Search results for 'Fischer 12 15 mahogany//'

Products

  1. Fischer 12/15 - Lutz Spruce & Honduran Mahogany

    Fischer 12/15 - Lutz Spruce & Honduran Mahogany

    Out of stock
    My first from Steve and it exceeds my very high expectations. With the clarity and definition of mahogany and the warmth of the twelve fret body join (due to moving the bridge towards the centre of the lower bout) it it has both sweetness of tone and great projection. A very versatile and expressive guitar with fantastic playability.

    • Lutz spruce top
    • Honduran mahogany back and sides
    • Florentine cutaway
    • 12 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Maple and ebony logo
    • Black/black/maple purfling
    • Snakewood bindings
    • Ebony headstock veneer
    • Snakewood rear headstock veneer
    • No position markers (with side dots)
    • Snakewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case

    Fischer 12/15 - Lutz Spruce & Honduran MahoganyFischer 12/15 - Lutz Spruce & Honduran MahoganyFischer 12/15 - Lutz Spruce & Honduran Mahogany


  2. Fischer 12/15 - Adirondack & Rosewood

    Fischer 12/15 - Adirondack & Rosewood

    £3,495.00
     
    In stock
    This 12/15 - twelve frets to the body and a 15 inch lower bout - is another fantastic guitar from Steve. The body join at the twelfth fret gives a very full and rich tone due to the changed position of the bridge and the cutaway gives access all the way up.

    The result is a warm tone with great balance and the superb definition of Adirondack, deep/well defined bass, complex mids and clear, ringing trebles.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Cedar Creek hard case made in USA

    Frets to the body - 12
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.5mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.25mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 3.94"

    Florentine cutaway - Maple and ebony logo - Maple burl purfling - Curly maple bindings - Ebony headstock veneer - Rosewood rear headstock veneer - No position markers (with side dots) - Maple burl/rosewood rosette - Ebony fretboard - Ebony bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
    Fischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & RosewoodFischer 12/15 - Adirondack & Rosewood
  3. Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Out of stock
    David Wren says.

    "Forget about how gorgeous this instrument is ... forget about the craftsmanship chops this veteran builder brings to the table ... I had the pleasure of playing this one and ... it has one of the most responsive, powerful and complex tonalities I've played in ages ... LOVE this guitar!"

    I can't really add much except to say its bloody marvellous.

    • Adirondack Spruce top
    • Tropical figured Mahogany back and sides
    • Bound oval soundport
    • 12 frets to the body
    • 25 ½” scale
    • 1/3/4” nut width
    • 2 3/8” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Black/white/black wood lines with figured Mahogany purfling
    • Tasmanian Tiger Myrtleb indings
    • Tasmanian Tiger Myrtle headstock veneer
    • Black backstrip
    • No position markers (with side dots)
    • Paua shell, figured Mahogany and b/w/b wood lines rosette
    • Bound ebony fretboard
    • Pyramid ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL tweed case

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
  4. Wilborn OM - Adirondack & Figured Honduran Mahogany

    Wilborn OM - Adirondack & Figured Honduran Mahogany

    £2,799.00
     
    In stock


    This is my fifth guitar from Ben and its another stunner!

    Its loud, its rich, its full, its warm, it has great definition and projection, it has fantastic note separation from down low to the highest notes, its wonderful!

    Top - Adirondack Spruce
    Back & sides - Figured Honduran Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.1mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 15 1/8"
    Upper bout width - 22.22"
    Body depth at base -3.94"

    Sunburst finish - Oval soundport - MoP logo - Curly maple purfling - Leopardwood bindings Ebony headstock veneer - Leopardwood rear headstock veneer - Curly maple/leopardwood backstrip - MoP position markers (with side dots) - Curly maple/leopardwood rosette - Ebony bridge - Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany
  5. Kinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar

    Kinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar

    Out of stock

    Another amazing mahogany/cedar FS from Steve and Ryan.

    Add the warmth of cedar to the clarity of mahogany, 12 frets to the body and Steve and Ryan's prowess as luthiers and what to you get? This wonderful FS is the answer. Its loud, clear, warm and sweet, a versatile guitar that plays like a dream, it is light and very responsive.

    • Western Red Cedar top
    • ‘Jaguar’ Honduran mahogany back and sides
    • Oval soundport
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 5/8” lower bout
    • Mahogany/purpleheart neck
    • Purpleheart logo
    • Black/white violin purfling
    • Purpleheart bindings
    • Moradora headstock veneer
    • Purpleheart with b/w purfling lines backstrip
    • Slotted squares position markers (with side dots)
    • Birdseye rosette
    • Ebony fretboard
    • Moradora bridge
    • Gotoh tuners
    • Black horn tuner buttons
    • Bone nut and saddle
    • Boxwood bridge pins
    • Clear pickguard
    • Cedar Creek custom case

    Kinnaird FS - Jaguar Honduran Mahogany & Western Red CedarKinnaird FS - Jaguar Honduran Mahogany & Western Red CedarKinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar


  6. Pono MN-20SB Octave Mandolin - Mahogany Sunburst Satin Finish

    Pono MN-20SB Octave Mandolin - Mahogany Sunburst Satin Finish

    Out of stock
    A big and full sound with the warmth and richness of mahogany and the clarity of sitka spruce this is a great guitar bodied octave mandolin (GoM) for playing melody lines or chords for rythm playing. It is very light and responsive.

    Sitka spruce top, mahogany back and sides, abalone rosette, and a hardshell case.

    23” scale length, 13 5/8” lower bout.




    Pono MN-20SB Octave Mandolin - Mahogany Sunburst Satin Finish Pono MN-20SB Octave Mandolin - Mahogany Sunburst Satin Finish Pono MN-20SB Octave Mandolin - Mahogany Sunburst Satin Finish


  7. Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)

    Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)

    Out of stock


    Excellent condition Cuban mahogany Saluda from 2015.

    It has the clarity you would expect from the Sitka/Cuban mahogany combination, with endless headroom. The SJ body size adds great depth and warmth. A very versatile guitar with a very full tone and excellent separation and projection, great for all styles form strumming to gentle fingerstyle.


    • Sitka spruce top
    • Cuban mahogany back and sides
    • Sharp cutaway
    • Satin finish
    • 14 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2 1/8” string spacing at saddle
    • 16” lower bout
    • Mahogany neck with inlay
    • MoP logo
    • B/W/B purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony backstrip
    • Grapevine fretboard inlay (with side dots)
    • Grapevine rosette
    • Ebony fretboard
    • Ebony pinless bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Hiscox Pro II case with some internal wear



    Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)


  8. Trevor's visit to Steve Fischer's workshop

    Trevor's visit to Steve Fischer's workshop

    I found myself in Cedar City Utah on holiday so couldn't miss a visit to Steve's workshop. I had a great time talking shop with Steve, here's some photos.

    Trevor's visit to Steve Fischer's workshopTrevor's visit to Steve Fischer's workshopTrevor's visit to Steve Fischer's workshop
    Trevor's visit to Steve Fischer's workshopTrevor's visit to Steve Fischer's workshopTrevor's visit to Steve Fischer's workshop

    Trevor's visit to Steve Fischer's workshopTrevor's visit to Steve Fischer's workshopTrevor's visit to Steve Fischer's workshop
  9. Beneteau Nick Lucas - Sitka Spruce & Mahogany

    Beneteau Nick Lucas - Sitka Spruce & Mahogany

    £2,775.00
     
    In stock


    Another absolute stunner from Marc. The first thing that strikes me playing this beauty is the remarkable balance and individual note clarity, from the lowest to the highest note it has incredible definition and projection. Add the warmth and responsiveness of mahogany and you get a very versatile guitar.

    The playability is superb and it responds beautifully to everything from a pick to the lightest fingerstyle.

    Top - Sitka Spruce
    Back & sides - Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 14 7/8"
    Upper bout width - 9.84"
    Body depth at base - 4.33"

    MoP logo - Sapele/Black/Maple purfling - Ebony bindings - Macassar Ebony headstock veneer - Macassar Ebony rear headstock veneer - Ebony w/Purflings backstrip - MoP position markers with side dots - Honduran rosewood rosette - Ebony bridge - Vintage Gotoh tuners - Black tuner buttons - Bone nut and saddle - Ebony w/MOP dot bridge pins - No pickguard


    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
    Beneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & MahoganyBeneteau Nick Lucas - Sitka Spruce & Mahogany
  10. Rein RJN-113 - Lutz Spruce & Figured Mahogany

    Rein RJN-113 - Lutz Spruce & Figured Mahogany

    £3,375.00
     
    In stock

    My first from Tom and what a beauty! Luscious mahogany richness with fantastic clarity and sweet tone. There is complexity and character in all tonal ranges from the strong and well defined bass notes through the full mids to the clear ringing trebles.

    With Tom's adjustable action it can be adjusted in a jiffy from low action for delicate fingerstyle to higher for a pick. Versatility doesn't get any more versatile than this.

    Top - Lutz Spruce
    Back & sides - Figured Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Superior tan leather

    Frets to the body - 13
    Scale length - 25.0"
    Neck profile - C/D
    Nut width - 44.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.3mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.2mm
    Lower bout width - 14 7/16"
    Upper bout width - 10.63"
    Body depth at base - 4.33"

    Satinwood logo - Dyed green purfling - Rosewood bindings - Ziricote headstock veneer - Rope backstrip - No position markers (with side dots) - Rope rosette - Ebony bridge - Gotoh open back tuners - Nickel tuner buttons - Bone nut and saddle - • Bone bridge pins - No pickguard

    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
    Rein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured MahoganyRein RJN-113 - Lutz Spruce & Figured Mahogany
  11. Carruth OOO-12 - Adirondack & Curly Mahogany

    Carruth OOO-12 - Adirondack & Curly Mahogany

    Out of stock
    This is my first guitar from Alan and what a beauty it is. Check out the story of the mahogany in this link. I've been getting a lot of mahogany guitars recently and this OOO is a very good example of why, it has a very full tone and great volume with fantastic separation, and individual note definition. I've also been getting a few guitars with the twelve fret body join - known for increasing warmth - and a cutaway so you get the best of all worlds, deep resonant tone, access all the way up and great definition.

    This is a light and very responsive guitar with great playability, responding beautifully to the lightest touch or a heavy pick. If you ar looking for a versatile guitar look no further.

    • Adirondack/Red spruce top
    • 'Mahogany Mama curly mahogany back and sides
    • Recurve bevel cutaway
    • Slotted headstock
    • Brushed oil varnish finish
    • Thomastic 'Spectrum' series medium strings
    • 12 frets to the body
    • 25.4” scale
    • 1 13/16" nut width
    • 2 1/8" string spacing at saddle
    • 151/8" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Koa and maple purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Macassar ebony rear headstock veneer
    • Macassar ebony backstrip
    • Bone position markers (with side dots)
    • Koa, mahogany and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle, both compensated
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly MahoganyCarruth OOO-12 - Adirondack & Curly Mahogany


  12. Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany

    Out of stock
    Leo does it a gain! The last modified dreadnought I had from him sold very quickly. I am not expecting this beauty to be here for long. The workmanship is impeccable, take a look at the rosette and matching end graft and headstock inlay.

    The sound is equally outstanding. Many of Ervin Somogyi’s former apprentices make the mod D model and with very good reason, it has all the power and volume you can get from an acoustic guitar with immense headroom. The Swiss spruce a fiddle back mahogany in this very fine example give fantastic clarity. You get incredible depth and richness of tone with great balance with all the notes form the lowest to the highest having equal definition and projection. This is a stunning guitar.


    Soundboard, Moon Swiss Alpine spruce
    Back and sides, Highly figured Fiddle back Mahogany
    Lower bout 16”
    Scale Length, 25.25”
    End graft, custom matching rosette
    Neck, custom finished one piece Honduran mahogany
    Head-cap veneer, Fiddle back Mahogany with custom inlay matching rosette
    and end graft
    14th-fret to the body fingerboard
    Rosette, solid ring wood with black/white purfling
    Bridge, hand carved ebony
    Bridge pins, ebony with pearl dots
    Binding, ebony with Maple black/white purfling
    Top braces, Sitka spruce
    Back Braces, Honduran Mahogany
    Saddle, 2 1/4” string spacing compensated bone
    Nut, 1 3/4” width scalloped and compensated bone
    Back of Head-cap veneer, Ebony
    Tuning Machines, Schaller M6 in gold w/ebony buttons
    Fingerboard, ebony with ebony binding and white maple purfling
    Fret wire, medium Nickel-Silver 18%
    Fretboard Radius, 20”
    Case, Black exterior/Red interior custom carbon fiber Hoffee hardshell

    Buendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback MahoganyBuendia Modified Dreadnought - Swiss Spruce & Fiddleback Mahogany


  13. Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Out of stock
    Oh my what a beauty to nestle in your lap! Adirondack and mahogany add up to a very clear and well defined tone that also has great depth, warmth, resonance and complexity. This is a fantastic fingerstyle guitar with great responsiveness and playability.

    Top Adirondack spruce
    Back & Sides Honduran mahogany
    Lower Bout Width 13 7/16"
    Neck Honduran mahogany
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Case Deluxe Hardshell case by TKLKL


    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)


  14. Carruth OOO-14 - Sitka & Caribbean Mahogany

    Carruth OOO-14 - Sitka & Caribbean Mahogany

    Out of stock
    Another stunning guitar from Alan and at an unbelievable price. It has the warmth of a rosewood guitar with with the clarity and definition of mahogany, fantastic.

    This might explain why the sound is so mature; from Alan. "Caribbean mahogany that I got from my violin making teacher in the '80s. She said she'd had it for forty years."

    • Sitka spruce top
    • Caribbean Mahogany back and sides
    • Brushed oil varnish finish
    • D'Addario light strings
    • 14 frets to the body
    • 25.4” scale
    • 1 23/32" nut width
    • 2 1/8" string spacing at saddle
    • 15" lower bout
    • Mahogany neck
    • Owl in plum wood, apple wood, dogwood, bone logo
    • Maple purfling
    • Morado bindings
    • Morado headstock veneer
    • Morado ebony backstrip
    • Bone position markers (with side dots)
    • Honduras mahogany, Caribbean mahogany, maple, cherry, black dyed veneer rosette
    • Ebony fretboard
    • Morado bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Compensated bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case

    Carruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean MahoganyCarruth OOO-14 - Sitka & Caribbean Mahogany


  15. Claxton OM - Adirondack & Cuban Mahogany

    Claxton OM - Adirondack & Cuban Mahogany

    Out of stock
    Another truly fantastic guitar from Ed. There seems to be something extra special about Cuban mahogany, team it with the best Adirondack and Ed's skills and you get something amazing.

    I'm tempted to say that this guitar sounds the way it looks - elegant - but it is much more than that. Crystal clear tone with perfect balance and great projection along with fantastic resonance and warmth. A combination that produces wonderful tone with intimacy and complexity. After all the fine words I just want to say that I am gobsmacked!

    • Adirondack top
    • Cuban mahogany back and sides
    • 14 frets to the body
    • 25 3/8” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Pernambuco, holly, ebonoid purfling
    • Ebony bindings
    • Snakewood headstock veneer
    • Ebony backstrip
    • MoP position markers (with side dots)
    • Mosaic rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebonoid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Pickguard included, not installed
    • Main Stage fibreglass case

    Claxton OM - Adirondack & Cuban Mahogany Claxton OM - Adirondack & Cuban Mahogany Claxton OM - Adirondack & Cuban Mahogany


  16. LeGeyt CLM figured mahogany acoustic guitar - sold

    LeGeyt CLM figured mahogany acoustic guitar - sold

    Out of stock

    I liked the tone of the last CLM from Burton so much that I asked him to make this one as close as possible. This is another example of why mahogany is so popular, its been one of my favourite back and side woods for a long while now.

    Its another very light and responsive guitar with wonderful warm and sweet mahogany tones, full and rich bass notes, sweet and complex mids and clear, well defined trebles. And some stunning flamed mahogany with Burton's signature black neck, what a beauty.

    • Lutz spruce top
    • Curly Honduran mahogany back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 5/8” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Blackened Spanish cedar neck
    • Curly maple purfling
    • Mahogany and African blackwood bindings
    • Madagascar rosewood headstock veneer
    • Spanish cedar rear headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case


    LeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - sold


  17. Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Franklin Guitar Co OM - Adirondack & Figured Mahogany

    Out of stock
    I'm gobsmaked! This beauty from Nick is light and very responsive. It has that illusive combination of incredible clarity, definition and projection with warmth, depth and complexity. If you like to be very expressive in your playing this amazing guitar will convey every feeling from melancholia to joy and rage.

    • Adirondack top
    • Figured mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.35” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • MoP logo
    • Herringbone purfling
    • Flamed maple bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Black line backstrip
    • Abalone slotted square position markers (with side dots)
    • Black/white maple lines rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Mammoth nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL hardshell case

    Franklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured MahoganyFranklin Guitar Co OM - Adirondack & Figured Mahogany


  18. Pono M-20 Octave Mandolin - Mahogany Satin Finish

    Pono M-20 Octave Mandolin - Mahogany Satin Finish

    Out of stock
    This is a little beauty, it punches above its weight with a very punchy tone, great for melody lines and being heard above you know what. It also has a strong chord sound for rhythm and back-up.

    Sitka spruce top, mahogany back and sides, rope rosette, and a hardshell case.

    21 3/8” scale length, 11 ¼” lower bout.


    Pono M-20 Octave Mandolin - Mahogany Satin Finish Pono M-20 Octave Mandolin - Mahogany Satin Finish Pono M-20 Octave Mandolin - Mahogany Satin Finish


  19. Tippin Bravado - Adirondack & Quilted Mahogany

    Tippin Bravado - Adirondack & Quilted Mahogany

    Out of stock
    Another example of why Bill has such a great reputation. Immaculate workmanship, great artistry and unbelievable tone. It has deep, woody and airy bass tones with rich and complex mids and clear, sweet trebles, the balance and separation is truly remarkable.

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    • Adirondack spruce top
    • Quilted mahogany back and sides
    • 25.7 scale
    • 1 3/4 nut width
    • 2 1/4 string spacing at saddle
    • 16 3/16 lower bout
    • Flamed maple body, neck and headstock bindings
    • Flamed maple and bloodwood backstrip
    • 12th fret mother of pearl logo
    • Flamed maple and bloodwood purflings
    • First fret fretboard inlay
    • Flamed maple with bloodwood lines rosette
    • Ebony fingerboard
    • Bone nut and saddle
    • Fossil horn bridge pins
    • Gotoh 510 tuners
    • TKL case



    Tippin Bravado - Adirondack & Quilted MahoganyTippin Bravado - Adirondack & Quilted MahoganyTippin Bravado - Adirondack & Quilted Mahogany


  20. Big Hollow OO - Adirondack & Mahogany

    Big Hollow OO - Adirondack & Mahogany

    Out of stock

    I got my first chance to play this beauty at the Healdsburg Guitar Festival and it sounds even better than I remember. Its a very lively and responsive guitar with superb clarity and balance. The definition and projection are remarkable and it has great character with the classic mahogany tone with sweetness added by the 12 fret body join.

    • Adirondack top
    • Mahogany back and sides
    • Oil varnish finish
    • 12 frets to the body
    • 24.9” scale
    • 1.75” nut width
    • 2 3/8”string spacing at saddle
    • 14 ½” lower bout
    • Mahogany with double action truss rod neck
    • Juniper logo
    • Bold herringbone purfling
    • Bloodwood with a birch pinstripe bindings
    • Ebony headstock veneer
    • Pearl dot position markers (with side dots)
    • Bloodwood with herringbone rosette
    • Ebony fretboard
    • Ebony bridge
    • Chrome Grover Sta-tite 18:1 tuners
    • Butterbean chrome tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hardshell case

    Big Hollow OO - Adirondack & MahoganyBig Hollow OO - Adirondack & MahoganyBig Hollow OO - Adirondack & Mahogany


  21. Hamblin OO Sunburst - Sitka & Mahogany (used)

    Hamblin OO Sunburst - Sitka & Mahogany (used)

    Out of stock
    A beautiful sunburst mahogany OO from Kent. This is an amazing price for such a great guitar, fantastic loud and punchy sound with solid and rounded bass, full mids and clear well defined trebles. It has great balance a playability.



    • Sitka spruce top
    • Mahogany back and sides
    • Sunburst top finish
    • 14 frets to the body
    • 25” scale
    • 1 3/4“ nut width
    • 2 5/16” string spacing at saddle
    • 14 5/16” lower bout
    • Mahogany neck
    • No cutaway
    • Black/maple top border
    • Black bindings
    • Ebony headstock veneer
    • No position markers (with side dots).
    • Abalone rosette
    • Madagascar rosewood fretboard
    • Ebony pyramid bridge
    • Gotoh open tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Superior case

    Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)


  22. Circa OM - Adirondack & Honduran Mahogany (used)

    Circa OM - Adirondack & Honduran Mahogany (used)

    Out of stock
    In excellent condition.

    Perfect balance and that classic vintage mahogany sound. This beauty from John has remarkable projection, solid well defined bass, characterful and complex mids and-bell like trebles. A very versatile guitar, great for all styles. It plays like a dream and you can hear every detail of every note, a perfectionists guitar.

    • Adirondack top
    • Beeswing Honduran mahogany back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 1/4" string spacing at saddle
    • 15” lower bout
    • Honduran mahogany with diamond neck
    • Black/maple lines with miters at endgraft purfling
    • Black nitro bindings
    • Ebony headstock veneer
    • Black line backstrip
    • Small dot position markers (with side dots)
    • 5/9/5 Martin style 28 rosette
    • Ebony fretboard
    • Ebony pyramid bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Hardshell case

    Circa OM - Adirondack & Honduran Mahogany (used)Circa OM - Adirondack & Honduran Mahogany (used)Circa OM - Adirondack & Honduran Mahogany (used)


  23. How XBGC mahogany

    How XBGC mahogany

    Out of stock
    A beautiful X braced grand concert from John. It has his usual stunning finishing and look and a wonderful open sound with great balance and projection. Lots of vintage look and tone, a dream for the blues and much, much more.

    • Adirondack top
    • Mahogany back and sides
    • 12 frets to the body
    • 25.4” scale
    • 1 25/32” nut width
    • 2 5/16” string spacing at saddle
    • 14 ¾” lower bout
    • Mahogany neck
    • Ebony logo
    • Fine line purfling
    • Walnut bindings
    • Rosewood headstock veneer
    • Rosewood rear headstock veneer
    • Ebony position markers (with side dots)
    • Fine line rosette
    • Rosewood fretboard
    • Rosewood bridge
    • Gotoh open back vintage tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Bone bridge pins and strap button
    • No pickguard
    • Hardshell case

    How XBGC mahoganyHow XBGC mahoganyHow XBGC mahogany
    How XBGC mahoganyHow XBGC mahoganyHow XBGC mahogany
    How XBGC mahoganyHow XBGC mahoganyHow XBGC mahogany
    How XBGC mahoganyHow XBGC mahoganyHow XBGC mahogany
  24. Tippin DST Dreadnought - Adirondack & Mahogany

    Tippin DST Dreadnought - Adirondack & Mahogany

    Out of stock
    Was £6500. Dusty Corner price £4995.

    A dreadnought among dreadnoughts. A HUGE sound with the warmth of a twelve fret and immense power, separation and clarity. Be heard bright and clear with great depth.


    Please click to listen:


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    • Adirondack spruce top
    • Mahagony back and sides
    • K+K pickup
    • Mahogany neck
    • 12 frets to the body
    • 25.5” scale
    • 1 11/16” nut width
    • Slotted headstock
    • 2 1/4" string spacing at saddle
    • 16" lower bout
    • Mahogany rosette
    • MoP logo
    • Ebony fretboard
    • Ebony bridge
    • Tulip position markers
    • Waverly tuners
    • Ebony bridge pins
    • Tortosie pickguard
    • TKL case

    Tippin DST Dreadnought - Adirondack & MahoganyTippin DST Dreadnought - Adirondack & MahoganyTippin DST Dreadnought - Adirondack & Mahogany


  25. Carruth OOO-12 - Rosewood & European Spruce

    Carruth OOO-12 - Rosewood & European Spruce

    Out of stock


    In many ways twelve frets to the body and a cutaway is the perfect combination. It gives the sweetness of the more centred bridge position and allows access all the way to the top fret.

    It definately works on this beauty from Alan. The first thing that struck me about this guitar is its lightness and ease of play, it feels like a much smaller guitar. It sounds fantastic, rich and resonant with full and well defined bass notes, complex and expressive mids, clear, precise bell-like trebles and great balance and projection. What a beaut!

    • European spruce top
    • Rosewood back and sides
    • Slotted headstock
    • Soft cutaway
    • Oil varnish finish
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ¼” lower bout
    • Mahogany/maple neck
    • Wood logo
    • Maple/black purfling
    • Curly maple bindings
    • Rosewood headstock veneer
    • Maple backstrip
    • Bone position markers (with side dots)
    • Maple/koa rosette
    • Macassar ebony fretboard
    • Rosewood pyramid bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • TKL case


    Carruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European SpruceCarruth OOO-12 - Rosewood & European Spruce


  26. Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    Kwasnycia OOO-12 - Sitka & Curly Claro Walnut

    £2,750.00
     
    In stock
    My first from Dennis and what a beauty in tone and looks. It has classic 12 fret richness and depth, plus full access with the cutaway.

    It's a big and warm sound with great separation and clarity. Individual note definition from low to high is remarkable. Great playability and wonderful tone, fantastic!

    Top - Sitka Spruce
    Back & sides - Curly Claro Walnut
    Neck - Mahogany, maple and rosewood
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 12
    Scale length - 25.0"
    Neck profile - C
    Nut width - 44.2mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.9mm
    Action fret 1 low E - 0.65mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.72"

    Soft cutaway - MoP logo - Maple/black purfling - Curly maple bindings - Ebony headstock veneer Abalone position markers (with side dots) - Segmented, spalted maple, ebony, walnut rosette Ebony bridge - Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins Clear pickguard

    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
    Kwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro WalnutKwasnycia OOO-12 - Sitka & Curly Claro Walnut
  27. Taylor 555 12 string (used)

    Taylor 555 12 string (used)

    Out of stock
    Good condition 555 with a few dings here and there (see photos) and a custom saddle. Taylor's reputation for great 12 string guitars is well deserved, this is a very fine example. Comes with unknown pickup.


    • Spruce top
    • Mahogany back and sides
    • Mahogany neck
    • 25 1/2" scale
    • 1 7/8” nut width
    • 2 7/16" string spacing at saddle
    • 17" lower bout
    • Black bindings
    • B/w/b purfling
    • Concentric circles rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Large dot position markers
    • Schertler tuners
    • Ebony bridge pins
    • Tortoise pickguard
    • Taylor case

    Taylor 555 12 string (used)Taylor 555 12 string (used)Taylor 555 12 string (used)


  28. Batson GC - Sitka Spruce & Rosewood (used)

    Batson GC - Sitka Spruce & Rosewood (used)

    £2,175.00
     
    In stock
    Cory says this is his best yet, I agree, that cathedral organ bass I keep talking about is plentiful here.

    If it's a strong bass response and rich and warm mids and clear trebles you are looking for, look no further.

    Top - Sitka Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox hard case (white) made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 43.6mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 1.3mm
    Lower bout width - 15"
    Upper bout width - 10.83"
    Body depth at base - 4.53"

    Flamed maple binding - Flamed maple purfling - Rosewood headstock veneer - Side dots/no position markers - Flamed maple logo - Ebony bridge - Black chrome Gotoh super 510z tuners Black chrome tuner buttons - Bone nut and saddle

    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
    Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)Batson GC - Sitka Spruce & Rosewood (used)
  29. Propsom OM - Redwood & Pommele Sapele

    Propsom OM - Redwood & Pommele Sapele

    £2,775.00
     
    In stock


    Wow!

    This is my favourite back and sides wood and it's a fantastic guitar. It has very a rich and full tone with great clarity and projection, strong warm and well defined bass notes, rich and resonant mids, clear and full trebles all the way to the top.

    Top - Redwood
    Back & sides - Pommele Sapele
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 44.4mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 15 1/8"
    Upper bout width - 11.42"
    Body depth at base - 4.13

    MoP logo - B/W/B/W wood purfling - Rosewood bindings - Pommelle sapele headstock veneer Mop slotted diamond position markers (with side dots) - Red heart abalone rosette - Ebony bridge Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
    Propsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele SapelePropsom OM - Redwood & Pommele Sapele
  30. Beneteau OM - Alaskan Sitka Spruce & Padauk

    Beneteau OM - Alaskan Sitka Spruce & Padauk

    £2,999.00
     
    In stock
    If you're looking for lots of bright sparkle combined with a deep luscious tone and fantastic balance, separation and projection, look no further!

    This beauty from Marc has that rare combination of amazing clarity along with warmth and resonance making it very versatile, great for picking and strumming and a wonderful fingerstylist's guitar. Marc's guitars have been my most consistent sellers for many years now. There's not a lot of fanfare out there about Beneteau guitars but there is quite a lot of very happy customers.

    Top - Alaskan Sitka Spruce
    Back & sides - Padauk
    Neck - Mahogany
    Fretboard - Ebony
    Case - Tolex hard case made in Canada

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.4mm
    Nut spacing - 7.6mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.50mm
    Lower bout width - 15"
    Upper bout width - 11.22"
    Body depth at base - 4.33"

    MoP logo - Bloodwood purfling - Ebony bindings - Ebony headstock veneer - Ebony rear headstock veneer - Ebony backstrip - MoP position markers with side dots - Padauk radial rosette Ebony bridge - Gotoh vintage style tuners - Butterfly tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
    Beneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & PadaukBeneteau OM - Alaskan Sitka Spruce & Padauk
  31. Berkowitz F6 Concert - Sitka & Padauk

    Berkowitz F6 Concert - Sitka & Padauk

    Out of stock


    Padauk is gaining in popularity and this beautiful guitar from David demonstrates why. The first thing that strikes me is a very deep and luxurious bass with fantastic resonance across the range. This is a big sound that is very rich and warm that responds well to a pick or the most delicate fingerstyle.

    It takes a very experienced luthier to achieve this level of warmth and resonance and have great definition and note separation. This is a wonderful and very versatile guitar.

    Top - Sitka Spruce
    Back & sides - Paduak
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hoffee moulded plastic hard case (white)

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 11.5mm
    Bridge spacing - 11.5mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 2mm
    Lower bout width - 15.5"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Abalone logo - Maple and bloodwood purfling - Bindings ebony with maple/black side purflings - Ebony headstock veneer - No position markers (with side dots) - Manzanita burl with maple and bloodwood rosette - Ebony bridge Gotoh 510 tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Berkowitz F6 Concert - Sitka & PadaukBerkowitz F6 Concert - Sitka & PadaukBerkowitz F6 Concert - Sitka & Padauk


  32. Hoffman Concert 12 - Italian Spruce/Koa 2010 (used)

    Hoffman Concert 12 - Italian Spruce/Koa 2010 (used)

    Out of stock

    There is an Acoustic Magazine review of this guitar here.


    New price was £5395.

    This is one of the easiest guitars to play that I've had. Its light with a 24.75" scale, twelve frets to the body and a cutaway, unbelievably responsive and a demonstration of what a great luthier can do with Koa. In mass-produced guitars Koa is usually considered to be bright but lacking in depth and warmth. Not so in the hands of Charlie Hoffman.

    In very good condition.


    • Italian spruce top
    • Koa back and sides
    • Five piece mahogany/maple/rosewood neck
    • Sharp cutaway
    • Slotted headstock
    • 12 frets to the body
    • 24.75” scale
    • 1 3/4" nut width
    • 2 5/16" string spacing at saddle
    • 15 3/8" lower bout
    • Koa top border
    • Ebony headstock veneer
    • Abalone dot position markers
    • Koa and abalone inlaid rosette
    • MoP logo
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Bone nut and saddle
    • Ebony tuner buttons
    • Ebony bridge pins with MoP dots
    • Tortoise pickguard included but not attached
    • Custom Cedar Creek case

    Hoffman Concert 12 - Italian Spruce/Koa 2010 (used)Hoffman Concert 12 - Italian Spruce/Koa 2010 (used)Hoffman Concert 12 - Italian Spruce/Koa 2010 (used)


  33. Manzer 'The Manzer' - Cedar & Rosewood

    Manzer 'The Manzer' - Cedar & Rosewood

    £11,995.00
     
    In stock


    There is an Acoustic Magazine review of this guitar here.

    With the 'Manzer Wedge' this feels like an OO sized guitar to play, supremely comfortable and effortless.

    The balance and clarity is the best I've heard, with perfect individual note definition from bottom to top. There is a depth and richness to the tone that defies belief with incredible articulation. There are good reasons why luthiers like Linda have the reputations that they do; this is one of them.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox 'Artist' hard case made in the UK

    Frets to the body - 14
    Scale length - 26.0"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.8mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15 9/16"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Manzer wedge - Soft cutaway - Oval soundport - Abalone logo - B/W/B purfling - Rosewood bindings - Ebony headstock veneer - No position markers (with side dots) - Abalone with Boxwood and Rosewood rosette - Ebony fretboard - Ebony bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Clear pickguard

    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood
  34. Galloup Borealis Fan Fret (used)

    Galloup Borealis Fan Fret (used)

    Out of stock
    Fan fret, arm rest and incredible detailing, this is a beautiful guitar. It plays like a dream and sounds fantastic, depth, resonance, clarity and projection, it has it all.

    Top - European Spruce
    Back & sides - Indian Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - AVS hard case - faux leather w/embossed leather trim - green interior - made in USA

    Frets to the body - 14/15
    Scale length - 25.0" to 26.7"
    Neck profile - D
    Nut width - 45.7mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 1.75mm
    Action fret 1 high E - 0.4mm
    Action fret 12 high E - 2.0mm
    Lower bout width - 16"
    Upper bout width - 11.02"
    Body depth at base - 4.53"

    Fishman dual source pickup - Hyde glue construction - 14/15 frets to the body - Graphite reinforced neck - Venetian cutaway - Ebony/maple top border - Rosewood bindings - Ebony headstock - Ebony rear headstock veneer - Silver position markers (with side dots) - Spalted maple rosette - Ebony/maple back strip - MoP logo - Ebony fret board - Ebony bridge - Gotoh 510 tuners - Nickel tuner buttons - Bone nut and saddle - Bone bridge pins - Mylar pick guard

    Galloup Borealis Fan Fret (used)Galloup Borealis Fan Fret (used)Galloup Borealis Fan Fret (used)


  35. Beardsell 2G - Bearclaw Lutz Spruce & Makore

    Beardsell 2G - Bearclaw Lutz Spruce & Makore

    £3,995.00
     
    In stock
    Awesome! When innovation combines with the complete mastery of traditional skills this is what you get. Al is a true master and the tone of this beauty is to die for! OK that's enough exclamation marks...

    It has a very full and open/rich tone with fantastic depth and complexity. The definition and separation are truly remarkable. This is a very intimate and expressive guitar that also responds beautifully to a pick and a bit of digging in.

    Top - Lutz Spruce (Bearclaw)
    Back & sides - Makore
    Neck - Mahogany
    Fretboard - Rosewood
    Case - Ameritage hard case made in Costa Rica

    Frets to the body - 14
    Scale length - 24.7"
    Neck profile - C
    Nut width - 45.8mm
    Nut spacing - 7.1mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.4mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.25mm
    Action fret 12 high E - 2.5mm
    Lower bout width - 15"
    Upper bout width - 11.02"
    Body depth at base - 4.33"

    Venetian cutaway - Lacquer finish - Dual soundports - offset tear-drop profile neck - Gold MoP logo - b/w/b/w/b/w black-dyed pear, holly, maple, fibrepurfling - Rosewood bindings - Rosewood, holly , ebony headstock veneer - Rosewood, maple rear headstock veneer - Holly, ebony, maple, black dyed pear backstrip - Holly, ebony, gold MOP side dots - Holly, ebony, black-dyed pear rosette - Rosewood bridge - Gotoh 510 chrome tuners - Chrome tuner buttons - Bone nut and saddle - Rosewood bridge pins - Clear pickguard

    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
    Beardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & MakoreBeardsell 2G - Bearclaw Lutz Spruce & Makore
  36. Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    Schwartz Oracle - Bearclaw Sitka & East Indian Rosewood

    £9,195.00
     
    In stock


    Its hard to know what to say sometimes when such amazing guitars arrive. I am shocked that Sheldon's work isn't more widely known.

    This is an original and wonderful work of art. I'm am fond of commenting on how great luthiers can combine qualities that otherwise might be considered mutually exclusive. Well Sheldon has pulled it off in achieving the big sound that you might expect from a sitka/rosewood sixteen inch guitar of this quality with remarkable individual note clarity and balance.

    Players in smaller rooms won't need amplification, neither will those who play with a soft touch - finger tips not nails for instance - lack any response or tonal character. Its big and beautiful and soft and mellow, a guitar that will respond to all moods and playing styles. Brilliant!

    Top - Bear Claw Sitka Spruce
    Back & sides - East Indian Rosewood
    Neck - Five piece mahogany, Peruvian walnut and curly maple
    Fretboard - Ebony
    Case - Workhorse carbon copy case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 45.3mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.7mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.6mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.4mm
    Lower bout width - 16"
    Upper bout width - 12.01"
    Body depth at base - 4.53"

    Bent wood/drop top style arm rest - Cutaway with an access bevel - Lacewood logo - Cherry and black pear purfling - Black walnut bindings - Ebony headstock veneer - Black walnut rear headstock veneer - Glow in the dark side dots - Ebony pinless bridge - Gotoh 510 tuners - Black tuner buttons - Black Tusq nut and saddle - Clear pickguard

    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
    Schwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian RosewoodSchwartz Oracle - Bearclaw Sitka & East Indian Rosewood
  37. McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)

    McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)

    Out of stock
    Made in 2015 this beauty is in as new condition.

    Adirondack and mad rose is a great combination giving a very full and warm tone with endless headroom as you would expect. It has remarkable richness across all tonal ranges with excellent balance and projection. The bass notes are rich and well defined, the mids very complex and full of character, the trebles are full and bright and clear. All in all a wonderful guitar for everything from hard strumming to a gentle fingerstyle, its response is very even and balanced.


    • Madagascan rosewood back and sides
    • Soft cutaway
    • 14 frets to the body
    • 25.4 ” scale
    • 1 3/4” nut width
    • 2 5/15” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Emboya burl rosette
    • Ebony fretboard
    • Ebony pin-less bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Embroidered logo Ameritage case

    McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)


  38. Noble Acoustic Harp Guitar (used)

    Noble Acoustic Harp Guitar (used)

    £4,499.00
     
    In stock
    TAMCO's first harp guitar and what a beauty. If you haven't heard a harp guitar you should check out Stephen Bennett

    This really is incredible with a fantastic guitar tone and those wonderful rich and melodious harp strings.

    The harp strings are currently tuned E G A C D E, low to high.

    Top - Lutz Spruce
    Back & sides - Rosewood
    Neck - Mahogany/Rosewood/Maple
    Fretboard - Ebony
    Case - Colorado Case Co soft case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.5mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.15mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.15mm
    Lower bout width - 16"

    Black/white/black purfling - Koa bindings - Ebony headstock veneer - No position markers (with abalone side dots) - Cocobolo rosette - Ebony bridge - Gotoh 510 mini tuners - Black tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
    Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)Noble Acoustic Harp Guitar (used)
  39. Indian Hill OO-12

    Indian Hill OO-12

    Out of stock
    Another beautiful OO-12 that sounds fantastic. Classic 12 fret warmth and the depth and character of the best mahogany, its very well balanced with great definition and projection... and its a beautiful work of art.

    I put a small ding in the back of the headstock (see photo) when doing the photos so I have knocked £100 off the (already great) price.

    Engelmann Spruce Top
    Curly Mahogany back/sides
    No Cutaway
    French polish finish
    Oval Soundport
    12-frets to the body
    645 mm scale (25.4")
    44 mm nut (just under 1 3/4")
    56 mm string spacing (2.2")
    Lower bout 14 1/4"
    Mahogany neck
    12th fret "IH" Indian Hill Logo
    Curly mahogany, cocobolo, maple purfling
    Cocobolo binding
    Curly Mahogany front/back headstock veneer
    No fretboard position markers, brass tube side dots
    Spalted maple rosette
    Ebony fretboard
    Pinless ebony bridge with spalted maple inlay
    Gold Gotoh 510 tuners
    Unbleached bone nut/saddle
    Pinless bridge
    Clear pickguard
    TKL case

    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
  40. Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Out of stock
    In excellent condition. This is lot of guitar for the money.

    I have compared it with other sitka/rosewood jumbos and this is the sweet one! The sound is very warm and lush without lacking definition. Fantastic for picking and strumming and more than capable of some delicate fingerstyle.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.6” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16 1/8” lower bout
    • Mahogany neck
    • MoP logo
    • Maple top border
    • Maple bindings
    • Rosewood headstock veneer
    • Micro dot position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Toffee tuner buttons
    • Micarta nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hard case

    Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)


  41. Jang OM acoustic guitar - sold

    Jang OM acoustic guitar - sold

    Out of stock
    My first from Isaac and what a beauty!

    It has fantastic warmth and balance with a great richness of tone. Amazing projection and clarity all the way to the easily accessible top fret.


    • Master Grade Adirondack Spruce top
    • Special Quilted Mahogany back and sides
    • Uchida-style Bendaway with bevel cutaway
    • 14 frets to the body
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Ebony bindings with Black/White purfling
    • Ebony/ Quilted Mahogany with Koa accent headstock veneer
    • Quilted Mahogany rear headstock veneer
    • Simple & Elegant African Blackwood Bound rosette
    • Bound Ebony fretboard
    • Ebony bridge
    • Gotoh 510 H.A.P.A. Gold/Ebonoid tuners
    • Bone nut and saddle
    • Ebony with Paua Dot bridge pins
    • Clear pickguard
    • Custom Mainstage case


    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
    Jang OM acoustic guitar - soldJang OM acoustic guitar - soldJang OM acoustic guitar - sold
  42. Gibson A4 Red Burst 1915 (used)

    Gibson A4 Red Burst 1915 (used)

    Out of stock
    Double bound body, red sunburst on spruce top, bound oval soundhole, 3 ring rosette, mahogany neck, bound ebony fretboard, dot inlays, 24 frets (professional re-fret), original tailpiece cover and bridge, fleur-de-lis and logo inlays, 4-on-a-plate tuners with Handel inlaid tuner buttons. In excellent condition with low action.

    It sounds fantastic, lots of that great vintage gibbo tone with solid bases, sweet mids and clear trebles.

    With original case (not the modern one shown in the photos).

    Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)


  43. Indian Hill Concert

    Indian Hill Concert

    Out of stock
    I was gob smacked by the first guitar I had from Mike, I am double gob smacked this time. This is one of the loudest guitars I've ever heard but it has depth and subtlety too. From the lowest bass note to the the highest treble, each note has perfect definition and clarity with a full and strong tone. Whether playing the most delicate fingerstyle or going for it with a pick this beauty takes it in its stride. Incredible.

    • Engelmann spruce top
    • Wenge/Zebrawood/Wengeback and Wenge sides
    • Oval soundport
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • Wenge, zebrawood, and maple purfling lines
    • Wenge bindings
    • Wenge headstock veneer
    • Wenge rear headstock veneer
    • Mahogany Indian Hill 12th fret position marker (with side dots)
    • Radial zebrawood rosette
    • Ebony fretboard
    • Ebony bridge with zebrawood inlay bridge
    • Gotoh 510 tuners
    • Cosmo black tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Hardshell case

    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
  44. Indian Hill Grand Concert 12 fret cutaway acoustic guitar

    Indian Hill Grand Concert 12 fret cutaway acoustic guitar

    Out of stock
    If anyone tells you you can't get strong and well defined bass notes and full and rich mids from maple tell them to check out this beauty. It plays like a dream and has volume, depth of tone and great definition and projection and its a stunner. What else could you ask for?

    • Sitka top
    • Curly maple back and sides
    • Sharp cutaway
    • French polish finish
    • Oval soundport
    • 12 frets to the body
    • 25 3/8” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • 12th fret logo
    • Cocobolo/maple purfling
    • Cocobolo bindings
    • Maple headstock veneer
    • Maple rear headstock veneer
    • No position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Bone nut and saddle
    • Clear pickguard
    • TKL case

    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
  45. Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)

    Out of stock


    Fantastic Wingert F in sinker redwood and macassar ebony, built in 2012, in as new condition. Beautiful deep and rich tone with great power and great finesse, responding equally well to digging in and a very light touch. It has deep well defined bass notes with full and complex mids and fat and clear trebles.

    • Sinker redwood top
    • Madagascar rosewood back and sides
    • Soft cutaway
    • Mini bevel
    • 14 frets to the body
    • 25.3/8” scale
    • 1 25/32” nut width
    • 2 5/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • Abalone logo
    • Paua purfling
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Paua rosette
    • Ebony fretboard
    • Ebony bridge
    • Gold Gotoh H.A.P.A height adjustable post tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)Wingert F - Sinker Redwood & Madagascar Rosewood 2012 (used)


  46. Lowden D32 1997 (used)

    Lowden D32 1997 (used)

    Out of stock
    Newtonards made 1997 D32.

    Fantastic rich, deep and resonant tone with great volume and projection. Great for picking, strumming and much more.

    • Cedar top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.5” scale
    • 1 11/16” nut width
    • 2 1/8” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Wood purfling
    • Mahogany bindings
    • Rosewood headstock veneer
    • MoP dot position markers (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Rosewood bridge
    • Gotoh tuners
    • Butterbean tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hiscox/Lowden case





    Lowden D32 1997 (used)Lowden D32 1997 (used)Lowden D32 1997 (used)


  47. Gibson J-35 Custom 1995 (used)

    Gibson J-35 Custom 1995 (used)

    Out of stock
    1995 Gibson J-35. Signed by Gibson Master Luthier Ren Ferguson. It is faithful replica of the pre-war Gibson J-35. It features Honduran Mahogany Back and sides, Adirondack Spruce top, Ebony fingerboard and saddle, Waverly Tuners and Original Hard case. For most of it's 22 years it was kept unplayed in a case by a collector, so the condition is remarkable for it's age. It has had no repairs, it has no cracks and only a few weather checks (they are hard to see).

    Fantastic rich and deep tone, kind of a dreadnought plus with all the power of a dread but with great clarity and projection, great for strumming flatpicking and fingerstyle.

    • Adirondack spruce top
    • Mahogany back and sides
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4" nut width
    • 2 3/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ivoroid bindings
    • Ebony headstock veneer
    • Rope backstrip
    • MoP position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Tiger stripe pickguard
    • TKL/Gibson case

    Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)


  48. Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish

    Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish

    Out of stock
    This is truly gorgeous! And it sounds great too, whether playing chords or melody lines it it has a bright and clear tone with good depth and resonance, warm bass notes, rich mids and clear trebles. A great GoM in a small package.

    Sitka spruce top, mahogany back and sides, abalone rosette, and a hardshell case.

    21 3/8” scale length, 11 ¼” lower bout.



    Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish Pono MD-30SB Octave Mandolin - Rosewood Sunburst Gloss Finish


  49. Brondel B2 Essential - Lutz Spruce & Cocobolo

    Brondel B2 Essential - Lutz Spruce & Cocobolo

    Out of stock
    Another work of genius from Laurent. Is has very fat and luscious tone with great definition, separation and projection. It takes a great luthier to pull that off!

    • Lutz spruce top
    • Flitch matched cocobolo back and sides
    • 12 frets to the body
    • 25.6” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Ivoroid bindings
    • Royal ebony headstock veneer
    • No position markers (with side dots)
    • Ivoroid rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Waverly tuners
    • Ivoroid tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • No pickguard
    • Access case

    Brondel B2 Essential - Lutz Spruce & Cocobolo Brondel B2 Essential - Lutz Spruce & Cocobolo Brondel B2 Essential - Lutz Spruce & Cocobolo


  50. Sexauer FT-O-JB - Fan Fret "Companion" (used)

    Sexauer FT-O-JB - Fan Fret "Companion" (used)

    Out of stock
    See the Acoustic Magazine review, this website, central menu, reviews.

    This is a fantastic small guitar. The Malaysian Blackwood and fan fret give it a deep well defined bass and more volume and projection than many a bigger guitar. It has rich and complex mids and clear treble, a very versatile guitar.



    • German spruce top
    • Malaysian Blackwood back and sides
    • Mahogany neck
    • Adirondack spruce braces
    • 24 15/16” to 25 7/16” scale
    • 1 25/32”" nut width
    • 2 9/32" string spacing at saddle
    • 13 1/2" lower bout
    • 12 frets to the body
    • Madagascar rosewood headstock veneer
    • Hardwood bindings
    • Hardwood backstrip
    • Quartered flamed maple rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Madagascar Rosewood bridge
    • Slotted diamond abalone position markers
    • Waverly tuners
    • Ebony bridge pins
    • Greven pickguard
    • New Hiscox Pro II case

    Sexauer FT-O-JB - Fan Fret "Companion" (used)Sexauer FT-O-JB - Fan Fret "Companion" (used)Sexauer FT-O-JB - Fan Fret "Companion" (used)


  51. Grit Laskin visit April 25th 2015. Legendary Luthiers Three.

    Grit Laskin visit April 25th 2015. Legendary Luthiers Three.

    William (Grit) Laskin is legendary for his inlays. He is a VERY entertaining speaker covering his part in the development of the soundport and arm bevel with many informative and interesting stories to tell.

    See my reviews page for the article published in Acoustic magazine about the day.





    Grit Laskin visit April 25th 2015. Legendary Luthiers Three.Grit Laskin visit April 25th 2015. Legendary Luthiers Three.Grit Laskin visit April 25th 2015. Legendary Luthiers Three.
  52. Bowerman Guitar Bodied Octave Mandolin

    Bowerman Guitar Bodied Octave Mandolin

    Out of stock
    Another gorgeous octave mandolin from Jayson, this is my third, the first two sold very quickly.

    It has unbelievable solid and well defined warm bass notes, fantastic rich and complex mids and full/clear trebles. None of that muddiness common to flat-top octave mandolins here, it has definition and projection a plenty and it plays beautifully.

    Sitka top, rosewood back and sides, mahogany neck, 24" scale and a hardshell case.

    Bowerman Guitar Bodied Octave MandolinBowerman Guitar Bodied Octave MandolinBowerman Guitar Bodied Octave Mandolin


  53. Avalon L325 Legacy Premier 2008 (used)

    Avalon L325 Legacy Premier 2008 (used)

    Out of stock
    Avalon L325 Legacy Premier with stunning rosewood back an sides. It has a very rich and full tone with great depth and warmth, full and deep bass notes, luscious and complex mids and clear trebles. This is a very expressive guitar with good projection and balance.

    It’s in excellent condition with some very light play wear, complete with the original documentation.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Bound Ebony
    Case - Hiscox hard case made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 43.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.2mm
    Action fret 1 low E - 0.7mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 16.25"
    Upper bout width - 11.81"
    Body depth at base - 4.92"

    Satin finish - Avalon logo - Koa bindings - Rosewood headstock veneer - Side dots/no position markers - MoP rosette - Rosewood bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Avalon L325 Legacy Premier 2008 (used)Avalon L325 Legacy Premier 2008 (used)Avalon L325 Legacy Premier 2008 (used)


  54. Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    £4,450.00
     
    In stock
    A beautiful F4 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    Wonderful deep and full tone, fantastic warmth and resonance with well defined basses, complex mids and clear, ringing trebles and with the 20" scale it plays very easily.


    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
  55. Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    £3,895.00
     
    In stock
    Fantastic rich and full sounding octave mandolin with 20" scale making it very easy to play. It has great resonance and warmth and depth of tone with excellent definition and projection from the lowest to highest notes.

    A5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. 20" scale length and 1 3/8" nut with a traditional Brekke bridge (adjustable under tension). The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.




    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
  56. Weber Bitterroot F5 Octave Mandolin - F Style - F Hole

    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole

    Out of stock
    A beautiful F5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    It is tone bar braced so there is none of that floppiness common to flat top octave mandolins. It has great power and definition with plenty of character and depth of tone and excellent projection. With a 20" scale it is very easy to play.


    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole


  57. Beneteau OM - Quilted Pommele Sapele & Sitka

    Beneteau OM - Quilted Pommele Sapele & Sitka

    Out of stock
    Another outstanding guitar from Marc. It has a fantastic rich and complex tone with great clarity, definition and projection. The bass notes are strong , full and well defined, the mids are warm and full of character and the trebles clear and strong. A very articulate guitar with fantastic playability.

    • Alaskan sitka spruce top
    • Quilted pomelle sapele back and sides
    • 14 frets to the body
    • 25” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • Maple/sapele/black purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony backstrip
    • MoP position markers (with side dots)
    • Quilted pomelle sapele rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 mini tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Hardshell case

    Beneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & SitkaBeneteau OM - Quilted Pommele Sapele & Sitka


  58. Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)

    Out of stock
    2005 Bill Tippin OMT in excellent condition. Classic mad rose tone with fantastic depth and richness, it has great clarity and remarkable individual note definition. The bass notes are very well defined, the mids warm and sonorous and the trebles full and clear.

    • Sitka spruce top
    • Madagascar rosewood back and sides
    • 14 frets to the body
    • 25 ¼” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 3/16” lower bout
    • Mahogany neck
    • MoP logo
    • B/W/B purfling
    • Ivoroid bindings
    • Ebony headstock veneer
    • Marquetry backstrip
    • Tulip MoP and abalone position markers (with side dots)
    • Wood rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • TKL case

    Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)Tippin OMT - Sitka & Madagascar Rosewood - 2005 (used)


  59. Poling Sierra walnut/cedar - sold

    Poling Sierra walnut/cedar - sold

    Out of stock
    A wonderful fingerstyle instrument from Ohio luthier Brock Poling. Light, warm and responsive with a beautifully carved neck that fades from a matt finish to a gloss when it meets the headstock.


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    * Highly figured black walnut back and sides
    * AAAA western red cedar top
    * 25 ½” scale
    * 1 3/4” nut
    * 2 5/16” string spacing at saddle
    * 15” lower bout
    * Soundhole bound with rosewood
    * Rosewood/red abalone rosette
    * Rosewood bindings
    * Rosewood end graft
    * Maple purfling
    * Bone bridge pins
    * Bone saddle
    * Bone nut
    * Neck; mahogany/rosewood veneer/mahogany w dual carbon fibre rods
    * MoP headstock inlay
    * Rosewood backstrip
    * Fingerboard Madagascar rosewood, bound in matching rosewood
    * Fingerboard radius 14"
    * No fingerboard markers
    * No pickguard
    * Waverly tuners
    * Custom Ameritage climate controlled case

    Poling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - sold
    Poling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - soldPoling Sierra walnut/cedar - sold
    Poling Sierra walnut/cedar - sold
  60. McKnight Mini Mac - Engelmann/Cocobolo (used)

    McKnight Mini Mac - Engelmann/Cocobolo (used)

    Out of stock
    In excellent condition, new price was £5995. There was a lot of excitement created about this beauty in a build thread on the AGF. It was well worth the wait.

    It sounds tremendous, a big and warm sound but with great articulation and the clarity and definition of cocobolo. It responds to a nail-less finger as easily as a heavy pick. A fantastic fingerstyle guitar but capable of much more.

    • Engelmann top
    • Cocobolo back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15.25” lower bout
    • Mahogany neck
    • No cutaway
    • Wood logo
    • Multi line top border
    • Curly Maple bindings
    • Ebony headstock veneer
    • Clasps position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Silver tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Clear pickguard
    • TKL case

    McKnight Mini Mac - Engelmann/Cocobolo (used)McKnight Mini Mac - Engelmann/Cocobolo (used)McKnight Mini Mac - Engelmann/Cocobolo (used)


  61. Fay Model One - Englemann and Black & White Ebony

    Fay Model One - Englemann and Black & White Ebony

    Out of stock
    Guitars don’t get any better than this. With impeccable workmanship and detailing it has great presence and playability, with amazing balance from the lowest to the highest notes.

    Fantastic and well defined bass notes, rich and complex mids and clear trebles. A very versatile guitar, it is great for all styles from flatpicking and strumming to fingerstyle, it will handle it all.


    Engelmann Spruce Top
    Black & White Ebony Back &Sides
    Florentine Cutaway
    14 Frets to the Body
    25.0” Scale Length
    1 25/32” Nut Width
    2.25” String Spacing at the saddle
    15.2” Lower Bout Width
    Honduran Mahogany One Piece Neck
    Ebony Binding with Maple/Ebony Purflings Wenge Headstock Veneer
    Brass Fretmarkers (Side Dots)
    Wenge Rosette
    Ebony Fretboard
    Ebony Bridge
    Alessi Tuners with Hammered Brass Backplate and Ebony Buttons
    Dyed Cow Bone Nut, Saddle, and Bridge Pins
    Ameritage Custom Case

    Fay Model One - Englemann and Black & White EbonyFay Model One - Englemann and Black & White EbonyFay Model One - Englemann and Black & White Ebony


  62. Legendary Luthiers: Ervin Somogyi Visit 12 July 2014

    Legendary Luthiers: Ervin Somogyi Visit 12 July 2014

    We all had a great time and immensely enjoyed Ervin's visit. I've known him for a while now since living at his workshop for three days. He give many fascinating insights into guitar building and was his usual very entertaining self.




    Legendary Luthiers: Ervin Somogyi Visit 12 July 2014Legendary Luthiers: Ervin Somogyi Visit 12 July 2014Legendary Luthiers: Ervin Somogyi Visit 12 July 2014
  63. Legendary Luthiers Five: Jeff Traugott 15 October 2016

    Legendary Luthiers Five: Jeff Traugott 15 October 2016

    This was another huge success. Many thanks to Jeff for a fantastic day and a very interesting talk.

    This will be the fifth legendary Luthiers event. Previous events with Ervin Somogyi, Linda Manzer, Ray Kraut and Grit Laskin were a great success.

    Jeff will be bringing the next TAMCO guitar, specs still to be decided, let me know if you have any ideas. He is keen to discuss your requirements and take orders.

    It will follow the usual pattern, open house in my shop on the Saturday until six, talk at six, ticket holders only, then food at Bom Bane's at around eight. There are only twenty tickets available.






    Legendary Luthiers Five: Jeff Traugott 15 October 2016Legendary Luthiers Five: Jeff Traugott 15 October 2016Legendary Luthiers Five: Jeff Traugott 15 October 2016
  64. Legendary Luthiers Four: Ray Kraut and Somogyi and apprentices guitar owners meet 31 Oct 2015

    Legendary Luthiers Four: Ray Kraut and Somogyi and apprentices guitar owners meet 31 Oct 2015


    This will be the fourth legendary Luthiers event. Previous events with Ervin Somogyi, Linda Manzer and Grit Laskin were a great success.

    The idea started out as a meet for owners of Ervin Somogyi and his apprentices guitars. Then I remembered that I was due a guitar from Ray Kraut soon. So Ray will be bringing a guitar and giving a talk.

    I am hoping many of you with guitars by Ervin and his apprentices will come along with your guitars and compare and contrast! I am planning to video the event and will continue with the owners meet in my house on the Sunday of there is enough interest. Non owners welcome too!

    I should have Somogyi apprentices guitars in stock from Ray, Leo Buendia, Hiroshi Ogino and Michi Matsuda.

    It will follow the usual pattern, open house in my shop on the Saturday until six, talk at six, ticket holders only, then food at Bom Bane's at around eight. There are only twenty tickest available.

    This was a fantastic success, enjoyed by all. Many thanks to Ray





    Legendary Luthiers Four: Ray Kraut and Somogyi and apprentices guitar owners meet 31 Oct 2015Legendary Luthiers Four: Ray Kraut and Somogyi and apprentices guitar owners meet 31 Oct 2015Legendary Luthiers Four: Ray Kraut and Somogyi and apprentices guitar owners meet 31 Oct 2015
  65. Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Out of stock
    What an incredible guitar! There is everything you could want here. Power and projection, rich and full/well define bass notes, warm and complex mids with clear bell-like trebles.

    It responds beautifully to any style of playing from a gentle caress to a heavy pick.

    • Colorado blue spruce top
    • African blackwood back and sides
    • Florentine cutaway
    • Adjustable action via neck bolt
    • Oval soundport
    • 14 frets to the body
    • 25.25” scale
    • 1 25/32” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • B/Koa/B , Southwest Blue soundboard purfling
    • Spalted Manchinga bindings
    • Wenge and Black Palm with Southwest Blue wedge headstock veneer
    • No position markers (with side dots)
    • Wenge and Black Palm with Southwest Blue inlay, Manchinga binding rosette
    • Bound Ebony with Koa purfling fretboard
    • Ebony bridge
    • Gotoh 510 Cosmo Black tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Baranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African Blackwood


  66. Kinnaird OM - Engelmann & Curly Claro Walnut

    Kinnaird OM - Engelmann & Curly Claro Walnut

    £2,695.00
     
    In stock
    My first two guitars from Steve sold quickly and I like this one even more. Walnut is a wood that is not popular in some quarters but I've liked every Walnut guitar I've had built.

    It has a very full and luscious tone with warm and rounded basses with great definition. The mids are rich and complex and the trebles fat but clear all the way up. The overall balance is fantastic with great projection and volume. It has plenty of headroom for those with a heavy pick style and the sweetest clear and resonant tone from a light touch with fingers with or without nails.

    Stunning in all departments.

    Top - Engelmann Spruce
    Back & sides - Curly Claro Walnut
    Neck - Walnut with American Sycamore stripe
    Fretboard - Macassar Ebony
    Case - Cedar Creek hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C/D
    Nut width - 45.5mm
    Nut spacing - 7.8mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.2mm
    Action fret 12 low E - 1.5mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.35mm
    Lower bout width - 15.25"
    Upper bout width - 11.22"
    Body depth at base - 4.53"

    America sycamore logo - Black/White/Black purfling - American sycamore bindings - Burled walnut headstock veneer - Figured walnut rear headstock veneer - American sycamore backstrip No position markers (with side dots) - Burled walnut rosette - Macassar ebony fretboard - Macassar ebony bridge - Gotoh tuners - Black horn tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
    Kinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro WalnutKinnaird OM - Engelmann & Curly Claro Walnut
  67. Stehr Auditorium Oregon Myrtle acoustic guitar - sold

    Stehr Auditorium Oregon Myrtle acoustic guitar - sold

    Out of stock
    Before this arrived I was beginning to wonder why I had ordered another Oregon Myrtle guitar from Joel (I think this is the fifth), now I know! It looks great and sounds amazing.

    It has wonderful clarity and projection with great balance. All notes are crystal clear with outstanding definition and equal volume across the range. The bass notes are deep and lush with full and complex mids and rich trebles. It responds beautifully to a light touch or a more enthusiastic approach. A great all round guitar for all styles.

    • Adirondack spruce top
    • Oregon myrtle back and sides
    • Macassar ebony bound soundport
    • 13 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2 3/16” string spacing at saddle
    • 15 1/8” lower bout
    • 5-piece walnut laminated neck
    • Stehr leaf logo
    • Maple and rosewood purfling
    • Macassar ebony bindings
    • Macassar ebony headstock veneer
    • Oregon myrtle rear headstock veneer
    • No fretboard position markers with 12th fret inlay and side marks
    • Macassar ebony and maple/rosewood rosette
    • Macassar ebony fretboard
    • Rosewood bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Ameritage case with embroidered Stehr Guitars logo

    Stehr Auditorium Oregon Myrtle acoustic guitar - soldStehr Auditorium Oregon Myrtle acoustic guitar - soldStehr Auditorium Oregon Myrtle acoustic guitar - sold


  68. Washburn Parlour 1904 (used)

    Washburn Parlour 1904 (used)

    Out of stock
    1904 Washburn parlour in excellent condition. Adirondack/Brazilian rosewood, wooden coffin style case.

    The depth and richness of tone of this little beauty is truly remarkable! It's a little clichéd to say how parlour guitars sound like bigger guitars but if you doubt it, come and try this stunner. It has a quality of tone that only a hundred and ten years of Adirondack and Brazilian can produce.

    I have no expertise in this area but will do my best to answer any questions. As far as I can tell it is all original except for the bridge pins.

    Top - Adirondack Spruce
    Back & sides - Brazilian Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Coffin hard case

    Frets to the body - 12
    Scale length - 24.0"
    Neck profile - V
    Nut width - 47.4mm
    Nut spacing - 7.9mm
    Bridge spacing - 12.2mm
    Action fret 1 low E - 0.75mm
    Action fret 12 low E - 2.8mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 3.25mm
    Lower bout width - 12.5"
    Upper bout width - 8.86"
    Body depth at base - 3.94"

    Brazilian rosewood headstock veneer - Marquetry backstrip - No position markers - Ebony bridge Three on a plate tuners - Ivoroid tuner buttons - Plastic (non original) bridge pins - No pickguard

    Washburn Parlour 1904 (used)Washburn Parlour 1904 (used)Washburn Parlour 1904 (used)


  69. White Reesling Parlour - Adirondack & Rosewood (used)

    White Reesling Parlour - Adirondack & Rosewood (used)

    £3,795.00
     
    In stock


    Wow! Rich, full deep and warm with volume, definition and projection. I have never before heard such solid, clear and well defined trebles on a guitar of this size. If you are looking for a small guitar that does everything a bigger one will do look no further.

    It takes a great teacher (Linda Manzer) and a great student to achieve this level of perfection.

    Top - Adirondack Spruce
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - TKL arched case

    Frets to the body - 13
    Scale length - 24.5"
    Neck profile - C/D
    Nut width - 44.6mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.9mm
    Action fret 1 low E - 0.75mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 2.5mm
    Lower bout width - 13.5"
    Upper bout width - 10.24"
    Body depth at base -3.35"

    Oval soundport - Honey Jasper Recon Stone logo - Maple w/b/w purfling - Rosewood bindings Ebony headstock veneer - No position markers (with side dots) - Rosewood and maple rosette Ebony bridge - Gotoh 510 tuners - Ebony tuner buttons - Bone nut and saddle - Bone bridge pins Clear pickguard



    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
    White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)White Reesling Parlour - Adirondack & Rosewood (used)
  70. Collings OO1 - Sitka & Flamed Maple

    Collings OO1 - Sitka & Flamed Maple

    Out of stock
    Gorgeous flamed maple, back sides and neck make this OO1 from Bill Collings look as stunning as it sounds. It has all the versatility, depth of tone and clarity of the mahogany OM with a little added sparkle. The OO is my favourite body size and this little beauty sits in the lap very comfortably for sofa noodling without losing hardly a tad in the volume and projection departments.

    Top Sitka spruce
    Back & Sides Flamed Maple
    Neck Flamed maple
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony pyramid-style with 2 5/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 13/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered slotted square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Backstrip 1-style (Walnut)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Neck Finish High gloss polyester resin
    Pickguard Tortoise
    Strings D'Addario EJ-16 (.012"- .053")
    Case Deluxe Hardshell case by TKL
    Neck Profile


    Collings OO1 - Sitka & Flamed MapleCollings OO1 - Sitka & Flamed MapleCollings OO1 - Sitka & Flamed Maple


  71. Collings D2H acoustic guitar - sold

    Collings D2H acoustic guitar - sold

    Out of stock
    This beauty has the classic rosewood dreadnought sound, it is very deep, warm and resonant with lots of headroom and great projection. The bass notes are very well defined with rich and complex mids and clear/sharp trebles. It has fantastic volume and definition, add Collings incredible workmanship and you will struggle to find a rosewood dread to match this beauty.


    Top Sitka spruce
    Back & Sides E. Indian rosewood
    Lower Bout Width 15 5/8"
    Neck Honduran mahogany
    Body Binding Ivoroid with herringbone purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with abalone long diamond & squares
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Stained Exotic Ebony with MOP Collings Logo
    Tuners Nickel Waverly (16:1 ratio)
    Backstrip 2-style (Zipper)
    Rosette iv/tort/iv & b/w purflings
    Scale Length 25 1/2"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Strings D'Addario EJ-17 (.013"- .056")
    Case Deluxe Hardshell case by TKL

    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
    Collings D2H acoustic guitar - soldCollings D2H acoustic guitar - soldCollings D2H acoustic guitar - sold
  72. Collings Waterloo Stella Deluxe - Spruce & Cherry

    Collings Waterloo Stella Deluxe - Spruce & Cherry

    Out of stock
    The new WL-S Deluxe possesses a richness, dimensionality, and warmth that must be heard to be believed. Inspired by ornately appointed Stella guitars from the 1930’s, the WL-S features intricate wood purflings and custom acrylic inlays for an appearance to match its detailed tone. A hand rubbed varnish finish completes the WL-S both aesthetically and tonally, with a beautiful vintage patina and acoustical excitability that brings out the nuances of this ladder braced design. A solid cherry wood back and sides further enhance the unique character of this guitar, providing exceptional balance and articulation.

    All WL-S models feature a vintage correct “Soft-V” neck profile with a carbon fiber T-Bar, a slotted headstock, and a pyramid bridge with a cutthrough saddle. Hardshell TKL case included.

    All Waterloo models are handmade in Austin, Texas.


    Top: Solid Spruce
    B&S: Solid Cherry
    Bracing: Vintage style Ladder Brace
    Colour: Vintage Toner
    Binding: Ivoroid on Body, Soundhole, Neck and Peghead
    Bridge: Ebony Pyramid, 2 3/8” Spacing
    Bridge Pins: Ebony
    Saddle: Cut-through Bone
    Finish: Vintage style hand polished varnish
    Neck: Solid Mahogany w/slot Peghead
    Fingerboard: Indian Rosewood
    Nut: 1 3/4” Bone
    Neck Reinforcement: Carbon Fibre T-Bar
    Fingerboard Inlays: Deluxe Acrylic Floral pattern
    Neck Profile: Vintage correct “Soft V”
    Scale Length: 24 7/8”
    Fretwire: Medium 18% Nickel-Silver
    Logo: Stencil “Waterloo”
    Tuner: Golden Age Restoration



    Collings Waterloo Stella Deluxe - Spruce & CherryCollings Waterloo Stella Deluxe - Spruce & CherryCollings Waterloo Stella Deluxe - Spruce & Cherry


  73. Traphagen HRS - Italian Spruce & Honduran Rosewood

    Traphagen HRS - Italian Spruce & Honduran Rosewood

    £2,999.00
     
    In stock


    Here’s a special offer on a special guitar that has, what some might say, are ‘issues’. We’ve had the guitar in the shop for a while now. During that time it has done its own ‘relic job’ by developing lacquer checking across the whole surface of the Spruce top. The back, sides and neck are unaffected.

    Anyone who knows a bit about the ‘lacquer checking’ that is added to modern custom shop electric guitars will understand what I mean by a ‘relic job’. There is absolutely no adverse effect to the tone or the overall loveliness of the guitar, it sounds wonderful, it’s just not something that you usually find on an expensive handmade acoustic guitar. There's an image of the lacquer checking below.

    The fret ends on the lower side of the neck could do with a little tidying up too though playability is very good as it is.

    There’s not much room left in the saddle for those who like an ultra-low action though the current action is great for fingerstyle.

    We don’t currently have the services of a luthier so we are therefore offering this guitar at £2,995, a massive £4,000 discount! Yes, you can own a seven grand guitar that you might not have been able to afford.

    Feel free to make us a cheeky offer as long as you don’t mind a cheeky response.

    Top - Italian Spruce
    Back & sides - Honduran Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Black hardshell arched case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.4mm
    Action fret 1 low E - 0.5mm
    Action fret 12 low E - 2.75mm
    Action fret 1 high E - 0.3mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 14 13/16"
    Upper bout width - 11.22"
    Body depth at base - 4.13"

    Amazon rosewood purfling - Amazon rosewood bindings - Honduran rosewood headstock veneer Honduran rosewood backstrip - No position markers (with side dots) - Black palm rosette Honduran rosewood bridge - Schertler tuners - Ebony tuner buttons - Bone nut and saddle Rosewood bridge pins - Clear pickguard

    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
    Traphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran RosewoodTraphagen HRS - Italian Spruce & Honduran Rosewood
  74. Hatcher Penelope acoustic guitar - sold

    Hatcher Penelope acoustic guitar - sold

    Out of stock
    In as new condition.

    My first Guitar from Mark and it is a real stunner, the rosette and the amazing 'pillow' headstock are works of art. And to coin the old cliché it sounds as good as it looks. It has a fantastic deep and rich, well defined bass with full and complex mids and clear, ringing trebles. The balance and projection is excellent and the playability second to none.

    • Master grade sitka top
    • Rosewood back and sides
    • 12 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2.25” string spacing at saddle
    • 14 7/8” lower bout
    • Mahogany with maple and cross grained EIR centre strip neck
    • Black wood, maple, and mahogany purfling
    • Ebony bindings
    • Sculpted rosewood with maple purfling and black ebony bindingheadstock veneer
    • Mahogany with maple purfling rear headstock veneer
    • No position markers (with side dots)
    • Rosewood, spalted Tamarind, Mahogany tiles bordered in black ebony and bound in black wood, maple, and mahogany rosette
    • Black ebony with black ebony binding and maple purfling fretboard
    • Ebony bridge
    • Gotoh mini tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - soldHatcher Penelope acoustic guitar - sold


  75. Claxton EM - German Spruce & Macassar Ebony

    Claxton EM - German Spruce & Macassar Ebony

    Out of stock
    The work of a legend in contemporary guitar making and proof of how Ed achieved that status. This is an exceptional guitar. The workmanship and detailing is flawless. The tone is heavenly.

    As I have mentioned before it takes years of hard won experience to achieve acoustic qualities that might otherwise be thought of as to some extent mutually exclusive. This amazing guitar has warmth, resonance and richness of tone with remarkable clarity from the fat, well defined bass to the fullest trebles I've heard. I would put it against any guitar I've ever played for balance and evenness of tone. A truly great guitar.

    • German spruce top
    • Macassar ebony back and sides
    • Nitrocellulose finish
    • Soft cutaway
    • 14 frets to the body
    • 25.375” scale
    • 1 ¾” nut width
    • 2 1/14” string spacing at saddle
    • 15 9/16” lower bout
    • Mahogany neck
    • Pernambuco/holly/black purfling
    • Ebony bindings
    • Macassar ebony headstock veneer
    • Ebony backstrip
    • MoP side dots
    • Wood mosaic rosette
    • Ebony fretboard
    • Ebony bridge, hot hide glued
    • Gotoh 510 gold tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard, not installed
    • Hoffee case

    Claxton EM - German Spruce & Macassar EbonyClaxton EM - German Spruce & Macassar EbonyClaxton EM - German Spruce & Macassar Ebony


  76. Traugott R African blackwood acoustic guitar - sold

    Traugott R African blackwood acoustic guitar - sold

    Out of stock

    There are many reasons why Jeff has had such a reputation for many decades, this is now one of them.

    It is hard to describe tone at the best of times but at this level it becomes almost impossible. Suffice to say that it is truly incredible, combing qualities that might be thought mutually exclusive, for instance resonance and clarity, depth and definition and subtlety and projection, you get them all in this remarkable guitar! The tone and responsiveness and are what made the Traugott legend.

    • German spruce top
    • African blackwood back and sides
    • 14 frets to the body
    • 25.375” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15.625” lower bout
    • Honduran mahogany neck
    • Koa and ebony purfling
    • Koa and ebony bindings
    • Quilted mahogany headstock veneer
    • Koa and ebony backstrip
    • No position markers (with side dots)
    • Quilted mahogany rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 black tuners
    • Black Cosmos tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Main Stage case with Colorado Case Company cover

    Traugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - soldTraugott R African blackwood acoustic guitar - sold


  77. McElroy OO 12 Fret - Adirondack & Koa (used)

    McElroy OO 12 Fret - Adirondack & Koa (used)

    Out of stock


    Fantastic OO from Brent. The OO is my favourite guitar body size and this is a great example of why. The Adirondack and koa give it remarkable clarity and projection and the deep body add great depth and warmth. Strong, well defined bass notes, rich and full mids and clear and sparkling trebles. Its also a joy to play.


    • Adirondack spruce top
    • Koa back and sides
    • 24.9” scale
    • 1 3/4" nut width
    • 2 1/4" string spacing at saddle
    • 14 1/8” lower bout
    • 12 frets to the body
    • Ebony headstock veneer
    • Ebony bindings
    • Spalted Maple rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Mother of pearl inlaid logo
    • Mother of pearl small dot position markers
    • Gold Gotoh 510 tuners
    • Ebony bridge pins
    • No pickguard


    McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)


  78. Eastman 815 Mandola

    Eastman 815 Mandola

    £1,759.00
     
    In stock
    Reduced by £100 due to a ding on the neck.

    Free UK mainland delivery. £1859, including pro set-up.

    Lots of that luscious mandola tone and a scroll, this is a lot of 'dola for the money.

    All solid, spruce and flamed maple with black/diamond rosette, ebony fingerboard, nickel fittings, solid tailpiece and Schaller tuners, triple bound front and back and single bound headstock. Comes with violin style fitted rectangular hard-shell case.

    Eastman 815 MandolaEastman 815 MandolaEastman 815 Mandola
    Eastman 815 MandolaEastman 815 MandolaEastman 815 Mandola
    Eastman 815 MandolaEastman 815 MandolaEastman 815 Mandola
    Eastman 815 MandolaEastman 815 Mandola
  79. Gibson F4 1915 Mandolin (used)

    Gibson F4 1915 Mandolin (used)

    Out of stock
    1915 Gibson F4 with the wonderful Handel tuners. Red sunburst finish, bound 2-point body, carved spruce top, oval soundhole, triple ring rosette, fantastic one piece flamed maple back and sides, bridge (with later insert instead of the individual pieces) and later bone nut (the original pearl nut is in the case), original tailpiece and cover, pickguard and clamp and case.

    This one is in very fine condition with no issues whatsoever, ready and willing to go on for another century or two. It has the typical teens Gibson oval hole tone with very deep and rich bass notes, warm and full mids and clear/ringing trebles.. magic. And with the current pound/dollar exchange rate it is at a very good price.

    ///


  80. Gibson F4 1912 Mandolin (used)

    Gibson F4 1912 Mandolin (used)

    Out of stock
    1912 Gibson F4 with the wonderful Handel tuners. Red sunburst finish, bound 2-point body, carved spruce top, oval soundhole, triple ring rosette, fantastic flamed maple back and sides, later, adjustable ebony bridge, original tailpiece and cover and original case.

    This is a LOUD one and with mojo a plenty, similar to the one I sold to Peggy of the Fairports (see above). It has the classic F4 teens sound with amazing depth and resonance and lots of that full and warm tone. All present and correct, no issues. It plays beautifully all the way up the neck with low action.

    Gibson F4 1912 Mandolin (used)Gibson F4 1912 Mandolin (used)Gibson F4 1912 Mandolin (used)


  81. Phoenix Select 2015 (used)

    Phoenix Select 2015 (used)

    Out of stock
    Phoenix mandolins are always very light and responsive, you can feel them resonating as you get them out of the case!

    It has a very full tone with fantastic volume and complexity. It has plenty of oomph for the bluegrass players with a deep and full, loud chop and responds excellently to the heaviest pick or the lightest touch. It barks or sings sweetly, doing whatever you ask of it. A very versatile and wonderful mandolin.

    Red (Adirondack) spruce top, red maple back and sides and a Hiscox case.

    Signed by Rolfe Gerhardt, in excellent condition, made in 2015. Save £600 on the new price.


    Phoenix Select 2015 (used)Phoenix Select 2015 (used)Phoenix Select 2015 (used)


  82. Eastman 315 - F Style - F Hole

    Eastman 315 - F Style - F Hole

    £775.00
     
    In stock
    Free UK mainland delivery. £775, including pro set-up.

    The usual Eastman build quality and tone but with a satin finish, pressed tailpiece and a gigbag.

    Unbelievable value, solid spruce, hand carved top, solid maple (hand carved) back and sides, and pressed tailpiece, unbound back. Great tone, good resonance and plenty of the bluegrass bark and chop, great for bluegrass and other playing styles. With gigbag.


    Eastman 315 - F Style - F HoleEastman 315 - F Style - F HoleEastman 315 - F Style - F Hole
    Eastman 315 - F Style - F HoleEastman 315 - F Style - F HoleEastman 315 - F Style - F Hole
    Eastman 315 - F Style - F HoleEastman 315 - F Style - F HoleEastman 315 - F Style - F Hole
  83. Gibson A4 Blackface 1915 (used)

    Gibson A4 Blackface 1915 (used)

    Out of stock
    1915 Gibson A4 blackface in great shape with the original gorgeous Handel inlaid tuners, original tailpiece, pickguard and clamp and period case with replacement handle, (note, the photo is not of the case that comes with it).

    There is some of the side bulging common to this period of Gibsons, all solid and sound.

    It plays easily and sounds wonderful, rich and full with remarkable bass, warm mids and clear trebles.


    Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)


  84. Eastman 615 - F Style - F Hole - K&K Twin Internal Pickup

    Eastman 615 - F Style - F Hole - K&K Twin Internal Pickup

    £1,499.00
     
    In stock
    Free UK mainland delivery. £1499, including pro set-up.

    The 615 comes with a K&K twin internal pickup. It sounds great plugged in.

    An all solid woods spruce/flamed maple hand made, hand carved F5. Triple bound top, back and single bound headstock, solid cast tailpiece, Schaller tuners, plenty of bark and chop, and projection and volume to battle those ba*jos for bluegrass players and depth and warmth for other styles. With fitted violin style hard-shell case. Classic finish.

    Eastman 615 - F Style - F Hole - K&K Twin Internal PickupEastman 615 - F Style - F Hole - K&K Twin Internal PickupEastman 615 - F Style - F Hole - K&K Twin Internal Pickup
    Eastman 615 - F Style - F Hole - K&K Twin Internal PickupEastman 615 - F Style - F Hole - K&K Twin Internal PickupEastman 615 - F Style - F Hole - K&K Twin Internal Pickup
    Eastman 615 - F Style - F Hole - K&K Twin Internal PickupEastman 615 - F Style - F Hole - K&K Twin Internal PickupEastman 615 - F Style - F Hole - K&K Twin Internal Pickup
  85. Stehr OO-12 Oregon myrtle acoustic guitar - sold

    Stehr OO-12 Oregon myrtle acoustic guitar - sold

    Out of stock
    All my previous guitars from Joel have sold within days of arriving and I expect this beauty will too. It has incredible warmth and intimacy with great volume and projection. The lower bout is only a 1/4" smaller than an OM but it has the fullness of a much bigger guitar and wonderful playability. If I was keeping a collection at home these days this one would be among them.

    • Carpathian spruce top
    • Oregon Myrtle back and sides
    • Soundport bound with Bolivian rosewood and purfling
    • 12 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 14.75” lower bout
    • Curly maple 5 piece laminate neck
    • Stehr leaf logo
    • Rosewood and maple purfling
    • Bolivian rosewood bindings
    • Bolivian rosewood headstock veneer
    • Oregon myrtle rear headstock veneer
    • Twelfth fret fretboard inlay (with side dots)
    • Bolivian rosewood rosette
    • Bolivian rosewood fretboard
    • Bolivian rosewood bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • Rosewood bridge pins
    • No pickguard
    • Guardian case


    Stehr OO-12 Oregon myrtle acoustic guitar - soldStehr OO-12 Oregon myrtle acoustic guitar - soldStehr OO-12 Oregon myrtle acoustic guitar - sold


  86. Eastman 515 - F Style - F Hole

    Eastman 515 - F Style - F Hole

    £1,149.00
     
    In stock
    Free UK mainland delivery. £1149, including pro set-up.

    An amazing value F5 in hand carved all solid woods, spruce and maple, solid cast tailpiece, triple bound top, single bound neck, ebony fingerboard, nickel fittings. Fantastic value and a banjo killer too, lots of volume, bark and chop for bluegrass and warmth and depth for other styles . With hardshell case. Classic finish.


    Eastman 515 - F Style - F HoleEastman 515 - F Style - F HoleEastman 515 - F Style - F Hole
    Eastman 515 - F Style - F HoleEastman 515 - F Style - F HoleEastman 515 - F Style - F Hole
    Eastman 515 - F Style - F HoleEastman 515 - F Style - F HoleEastman 515 - F Style - F Hole
  87. Beneteau OO-12 - Sitka & Rosewood (used)

    Beneteau OO-12 - Sitka & Rosewood (used)

    £2,999.00
     
    In stock
    Used and in excellent condition, more than a grand less then a new one one.

    A beautiful OO from Marc, fourteen and three sixteenths inch lower bout, 12 frets to the body, Indian Rosewood/Sitka spruce with a slotted headstock, pyramid bridge and nickel Waverly tuners, 1 11/16" nut and 25" scale. A quality oft sought in a fingerstyle guitar is great articulation, this is a true polyglot. It has incredible clarity and definition and remarkable playability.



    • Sitka spruce top
    • Indian rosewood back and sides
    • K & K pickup
    • 12 frets to the body
    • 25 " scale
    • 1 11/16" nut width
    • 2 1/8" string spacing at saddle
    • 14 3/16" lower bout
    • Slotted headstock
    • Honduran rosewood bindings
    • Honduran rosewood back strip
    • Honduran rosewood rosette
    • Abalone inlaid heel cap logo
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony pyramid bridge
    • No position markers
    • Waverly tuners
    • No pickguard
    • Hiscox case

    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)
  88. Gibson A1  1912 (used)

    Gibson A1 1912 (used)

    Out of stock
    1912 A1 in great condition with original tuners, bridge, tailpiece and case (with new handle).

    Plays well with that classic full and fat tone.

    Gibson A1  1912 (used)Gibson A1  1912 (used)Gibson A1  1912 (used)


  89. Collings MT Mandolin - Gloss Top

    Collings MT Mandolin - Gloss Top

    £3,215.00
     
    In stock
    This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant sound, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
    Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top Collings MT Mandolin - Gloss Top
  90. Collings MT mandolin

    Collings MT mandolin

    Out of stock
    This is Collings' entry level mandolin but it has everything you would expect from Collings. It has great volume with a fantastic and powerful bluegrass chop, strong bass notes, warm and complex mids and clear trebles. Its much more than a bluegrass cannon with a very full tone that is great for all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolinCollings MT mandolinCollings MT mandolin


  91. Collings MT mandolin black gloss top & ivoroid binding

    Collings MT mandolin black gloss top & ivoroid binding

    Out of stock
    Gorgeous blacktop from the team in Texas! This beauty has the renowned Collings f hole sound, its very powerful with great chop and cut and a deep and warm resonant tone, only the best mandolins have both. It responds fantastically to a hard pick or the lightest touch, sweet and mellow or a bluegrass cannon, take your pick (pun intended).

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid bindingCollings MT mandolin black gloss top & ivoroid binding


  92. Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding

    £3,195.00
     
    In stock
    I like Collings cream top finish so much that I have ordered it for my custom mandola (and being greedy on a Girouard mandola as well). To use one of my favourite Clichés it sounds as good as it looks. Fantastic in all departments, rich, full and well defined in the bass department, sweet and warm in the mids and clear and rich trebles. A mandolin for all occasions and all styles.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
    Collings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid BindingCollings MT Mandolin - Cream Gloss Top, Purfling & Ivoroid Binding
  93. Collings MT2 Mandolin

    Collings MT2 Mandolin

    Out of stock
    Collings' top of the range A model, stunning woods, immaculate workmanship and oh that Collings tone. It has a very clear sound with great depth, balance and one of the loudest chops I've heard. It has that amazing combination of warmth/resonance and projection, great for bluegrass and almost anything else.

    Select Adirondack spruce top
    Premium figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Grained ivoroid top/back/neck & peghead binding
    Black/white purflings
    Full high-gloss nitrocellulose lacquer finish
    Bound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay w/Collings logo and flourish inlay
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel or gold tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT2 MandolinCollings MT2 MandolinCollings MT2 Mandolin


  94. Collings MT Mandola - Gloss Top

    Collings MT Mandola - Gloss Top

    Out of stock
    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package.

    Top Adirondack spruce
    Back/Sides/Neck Eastern flamed maple
    Soundhole F-holes
    Body Binding Tortoise (top)
    Fingerboard Binding None
    Peghead Binding None
    Bracing Tone bars
    Bridge Ebony w/ Adjustable Saddle
    Fingerboard Ebony w/ MOP dots
    Nut 1 5/16"
    String Spacing 1 11/16"
    Neck Profile Rounded V
    Neck Joint Dovetail
    Frets Medium 18% nickel-silver
    Truss Rod Fully Adjustable
    Peghead Veneer Ebony w/ MOP Collings logo
    Tuners Nickel Gotoh w/ black buttons
    Scale Length 15.9"
    Fingerboard Radius 7" - 15" compound
    Body Finish Satin nitrocellulose lacquer
    Pickguard None
    Tailpiece Collings original tailpiece
    Strings D'Addario EJ76 (.015" - .052")
    Case Deluxe hardshell case by TKL

    Collings MT Mandola - Gloss Top Collings MT Mandola - Gloss Top Collings MT Mandola - Gloss Top


  95. Collings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard

    Collings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard

    £5,175.00
     
    In stock
    Customised for TAMCO to my specifications, with incredible quilted maple back and sides, this is a very special mandola.

    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package. Mandolas don't get any better than this.

    Select Adirondack spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Ivoroid binding
    Satin nitrocellulose lacquer finish
    Bound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 11/16" Bone nut
    15.9" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Collings deluxe hardshell case

    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
    Collings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream PickguardCollings Custom MT2 Mandola - Cream Gloss Top & Cream Pickguard
  96. Collings MT mandolin amber gloss top

    Collings MT mandolin amber gloss top

    Out of stock
    Wow! This is a real stunner. And it sounds even better that it looks. Great for all styles, plenty of power, punch and chop for bluegrass and lots of depth and warmth, making it very versatile, it responds beautifully to a heavy pick or a light touch.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    Parallel tone bar bracing
    F-soundholes
    Tortoise top binding
    Satin nitrocellulose lacquer finish with gloss top
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22-frets, neck joins the body at the 15th fret
    V shaped neck profile with 1 9/16" string spacing
    5 1/2"-11 5/8" Compound fingerboard radius
    1 1/8" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MT mandolin amber gloss topCollings MT mandolin amber gloss topCollings MT mandolin amber gloss top


  97. Collings MT Mandola - Black Gloss Top & Ivoroid Binding

    Collings MT Mandola - Black Gloss Top & Ivoroid Binding

    £3,775.00
     
    In stock
    All the depth and warmth you would expect from a great mandola but with the legendary Collings definition and projection. Yes you can have it all, resonance and clarity in one package.

    Top Adirondack spruce
    Back/Sides/Neck Eastern flamed maple
    Soundhole F-holes
    Body Binding Tortoise (top)
    Fingerboard Binding None
    Peghead Binding None
    Bracing Tone bars
    Bridge Ebony w/ Adjustable Saddle
    Fingerboard Ebony w/ MOP dots
    Nut 1 5/16"
    String Spacing 1 11/16"
    Neck Profile Rounded V
    Neck Joint Dovetail
    Frets Medium 18% nickel-silver
    Truss Rod Fully Adjustable
    Peghead Veneer Ebony w/ MOP Collings logo
    Tuners Nickel Gotoh w/ black buttons
    Scale Length 15.9"
    Fingerboard Radius 7" - 15" compound
    Body Finish Satin nitrocellulose lacquer
    Pickguard None
    Tailpiece Collings original tailpiece
    Strings D'Addario EJ76 (.015" - .052")
    Case Deluxe hardshell case by TKL

    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
    Collings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid BindingCollings MT Mandola - Black Gloss Top & Ivoroid Binding
  98. Hatcher Greta acoustic guitar - sold

    Hatcher Greta acoustic guitar - sold

    Out of stock
    Wow! Another absolutely stunning guitar from Mark. It is a very light and responsive guitar, what I think of as eager. The definition and projection are truly remarkable right across the range, with full and precise bass notes, beautiful warm and complex mids and full and clear trebles. It plays like a dream and sounds wonderful.

    • Master Grade Sitka top
    • Figured Honduran Mahoganyback and sides
    • 13 frets to the body
    • 24.9” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • 5 line wood w/Cocobolo purfling
    • Cocobolo bindings
    • Cocobolo headstock veneer
    • Cocobolo rear headstock veneer
    • No position markers (with side dots)
    • Cocobolo, spalted Tamarind, mahogany tiles rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Hatcher Greta acoustic guitar - soldHatcher Greta acoustic guitar - soldHatcher Greta acoustic guitar - sold


  99. Dudenbostel Classic OM 2009 acoustic guitar - sold

    Dudenbostel Classic OM 2009 acoustic guitar - sold

    Out of stock
    Fantastic 'Classic OM' from Lynn Dudenbostel. This is a rare bird indeed.

    It comes complete with a letter from Lynn dated April 14 2009 explaining his goal of producing a modern Martin 14 fret OM, see photo.

    It is an excellent condition and sounds awesome! It very light and extremely responsive, with unbelievable definition and projection, rich and full bases, complex mids and clear/well defined trebles. Sound clip to come soon.

    • Carpathian spruce top
    • Honduran mahogany back and sides
    • Oil varnish finish
    • 15" lower bout
    • 14 frets to the body
    • 25.4” scale
    • 1.752 nut width
    • 2 1/4" string spacing at saddle
    • Mahogany neck
    • B/W purfling
    • Rosewood bindings
    • Macassar ebony headstock veneer
    • Rosewood backstrip
    • Dot Abalone position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Grover open backed tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Hard case

    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
    Dudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - soldDudenbostel Classic OM 2009 acoustic guitar - sold
  100. Martin O-18K 1929 acoustic guitar

    Martin O-18K 1929 acoustic guitar

    Out of stock
    ON HOLD.

    '29 O-18K in great condition. It sounds great with a very sweet and warm tone.

    • Koa top
    • Koa back and sides
    • 12 frets to the body
    • 24 ¾” scale
    • 1 7/8” nut width
    • 2 3/8” string spacing at saddle
    • 13 ½” lower bout
    • Mahogany neck
    • Rosewood bindings
    • Rosewood backstrip
    • MoP dot position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Original tuners
    • Ivoroid tuner buttons
    • Ebony bridge pins
    • No pickguard
    • Hiscox hardshell case

    Martin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitar
    Martin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitar
    Martin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitar
    Martin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitarMartin O-18K 1929 acoustic guitar

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