Search results for 'BITTERROOT A4 OVAL USED'

Products

  1. Weber Bitterroot A4 - A Style - Oval Hole

    Weber Bitterroot A4 - A Style - Oval Hole

    £3,350.00
     
    In stock
    Beautiful A4 Bitterroot with flame maple back and sides, spruce top, bound soundhole, radiussed ebony fretboard and Brekke bridge, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case.

    Fantastic full and rich sound with warm and deep bass notes, sweet mids and clear trebles. The Bitterroot range represent great value from Weber and always have a very sweet and mellow tone, not Ideal for bluegrass but perfect for everything else.

    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
    Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole Weber Bitterroot A4 - A Style - Oval Hole
  2. Pava A4 Player - Oval Hole

    Pava A4 Player - Oval Hole

    Out of stock
    It is great news that Pava has turned her hand to oval hole mandolins. This is an incredible A4 with the depth and warmth you would expect from Tom Ellis' stable. It also has great volume with fantastic clarity and projection so you get the resonance of an A4 with the power of an A5. It responds equally well to a gentle caress and a 3mm pick with a heavy hand, deep, rich and resonant tones with some oooomph if you need it. Awesome!


    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
    Pava A4 Player - Oval HolePava A4 Player - Oval HolePava A4 Player - Oval Hole
  3. Weber Yellowstone A4 Mandocello - A Style - Oval Hole

    Weber Yellowstone A4 Mandocello - A Style - Oval Hole

    Out of stock
    Awesome! This is one of finest mandocellos I have played. The late and much lamented Stan Jay famously described the mandocello sound as being like a deep growl from the jungle. This one is coming from somewhere much deeper, the very bowels of the earth. But unlike some cellos it doesn’t lack clarity and definition, it has it all, and it looks incredible. A mandocello for the connoisseur.

    It features a hand graduated and tuned solid spruce top, flamed maple back and sides, ivoroid bound ebony with black/ivoroid side accent lines headstock veneer, ‘The Weber’ script and MoP white and gold headstock inlay, ebony fretboard and traditional Brekke bridge. It has a 24 3/4” scale length and 1 5/8”nut width, dual action adjustable truss rod, cast Weber tailpiece, Grover tuners and a deluxe hard case.

    Weber Yellowstone A4 Mandocello - A Style - Oval HoleWeber Yellowstone A4 Mandocello - A Style - Oval HoleWeber Yellowstone A4 Mandocello - A Style - Oval Hole


  4. Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    Weber Bitterroot F4 Octave Mandolin - F Style - Oval Hole

    £4,450.00
     
    In stock
    A beautiful F4 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    Wonderful deep and full tone, fantastic warmth and resonance with well defined basses, complex mids and clear, ringing trebles and with the 20" scale it plays very easily.


    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
    Weber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval HoleWeber Bitterroot F4 Octave Mandolin - F Style - Oval Hole
  5. Weber Bitterroot A5 - A Style - F Hole

    Weber Bitterroot A5 - A Style - F Hole

    Out of stock
    Beautiful A5 Bitterroot with flame maple back and sides, spruce top, radiussed ebony fretboard and Brekke bridge, tone bar braced, 1 1/8" nut width, cast Weber stainless steel tailpiece, nickel Grover tuners, dual action adjustable truss rod and custom hard case. The Bitterroot is our best selling F5 and this gem sounds just as good for quite a lot less, lacking what the Americans call a thousand dollar strap hanger but nothing else, it has huge volume and clarity making it a bluegrass monster, but with depth and subtlety too for other styles, a great sounding and looking mandolin at a great price.

    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
    Weber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F HoleWeber Bitterroot A5 - A Style - F Hole
  6. Weber Bitterroot F5 - F Style - F Hole

    Weber Bitterroot F5 - F Style - F Hole

    Out of stock
    Another gorgeous Bitterroot F5 with solid spruce top, solid flamed maple back and sides, all hand carved in Bend Oregon US of A and tone bar braced with a matte finish. It features a radiussed and bound ebony fretboard, Grover tuners, solid/cast tailpiece and the amazing ebony Brekke bridge that enables action adjustments while under full string tension! It has a very open sound, deep and warm basses, rich, vibrant mids and sweet, clean trebles. Great chop and cut for bluegrass with depth and resonance for other styles. I think this is about the best value F5 that I regularly have in stock. With a Weber hardshell case.

    Weber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F Hole
    Weber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F Hole
    Weber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F HoleWeber Bitterroot F5 - F Style - F Hole
  7. Weber Gallatin A4 - A Style - Oval Hole

    Weber Gallatin A4 - A Style - Oval Hole

    Out of stock
    With no bindings this Gallatin A looks great. It is an example of a mandolin where every penny has gone into the sound. With a solid hand carved spruce top, solid hand carved maple back and sides, solid cast tailpiece and Brekke bridge it's the least expensive US of A made A style mandolin around. The basic spec of course does not affect the sound, it has a classic A4 tone, solid, well defined bass with warm and rich mids and crisp ringing trebles. With hard case.

    The one and only Dave Swarbrick (Swarb) of Fairport Convention had one of these.

    Photos to follow.




    Weber Gallatin A4 - A Style - Oval HoleWeber Gallatin A4 - A Style - Oval HoleWeber Gallatin A4 - A Style - Oval Hole


  8. Weber Yellowstone A4 Octave Mandolin - A Style - Oval Hole

    Weber Yellowstone A4 Octave Mandolin - A Style - Oval Hole

    Out of stock
    A beautiful octave mandolin from the Weber team. In the gorgeous honey and tortoise finish with Adirondack/red spruce top, ebony radiussed fretboard, ebony traditional Brekke bridge, it has a 20" scale and 1 15/32" nut width. It's a dream to play with incredible deep and warm basses, rich and sweet mids and clear/well defined trebles. With hard case.

    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
    Weber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval HoleWeber Yellowstone A4 Octave Mandolin - A Style - Oval Hole
  9. Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst

    £2,995.00
     
    In stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional finish with a hand graduated and tuned Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with wonderful deep lows and enough volume to be heard.

    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
    Weber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional SunburstWeber Yellowstone A4 - A Style - Oval Hole - Traditional Sunburst
  10. Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)

    Out of stock
    Absolutely gorgeous Yellowstone A4 in the beautiful traditional sunburst finish with a hand graduated and tuned solid Adirondack/red spruce top, flamed maple back and sides, ebony veneered tapered A headstock, tortoiseshell/ivoroid bound with ebony and black/ivoroid side accent lines, tortoise bound soundhole, MOP "The Weber" Script and MOP white and gold flower pot inlay, tortoise bound ebony radiussed fingerboard with a 1 1/8 inch nut width, MOP buds fret markers, dual action/adjustable bridge, tortoise bound body with black/ivoroid side accent lines, cast Weber nickel tailpiece, nickel Grover tuners, traditional Brekke bridge and deluxe hardshell case.

    It has rich and resonant basses with great sustain, warm complex mids and clear ringing trebles. A fantastic mandolin for folk and old time music with a wonderful deep low and enough volume to be heard.

    In great condition and incredible value!

    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)
    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)
    Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)Weber Yellowstone A4 - A Style - Oval Hole - Honey & Tortoise (Used)
  11. Eastman 314 Mandolin - F Style - Oval Hole

    Eastman 314 Mandolin - F Style - Oval Hole

    £775.00
     
    In stock
    Free UK mainland delivery. £775, including pro set-up.

    The usual Eastman build quality and tone but with a satin finish, pressed tailpiece and a gigbag.

    Unbelievable value, solid spruce, hand carved top, solid maple (hand carved) back and sides, and pressed tailpiece, unbound back. Great oval hole tone with good resonance and deep basses, warm mids and clear trebles.


    Eastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval Hole
    Eastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval Hole
    Eastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval Hole
    Eastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval HoleEastman 314 Mandolin - F Style - Oval Hole
  12. Eastman 604 - A Style - Oval Hole - K&K Twin Internal Pickup

    Eastman 604 - A Style - Oval Hole - K&K Twin Internal Pickup

    Out of stock
    Free UK mainland delivery. £969, including pro set-up.

    The 604 comes with a K&K twin internal pickup.

    All solid spruce/flamed maple A style, oval hole with triple binding on top, back and single bound headstock, nickel fittings, including Schaller tuners and a solid cast tailpiece, ebony fingerboard. Lovely bass and balance with clear mids and trebles. With hardshell case. Classic finish.



    Eastman 604 - A Style - Oval Hole - K&K Twin Internal PickupEastman 604 - A Style - Oval Hole - K&K Twin Internal PickupEastman 604 - A Style - Oval Hole - K&K Twin Internal Pickup
    Eastman 604 - A Style - Oval Hole - K&K Twin Internal PickupEastman 604 - A Style - Oval Hole - K&K Twin Internal PickupEastman 604 - A Style - Oval Hole - K&K Twin Internal Pickup
    Eastman 604 - A Style - Oval Hole - K&K Twin Internal PickupEastman 604 - A Style - Oval Hole - K&K Twin Internal PickupEastman 604 - A Style - Oval Hole - K&K Twin Internal Pickup
  13. Eastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup

    Eastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup

    £1,499.00
     
    In stock
    Free UK mainland delivery. £1499, including pro set-up.

    The 614 comes with a K&K twin internal pickup.

    All solid, spruce and flamed maple with black/diamond rosette, ebony fingerboard, nickel fittings, solid tailpiece and Schaller tuners, triple bound front and back and single bound headstock. Lots of deep and resonant oval hole sound with strong mids and ringing trebles. Comes with violin style fitted rectangular hard-shell case.

    Eastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup
    Eastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup
    Eastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal PickupEastman 614 - F Style - Oval Hole - K&K Twin Internal Pickup
  14. Ellis A4 Deluxe

    Ellis A4 Deluxe

    Out of stock
    A gorgeous blonde top A4 from Tom. Its in Red (Adirondack) spruce and the most beautiful flamed red maple and has an ebony fretboard, pickguard and bridge, engraved James tailpiece, triple bound top, back and headstock, abalone inlay and logo, rope-style rosette and a TKL case.

    The sound is everything a great oval hole mandolin should be, rich and resonant with deep and sonorous bass notes, sweet and complex mids and clear, sparkling trebles. And non of the boom that comes with some lesser oval holes.


    Ellis A4 DeluxeEllis A4 DeluxeEllis A4 Deluxe


  15. Eastman 504 Mandolin - A Style - Oval Hole

    Eastman 504 Mandolin - A Style - Oval Hole

    £799.00
     
    In stock
    Free UK mainland delivery. £799, including pro set-up.

    When I started TAMCO back in 2001, I never thought I would be able to offer a bluegrass mandolin (by this I mean carved top and back not F5) of this quality for such a price. All solid woods, hand carved top and back and solid cast tailpiece. It has lots of bass and sustain, with rich mids and clear trebles. With hardshell case. Classic finish.

    Eastman 504 Mandolin - A Style - Oval HoleEastman 504 Mandolin - A Style - Oval HoleEastman 504 Mandolin - A Style - Oval Hole
    Eastman 504 Mandolin - A Style - Oval HoleEastman 504 Mandolin - A Style - Oval HoleEastman 504 Mandolin - A Style - Oval Hole
    Eastman 504 Mandolin - A Style - Oval HoleEastman 504 Mandolin - A Style - Oval HoleEastman 504 Mandolin - A Style - Oval Hole
  16. Weber Yellowstone F4 - F Style - Oval Hole - Honey & Tortoise

    Weber Yellowstone F4 - F Style - Oval Hole - Honey & Tortoise

    £4,350.00
     
    In stock
    Weber's Yellowstone in Adirondack/red spruce and beautiful flamed maple with an oval soundhole. Great looks - the honey and tortoise is one of my all time favourites - and oh that sound.

    Many oval hole mandolins (particularly flat - tops) lack definition and clarity and have hard wishy-washy bass, this beauty has fantastic balance with sweet and well defined bass notes, complex and warm mids and wonderful clear and characterful trebles.

    It comes with Weber's superb hardshell case.


    Weber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & Tortoise
    Weber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & Tortoise
    Weber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & Tortoise
    Weber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & TortoiseWeber Yellowstone F4 - F Style - Oval Hole - Honey & Tortoise
  17. Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    Weber Bitterroot A5 Octave Mandolin - A Style - F Hole

    £3,895.00
     
    In stock
    Fantastic rich and full sounding octave mandolin with 20" scale making it very easy to play. It has great resonance and warmth and depth of tone with excellent definition and projection from the lowest to highest notes.

    A5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. 20" scale length and 1 3/8" nut with a traditional Brekke bridge (adjustable under tension). The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.




    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
    Weber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F HoleWeber Bitterroot A5 Octave Mandolin - A Style - F Hole
  18. Weber Bitterroot F5 Octave Mandolin - F Style - F Hole

    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole

    £4,795.00
     
    In stock
    A beautiful F5 style octave mandolin with hand graduated spruce top and solid mahogany back and sides. It as a 20" scale length and 1 3/8" nut with a traditional Brekke bridge giving excellent playability. The top is bound, the fretboard is radiussed and bound ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, Celtic knot and 'Weber' headstock design and a custom hard case.

    It is tone bar braced so there is none of that floppiness common to flat top octave mandolins. It has great power and definition with plenty of character and depth of tone and excellent projection. With a 20" scale it is very easy to play.


    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole
    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole
    Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole Weber Bitterroot F5 Octave Mandolin - F Style - F Hole
  19. Old Wave A4  spruce/flamed maple (used)

    Old Wave A4 spruce/flamed maple (used)

    Out of stock
    In great condition with a few barely visible surface marks and £500 less than a new one. This Lovely A4 from Bill is a classic oval hole mando, lots of depth, resonance and sweetness with clear trebles.

    With original TKL case.

    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
    Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)Old Wave A4  spruce/flamed maple (used)
  20. Eastman 304 - A Style - Oval Hole

    Eastman 304 - A Style - Oval Hole

    £529.00
     
    In stock
    Free UK mainland delivery. £529, including pro set-up.

    Unbelievable value, solid spruce, hand carved top, solid maple (hand carved) back and sides, and solid cast tailpiece, bound top, unbound back. Classic oval sound hole tone, with lots of deep basses, resonant mids and clear trebles. With gigbag.


    Eastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval Hole
    Eastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval Hole
    Eastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval Hole
    Eastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval HoleEastman 304 - A Style - Oval Hole
  21. Gibson A4 Snakehead 1924 (used)

    Gibson A4 Snakehead 1924 (used)

    Out of stock
    Gibson A-4 snakehead 1924, sunburst finish, two-piece back of gorgeous American maple with beautiful figure, adjustable truss-rod, adjustable bridge, Virzi Tone Producer, completely original, overall excellent condition but for one repaired hairline top crack from bridge to binding, original hard case.

    This beauty is one of the best snakes I've heard, as loud as an F5 and with the oval hole sound but pumped up with fantastic clarity and separation. The A2Z snakehead is widely regarded as best of the snakeheads for tone but the A4 snakehead has all the pop of an A2Z but with more depth and resonance.

    Gibson A4 Snakehead 1924 (used)Gibson A4 Snakehead 1924 (used)Gibson A4 Snakehead 1924 (used)


  22. Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural

    Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural

    £2,695.00
     
    In stock
    The last one! The Gallatin range is no longer available in the natural finish.

    I first played a Gallatin in the States in the mid nineteen nineties and remember it still. This is an example of where every cent has gone into the sound. With no bindings and satin varnish it looks great.

    It has a solid hand carved spruce top, solid hand carved maple back and sides, solid cast tailpiece and Brekke traditional bridge. The basic spec of course does not affect the sound. It plays beautifully with a very warm and full tone with deep and well defined bass notes, rich mids and clear trebles.

    With custom hardshell case.


    Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural
    Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural
    Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural Weber Gallatin F4 Mandolin - F Style - Oval Hole - Natural
  23. Gibson F4 1915 Mandolin (used)

    Gibson F4 1915 Mandolin (used)

    Out of stock
    1915 Gibson F4 with the wonderful Handel tuners. Red sunburst finish, bound 2-point body, carved spruce top, oval soundhole, triple ring rosette, fantastic one piece flamed maple back and sides, bridge (with later insert instead of the individual pieces) and later bone nut (the original pearl nut is in the case), original tailpiece and cover, pickguard and clamp and case.

    This one is in very fine condition with no issues whatsoever, ready and willing to go on for another century or two. It has the typical teens Gibson oval hole tone with very deep and rich bass notes, warm and full mids and clear/ringing trebles.. magic. And with the current pound/dollar exchange rate it is at a very good price.

    ///


  24. Eastman MDC 805 Mandocello

    Eastman MDC 805 Mandocello

    Out of stock
    £2079, free UK mainland delivery, including pro set-up.

    Oval or f hole for a mandocello? It would seem logical that a cello would be better with oval holes given that bass and resonance is the point of a cello. I was surprised when I visited Bill Bussmann to hear the incredible bass from his jazz guitar bodied, f hole, octave mandolin, so surprised that I insisted he sell it to me! Not being a jazz fan I have never understood the sound of a jazz guitar, I just don't get it or particularly like it. It's the last thing I would have thought would produce a bassy and resonant larger mandolin family instrument, but is does! ... end of long story.... This Eastman cello proves the theory that somehow a jazz guitar body produces a deep and resonant sound. It has incredible warm and dark basses with rich and thick resonance, it plays easily and is a very fine mandocello. Comes with hardshell case.

    Eastman MDC 805 MandocelloEastman MDC 805 MandocelloEastman MDC 805 Mandocello


  25. Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)

    Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)

    Out of stock
    Gorgeous distressed finish Vintage A octave mandolin in excellent condition, 22" inch scale with original case. Hand graduated spruce top and solid flamed maple back and sides. The top, back, neck and headstock are bound, the fretboard is radiussed ebony and it has a solid/cast stainless steel tailpiece, dual action truss rod, Grover tuners, 'The Weber' and flowerpot headstock inlay.

    From Acoustic reviewer Steve Bennett. "It has a very rich tone with fantastic clarity and beautiful sustain with that elusive vintage old time tone. Warmth and clarity in one package, hard to beat." With the K&K pickup it sounds just as good plugged in.


    Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)Weber Vintage A Octave Mandolin - Oval Hole - K&K Pickup (used)


  26. Gibson Ajr Snakehead 1923 (used)

    Gibson Ajr Snakehead 1923 (used)

    Out of stock
    The legendary snakehead, made during the tenure on Mr Lloyd Loar. Known for an oval hole sound with cut and volume this is a fine example with strong and deep oval hole sound and great volume but with more clarity and projection than other oval hole mandolins.

    Original tuners, tailpiece and compensated bridge, old case.


    Gibson Ajr Snakehead 1923 (used)Gibson Ajr Snakehead 1923 (used)Gibson Ajr Snakehead 1923 (used)


  27. Gibson A4 Red Burst 1915 (used)

    Gibson A4 Red Burst 1915 (used)

    Out of stock
    Double bound body, red sunburst on spruce top, bound oval soundhole, 3 ring rosette, mahogany neck, bound ebony fretboard, dot inlays, 24 frets (professional re-fret), original tailpiece cover and bridge, fleur-de-lis and logo inlays, 4-on-a-plate tuners with Handel inlaid tuner buttons. In excellent condition with low action.

    It sounds fantastic, lots of that great vintage gibbo tone with solid bases, sweet mids and clear trebles.

    With original case (not the modern one shown in the photos).

    Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)Gibson A4 Red Burst 1915 (used)


  28. Franzke A4

    Franzke A4

    Out of stock
    This beauty has a very even sound from the lowest G all the way up the fretboard, not biased towards the bass notes like so many oval holed mandolins. The tone is very full and sweet with great individual note definition, fantastic for folk/old time and many more styles.

    Top Engelmann Spruce
    Back/Sides Red Maple
    Neck Maple
    Fretboard Ebony
    Inlay Reconstituted Stone
    Bindings Maple/bloodwood/maple
    Truss rod Fixed double carbon fiber
    Tailpiece James engraved
    Bridge Bill James
    Tuners Golden Age
    Finish French polished Spirit Varnish
    Frets Gold EVO
    Case Guardian molded



    Franzke A4 Franzke A4 Franzke A4


  29. Old Wave A4 - Birdseye Maple

    Old Wave A4 - Birdseye Maple

    Out of stock
    Its hard to tell the difference tonally between these two beauties. Both are very loud with strong, well defined and warm bass notes, rich and full mids and clear/precise trebles. Its fantastic to have that wonderful oval hole sound with great definition and projection. The birdseye is gorgeous but so is the Vermont maple... I wouldn't want to have to choose between the two.


    Colorado Engelmann spruce top with red spruce x bracing Varnum Estate (c.1980) birdseye maple sides/1 piece back/neck, 12" radius ziricote fretboard and peghead veneer, tortoise celluloid binding, abalone position dots, rosette, and wave inlay, 1 3/16 bison bone nut, Grover tuners golden/amber lacquer finish, D'Addario J74 strings, TKL black hardshell case

    Old Wave A4 - Birdseye MapleOld Wave A4 - Birdseye MapleOld Wave A4 - Birdseye Maple


  30. Gibson F4 1912 Mandolin (used)

    Gibson F4 1912 Mandolin (used)

    Out of stock
    1912 Gibson F4 with the wonderful Handel tuners. Red sunburst finish, bound 2-point body, carved spruce top, oval soundhole, triple ring rosette, fantastic flamed maple back and sides, later, adjustable ebony bridge, original tailpiece and cover and original case.

    This is a LOUD one and with mojo a plenty, similar to the one I sold to Peggy of the Fairports (see above). It has the classic F4 teens sound with amazing depth and resonance and lots of that full and warm tone. All present and correct, no issues. It plays beautifully all the way up the neck with low action.

    Gibson F4 1912 Mandolin (used)Gibson F4 1912 Mandolin (used)Gibson F4 1912 Mandolin (used)


  31. Collings MTO Mandolin - Sheraton Brown Gloss Top

    Collings MTO Mandolin - Sheraton Brown Gloss Top

    £4,250.00
     
    In stock
    This is unbelievably loud. If you are looking for the richness and depth of a great oval hole mandolin and volume and power to match any f holed mandolin, look no further. This beauty has all the resonance and warmth you would expect from an oval holed mandolin but with great volume and projection.

    Add Collings' usual impeccable workmanship and beautiful woods and you have an amazing mandolin.

    Select Englemann spruce top
    Select figured maple back, sides and neck
    X-bracing
    Tortoise-style top binding
    Tortoise rosette and bound soundhole
    Satin nitrocellulose lacquer finish
    Unbound "Haircut" headstock
    13 Degree headstock angle
    Ebony peghead overlay with inlaid Collings logo
    Ebony fingerboard
    Mortise and tenon neck joint
    22 frets, neck joins the body at the 13th fret
    V shaped neck profile with 1 9/16" string spacing
    7"-11 5/8" Compound fingerboard radius
    1 3/16" Bone nut
    13 7/8" Scale length
    Medium 18% nickel-silver fretwire
    Mother of pearl dot fingerboard inlays
    Fully adjustable truss rod
    Custom adjustable floating ebony bridge
    Collings original one-piece nickel tailpiece
    Nickel or gold tuners with black or pearl buttons
    Recommended string gauge - D'Addario J-74 (.011"-.040")
    Collings deluxe hardshell case by TKL

    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
    Collings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss TopCollings MTO Mandolin - Sheraton Brown Gloss Top
  32. Wren Remuda waterfall bubinga acoustic guitar (used)

    Wren Remuda waterfall bubinga acoustic guitar (used)

    Out of stock
    Wow! This amazing guitar sounds even better than it looks! It has a very deep and warm tone with great separation and balance, full and well defined bass notes, resonant mids and clear trebles.

    David is taking a year off from guitar making and when he starts again his prices will go up, grab this incredible guitar while you can.

    • Master grade Lutz top
    • Waterfall bubinga back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1 3/4" nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony rear headstock veneer
    • Ebony segmented backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda waterfall bubinga acoustic guitar (used)Wren Remuda waterfall bubinga acoustic guitar (used)Wren Remuda waterfall bubinga acoustic guitar (used)


  33. Ensor OM - Lutz & Wenge (used)

    Ensor OM - Lutz & Wenge (used)

    Out of stock
    Was £3695. Dusty Corner price £2695.

    A regular customer spotted Chris' work a while ago and I'm very glad he did. This is a beautiful guitar with with a very solid tone, solid seems a strange word to use but what I'm getting at is chords that sound completely even with no strange beats or wolf tones roaming around. Individual notes are strong, well defined and full, the overall tone is dark, rich and vibrant.

    • Lutz spruce top
    • Wenge back and sides
    • Oval lower bout soundport
    • 14 frets to the body
    • 25.4” scale
    • 1 ¾ nut width
    • 2 1/8” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • Radial bloodwood purfling
    • Wenge bindings
    • Wenge headstock veneer
    • Wenge rear headstock veneer
    • Wenge backstrip
    • No position markers (with side dots)
    • Wenge rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 tuners
    • Chrome tuner buttons
    • Bone nut and saddle
    • No pickguard
    • TKL case

    Ensor OM - Lutz & Wenge (used)Ensor OM - Lutz & Wenge (used)Ensor OM - Lutz & Wenge (used)


  34. Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - sold

    Out of stock
    I am becoming addicted to Mike Retreaux parlor guitars. This is the biggest fix yet.

    Please click to listen:



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    • Sitka Spruce top
    • Black and white Ebony back and sides
    • Machinga neck
    • 12 3/8" lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with purpleheart purflings
    • 13th fret neck joint
    • Indigo acrylic rosette and accents
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Black Schertler tuners with black buttons
    • Black Binding with Purpleheart top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - soldBaranik Retreux Parlour 'Black and Tan' acoustic guitar - sold


  35. Weber Fern F5 - F Style - F Hole (used)

    Weber Fern F5 - F Style - F Hole (used)

    £5,495.00
     
    In stock
    Weber's top of the range F5, Adirondack/red spruce top, beautiful fern headstock inlay, spectacular flamed maple back and sides, radiussed fretboard, tone bar braced and a Weber hard case. Recently re-finished by Weber.

    It has lovely dark bass and warm middles with clear trebles, a very full and rich tone with great playability and fantastic response from the lightest touch to a heavy pick. Plenty of cut and chop for bluegrass players and others wanting to be heard with depth and complexity making it great for anything from folk to classical. A superb all-round mandolin.




    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
    Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)Weber Fern F5 - F Style - F Hole (used)
  36. Old Wave A4 - Golden Amber Quilted Maple

    Old Wave A4 - Golden Amber Quilted Maple

    Out of stock
    Isn't this a stunner? It has a little more brightness than the sunburst A4 that it came in with but still with plenty of warmth and depth, just a little more projection and clarity. Its strokes for folks time...

    Colorado Engelmann spruce top with red spruce x bracing, quilted maple sides/neck back, 12" radius ebony fretboard and bridge, quilted maple peghead veneer, tortoise binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, golden amber lacquer finish, TKL black hardshell case.

    Old Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted MapleOld Wave A4 - Golden Amber Quilted Maple


  37. Old Wave A4 - Cabernet

    Old Wave A4 - Cabernet

    Out of stock
    Colorado Engelmann spruce top with red spruce x bracing, quilted maple 2 piece back, 12" radius ebony fretboard and bridge, ivoroid binding, pearl position dots and wave inlay, abalone rosette, quilted peghead veneer and cabernet lacquer finish, TKL black hardshell case.

    Another fantastic and beautiful A4 from Bill, very rich and full with strong and well defined bass, sweet and complex mids and clear, ringing trebles.

    Old Wave A4 - CabernetOld Wave A4 - CabernetOld Wave A4 - Cabernet


  38. Lebeda A4 Premium - with McIntyre Feather Pickup (used)

    Lebeda A4 Premium - with McIntyre Feather Pickup (used)

    Out of stock
    Lebeda A4 premium with McIntyre feather pickup installed by ourselves. With original case, in excellent condition. Fantastic rich and mellow tone with lots of punchy volume.

    Lebeda A4 Premium - with McIntyre Feather Pickup (used)Lebeda A4 Premium - with McIntyre Feather Pickup (used)Lebeda A4 Premium - with McIntyre Feather Pickup (used)


  39. Capek A4 Basic Octave Mandolin (used)

    Capek A4 Basic Octave Mandolin (used)

    Out of stock
    Rosta is the man for getting great bass from a mandolin and that's what you want from an octave mandolin. This beauty in spruce and flamed maple with a twenty two and three quarters inch scale length has a very strong but controlled bass with fantastic warm and vibrant mids and clear ringing trebles. Many octave mandolins suffer from muddiness, not this one, the balance and projection is amazing and it plays like a dream and sounds fantastic acoustic and plugged in. With case.

    In excellent condition with a few surface marks.

    Capek A4 Basic Octave Mandolin (used)Capek A4 Basic Octave Mandolin (used)Capek A4 Basic Octave Mandolin (used)


  40. Gibson A4 1909 (used)

    Gibson A4 1909 (used)

    Out of stock
    This one has been around the block a few times but its all sound and plays well with low action and no issues. The back seem has an old cleated repair and there is a repaired crack.

    It has the much sought after and gorgeous Handel inlaid tuners, original pineapple tailpiece, some top flattening and an adjustable bridge. The case is also original but has seen better times (see photo).

    The sound is on the brighter side for an A4, it has some of the clarity of the snakehead sound. A great player, at this price it won't be around long.

    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
    Gibson A4 1909 (used)Gibson A4 1909 (used)Gibson A4 1909 (used)
  41. Gibson A4 Blackface 1915 (used)

    Gibson A4 Blackface 1915 (used)

    Out of stock
    1915 Gibson A4 blackface in great shape with the original gorgeous Handel inlaid tuners, original tailpiece, pickguard and clamp and period case with replacement handle, (note, the photo is not of the case that comes with it).

    There is some of the side bulging common to this period of Gibsons, all solid and sound.

    It plays easily and sounds wonderful, rich and full with remarkable bass, warm mids and clear trebles.


    Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)Gibson A4 Blackface 1915 (used)


  42. Ellis A4 Special (used)

    Ellis A4 Special (used)

    Out of stock
    ON HOLD. Another stunning mandolin from Tom. Adirondack top, flamed maple back and sides, triple bound top, back and pickguard, ebony fretboard, ebony bridge, engraved James tailpiece, abalone headstock inlay and a Superior case. The sound is delightful, loud and full with that incredible mid range that Tom is famous for. It is remarkably responsive and sweet and resonant with great projection and balance.

    In excellent condition.

    Ellis A4 Special (used)Ellis A4 Special (used)Ellis A4 Special (used)


  43. Girouard A4

    Girouard A4

    £2,995.00
     
    In stock
    This A4 form Max and Lauri is very loud with fantastic depth and richness of tone. It has great response and volume. Gorgeous in looks and sound and it plays beautifully.

    Top Wood: Red Spruce
    Back, Side, Neck Wood: Red Maple
    Scale Length: 13.875
    Fretboard and Peghead overlay Wood: Macassar
    Fretboard Radius: Compound (7.25 at nut - 12 at bridge)
    Nut Type: Bone
    Fret Size: 043 x 080
    Fret Type: EVO Gold
    Fretboard Dots: MOP
    Neck Reinforcement: Truss Rod
    Neck Shape: Soft V shape
    Tailpiece: Stamped Engraved
    Tuners: Rubner
    Hardware Color: Silver
    Strap Button: None
    End Pin: Black screw in type
    Binding: Ivoroid top bound
    Pickguard: None
    Bridge: Girouard bridge
    Inlay: Girouard Script
    Strings: Curt Mangan
    Action height: low (0.060 bass 0.055 treble)
    Case: Superior





    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
    Girouard A4Girouard A4Girouard A4
  44. Old Wave A4 - Sunburst

    Old Wave A4 - Sunburst

    Out of stock
    This beauty has fantastic depth and warmth with very full and rich mids and trebles and clear, ringing trebles. Great for folk, old time and many more styles.

    Colorado Engelmann spruce top with red spruce x bracing, Varnum estate (c.1980) curly maple sides/ back/neck, 12" radius ebony fretboard, peghead veneer and bridge, ivoroid binding, abalone position dots, rosette and wave inlay, 1 3/16” bison bone nut, Cumberland acoustic bridge, Grover tuners, sunburst lacquer finish TKL black hardshell case.

    Old Wave A4 - SunburstOld Wave A4 - SunburstOld Wave A4 - Sunburst


  45. Lebeda A4 Standard Mandolin (used)

    Lebeda A4 Standard Mandolin (used)

    Out of stock
    Lebeda A4 mandolin from 2005 in excellent condition. It has that full and rich tone that Jiri is so good at, and plenty of volume, great bass without being tubby, complex mid range and clear 'n sweet trebles.

    In spruce and beautifully flamed maple with a 1 1/8" nut, ebony bridge and fretboard and the original case. Its a very lot of mandolin for the money.

    Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)Lebeda A4 Standard Mandolin (used)


  46. Rigel Q95 Espresso con Pana - Cream Top with Petite Bouche (used)

    Rigel Q95 Espresso con Pana - Cream Top with Petite Bouche (used)

    Out of stock
    The Rigel Q95 is also known as the Gypsy Q. It was designed by Ted Eschliman of JazzMando.com. They were voiced by Pete to have the sweet sound of vintage oval-hole mandolins. This is the "Espresso con Pana," cream top with ‘Petite Bouche’ sound hole. It is a wrench to let it go from my collection but sometimes needs must. It is carved from select, highly-figured Vermont rock maple and Adirondack spruce with a maple neck with graphite reinforced truss rod, radiused ebony fingerboard, gold Grover tuners and Rigel tailpiece, abalone diamond-pattern inlays’ internal piezo pickup and hardshell case.

    Rigel Q95 Espresso con Pana - Cream Top with Petite Bouche (used)Rigel Q95 Espresso con Pana - Cream Top with Petite Bouche (used)Rigel Q95 Espresso con Pana - Cream Top with Petite Bouche (used)


  47. Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - sold

    Out of stock
    David Wren says.

    "Forget about how gorgeous this instrument is ... forget about the craftsmanship chops this veteran builder brings to the table ... I had the pleasure of playing this one and ... it has one of the most responsive, powerful and complex tonalities I've played in ages ... LOVE this guitar!"

    I can't really add much except to say its bloody marvellous.

    • Adirondack Spruce top
    • Tropical figured Mahogany back and sides
    • Bound oval soundport
    • 12 frets to the body
    • 25 ½” scale
    • 1/3/4” nut width
    • 2 3/8” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Black/white/black wood lines with figured Mahogany purfling
    • Tasmanian Tiger Myrtleb indings
    • Tasmanian Tiger Myrtle headstock veneer
    • Black backstrip
    • No position markers (with side dots)
    • Paua shell, figured Mahogany and b/w/b wood lines rosette
    • Bound ebony fretboard
    • Pyramid ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • TKL tweed case

    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
    Barry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - soldBarry OOO+ figured mahogany/Adirondack acoustic guitar - sold
  48. Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Baranik Meridian Concert - Colorado Blue Spruce & African Blackwood

    Out of stock
    What an incredible guitar! There is everything you could want here. Power and projection, rich and full/well define bass notes, warm and complex mids with clear bell-like trebles.

    It responds beautifully to any style of playing from a gentle caress to a heavy pick.

    • Colorado blue spruce top
    • African blackwood back and sides
    • Florentine cutaway
    • Adjustable action via neck bolt
    • Oval soundport
    • 14 frets to the body
    • 25.25” scale
    • 1 25/32” nut width
    • 2 ¼” string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • B/Koa/B , Southwest Blue soundboard purfling
    • Spalted Manchinga bindings
    • Wenge and Black Palm with Southwest Blue wedge headstock veneer
    • No position markers (with side dots)
    • Wenge and Black Palm with Southwest Blue inlay, Manchinga binding rosette
    • Bound Ebony with Koa purfling fretboard
    • Ebony bridge
    • Gotoh 510 Cosmo Black tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Custom Cedar Creek case

    Baranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African BlackwoodBaranik Meridian Concert - Colorado Blue Spruce & African Blackwood


  49. Wilborn OM - Adirondack & Figured Honduran Mahogany

    Wilborn OM - Adirondack & Figured Honduran Mahogany

    Out of stock


    This is my fifth guitar from Ben and its another stunner!

    Its loud, its rich, its full, its warm, it has great definition and projection, it has fantastic note separation from down low to the highest notes, its wonderful!

    Top - Adirondack Spruce
    Back & sides - Figured Honduran Mahogany
    Neck - Mahogany
    Fretboard - Ebony
    Case - Ameritage hard case

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - C
    Nut width - 44.0mm
    Nut spacing - 7.4mm
    Bridge spacing - 11.1mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.6mm
    Action fret 1 high E - 0.2mm
    Action fret 12 high E - 2.25mm
    Lower bout width - 15 1/8"
    Upper bout width - 22.22"
    Body depth at base -3.94"

    Sunburst finish - Oval soundport - MoP logo - Curly maple purfling - Leopardwood bindings Ebony headstock veneer - Leopardwood rear headstock veneer - Curly maple/leopardwood backstrip - MoP position markers (with side dots) - Curly maple/leopardwood rosette - Ebony bridge - Schaller tuners - Gold tuner buttons - Bone nut and saddle - Ebony bridge pins - No pickguard

    Wilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran MahoganyWilborn OM - Adirondack & Figured Honduran Mahogany


  50. Manzer 'The Manzer' - Cedar & Rosewood

    Manzer 'The Manzer' - Cedar & Rosewood

    Out of stock


    There is an Acoustic Magazine review of this guitar here.

    With the 'Manzer Wedge' this feels like an OO sized guitar to play, supremely comfortable and effortless.

    The balance and clarity is the best I've heard, with perfect individual note definition from bottom to top. There is a depth and richness to the tone that defies belief with incredible articulation. There are good reasons why luthiers like Linda have the reputations that they do; this is one of them.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Hiscox 'Artist' hard case made in the UK

    Frets to the body - 14
    Scale length - 26.0"
    Neck profile - C/D
    Nut width - 45.3mm
    Nut spacing - 7.6mm
    Bridge spacing - 10.8mm
    Action fret 1 low E - 0.25mm
    Action fret 12 low E - 2.0mm
    Action fret 1 high E - 0.15mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 15 9/16"
    Upper bout width - 11.42"
    Body depth at base - 4.13"

    Manzer wedge - Soft cutaway - Oval soundport - Abalone logo - B/W/B purfling - Rosewood bindings - Ebony headstock veneer - No position markers (with side dots) - Abalone with Boxwood and Rosewood rosette - Ebony fretboard - Ebony bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Clear pickguard

    Manzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & RosewoodManzer 'The Manzer' - Cedar & Rosewood


  51. Northfield F2S - Sunburst

    Northfield F2S - Sunburst

    Out of stock
    Northfield has gained a fantastic reputation over the last few years.

    Tone-wise it is identical to the amber F2S that sold the day after it arrived so I will use the same words. "It has the beautiful rich and deep tones you would want from an oval hole mandolin and great clarity and definition (thanks in part to the Adirondack top) so you have a very full tone and great note separation making it fantastic for most styles of playing, folk, classical and old time (it even has a decent chop for the bluegrassers). It plays very easily and has plenty of volume, responding extremely well to a light touch or a heavier pick.

    Northfield F2S - SunburstNorthfield F2S - SunburstNorthfield F2S - Sunburst


  52. Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga

    Out of stock
    Very lightly used with two small dings on the top, too light to photograph and some varnish wear.

    This really is the bee's knees. Its the fifth Parlour Retreaux I've had from Mike. The figured Bubinga is the most spectacular I've seen. The tone is very warm with fantastic depth.

    • Italian Spruce top
    • Beeswing Figured Bubinga and sides
    • 12 3/8” lower bout
    • 24.5" scale length
    • 1 3/4" Nut
    • 2 1/4" string spacing at saddle
    • Bone nut and saddle
    • Ebony Headstock with Koa purflings
    • 13th fret neck joint
    • Cream/Red striped Acrylic accents and rosette
    • Gold Evo fretwire
    • Ebony bound fretboard
    • Ebony bridge and bridge pins
    • Cosmo Black mini Gotoh 510 Tuners with Black Buttons
    • Black Binding with Koa top purflings
    • Oval sideport
    • Cedar Creek custom case

    Baranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured BubingaBaranik Retreux Parlour 'Bee's Knees' - Italian Spruce & Beeswing Figured Bubinga


  53. Indian Hill Grand Concert 12 fret cutaway acoustic guitar

    Indian Hill Grand Concert 12 fret cutaway acoustic guitar

    Out of stock
    If anyone tells you you can't get strong and well defined bass notes and full and rich mids from maple tell them to check out this beauty. It plays like a dream and has volume, depth of tone and great definition and projection and its a stunner. What else could you ask for?

    • Sitka top
    • Curly maple back and sides
    • Sharp cutaway
    • French polish finish
    • Oval soundport
    • 12 frets to the body
    • 25 3/8” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • 12th fret logo
    • Cocobolo/maple purfling
    • Cocobolo bindings
    • Maple headstock veneer
    • Maple rear headstock veneer
    • No position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Bone nut and saddle
    • Clear pickguard
    • TKL case

    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
    Indian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitarIndian Hill Grand Concert 12 fret cutaway acoustic guitar
  54. Ken Franklin Rita SJ - Adirondack & Bubinga

    Ken Franklin Rita SJ - Adirondack & Bubinga

    Out of stock
    Every bubinga guitar I have had has been wonderful and this gorgeous SJ from Ken is no exception. Its a very versatile guitar with beautiful 'fat' and well defined bass, expansive mids and bright, clear trebles. Its very expressive with fantastic balance and projection, responding beautifully to the pick and fingerstyle.

    • Adirondack top
    • Bubinga back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 ½” scale
    • 1 ¾” nut width
    • 2 3/16” string spacing at saddle
    • 15 ¼” lower bout
    • Sipo neck
    • Maple purfling
    • Ebony bindings
    • Bubinga headstock veneer
    • Bubinga rear headstock veneer
    • Wood position markers (with side dots)
    • Bubinga, ebony and maple rosette
    • Macassar ebony fretboard
    • Macassar ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case

    Ken Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & BubingaKen Franklin Rita SJ - Adirondack & Bubinga


  55. Laskin 'Darwin to DNA' - sold

    Laskin 'Darwin to DNA' - sold

    Out of stock
    I'm bowled over, flabbergasted and almost speechless. This this is a truly awesome guitar!

    It has a very full and resonant tone with fantastic deep, rich and well defined bass notes, full and complex mids and clear, rich and well defined trebles. It has great volume and headroom with perfect balance and projection.

    And... well just look at the photos...

    • Sitka top
    • African blackwood back and sides
    • Soft cutaway
    • Oval soundport
    • Arm bevel
    • 14 frets to the body
    • 25.5” scale
    • 1.75” nut width
    • 2.2” string spacing at saddle
    • 15 15/16” lower bout
    • Mahogany neck
    • Ebony purfling
    • Wood bindings
    • Wood backstrip
    • No position markers (with side dots)
    • Wood mosaic plus abalone, rosewood rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hoffee case

    Laskin 'Darwin to DNA' - soldLaskin 'Darwin to DNA' - soldLaskin 'Darwin to DNA' - sold


  56. Wilborn L - Engelmann & Cocobolo

    Wilborn L - Engelmann & Cocobolo

    Out of stock
    I saw this beauty at the Healdsburg Guitar Festival and couldn't resist it. One of the pleasures of Healdsburg is discovering new talent and meeting luthiers like Ben.

    Well, to coin the old cliché it sounds as good as it looks. It has rich warm tones and great clarity with the volume of a much bigger guitar, great balance from down low all the way to the top and fantastic playability. Another I want to take home.

    • Engelmann spruce top
    • Cocobolo back and sides
    • Sharp cutaway
    • Oval soundport
    • 14 frets to the body
    • 24.9” scale
    • 1 13/16” nut width
    • 2 3/16” string spacing at saddle
    • 14 ¼” lower bout
    • Peruvian walnut neck
    • MoP logo
    • Ebony/bloodwood purfling
    • Bloodwood bindings
    • Bound ebony headstock veneer
    • Ebony rear headstock veneer
    •Bloodwood backstrip
    • No position markers (with side dots)
    • Bloodwood rosette
    •Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Custom Cedar Creek case

    Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo Wilborn L - Engelmann & Cocobolo


  57. Kinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar

    Kinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar

    Out of stock

    Another amazing mahogany/cedar FS from Steve and Ryan.

    Add the warmth of cedar to the clarity of mahogany, 12 frets to the body and Steve and Ryan's prowess as luthiers and what to you get? This wonderful FS is the answer. Its loud, clear, warm and sweet, a versatile guitar that plays like a dream, it is light and very responsive.

    • Western Red Cedar top
    • ‘Jaguar’ Honduran mahogany back and sides
    • Oval soundport
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15 5/8” lower bout
    • Mahogany/purpleheart neck
    • Purpleheart logo
    • Black/white violin purfling
    • Purpleheart bindings
    • Moradora headstock veneer
    • Purpleheart with b/w purfling lines backstrip
    • Slotted squares position markers (with side dots)
    • Birdseye rosette
    • Ebony fretboard
    • Moradora bridge
    • Gotoh tuners
    • Black horn tuner buttons
    • Bone nut and saddle
    • Boxwood bridge pins
    • Clear pickguard
    • Cedar Creek custom case

    Kinnaird FS - Jaguar Honduran Mahogany & Western Red CedarKinnaird FS - Jaguar Honduran Mahogany & Western Red CedarKinnaird FS - Jaguar Honduran Mahogany & Western Red Cedar


  58. Indian Hill OO-12

    Indian Hill OO-12

    Out of stock
    Another beautiful OO-12 that sounds fantastic. Classic 12 fret warmth and the depth and character of the best mahogany, its very well balanced with great definition and projection... and its a beautiful work of art.

    I put a small ding in the back of the headstock (see photo) when doing the photos so I have knocked £100 off the (already great) price.

    Engelmann Spruce Top
    Curly Mahogany back/sides
    No Cutaway
    French polish finish
    Oval Soundport
    12-frets to the body
    645 mm scale (25.4")
    44 mm nut (just under 1 3/4")
    56 mm string spacing (2.2")
    Lower bout 14 1/4"
    Mahogany neck
    12th fret "IH" Indian Hill Logo
    Curly mahogany, cocobolo, maple purfling
    Cocobolo binding
    Curly Mahogany front/back headstock veneer
    No fretboard position markers, brass tube side dots
    Spalted maple rosette
    Ebony fretboard
    Pinless ebony bridge with spalted maple inlay
    Gold Gotoh 510 tuners
    Unbleached bone nut/saddle
    Pinless bridge
    Clear pickguard
    TKL case

    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
    Indian Hill OO-12Indian Hill OO-12Indian Hill OO-12
  59. Wren Remuda Madagascar rosewood acoustic guitar - sold

    Wren Remuda Madagascar rosewood acoustic guitar - sold

    Out of stock
    £4495. SOLD

    Another truly awesome guitar from David. The last three from him sold within days of arriving...

    This guitar has everything, volume, definition, separation, balance, deep and warm tone, excellent projection and fantastic playability. From the lightest fingerstyle to a heavy pick it responds perfectly.

    • Master grade Lutz top
    • Madagascar rosewood back and sides
    • French polish finish
    • Oval soundport
    • 14 frets to the body
    • 25.4” scale
    • 1.77”/45mm nut width
    • 2 ¼” string spacing at saddle
    • 15 ¾” lower bout
    • Mahogany neck
    • Highly figured sapele purfling
    • Highly figured sapele bindings
    • Madagascar rosewood headstock veneer
    • Madagascar rosewood rear headstock veneer
    • Figured sapele backstrip
    • Wren on fifth fret position marker (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Black tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hardshell case


    Wren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - soldWren Remuda Madagascar rosewood acoustic guitar - sold


  60. Indian Hill Concert

    Indian Hill Concert

    Out of stock
    I was gob smacked by the first guitar I had from Mike, I am double gob smacked this time. This is one of the loudest guitars I've ever heard but it has depth and subtlety too. From the lowest bass note to the the highest treble, each note has perfect definition and clarity with a full and strong tone. Whether playing the most delicate fingerstyle or going for it with a pick this beauty takes it in its stride. Incredible.

    • Engelmann spruce top
    • Wenge/Zebrawood/Wengeback and Wenge sides
    • Oval soundport
    • 12 frets to the body
    • 25.4” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 15.5” lower bout
    • Mahogany neck
    • Wenge, zebrawood, and maple purfling lines
    • Wenge bindings
    • Wenge headstock veneer
    • Wenge rear headstock veneer
    • Mahogany Indian Hill 12th fret position marker (with side dots)
    • Radial zebrawood rosette
    • Ebony fretboard
    • Ebony bridge with zebrawood inlay bridge
    • Gotoh 510 tuners
    • Cosmo black tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Hardshell case

    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
    Indian Hill ConcertIndian Hill ConcertIndian Hill Concert
  61. Peggy White Reesling Parlour - Italian Spruce & Flamed Maple

    Peggy White Reesling Parlour - Italian Spruce & Flamed Maple

    Out of stock
    There has been a lot of discussion on the Acoustic Guitar Forum recently about the tonal properties of maple. Having been a believer for a long time that in the hands of a skilled luthier it makes a fantastic tonewood for the back and sides of guitars (as well as mandolins) I am delighted to see the consensus heading my way.

    This gorgeous Reesling parlour guitar from Peggy proves my point. It has fantastic clarity and balance with a lovely deep and resonant tone. The bass notes are full and well defined, the mids warm and complex and the trebles bright, warm and clear.

    • Italian spruce top
    • Flamed maple back and sides
    • Oval soundport
    • 13 frets to the body
    • 24 ½” scale
    • 1 ¾” nut width
    • 2 1/8” string spacing at saddle
    • 13 ½” lower bout
    • Mahogany neck
    • Honey Jasper Recon Stone logo
    • Maple w/b/w purfling
    • Rosewood bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • TKL arched case



    Peggy White Reesling Parlour - Italian Spruce & Flamed MaplePeggy White Reesling Parlour - Italian Spruce & Flamed MaplePeggy White Reesling Parlour - Italian Spruce & Flamed Maple


  62. LeGeyt CLM figured mahogany acoustic guitar - sold

    LeGeyt CLM figured mahogany acoustic guitar - sold

    Out of stock

    I liked the tone of the last CLM from Burton so much that I asked him to make this one as close as possible. This is another example of why mahogany is so popular, its been one of my favourite back and side woods for a long while now.

    Its another very light and responsive guitar with wonderful warm and sweet mahogany tones, full and rich bass notes, sweet and complex mids and clear, well defined trebles. And some stunning flamed mahogany with Burton's signature black neck, what a beauty.

    • Lutz spruce top
    • Curly Honduran mahogany back and sides
    • Oval soundport
    • 14 frets to the body
    • 25 5/8” scale
    • 1 ¾” nut width
    • 2 5/16” string spacing at saddle
    • 15 ¼” lower bout
    • Blackened Spanish cedar neck
    • Curly maple purfling
    • Mahogany and African blackwood bindings
    • Madagascar rosewood headstock veneer
    • Spanish cedar rear headstock veneer
    • No position markers (with side dots)
    • Rosewood and maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • African blackwood tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • No pickguard
    • Cedar Creek case


    LeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - soldLeGeyt CLM figured mahogany acoustic guitar - sold


  63. Baranik OOm - Sitka & Mastergrade Manchinga

    Baranik OOm - Sitka & Mastergrade Manchinga

    Out of stock
    Another stunning manchinga guitar from Mike, take a look at the detailing... With his unique adjustable action via the heel strap button and very comfortable scalloped cutaway its a breeze to play (note, no reference to butter).

    Of course this is all secondary to great sound. It has remarkable clarity, separation and projection without missing an beat in the warmth and resonance departments, the basses are well defined and full, the mids complex and rewarding and the trebles strong and well defined.

    • Sitka top
    • Master grade manchinga back and sides
    • Bevelled cutaway
    • Oval soundport
    • 13 frets to the body
    • 24.5” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Gold Evo fretwire
    • Adjustable mahogany neck
    • Black/koa/black purfling
    • Ebony bindings
    • Macassar ebony/manchinga/Peruvian walnut headstock veneer
    • Peruvian walnut with coloured geometric design volute veneer
    • No position markers (with side dots)
    • Peruvian walnut with coloured geometric rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Aged bone nut and saddle
    • Clear pickguard
    • Cedar Creek case

    Baranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade ManchingaBaranik OOm - Sitka & Mastergrade Manchinga


  64. Weber Fern F5 - F Style - F Hole - Varnish Finish

    Weber Fern F5 - F Style - F Hole - Varnish Finish

    £7,695.00
     
    In stock
    Weber's top of the range F5, Adirondack/red spruce top, spirit varnish finish, beautiful fern headstock inlay, spectacular flamed maple back and sides, radiussed fretboard, tone bar braced and a Weber hard case.

    It has lovely dark bass and warm middles with clear trebles, a very full and rich tone with great playability and fantastic response from the lightest touch to a heavy pick. Plenty of cut and chop for bluegrass players and others wanting to be heard with depth and complexity making it great for anything from folk to classical. A superb all-round mandolin.




    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
    Weber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish FinishWeber Fern F5 - F Style - F Hole - Varnish Finish
  65. Gibson H2 Mandola 1921 - Sunburst (used)

    Gibson H2 Mandola 1921 - Sunburst (used)

    Out of stock
    Excellent condition 1921 H2 mandola, still with the original shine. All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover and bridge with a modern case.

    This one has that amazing vintage Gibson mandola tone, lots of deep and resonant bases with full mids and trebles and a little extra sparkle and crispness giving it very good projection.

    Gibson H2 Mandola 1921 - Sunburst (used)Gibson H2 Mandola 1921 - Sunburst (used)Gibson H2 Mandola 1921 - Sunburst (used)


  66. Taylor 555 12 string (used)

    Taylor 555 12 string (used)

    Out of stock
    Good condition 555 with a few dings here and there (see photos) and a custom saddle. Taylor's reputation for great 12 string guitars is well deserved, this is a very fine example. Comes with unknown pickup.


    • Spruce top
    • Mahogany back and sides
    • Mahogany neck
    • 25 1/2" scale
    • 1 7/8” nut width
    • 2 7/16" string spacing at saddle
    • 17" lower bout
    • Black bindings
    • B/w/b purfling
    • Concentric circles rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Large dot position markers
    • Schertler tuners
    • Ebony bridge pins
    • Tortoise pickguard
    • Taylor case

    Taylor 555 12 string (used)Taylor 555 12 string (used)Taylor 555 12 string (used)


  67. Gibson H1 Mandola 1924 - Black Top (used)

    Gibson H1 Mandola 1924 - Black Top (used)

    Out of stock
    Still shiny after all these years! Amazing condition 1924 Gibson H1 mandola. All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover, bridge and case.

    And most importantly of all the tone! It looks like it hasn't been played much but it sounds like it has been played daily. Lots of that incredible deep and rich tone with endless sustain.

    Gibson H1 Mandola 1924 - Black Top (used)Gibson H1 Mandola 1924 - Black Top (used)Gibson H1 Mandola 1924 - Black Top (used)


  68. Gibson H1 Mandola - Pumpkin Top 1917 (used)

    Gibson H1 Mandola - Pumpkin Top 1917 (used)

    £3,350.00
     
    In stock
    I hope I look this good at 99!

    Gibson H1 mandola 1917 pumpkin top in incredible condition apart from the ding on the top and a few other very minor scuffs it looks new, its as shiny as a new pin! All original; tuners, tuner pegs, pickguard and clamp, tailpiece and cover, bridge and case.

    Ooodles of that wonderful deep and dark tone, there is nothing that sounds quite like one of these old Gibbo mandolas, the resonance just keeps going and going and going….

    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
    Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)Gibson H1 Mandola - Pumpkin Top 1917 (used)
  69. Smart 'Comma' Mandolin (used)

    Smart 'Comma' Mandolin (used)

    Out of stock
    If has Lawrence's legendary craftsmanship and a very clear tone with fantastic definition and projection.

    Smart 'Comma' Mandolin (used)Smart 'Comma' Mandolin (used)Smart 'Comma' Mandolin (used)


  70. Collings OM3 Custom 2014 (used)

    Collings OM3 Custom 2014 (used)

    Out of stock
    Gorgeous Custom Collings OM3. Fantastic rich and full tone with beautiful warm and full base notes, luscious mids and clear, well defined trebles.

    It has great balance and amazing projection, great for fingerstyle and much more.

    In excellent condition with a couple of lacquer dents in the base.



    Top Sitka spruce
    Back & Sides Mountain Cedar
    Neck Honduran mahogany
    Body Binding Ivoroid with b/w/b/w/b purfling
    Fingerboard Binding .060" ivoroid
    Peghead Binding .100" ivoroid with b/w purfling
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with no inlay
    Bridge Pins/End Pin Ebony with abalone dot
    Nut Bone, 1 11/16"
    Saddle Bone, drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square with volute
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Stained Exotic Ebony with MOP Collings logo
    Tuners Gold Waverly (16:1 ratio)
    Backstrip 3-style (Chevron)
    Rosette Abalone
    Scale Length 25 1/2"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Neck Finish High gloss polyester resin
    Pickguard Tortoise
    Strings D'Addario EJ-16 (.012"- .053")
    Case Hiscox

    Collings OM3 Custom 2014 (used)Collings OM3 Custom 2014 (used)Collings OM3 Custom 2014 (used)


  71. Phoenix Select 2015 (used)

    Phoenix Select 2015 (used)

    Out of stock
    Phoenix mandolins are always very light and responsive, you can feel them resonating as you get them out of the case!

    It has a very full tone with fantastic volume and complexity. It has plenty of oomph for the bluegrass players with a deep and full, loud chop and responds excellently to the heaviest pick or the lightest touch. It barks or sings sweetly, doing whatever you ask of it. A very versatile and wonderful mandolin.

    Red (Adirondack) spruce top, red maple back and sides and a Hiscox case.

    Signed by Rolfe Gerhardt, in excellent condition, made in 2015. Save £600 on the new price.


    Phoenix Select 2015 (used)Phoenix Select 2015 (used)Phoenix Select 2015 (used)


  72. Lebeda A5 (used)

    Lebeda A5 (used)

    Out of stock
    Lebeda A5 with original case, ebony armrest, custom inlay and in excellent condition. Built in 2000.

    It has fantastic power and volume with a great chop, warm mids and clear trebles. Great for bluegrass and with the depth and fullnes of tone for other styles.

    Spruce top and gorgeous quilted maple back and sides.

    Lebeda A5 (used)Lebeda A5 (used)Lebeda A5 (used)


  73. Flatiron F5-SB 1995 (used)

    Flatiron F5-SB 1995 (used)

    Out of stock
    1995 Bozeman, Montana made Flatiron F5-SB signed by Bruce Weber.

    From the very desirable and classic period at Flatiron, an amazing rich and warm mandolin signed by Bruce and in very good to excellent condition.




    Flatiron F5-SB 1995 (used)Flatiron F5-SB 1995 (used)Flatiron F5-SB 1995 (used)


  74. Fylde Alexander Custom 2011 (used)

    Fylde Alexander Custom 2011 (used)

    Out of stock
    Excellent condition Custom Fylde Alexander.

    • Cedar top
    • Sapele back and sides
    • Headway pickup
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4"” nut width
    • 2 1/4" string spacing at saddle
    • 15 ½” lower bout
    • Mahogany neck
    • Decal logo
    • Marquetry herringbone top border
    • Wood bindings
    • Rosewood headstock veneer
    • Dots position markers (with side dots)
    • Marquetry rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Black tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Kinsman hard case



    Fylde Alexander Custom 2011 (used)Fylde Alexander Custom 2011 (used)Fylde Alexander Custom 2011 (used)


  75. de Jonge Standard - Redwood & Figured Bubinga (used)

    de Jonge Standard - Redwood & Figured Bubinga (used)

    Out of stock
    This is on consignment. The owner is looking for a quick sale so it has been reduced by 20% from £4960 to £3965.

    Made in 2011. In excellent condition.

    An incredibly beautiful guitar from Sergei, and incredible sound. Its warm and full with outstanding balance. As I keep saying only the very best luthiers can combine tonal qualities that to lesser mortals would be mutually exclusive. To get this level of warmth with great separation, clarity and attack is a remarkable achievement.

    • Figured redwood top
    • Figured bubinga back and sides
    • 14” frets to the body
    • 25.4” scale
    • 1 ¾”nut width
    • Round soundport
    • 2 3/16”string spacing at saddle
    • 15 ½” lower bout
    • Honduras mahogany neck
    • Padauk and maple purfling
    • Ebony bindings
    • Figured bubinga headstock veneer
    • Figured bubinga rear headstock veneer
    • backstrip
    • No position markers (with side dots)
    • Spalted box elder rosette
    • Ebony fretboard
    • Ebony bridge
    • Schertler tuners
    • Ebony tuner buttons
    • Bone nut and saddle
    • Bone bridge pins
    • Clear pickguard
    • TKL case

    de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)de Jonge Standard - Redwood & Figured Bubinga (used)


  76. Weber Gallatin A5 Mandocello - A Style - F Hole (used)

    Weber Gallatin A5 Mandocello - A Style - F Hole (used)

    Out of stock
    The deep rumble with a little extra definition form the f holes. This is a fantastic value carved top and back ( 'bluegrass' ) mandocello.

    Hand graduated and tuned solid spruce top, hand scalloped spruce tone bars braced, mahogany back and sides, MOP 'Weber' script peghead inlay, black bound ebony radiused fretboard, 24 ¾ inches scale length, 1 5/8 inch nut width, MOP large diamonds fretboard inlay, dual action/adjustable truss rod, cast Weber stainless steel tailpiece, nickel Grover tuners, original Brekke bridge and a deluxe hardshell case (now with stickers).

    In very good condition with a clear pickguard added over a finger mark.




    Weber Gallatin A5 Mandocello - A Style - F Hole (used)Weber Gallatin A5 Mandocello - A Style - F Hole (used)Weber Gallatin A5 Mandocello - A Style - F Hole (used)


  77. Gibson Style O Artist 1920 (used)

    Gibson Style O Artist 1920 (used)

    Out of stock
    1920 Gibson O Style Artist in amazing condition, all original including case (a bit tatty with the cloth covering removed). The Style O was made famous by Big Bill Broonzy.

    I had been wanting to get my hands on one fo these for a very long time, and then I find two in a few months! It plays beautifully with a rich and full tone, more of a flat-top than archtop sound. All in perfect working order with good action and no buzzes or rattles.

    Gibson Style O Artist 1920 (used)Gibson Style O Artist 1920 (used)Gibson Style O Artist 1920 (used)


  78. Northfield Big Mon F5 Engelmann top (used)

    Northfield Big Mon F5 Engelmann top (used)

    Out of stock
    A very rare opportunity to get a used big Mon in excellent condition. Save £1000 on the new price.

    The Northfield Big Mon has been creating quite a stir. It has a big fat tone with fantastic volume and projection. Created as the ideal bluegrass hoss (or cannon if you prefer) it has great depth and richness of tone to take on pretty well any style, with great responsiveness from the lightest touch to the heaviest attack with a thick pick.

    From the Northfield website. "Our "Big Mon" Mandolin is something we created in our shop. In an effort to try and create a little more mid range and bass response, with a nice airy sound, we developed this model to have a distinct voice. Here's what we did..

    The "Big Mon" body style is just slightly different than the standard size. We've increased the width of the body, at its widest point, by 5mm. We've also adjusted the depth/width of the sides a little in a few places. Everything is in proportion to this change, so it results in a slightly larger body overall. It's not very noticeable unless you compare it directly to another standard size by lining them up back to back."

    Northfield Big Mon F5 Engelmann top (used)Northfield Big Mon F5 Engelmann top (used)Northfield Big Mon F5 Engelmann top (used)


  79. Avalon L325 Legacy Premier 2008 (used)

    Avalon L325 Legacy Premier 2008 (used)

    Out of stock
    Avalon L325 Legacy Premier with stunning rosewood back an sides. It has a very rich and full tone with great depth and warmth, full and deep bass notes, luscious and complex mids and clear trebles. This is a very expressive guitar with good projection and balance.

    It’s in excellent condition with some very light play wear, complete with the original documentation.

    Top - Cedar
    Back & sides - Rosewood
    Neck - Mahogany
    Fretboard - Bound Ebony
    Case - Hiscox hard case made in the UK

    Frets to the body - 14
    Scale length - 25.4"
    Neck profile - D
    Nut width - 43.8mm
    Nut spacing - 7.3mm
    Bridge spacing - 11.2mm
    Action fret 1 low E - 0.7mm
    Action fret 12 low E - 2.25mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 1.75mm
    Lower bout width - 16.25"
    Upper bout width - 11.81"
    Body depth at base - 4.92"

    Satin finish - Avalon logo - Koa bindings - Rosewood headstock veneer - Side dots/no position markers - MoP rosette - Rosewood bridge - Gotoh tuners - Ebony tuner buttons - Bone nut and saddle - Ebony bridge pins - Clear pickguard

    Avalon L325 Legacy Premier 2008 (used)Avalon L325 Legacy Premier 2008 (used)Avalon L325 Legacy Premier 2008 (used)


  80. Gibson J-35 Custom 1995 (used)

    Gibson J-35 Custom 1995 (used)

    Out of stock
    1995 Gibson J-35. Signed by Gibson Master Luthier Ren Ferguson. It is faithful replica of the pre-war Gibson J-35. It features Honduran Mahogany Back and sides, Adirondack Spruce top, Ebony fingerboard and saddle, Waverly Tuners and Original Hard case. For most of it's 22 years it was kept unplayed in a case by a collector, so the condition is remarkable for it's age. It has had no repairs, it has no cracks and only a few weather checks (they are hard to see).

    Fantastic rich and deep tone, kind of a dreadnought plus with all the power of a dread but with great clarity and projection, great for strumming flatpicking and fingerstyle.

    • Adirondack spruce top
    • Mahogany back and sides
    • 14 frets to the body
    • 24 ¾” scale
    • 1 3/4" nut width
    • 2 3/16” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ivoroid bindings
    • Ebony headstock veneer
    • Rope backstrip
    • MoP position markers (with side dots)
    • Concentric circles rosette
    • Ebony fretboard
    • Ebony bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ivoroid bridge pins
    • Tiger stripe pickguard
    • TKL/Gibson case

    Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)Gibson J-35 Custom 1995 (used)


  81. McElroy OO 12 Fret - Adirondack & Koa (used)

    McElroy OO 12 Fret - Adirondack & Koa (used)

    Out of stock


    Fantastic OO from Brent. The OO is my favourite guitar body size and this is a great example of why. The Adirondack and koa give it remarkable clarity and projection and the deep body add great depth and warmth. Strong, well defined bass notes, rich and full mids and clear and sparkling trebles. Its also a joy to play.


    • Adirondack spruce top
    • Koa back and sides
    • 24.9” scale
    • 1 3/4" nut width
    • 2 1/4" string spacing at saddle
    • 14 1/8” lower bout
    • 12 frets to the body
    • Ebony headstock veneer
    • Ebony bindings
    • Spalted Maple rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Mother of pearl inlaid logo
    • Mother of pearl small dot position markers
    • Gold Gotoh 510 tuners
    • Ebony bridge pins
    • No pickguard


    McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)McElroy OO 12 Fret - Adirondack & Koa (used)


  82. Lowden D32 1997 (used)

    Lowden D32 1997 (used)

    Out of stock
    Newtonards made 1997 D32.

    Fantastic rich, deep and resonant tone with great volume and projection. Great for picking, strumming and much more.

    • Cedar top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.5” scale
    • 1 11/16” nut width
    • 2 1/8” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Wood purfling
    • Mahogany bindings
    • Rosewood headstock veneer
    • MoP dot position markers (with side dots)
    • Abalone rosette
    • Ebony fretboard
    • Rosewood bridge
    • Gotoh tuners
    • Butterbean tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hiscox/Lowden case





    Lowden D32 1997 (used)Lowden D32 1997 (used)Lowden D32 1997 (used)


  83. Campanella Due 2007 (used)

    Campanella Due 2007 (used)

    Out of stock
    I am not expecting my fist mandolin from Joe until September 2017 so having this preview is fantastic.

    I now know why Joe has gained such an incredible reputation, the Due model is his signature mandolin. It has remarkable presence and depth of tone with a richness that is quite stunning. This is a fantastic all-rounder with plenty of volume and a great chop for bluegrass players and great warmth and resonance for other styles.

    With Waverly tuners, James tailpiece and Calton case. The new price will be over £7500.

    Campanella Due 2007 (used)Campanella Due 2007 (used)Campanella Due 2007 (used)


  84. Martin O17T Tenor 1933 (used)

    Martin O17T Tenor 1933 (used)

    Out of stock
    Fantastic 1933 Martin O17T. All original including banjo tuners and original case.

    It came in tuned CGDA but I have re-strung and re-tuned it to GDAE which seems to be its natural home with a very strong and full tone and great projection.

    Martin O17T Tenor 1933 (used)Martin O17T Tenor 1933 (used)Martin O17T Tenor 1933 (used)


  85. Gibson A1 Mandolin 1908 (used)

    Gibson A1 Mandolin 1908 (used)

    Out of stock
    This is an early Gibson A style mandolin with "pumpkin" top and Orville Gibson's picture on the label. The mandolin has the first version of the elevated pickguard but it is missing the clamp. The tailpiece cover is the earliest version that is a bit more ornate. The original bridge height is a full 3/4". The finish is great and the top is fully arched with no sinking. This a great playing antique instrument. Classic vintage Gibbo tone, lots of that wonderful deep and resonant bass, warm and sweet mids and clear trebles.

    Gibson A1 Mandolin 1908 (used)Gibson A1 Mandolin 1908 (used)Gibson A1 Mandolin 1908 (used)


  86. Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)

    Out of stock
    Excellent condition slope D made in Dana's workshop in 2005.

    Adirondack and rosewood make for a very powerful guitar with endless headroom, huge basses, awesome warm and full mids and bright and loud trebles. Anyone who know Vo Fletcher it's previous owner will know that this is the kind of guitar that Vo goes for. Built for performance and filling a venue with great definition and projection it also responds very well to a gentler approach.

    Pickup in the photos not included.

    Adirondack spruce top
    Indian rosewood back and sides
    Sunburst finish
    Snakehead headstock
    Soft cutaway
    25.5 " scale
    1 23/32"" nut width
    2 3/16" string spacing at saddle
    15 13/16" lower bout
    Ebony headstock veneer
    Triple ivoroid bindings
    Marquetry back strip
    Concentric circles rosette
    Bone nut and saddle
    Ebony fretboard
    Ebony belly bridge
    Abalone inlaid logo
    Abalone custom fretboard inlay
    Waverly tuners with ivoroid buttons
    Bone bridge pins
    Tortoise pickguard
    TKL hardshell case

    Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)Bourgeois Slope D Custom - Adirondack & Rosewood - Cutaway 2005 (used)


  87. Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)

    Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)

    Out of stock


    Excellent condition Cuban mahogany Saluda from 2015.

    It has the clarity you would expect from the Sitka/Cuban mahogany combination, with endless headroom. The SJ body size adds great depth and warmth. A very versatile guitar with a very full tone and excellent separation and projection, great for all styles form strumming to gentle fingerstyle.


    • Sitka spruce top
    • Cuban mahogany back and sides
    • Sharp cutaway
    • Satin finish
    • 14 frets to the body
    • 25.5” scale
    • 1 ¾” nut width
    • 2 1/8” string spacing at saddle
    • 16” lower bout
    • Mahogany neck with inlay
    • MoP logo
    • B/W/B purfling
    • Ebony bindings
    • Ebony headstock veneer
    • Ebony backstrip
    • Grapevine fretboard inlay (with side dots)
    • Grapevine rosette
    • Ebony fretboard
    • Ebony pinless bridge
    • Waverly tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Hiscox Pro II case with some internal wear



    Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)Eggle Custom Saluda - Ancient Cuban Mahogany 2015 (used)


  88. Washburn Parlour 1904 (used)

    Washburn Parlour 1904 (used)

    Out of stock
    1904 Washburn parlour in excellent condition. Adirondack/Brazilian rosewood, wooden coffin style case.

    The depth and richness of tone of this little beauty is truly remarkable! It's a little clichéd to say how parlour guitars sound like bigger guitars but if you doubt it, come and try this stunner. It has a quality of tone that only a hundred and ten years of Adirondack and Brazilian can produce.

    I have no expertise in this area but will do my best to answer any questions. As far as I can tell it is all original except for the bridge pins.

    Top - Adirondack Spruce
    Back & sides - Brazilian Rosewood
    Neck - Mahogany
    Fretboard - Ebony
    Case - Coffin hard case

    Frets to the body - 12
    Scale length - 24.0"
    Neck profile - V
    Nut width - 47.4mm
    Nut spacing - 7.9mm
    Bridge spacing - 12.2mm
    Action fret 1 low E - 0.75mm
    Action fret 12 low E - 2.8mm
    Action fret 1 high E - 0.5mm
    Action fret 12 high E - 3.25mm
    Lower bout width - 12.5"
    Upper bout width - 8.86"
    Body depth at base - 3.94"

    Brazilian rosewood headstock veneer - Marquetry backstrip - No position markers - Ebony bridge Three on a plate tuners - Ivoroid tuner buttons - Plastic (non original) bridge pins - No pickguard

    Washburn Parlour 1904 (used)Washburn Parlour 1904 (used)Washburn Parlour 1904 (used)


  89. Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Kronbauer MJ - Sitka/Rosewood 2012 (used)

    Out of stock
    In excellent condition. This is lot of guitar for the money.

    I have compared it with other sitka/rosewood jumbos and this is the sweet one! The sound is very warm and lush without lacking definition. Fantastic for picking and strumming and more than capable of some delicate fingerstyle.

    • Sitka top
    • Rosewood back and sides
    • 14 frets to the body
    • 25.6” scale
    • 1 ¾” nut width
    • 2 ¼” string spacing at saddle
    • 16 1/8” lower bout
    • Mahogany neck
    • MoP logo
    • Maple top border
    • Maple bindings
    • Rosewood headstock veneer
    • Micro dot position markers (with side dots)
    • Spalted maple rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh tuners
    • Toffee tuner buttons
    • Micarta nut and saddle
    • Ebony bridge pins
    • Clear pickguard
    • Hard case

    Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)Kronbauer MJ - Sitka/Rosewood 2012 (used)


  90. Dudenbostel A-1 (used)

    Dudenbostel A-1 (used)

    Out of stock
    Lynn makes very few of his A-1 model to a basic spec, no variations. I originally bought it from Lynn, he told me that he enjoys making these once in a while because he doesn’t have to work to other people’s requirements. It still has the 'Dude' sound, they don't come any better, volume and subtlety, richness and clarity, projection and intimacy, its has it all. And I think it looks amazing.

    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
    Dudenbostel A-1 (used)Dudenbostel A-1 (used)Dudenbostel A-1 (used)
  91. Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)

    Out of stock
    Oh my what a beauty to nestle in your lap! Adirondack and mahogany add up to a very clear and well defined tone that also has great depth, warmth, resonance and complexity. This is a fantastic fingerstyle guitar with great responsiveness and playability.

    Top Adirondack spruce
    Back & Sides Honduran mahogany
    Lower Bout Width 13 7/16"
    Neck Honduran mahogany
    Body Binding Tortoise with b/w/b/w top purfling
    Fingerboard Binding None
    Peghead Binding None
    Bridge Ebony belly-style with 2 3/16" spacing
    Fingerboard Ebony with MOP short dots
    Bridge Pins/End Pin Ebony with MOP dot
    Nut Bone, 1 11/16"
    Saddle Bone, Drop-in
    Neck Profile Modified V
    Peghead Profile Tapered square
    Neck Joint Mortise & tenon hybrid
    Truss Rod Fully adjustable
    Frets Medium 18% nickel-silver
    Peghead Veneer Ebony with MOP Collings logo
    Tuners Nickel Waverly (16:1 ratio)
    Rosette b/w Purfling
    Scale Length 24 7/8"
    Brace Material Sitka spruce
    Brace Pattern Pre-war scalloped X-brace
    Fingerboard Radius 14" - 26" compound
    Body Finish High gloss nitrocellulose lacquer
    Pickguard Tortoise
    Case Deluxe Hardshell case by TKLKL


    Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)Collings O1A Sunburst - Adirondack & Honduran Mahogany - 2006 (used)


  92. Gibson F4 1921 Mandolin (used)

    Gibson F4 1921 Mandolin (used)

    Out of stock
    This 1921 F4 is has been around to block a few times, but has a great tone. It has a pre 1922 neck with a truss-rod  installed and an adjustable bridge. The lower part of the pre 1922 flower pot inlay is covered by a nickel  truss-rod cover. It is all original except the bridge and it is structurally sound with no issues. Modern fiberglass case.

    It plays beautifully and has great volume and the deep and resonant tone so beloved of these old Gibsons.


    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
    Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)Gibson F4 1921 Mandolin (used)
  93. Gibson A1  1912 (used)

    Gibson A1 1912 (used)

    Out of stock
    1912 A1 in great condition with original tuners, bridge, tailpiece and case (with new handle).

    Plays well with that classic full and fat tone.

    Gibson A1  1912 (used)Gibson A1  1912 (used)Gibson A1  1912 (used)


  94. McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)

    McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)

    Out of stock
    Made in 2015 this beauty is in as new condition.

    Adirondack and mad rose is a great combination giving a very full and warm tone with endless headroom as you would expect. It has remarkable richness across all tonal ranges with excellent balance and projection. The bass notes are rich and well defined, the mids very complex and full of character, the trebles are full and bright and clear. All in all a wonderful guitar for everything from hard strumming to a gentle fingerstyle, its response is very even and balanced.


    • Madagascan rosewood back and sides
    • Soft cutaway
    • 14 frets to the body
    • 25.4 ” scale
    • 1 3/4” nut width
    • 2 5/15” string spacing at saddle
    • 16” lower bout
    • Mahogany neck
    • MoP logo
    • Ebony bindings
    • Ebony headstock veneer
    • No position markers (with side dots)
    • Emboya burl rosette
    • Ebony fretboard
    • Ebony pin-less bridge
    • Gotoh 510 tuners
    • Gold tuner buttons
    • Bone nut and saddle
    • No pickguard
    • Embroidered logo Ameritage case

    McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)McElroy Gen 2.1 Std - Adirondack & Madagascan Rosewood 2015 (used)


  95. Berkowitz F6 Concert - German Spruce & Ziricote (used)

    Berkowitz F6 Concert - German Spruce & Ziricote (used)

    Out of stock

    The spruce was harvested in Germany over thirty years ago, hence some darker graining near the centre. David says he chose this piece for its exceptional acoustic qualities, and it shows. It has an incredibly rich and balanced sound with amazing separation and clarity, the typical qualities of the best Ziricote and German spruce.

    • Over 30 year old German spruce top
    • Ziricote back and sides
    • 25.5” scale
    • 1 3/4" nut width
    • 2 ¼" string spacing at saddle
    • 15 ½" lower bout
    • Ebony headstock veneer
    • Ebony bindings
    • Wood/abalone rosette
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony bridge
    • Abalone inlaid logo
    • No position markers
    • Gotoh super 510 tuners
    • Ebony tuner buttons
    • Ebony bridge pins
    • No pickguard
    • Calton case


    Berkowitz F6 Concert - German Spruce & Ziricote (used)Berkowitz F6 Concert - German Spruce & Ziricote (used)Berkowitz F6 Concert - German Spruce & Ziricote (used)


  96. Beneteau OO-12 - Sitka & Rosewood (used)

    Beneteau OO-12 - Sitka & Rosewood (used)

    Out of stock
    Used and in excellent condition, more than a grand less then a new one one.

    A beautiful OO from Marc, fourteen and three sixteenths inch lower bout, 12 frets to the body, Indian Rosewood/Sitka spruce with a slotted headstock, pyramid bridge and nickel Waverly tuners, 1 11/16" nut and 25" scale. A quality oft sought in a fingerstyle guitar is great articulation, this is a true polyglot. It has incredible clarity and definition and remarkable playability.



    • Sitka spruce top
    • Indian rosewood back and sides
    • K & K pickup
    • 12 frets to the body
    • 25 " scale
    • 1 11/16" nut width
    • 2 1/8" string spacing at saddle
    • 14 3/16" lower bout
    • Slotted headstock
    • Honduran rosewood bindings
    • Honduran rosewood back strip
    • Honduran rosewood rosette
    • Abalone inlaid heel cap logo
    • Bone nut and saddle
    • Ebony fretboard
    • Ebony pyramid bridge
    • No position markers
    • Waverly tuners
    • No pickguard
    • Hiscox case

    Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)Beneteau OO-12 - Sitka & Rosewood (used)


  97. Rigel CT 110 Blue (used)

    Rigel CT 110 Blue (used)

    Out of stock
    One of my favourite Rigels ever is back (probably briefly). This beauty used to be Ted Eschliman's, from jazzmando. It is in excellent condition and has the classic CT-110 sound, there is an amazing depth and richness to the tone, complex but well defined... its very hard to describe the tone of such a fantastic mandolin. Sounds great plugged in too.

    Its one of a kind and comes with the original Rigel tweed rectangular case.




    Rigel CT 110 Blue (used)Rigel CT 110 Blue (used)Rigel CT 110 Blue (used)


  98. Hamblin OO Sunburst - Sitka & Mahogany (used)

    Hamblin OO Sunburst - Sitka & Mahogany (used)

    Out of stock
    A beautiful sunburst mahogany OO from Kent. This is an amazing price for such a great guitar, fantastic loud and punchy sound with solid and rounded bass, full mids and clear well defined trebles. It has great balance a playability.



    • Sitka spruce top
    • Mahogany back and sides
    • Sunburst top finish
    • 14 frets to the body
    • 25” scale
    • 1 3/4“ nut width
    • 2 5/16” string spacing at saddle
    • 14 5/16” lower bout
    • Mahogany neck
    • No cutaway
    • Black/maple top border
    • Black bindings
    • Ebony headstock veneer
    • No position markers (with side dots).
    • Abalone rosette
    • Madagascar rosewood fretboard
    • Ebony pyramid bridge
    • Gotoh open tuners
    • Nickel tuner buttons
    • Bone nut and saddle
    • Ebony bridge pins
    • Tortoise pickguard
    • Superior case

    Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)Hamblin OO Sunburst - Sitka & Mahogany (used)


  99. Fine Resophonics Mandolin (used)

    Fine Resophonics Mandolin (used)

    Out of stock
    Fine Resophonics mandolin made by Mike Lewis in as new condition with hard case. It has good volume with a smooth tone, great for playin' those blues.

    Fine Resophonics Mandolin (used)Fine Resophonics Mandolin (used)Fine Resophonics Mandolin (used)


  100. Beneteau OM - Engelmann & Ziricote (used)

    Beneteau OM - Engelmann & Ziricote (used)

    Out of stock
    In as new condition. Fantastic Ziricote sound (and looks) with warm and deep tones all across the range and sweet and clear mids and trebles. This is a very balanced guitar with full and resonant tone, great projection and plays like a dream.

    • Engelmann spruce top
    • Ziricote back and sides
    • 14 frets to the body
    • 25.4” scale
    • 1.75” nut width
    • 2.25” string spacing at saddle
    • 15” lower bout
    • Mahogany neck
    • MoP logo
    • B/W purfling
    • Walnut bindings
    • Ziricote headstock veneer
    • Ziricote rear headstock veneer
    • Walnut backstrip
    • MoP position markers (with side dots)
    • Burled walnut rosette
    • Ebony fretboard
    • Ebony bridge
    • Gotoh 510 black tuners
    • Bone nut and saddle
    • Ebony bridge pins
    • No pickguard
    • Calton case

    Beneteau OM - Engelmann & Ziricote (used)Beneteau OM - Engelmann & Ziricote (used)Beneteau OM - Engelmann & Ziricote (used)


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