollings MT mandolin amber gloss topCollings MT mandolin amber gloss top


  97. Caldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple

    Caldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple

    Out of stock


    There has been a lot of discussion recently about the merits of maple and the widely held misconception that it gives bright tone.

    This beauty from Jimmy proves what a wild misconception it is. I just asked my tech to play it, the first thing he said is that the bass is very strong (I agree), the trebles are very clear and the mids are warm and complex. He is also very impressed by the balance from the lowest note to the highest.

    Top - Carpathuian Spruce
    Back & sides - Flamed European Maple
    Neck - Flamed Maple
    Fretboard - Madagascar Rosewood
    Case - Tolex hard case

    Frets to the body - 13
    Scale length - 24.7"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 8.0mm
    Bridge spacing - 11.6mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.1mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.6mm
    Lower bout width - 14 5/8"
    Upper bout width - 11.42"
    Body depth at base - 4.33"

    MoP logo - B/W/B purfling - Ivoroid bindings - Ebony headstock veneer - MoP position markers (with side dots) - W/B/W rosette - Madagascar rosewood bridge - Grover tuners - Chrome butterbean tuner buttons - Bone nut and saddle - Ivoroid bridge pins - Firestripe pickguard

    Caldwell Nick Lucas OO - Carpathian Spruce & Flamed MapleCaldwell Nick Lucas OO - Carpathian Spruce & Flamed MapleCaldwell Nick Lucas OO - Carpathian Spruce & Flamed Maple


  98. Eastman 815 Mandola

    Eastman 815 Mandola

    £1,759.00
     
    In stock
    Reduced by £100 due to a ding on the neck.

    Free UK mainland delivery. £1859, including pro set-up.

    Lots of that luscious mandola tone and a scroll, this is a lot of 'dola for the money.

    All solid, spruce and flamed maple with black/diamond rosette, ebony fingerboard, nickel fittings, solid tailpiece and Schaller tuners, triple bound front and back and single bound headstock. Comes with violin style fitted rectangular hard-shell case.

    Eastman 815 MandolaEastman 815 MandolaEastman 815 Mandola
    Eastman 815 MandolaEastman 815 MandolaEastman 815 Mandola
    Eastman 815 MandolaEastman 815 MandolaEastman 815 Mandola
    Eastman 815 MandolaEastman 815 Mandola
  99. Collings Waterloo Stella Deluxe - Spruce & Cherry

    Collings Waterloo Stella Deluxe - Spruce & Cherry

    Out of stock
    The new WL-S Deluxe possesses a richness, dimensionality, and warmth that must be heard to be believed. Inspired by ornately appointed Stella guitars from the 1930’s, the WL-S features intricate wood purflings and custom acrylic inlays for an appearance to match its detailed tone. A hand rubbed varnish finish completes the WL-S both aesthetically and tonally, with a beautiful vintage patina and acoustical excitability that brings out the nuances of this ladder braced design. A solid cherry wood back and sides further enhance the unique character of this guitar, providing exceptional balance and articulation.

    All WL-S models feature a vintage correct “Soft-V” neck profile with a carbon fiber T-Bar, a slotted headstock, and a pyramid bridge with a cutthrough saddle. Hardshell TKL case included.

    All Waterloo models are handmade in Austin, Texas.


    Top: Solid Spruce
    B&S: Solid Cherry
    Bracing: Vintage style Ladder Brace
    Colour: Vintage Toner
    Binding: Ivoroid on Body, Soundhole, Neck and Peghead
    Bridge: Ebony Pyramid, 2 3/8” Spacing
    Bridge Pins: Ebony
    Saddle: Cut-through Bone
    Finish: Vintage style hand polished varnish
    Neck: Solid Mahogany w/slot Peghead
    Fingerboard: Indian Rosewood
    Nut: 1 3/4” Bone
    Neck Reinforcement: Carbon Fibre T-Bar
    Fingerboard Inlays: Deluxe Acrylic Floral pattern
    Neck Profile: Vintage correct “Soft V”
    Scale Length: 24 7/8”
    Fretwire: Medium 18% Nickel-Silver
    Logo: Stencil “Waterloo”
    Tuner: Golden Age Restoration



    Collings Waterloo Stella Deluxe - Spruce & CherryCollings Waterloo Stella Deluxe - Spruce & CherryCollings Waterloo Stella Deluxe - Spruce & Cherry


  100. Pava A5 Mandolin - Sunburst Satin

    Pava A5 Mandolin - Sunburst Satin

    Out of stock
    This beauty has absolutely incredible tone! Its one of the best sounding mandolins I've ever played. It has remarkable volume and achieves that rare feat of having fantastic depth and resonance at the same time as clarity and cut (bluegrass players please note, the chop is outstanding).

    No question here of what styles of playing it is suitable for, it will do everything from quiet and gentle to loud and aggressive.

    Pava A5 Mandolin - Sunburst SatinPava A5 Mandolin - Sunburst SatinPava A5 Mandolin - Sunburst Satin


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